Remembering Superman. And the Nikon D850 in San Diego « Arthur Morris/BIRDS AS ART

Remembering Superman. And the Nikon D850 in San Diego

What’s Up?

Friday morning was all blurs, 386 of them. I kept only 14 and most of those were not-too-good. With perfect conditions, I had chances at sunset and made 519 images with most of those not being very good. Perhaps the cattails are a lot taller than they were last year. So, is there a benefit of creating 905 not very good images? Considering that everything I created yesterday was with the big lens on a tripod with a TC, yes! The big advantage is that the more you shoot flight, the more your panning skills will improve. Being able to keep the bird in the center of the frame by panning smoothly at the same rate as the bird is flying will improve you flight photography by leaps and bounds. If I keep practicing, I might be able to jump over tall buildings someday …

Wanting to learn more about Christopher Reeve’s equestrian accident, paralysis, and eventual death, I did some internet surfing. I had forgotten that the name of the original actor how played Superman, the guy seen in the YouTube video above, was named George Reeves. Now that is a good Jeopardy question. Speaking of Jeopardy, congrats to the amazing Amy Schneider whose 28-game total winnings passed $1,000,000 in last’s night’s runaway victor. When she does not immediately know an answer, it seems that you can hear the hard drive in her head spinning … The woman is truly amazing.

Here’s a tough one for her: What was the name of the editor-in-chief of the Metropolis newspaper, The Daily Planet? Do you remember? (I remembered the first name but not the last.)

Today is Saturday 8 January 2022. Conditions for this morning are looking very good with clear skies and a northeast wind. And tomorrow morning in Central Florida is looking even better with east/southeast winds. If I do not get a client for Lakeland for Sunday morning, I may put out the fresh road-killed rabbit that I scooped up on Friday morning. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about 90 minutes to prepare and makes 59 consecutive days with a new one.

Please remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Your-Pick In-the-Field Sessions

From Now Through Wednesday 12 January

The beauty of the Your Pick In-the-Field Sessions plans below is that I am free most days from now until I leave for San Diego on 14 January. The best news is that we can schedule sessions to coincide with the perfect weather forecast. These sessions are ideal for central Florida locals or folks visiting the region for whatever reason. Interested? Get in touch via e-mail or better yet, try my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. Inquire for couples and group rates.

Indian Lake Estates In-the-Field Sessions

Two hours of intensive instruction: $300.00. Add a working brunch with image review: $100.00. Sunset shoot: $100.00. Guest room lodging available. Mix and match.

Sunny mornings with east winds are best. Likely subjects include ridiculously tame Sandhill Cranes along with Black and Turkey Vultures, Crested Caracara, Limpkin, Great Egret, Great Blue Heron, and more. Bald Eagle possible; crane chicks coming soon.

Lakeland or Circle B Bar Preserve

Two hours of intensive instruction: $325.00. Add a working brunch with image review: $100.00. Mix and match.

Sunny mornings with winds that have an easterly component are best at Lakeland. Likely subjects include point-blank American White Pelican, Anhinga, Limpkin, Common Moorhen, White Ibis, a variety of wintering ducks including Ring-necked and Wood Duck, and lots more.

Cloudy mornings or afternoons (shooting sessions only in the afternoon) are best at Circle B Bar Preserve. Likely subjects include Great Blue Heron, Great Egret, Little Blue Heron, Snowy Egret, Tricolored Heron, White Ibis, Common Moorhen, Osprey, Red-shouldered Hawk, American Alligator, Wild Boar, and more. If you wish to mix and match, lodging at ILE is available.

Sony Alpha 1 Bodies in Stock at Bedfords/free card offer!

Steve Elkins of Bedfords let me know recently that he had several Sony a1 bodies in stock. If one of them has your name on it, please click here and be sure to enter the BIRDSASART coupon code check the box for free shipping to enjoy free Second Day Air Fed-Ex. Right now, in lieu of the 3% credit refunded to the card you used for your purchase, you will receive a Sony 160GB CFexpress Type A TOUGH Memory Card, a $399.99 value!

Brand New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 20 January 2019 at La Jolla, CA. I used the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 370mm) and the mega mega-pixel Nikon D850 DSLR.. ISO 800: 1/1250 sec. at f/6.3 in Manual mode. AWB at 8:45am on a partly sunny morning.

Upper Center Group/Shutter Button AF. Click on the image to enjoy a larger version.

Image #1: Brown Pelican, Pacific race: breeding plumage adult scissors preening

The Nikon D850 (and Lots More) in San Diego

I began playing with the Nikon gear in San Diego in January 2018 and was still on the Dark Side there in 2019. In ’18, I was using both the D5, the pro body, and the D850. After that first January, the D5 sat on the shelf while I was all-in with two D850 bodies. At the time, Nikon AF was better than Canon AF for birds in flight. Many skilled photographer friends followed me by ditching Canon and going to Nikon. And pretty much all of those folks followed me on the next switch, from Nikon to Sony. That switch began in January 2019, also in San Diego.

The D850 image files were and remain superb. I like the ergonomics and the camera was — for the most part — relatively easy to use. In sort, the huge problem with the D850 is that when you are using a telephoto lens switching the AF Method requires three hands. My second gripe was that when you added a TC AF performance suffered as you moved the AF point away from the center.

Nikon D850 Users e-Guide & Video

Purchase here.

Nikon D850 Users e-Guide & Video

$50 via download

This great guide includes 15 pages of text, a 46-image gallery, and a comprehensive camera handling video.

The text covers all of the menu item settings that I used on my two D850 bodies and each gallery image has a legendary BIRDS AS ART educational caption. The emphasis is two-fold:

1- getting your camera set-up so that it is optimized for bird photography.

2- sharing everything that I know about the Nikon AF system so that you can create consistently sharp images of static subjects, and most especially, of birds in flight and in action.

Though this guide is designed for the D850, nearly all of the info applies to the D5 and to the D500 as well. You can purchase your copy in the BAA On-line Store here. Both files are large so you will need a good internet connection to download them.

This image was created on 20 January 2019 at La Jolla, CA. I used the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 500mm) and the mega mega-pixel Nikon D850 DSLR.. ISO 800: 1/1600 sec. at f/6.3 in Manual mode. AWB at 10:05am on a rare cloudy morning.

Upper Center Group/Shutter Button AF. Click on the image to enjoy a larger version.

Image #2: Brown Pelican, Pacific race: sub-adult head and neck portrait

Brown Pelican Plumage Variations

I am absolutely obsessed by the great variety of plumages in Pacific-race Brown Pelicans. And that is true both with the adults in various states of breeding and non-breeding plumages and with the younger birds as well. Many individuals, like the bird featured in Image #2, seem to be one offs!

San Diego In-the-Field (I-T-F) Sessions

As I will be staying in San Diego longer than originally planned, I am offering In-the-Field Sessions as below.

San Diego I-T-F Offerings

Individual Morning Sessions on Monday 1/24, Tuesday 1/25, and Wednesday 1/26.

Three hours of intensive instruction: $399.00. Add a working brunch with image review: $100.00.

Please inquire if you would like to explore the possibility of an afternoon session on Monday 1/24 or Tuesday 1/25.

These sessions are ideal for Southern California locals or for folks visiting the region for whatever reason. Interested? Get in touch via e-mail or better yet, try my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. Inquire for couples and group rates.

The Nikon AF Fine-tune e-Guide

Please click here to purchase.

The Nikon AF Fine-tune e-Guide: $30.00 (or free to some–see below for details on that).

by Arthur Morris/BIRDS AS ART and Patrick Sparkman

There is lots of misinformation out there on the Nikon Automatic AF Fine-tune feature. Much of that involves vast over-simplifications. Patrick Sparkman and I developed a way of using the Automatic Fine-tune feature effectively with the D5, D500, the D7500, and the D850. Patrick, however, was on a roll and perfected a method for using the Focus Peaking feature available only on the D850 to quickly and accurately micro-adjust all lenses and TC-Es with your D-850. If you own a D850 you should be using D850 Focus Peaking AF Fine-tune rather than Nikon Automatic AF Fine-tune. It is faster and easier and more accurate. While there is some halfway decent info online with regards to Nikon Automatic Fine-tune feature, I have never seen a word about using the amazing D850 Focus Peaking capabilities to determine an accurate AF Fine-tune value. You can thank Patrick Sparkman for rectifying that situation.

With both Nikon Automatic AF Fine-tune and D850 Focus Peaking AF Fine-tune, the use of a LensAlign Mark II unit is recommended as best by far for accurate results, and thus, this guide is written reflecting that. Taping a sheet of newsprint on a wall or using the FoCal kit does not assure you of the True Parallel Alignment (TPA) that is guaranteed when you set up your LensAlign properly. Without TPA your results will be off anywhere from a little to a lot. You can purchase the LensAlign Mark II alone here. Or you can purchase the LensAlign/FocusTune combo here. If you do not own either of those we suggest that you decide which to purchase after reading this guide through once. That said, we recommend the LensAlign/FocusTune combo for reasons that will become obvious as you make your way through the guide.

Do understand that much of the set-up information included in the Nikon AF Fine-tune e-Guide is by necessity a duplication of information included in The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide.

Please click here to purchase.

Image #2A: RawDigger screen capture for the Brown Pelican, Pacific race: sub-adult head and neck portrait image

Absolutely Terrible!

Images where the G channel gets 2/3rds of the way from the 8000 to the 16000 line are perfect exposures. Images where the G channel gets right up to the line are dead-solid perfect. Images where the G channel does not even reach the 8000 line are absolutely terrible as far as exposure is concerned. In fact, this image is more than 1 1/3 stops under-exposed. Working with RawDigger has helped me learn to expose to the right thus minimizing noise, maximizing image quality, best utilizing the dynamic range of my camera, and attaining the highest possible level of shadow detail in my RAW files in every situation. In addition, my properly exposed RAW files now contain more tonal information and feature the smoothest possible transitions between tones. And my optimized images feature rich, accurate color.

RawDigger — not for the faint of heart …

Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are completely bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

The RawDigger (pink) Adapted Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me when I struggled with R5 exposures and when I learned my new camera body, the Sony Alpha a1.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first, we struggled. We asked questions. We learned about Max-G values. We could not figure out why the Max G values varied by camera system. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning-to-end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate colors.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you as to which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

8 comments to Remembering Superman. And the Nikon D850 in San Diego

Leave a Reply to Jim Amato Cancel reply

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>