Archive for the ‘Photographic Locations’ Category

Planes, Boats, and SUVs….

Thursday, June 11th, 2009

This coastal Brown Bear was photographed with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1DMIII (while I was lying flat on my belly in the mud).  ISO 400.  Evaluative metering +2/3 stop: 1/400 sec. at f/8.  When working large subjects with large subject-to-camera distances the wide open aperture will offer sufficient depth-of-field; when working with small subjects close to minimum focusing distance you need to use smaller apertures in order to attempt to have enough depth-of-field to cover the entire subject.   This grizzled old boar with a muddy forehead showed lots of character.

This coastal Brown Bear was photographed with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII (while I was lying flat on my belly in the mud). ISO 400. Evaluative metering +2/3 stop: 1/400 sec. at f/8. When working large subjects with large subject-to-camera distances the wide open aperture will offer sufficient depth-of-field; when working with small subjects close to minimum focusing distance you need to use smaller apertures in order to attempt to have enough depth-of-field to cover the entire subject. This grizzled old boar with a muddy forehead showed lots of character. As always you can click on each image to see a larger version.

 

Well, the bear boat trip turned out to be quite a travel adventure.   We awoke at 3:30am on June 4 to catch the 6:15 am flight to Kodiak where we would meet the boat.  We took off on time.  It was very foggy in Kodiak but as the plane descended we were thrilled to see the ground, but seconds later the pilot pulled up and began to circle; he had been unable to see the runway in front of him.   We went round and round for about 25 minutes before heading back to Anchorage.  We all got on the 3:00pm flight, but it was put on a weather hold.  We finally departed at 4:15 pm, made it through an opening in the fog, and landed on Kodiak a bit after 5pm.   By 6pm we had all of our bags and gear in an SUV and were headed for Anton Larson Bay to meet the boat. 

 

After about 30 minutes of driving we were about 3 miles from the dock when the engine of the SUV simply quit.   We spotted some folks down the road apiece and they agreed to ferry us and our gear for $100.   It would have taken them about 3 or 4 trips as they had only a small vehicle, but just after they left for their first run our captain/guide Chuck and his girlfriend Olga drove up looking for us as we had been seriously delayed.  We packed everything into the back of his pickup, climbed in, and headed for the boat. 

 

By 8pm, after a great dinner, we were in the skiff photographing otters.   All was well with the world.  We photographed the otters again the next morning and then crossed the Shelikof Strait.  It was quite windy and several of us wound up feeling a bit queasy.  Multiple IPT veteran and dear friend Jim Heupel did get seasick, that after surviving a Drake Passage crossing with 40 foot waves this past winter.  Go figure!  Once we got into the bay at Katmai things calmed down and we wound up photographing two four or five five year old bears playing. 

 

Skip ahead a few days.  Our group of five and Chuck were surrounded by several coastal Brown Bears when we noticed that the wind had picked up considerably.  Chuck had anchored both of his 65 foot boats—his next group was nine and he would need both boats—on a single anchor.  He mentioned that he was a bit concerned that the boats might drag the anchor in the high winds but that he knew that his mate would have alerted him had there been a problem.  (His radio, however, had been turned off….)  A while back, I had noticed the mate and our cook in the skiff nearby and thought nothing of it, but when Chuck mentioned his concern I told him that his crew was in the skiff right offshore of where we were.   He walked very quickly to the skiff, climbed aboard, and headed for the two boats.  

 

We were able to see the two vessels through our long lenses and it looked as if they were in great danger.  Had they come hard aground after smashing into each other?  As it turned out, the anchor had dragged but the boats were both in navigable waters without any damage to either one.  Whew!

 

On our next to last morning I realized, as I stepped off the skiff at high tide, that I had forgotten to put my NEOS overshoes on.   As Chuck pulled away in the skiff I noted that I would be pretty much stuck in one spot as I would be unable to cross any of several fairly deep streams.  I raised Chuck on the radio and asked him to bring me a pair of hip waders and he said that he would.  Within 20 minutes he was back with the waders.  He left the skiff, ran to shore to hand me the hip boots, and made his way back to the skiff.   The only problem was that the tide had been dropping so fast the skiff was now barely afloat as the tide steamed out.  I quickly put on my boots and joined Chuck in attempting to push the huge (about 25 feet) skiff into deeper water.  It was rough going for several minutes as we strained with all of our might, Chuck having a lot more might than I. The boat was actually on the bottom several times and we had to push from the rear while lifting the skiff; finally the boat was floating with Chuck at the helm.   (I knew that Chuck had a ton of work to do that day; if the skiff had been grounded we would all have been stuck there for about ten hours until the tide came back in.)  Whew again!

 

On 10 June, as we started our long journeys home, our bags—as a result of float plane delays—did not get to the Kodiak airport in time for our 4:45pm Alaska Airlines flight.  All five of us were switched to the 7:45 ERA flight and will make our red-eye connections later tonight.   Our plans to grab a day room at the Dimond Center Hotel for a quick shower and a nap did not materialize.  All of us (but for George Brunt, who is laying over in Anchorage) are looking forward to getting home safely on the eleventh.   

 

It is now the morning of 11 June and I am sitting bleary-eyed in the lounge at the Minneapolis airport after the red-eye flight from Anchorage.   I will be back soon with tales of bears and eagles and of course, with more new images. 

This adult Bald Eagle was photographed with the Canon 800mmm f/5.6L IS lens and the EOS-1D MIII.  ISO 400.  I metered the blue sky just above the horizon and added 2/3rds of a stop of light:  1/2000 of a second at f/7.1.  A quick check of the histogram showed a perfect exposure.  We had many great opportunites to photograph eagles on this trip.

This adult Bald Eagle was photographed with the Canon 800mmm f/5.6L IS lens and the EOS-1D MIII. ISO 400. I metered the blue sky just above the horizon and added 2/3rds of a stop of light: 1/2000 of a second at f/7.1 set manually. A quick check of the histogram showed a perfect exposure. We had many great opportunites to photograph eagles on this trip.

Los Madrones

Friday, April 24th, 2009
This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

Chris and I arrived at Mike and Julie Murphy’s Los Madrones Ranch on Tuesday afternoon.   As with most new places, it took us a while to figure the place out but we wound up getting some great images of many species that we had seen or photographed (or both!) for the first time.  Texas’s top birder and one of (if not the) best bird photographers in the state, Greg Lasley, helped us track down our number one target species, the Golden-cheeked Warbler, a gorgeous bird that nests only in Texas Hill Country.  Six to seven pairs of this endangered warbler nest on the Murphy’s beautiful 400 acre ranch.     We stayed in the lovely Casita with all the comforts of home and photographed from three of the four photo blind/feeder set-ups that Mike has constructed. 

Los Madrones is located in western Travis County, TX.  If you would like to photograph some of the species below (and more), you can contact Mike Murphy to arrange a vist by cell phone at   512-925-6902 or via e-mail to mike@losmadrones.com.  You can learn more about the ranch here: http://www.losmadrones.com/Los_Madrones/Home.html  

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

There is a great section in “The Art of Bird Photography II” (916 pages on CD only) on selecting perches and creating a feeder set-up that will work for photography.  You can learn more about ABP II here: http://www.birdsasart.com/ABPII.htm.
This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

As regular BIRDS AS ART Bulletin readers know I am a huge fan of cloudy-bright days.  They offer  much reduced contrast, great color saturation, amd images without shadows.   And most importantly, they allow you to work well off light angle.  The two images above were created as the birds sat on natural perches well off to the side of our set.  Had it been a clear sunny day, each would have been about 40 degrees off of the proper sun angle and I would not have even pointed my lens at them. 

Thanks to Mike and Julie for their generous hospitality and for hosting our visit to Los Madrones.

Farewell to Dauphin Island

Wednesday, April 22nd, 2009
This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder.  The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III.  ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.   This image was created after our set had fallen into shadow.  I much prefer this image to those created in the late afternoon light.  Once I switched to digital cloudy bright days and shaded subjects became my very best friends.

This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder. The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8. This image was created after our set-up had fallen into shadow. I much prefer this image to those created in the late afternoon light. Once I switched to digital, cloudy bright days and shaded subjects became my very best friends. This image was my last Dauphin Island keeper....

The hospitality that Chris and I encountered on Dauphin Island was incredible.  First  we met Mike Rogers, a contractor from Mobile, who invited us to the beautiful home on the bay that he built with his Dad and served us a great crab and shrimp dinner.  He introduced us to his friend Terry Hartley and the two of them went out of their way to show us the best spots.  On day 2 they brought us to the home of John and Jennie Stowers who just happened to be serving a sumptous lunch to more than 100 folks who were attending the Alabama Ornithological Society’s spring meeting.  That night Mike took us out to dinner!  We had to work hard for each image as we did not encounter any fallouts of major proportions.   Mike and Terry introduced us to Chris and Michele Steber who served us a great lunch on their deck and allowed us to remake their yard in an effort to photograph the great birds at their feeders.  Again, it required a lot of work as the birds were quite shy.  We achieved success on our last afternoon on Dauphin after erecting a makeshift blind using a blanket that I keep int the back of my SUV to keep the gear covered.  We hung the blanket between two trees (secured by gold-colored horsehoes), left it in place for a day so that the birds could get used to it blowing in the wind, and finally got to stand behind it while  photographing Indigo Bunting, Blue Grosbeak, and Red-breasted Grosbeak. 

We awoke before 3am on Tuesday, left just after 3:30, and made it to Hill Country near Austin, TX 12 hours later with Chris doing the bulk of the driving.   As always, you can click on each image to enlarge it.

Three happy campers.  Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer.  This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago.  Chris Dodds is on your right.

Three happy campers. Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer. This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago. Chris Dodds is on your right.

This Northern Parula was attracted to our position by playing a tape of its call.  The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII.  ISO 800.  Evaluative metering +1/3 stop: 1/100 sec. at f/5.6.  Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

This Northern Parula was attracted to our position by playing a tape of its call. The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII. ISO 800. Evaluative metering +1/3 stop: 1/100 sec. at f/5.6. Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

The Better Beamer is designed to be used with telephoto lenses with equivalent focal lengths of more than 300mm: learn more here: http://www.birdsasart.com/accs.html#BEAMER.  In the original image here, the bill tip of the singing bird was–as expected because of the slow shutter speed–quite blurred.  I created a Quick Mask of the sharp lower mandible from the previous frame, moved it to this image as an layer mask, and then, using the techniques described in APTATS, warped the lower mandible to create a perfect (and sharp) match.   You can learn the basics of Quick Masking (plus tons more) in our Digital Basics File (http://www.birdsasart.com/digitalbasics.htm) and learn the advanced techniques from the APTATS CD here:  http://www.birdsasart.com/aptats.htm

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500.  Evaluative metering +2/3 stop: 1/250 sec. at f/9.  With the blowing grasses about ten feet behind the perch they created a pleasing background.  It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500. Evaluative metering +2/3 stop: 1/250 sec. at f/9. With the blowing grasses about ten feet behind the perch, they created a pleasing background. It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeders with the same gear as the rest. ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeder with the same gear as the rest. No flash. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8.

I removed a secong hanging vine from the background here using a variety of techniques described in Digital Basics. 

Though we did not get to enjoy a major fallout, Chris and I made some great images on Dauphin Island and had an overall great time.  I particularly enjoyed taking my health walks on the seaside golf course.  We offer our heartfelt thanks to all of the folks who made our trip more enjoyable and productive.

More Dauphin Island plus some Photoshop Tips

Monday, April 20th, 2009

I should have mentioned that when we arrived we were greeted by chants of “You should have been here yesterday.”  As it turns out, Thursday–the afternoon of the day that we should have been on Dauphin Island, was a big wave day with a large fallout of neo-tropical migrants.  And we soon learned that the preceding Monday had been an epic day….

In any case, on our first afternoon, there was a single adult male Scarlet Tanager that was very tame.  The problem was that he spent most of his time on the ground.    On occasion, he did pop up for a second or two.

As always, you can click on each image to enlarge it.

_10j4094-dauphin-island-al1

This is a JPEG that represents the original capture. The image was created with the Canon 800mm f/5.6L IS lens, one 25mm extension tube (to allow for closer focusing), and the Canon EOS-1D Mark III. ISO 500. Evaluative metering +2/3 stop: 1/60 sec. at f/7.1. The image looks pretty washed out as it should (with the histogram pushed to the right). The perch below the bird is a bit hot with just a few over-exposed pixels, and the several little branchlets are distracting. Though I knew that it would require a fair amount of time (it took me about 45 minutes), I decided to remove all of the offending branchlets.

Below is a JPEG that represents the optiimized master file.   I used a variety of techniques including one that I call “Protect and Defend.”   You can learn more about this technique here:  http://www.birdsasart.com/bn275.htm.  Scroll down to “A FREE DIGITAL BASICS EXCERPT: GETTING RID OF THAT BRANCH!”  The work involves using the Clone Stamp, a series of Quick Masks, and the Patch Tool. 

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders.  Lastly, I did a small crop after balancing the color and working on the REDs.

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders. Lastly, I did a small crop after balancing the color and working on the REDs.

You can learn all of the above techniques plus dozens and dozens more from our Digital Basics file (a PDF sent via e-mail).  Click here to learn more: 

Challenging Start to Warbler/Songbird SUV Trip

Friday, April 17th, 2009

Well, Chris and I were supposed to be on Dauphin Island on Thursday afternoon but slept in the Brandon, FL motel that night.  I brought my Toyota Sequoia in for the 90,000 mile service even though I had only 80,000 miles on the vehicle.  I figured that it would be a good idea bring it in before the long trip, but worried that they would somehow screw up a good thing; the SUV had run perfectly for all 80,000 miles with only oil and filter changes at the local Jiffy Lube.  Well, the service with the timing chain and a new water pump ran just a shade under $2,000.  

 We sailed on Tampa Bay for spoonbills with Captain James Shadle on Wednesday morning and then headed to the motel to pack the car.   Just a few miles from the motel every warning light on the planet came on in the vehicle that followed by strange sounds from the engine and that by plumes of steam and smoke.  The short story is that the hose to the thermostat was put back in place but that the mechanic neglected to clamp it….  A temperature sensor in the engine computer sensor was burned out.  We were not supposed to get my truck back until late Friday at the earliest but miracale of miricles, it by Thursday night and we were good to go in the morning and will be leaving for Alabama at 5:30 am.  Yes, I am an early riser. 

The mishap with the vehicle allowed us to spend a great afteroon at Fort DeSoto on Wednesday and Thursady  morning with Jim Neiger on Lake Toho in search of Snail Kites. 

As always, you can click on the image to see a larger version. 

This Roseate Spoonbill image was created with the Canon 800mm f/5.6 L IS lens with the EOS-1D Mark III body.  ISO 500.  Evaluative Metering +1 stop off the sky set manually: 1/1250 sec. at f/8.  Whenever I am trying to create flight images I stop down a bit to f/7.1 or f/8 if I have enough light for a bit of extra depth-of-field.

This Roseate Spoonbill image was created with the Canon 800mm f/5.6 L IS lens with the EOS-1D Mark III body. ISO 500. Evaluative Metering +1 stop off the sky set manually: 1/1250 sec. at f/8. Whenever I am trying to create flight images I stop down a bit to f/7.1 or f/8 if I have enough light for a bit of extra depth-of-field.

This image of a dancing fishing Reddish Egret was created with the handhled Canon 400mmm f/4 IS DO lens and the EOS-1D Mark III.  ISO 400.  Evaluative metering +2/3 stop: 1/1250 sec. at f/6.3.  I find it much easier to handhold when trying to follow erratic action than to work off a tripod and in addition, it is easier to move side to side to stay on sun angle.  I used 45-Point AAFPS to make it easier to hold focus as the bird veered and twisted about.

This image of a dancing fishing Reddish Egret was created with the handhled Canon 400mmm f/4 IS DO lens and the EOS-1D Mark III. ISO 400. Evaluative metering +2/3 stop: 1/1250 sec. at f/6.3. I find it much easier to handhold when trying to follow erratic action than to work off a tripod and in addition, it is easier to move side to side to stay on sun angle. I used 45-Point AAFPS to make it easier to hold focus as the bird veered and twisted about.

This young male Snail Kite image was created witht the Canon 800mmm f/5.6L IS lens and the EOS-1D Mark III. ISO 800.  Evaluative metering +1 stop:  1/1250 sec. at f/9.  The key to create this image was using 45-Point AAFPS so that I could acquire focus with the bird in the center of the frame and then recompose without losing focus.

This young male Snail Kite image was created witht the Canon 800mmm f/5.6L IS lens and the EOS-1D Mark III. ISO 800. Evaluative metering +1 stop: 1/1250 sec. at f/9. The key to create this image was using 45-Point AAFPS so that I could acquire focus with the bird in the center of the frame and then recompose without losing focus.

Instead us allowing a challenging situation to get us really angry we saw it as an opportunity to explore new options and create some great images.

Do As I Say…. A weather story

Tuesday, April 14th, 2009

Despite a somewhat scary weather forecast, I photographed this morning at Fort DeSoto Park south of St. Petersburg, FL with Chris Dodds (www.chrisdoddsphoto.com) and Linda Robbins, the Hummingbird Queen.  It was cloudy and dark so we were all using high ISOs and fill flash.  By about 9am a huge black cloud was creeping up on us from the west,  from out over the Gulf.  We knew that we would need to exit soon and quickly. After concentrating on our avian subjects for a while, we all glanced up at the sky just as we decided to high-tail it back to the cars.  We were stunned by what we saw.  Just offshore of the park was the strangest, most beautiful cloud formation that any of us had ever seen.  There were huge , angled, diagonal clouds that were oriented more vertically than horizontally.   They had white borders and were changing shape each moment.   They seemed almost alive, to be gaining strength with every passing seonnd.  We all thought that we were witnessing the birth of a tornado.  Linda was well ahead of Chris and me.  Then, Chris and I had the same thought at the same time:  “Let’s photograph this now and run for our lives later.” 

In both  “The Art of Bird Photography” and in ABP II (on CD only) I am pretty sure that I wrote something like this:  “You should never be afield without a short zoom lens in your vest.  On those days when you get lazy and leave it in your car, you will surely regret it.”  Well, there we were, two professional photographers out on the beach without a single short lens between us.   “OK, we’ll run back to the car, grab a short lens, head back out to the beach, photograph those amazing clouds, and then run like hell.”   As we ran, the cloud formation seemed to be gaining  on us, and as we appoached the restrooms it began to hail and the wind began to scream.  The temperature seemed to have dropped 30 degrees in seconds.   I had the fleeting thought that I was might die in a tornado.   By the time that we reached the car it was pouring, but the wind had subsided a bit so Chris and I grabbed the short lenses and ran the hundred yards back to the beach only to be greeted by a sky filled with boring gray clouds, a sky completely devoid of drama. 

As the title of his post says, do as I say…..  Not as I do.   Chris and I spent the rest of the day talking about what we had seen and eventually agreed that it was likely that the experience had surely been better than the images would have been. 

Below is my favorite image from our too-short morning. 

This worn first winter Herring Gull was scavenging a long-dead saltwater catfish.  The image was created with the Canon 800mm f/5.6 L IS lens and the EOS-1D Mark III.  ISO 800.  Evaluative metering +1 1/3 stops: 1/500 sec. at f/5.6 set manually.  Fill flash with Better Beamer at -1 2/3 stops.

This worn first winter Herring Gull was scavenging a long-dead saltwater catfish. The image was created with the Canon 800mm f/5.6 L IS lens and the EOS-1D Mark III. ISO 800. Evaluative metering +1 1/3 stops: 1/500 sec. at f/5.6 set manually. Fill flash with Better Beamer at -1 2/3 stops.

As always, click on the image above to see a larger version.

The trick to using fill flash is to set the correct ambient exposure (the ambient light is the existing natural light) and then dial back the flash, usually to somewhere between -1 and -3 stops.   A perfect result is an image that features  additional sharpness, balanced, natural looking color, clean whites, and most importantly, an image in which the use of flash is not obvious.   What you are looking for is just a splash of flash.   With this image I love the sharpness, the perfect use of fill flash, and the carefully designed composition with the bird’s angled body entering the frame exaactly from the upper left-hand corner.  And the perfect head angle. 

More DeSoto Images As Promised & Some Head Angle Fine Points

Tuesday, April 7th, 2009

As mentioned in the last post, the wind and weather on the morning of the 3rd made it one very tough morning.   With the wind quite strong from the west, there were fewer birds on the exposed beach, and most of the birds were taking advantage of the small bit of shelter offered by the beach vegetation.  After I assessed the situation, I know that I would be able to create some images in which the vegetation played at least as important a part of the image’s success as the bird….

This was the first habitat image that I created.  My eye was attracted by the somewhat sweeping pattern of the vegetation.  If I had gotten closer I would not have been able to include all of the plant.  I used the Canon 800mm f/5.6L IS lens and the EOS-1D MIII.  ISO 1000.  Evaluative metering +1/3 stop: 1/250 sec. at f/5.6.  With the rather fierce wind, I raised the ISO to ensure a fast-enough shutter speed.  The most important thing to note as far as the image design is that I was careful not to clip the tallest bit of vegetation on our left.

This was the first habitat image that I created. My eye was attracted by the somewhat sweeping pattern of the vegetation. If I had gotten closer I would not have been able to include all of the plant behind the bird. I used the Canon 800mm f/5.6L IS lens and the EOS-1D MIII. ISO 1000. Evaluative metering +1/3 stop: 1/250 sec. at f/5.6. With the rather fierce wind, I raised the ISO to ensure a fast-enough shutter speed. Fill flash at -1 1/3 stops with the Better Beamer. The most important thing to note as far as the image design is that I was careful not to clip the tallest bit of vegetation on our left.

In this version, I eliminated the o-o-f vegetation in the u-r-c.  Which version do you prefer?

In this version, I eliminated the o-o-f vegetation in the u-r-c. Which version do you prefer?

Here, note how I have carefully chosen my prespective to frame the Royal Tern against the sand. I made several images once I got into position but knew that this one, with the bird looking out of the frame (for the best compositional balance with the vegetation on my left), would be my favorite. Canon 800mm f/5.6L IS lens with the EOS-1D MIII. ISO 800. Evaluative metering +1 1/3 stops: 1/400 sec. at f/5.6. Fill flash at -1 1/3 stops with Better Beamer.

Here, note how I have carefully chosen my prespective to frame the Royal Tern against the sand. I made several images once I got into position but knew that this one, with the bird looking out of the frame (for the best compositional balance with the vegetation on my left), would be my favorite. Canon 800mm f/5.6L IS lens with the EOS-1D MIII. ISO 800. Evaluative metering +1 1/3 stops: 1/400 sec. at f/5.6. Fill flash at -1 1/3 stops with Better Beamer.

 

This and the next image were created with the Canon 800mm f/5.6L IS lens and the EOS-1D MIII body.  ISO 800.  Evaluative metering +1 1/3 stops: 1/250 sec. at f/5.6.  Fill flash at -1 1/3 stops with the Better Beamer.  In this image, the bird's head is turned just a bit away from the imaging sensor.  This head position is far from ideal.

This and the image below were created with the Canon 800mm f/5.6L IS lens and the EOS-1D MIII body. ISO 800. Evaluative metering +1 1/3 stops: 1/250 sec. at f/5.6. Fill flash at -1 1/3 stops with the Better Beamer. In this image, the bird's head is turned just a bit away from the imaging sensor. This head position is far from ideal.

This image features a pretty much perfect head angle with the bird's head turned a very few degrees towards me.  You need to be aware of the head angle before you press the shutter button!

This image features a pretty much perfect head angle with the bird's head turned a very few degrees towards me. You need to be aware of the head angle before you press the shutter button!

To learn more about proper head angle see the Head Angle Police thread on BirdPhotographers.Net here:  http://www.birdphotographers.net/forums/showthread.php?t=7781  And while you are there, be sure to check out the other great tutorials in Educational Resources here: http://www.birdphotographers.net/forums/forumdisplay.php?f=30  See you all soon.

Jeez, I keep forgetting to mention: if you will be visiting Fort DeSoto, do check out our Fort DeSoto Site Guide here: http://www.birdsasart.com/siteguides.htm

Captain Froggie and the Alafia Banks; Near Dunking or Near Drowning?

Sunday, March 22nd, 2009

For those having image distortion problems related to their browsers, we apologize but will be unable to deal with that problem until we are able to customize Word  Press; that will not happen for a while as I am hoping to get my taxes done on time for the first time in years.  Anyone who has a solution is of course welcome to e-mail us at birdsasart@att.net

I had the alarm set for 4am early on Friday morning.  I was asleep before 9pm but woke with unabated excitement at 2:07am.  I finished a Sudoku puzzle and then gave up on getting any more sleep.   Spoonbills can do that to you.  I met Captain James Shadle at the dock at Gibsonton.   He had a single client, Randy Stout, who had been on the BIRDS AS ART SW FLA Post X-mas  IPT.  He has since become quite active on BirdPhotographer’s.Net  (BPN: It Ain’t just birds; honest critiqutes done gently.)   You can see our Image of the Year here: http://www.birdphotographers.net/ 

In any case, we were out on the bay in the pitch dark marvelling at the phosphorence in the wake of James’ pontoon boat, the Hooptie Deux.   Soon after that we had some nice pre-dawn ibis blast-offs.

Here is an image I made with the 800mm lens alone and the EOS-1D MII (ISO 500:  1/1250 sec. at f/6.3 in manual mode.  Evalutive -+2/3 stop off the low blue sky and then confirmed via histogram check):

roseate-spoonbill-_10j2601-alafia-banks-tampa-bay-fl3

I added canvas right and eliminated a variety of minor but distracting BKGR elemens.

Once we had several birds in front of us on the mud flat I wanted to sit down in the water for a lower angle. I shortened the legs on my Gitzo 3530 LS tripod and pulled out the leg tabs.  I was wearing my lightweight chest waders without a belt.  I spread the legs of the tripod and attempted to sit down behind my rig in about 18 inches of water.  The problem was that I began to float….  James called out that the water was about an inch from going over the top of the rear of my waders as my bouyancy attempted to tip me over backwards and he left his rig to give me a hand.   Now I had a bigger problem.  As I struggled to gain control of myself and my rig I pretty much lost control of the 800 lens with a Mark III on it.  Two or three times the camera body came within 1/2 inch of the salt water. Finally, with James’ help, I regained control, pulled the tripod legs together, pushed in the leg tabs, and got on my knees–not my favorite position–behind the tripod, and made some images.  It was a close call and I believe that disaster was averted only because I did not panic. 

Anyway, below is my favorite image from that little adventure.  It was created with the 800 f/5.6 L IS lens, the 1.4X II TC, and the EOS 1D MIII.  ISO 500.  Evaluative metering -1/3 stop: 1/800 sec. at f/9 set manually. 

roseate-spoonbill-head-toss-display-_10j2681-alafia-banks-tampa-bay-fl

If you are or will be in Florida at any time during the next six weeks do make sure to give James a buzz, get out on Tampa Bay, and enjoy some quality opportunities with one of Florida’s most sought-after species.  You can reach James via e-mail at either of these addresses:   james@wildflorida.net or james@birdphotographers.net  or on his cell phone:     813-363-2854   .  It is better to keep trying than to leave a message.   To learn more about James click here:  www.wildflorida.net

 

 

ILE: My Home Turf (and and news of an amazing sighting…)

Thursday, March 19th, 2009

I wake up at my home-office at Indian Lake Estates (ILE), Florida about half of each year.   (Don’t ask me where the estates are….)    In any case, ILE consists of 450 modest homes on 4,000 acres surrounded by 17,000 protected acres on the Lake Wales Ridge.  My late masseuse, John Lynott, told me that he saw a Florida Panther in the yard of the local church about 20 years ago, and there are Panther Crossing signs on SR 60 that I travel regularly.   On some mornings and even more rarely, on some afternoons, I do get out for an hour to photograph.  The tame Sandhill Cranes make good subjects year round, and in early spring there are always some chicks about.  In several months they grow to handsome colts.   The current issue of My Big Backyard (i.e., Ranger Rick for younger children), featured my image a large chick taking a sip of water and a spread of baby sandhill images inside.  Do not laugh: they pay very well. 

On the morning of March 15 I created two images that I liked; each required some special handling in Photoshop.  The first image was of a displaying Boat-tailed Grackle.  I photographed it from my vehicle near a golf course pond with the Canon 800mm f/5.6L IS lens and the EOS-50D on the BLUBB (the BAA Big Lens Ultimate BeanBag).   I began photographing the  bird from a spot just off sun angle when I noticed that if I moved forward a few yards I would be able to separate the three twigs and later, clone out the two distracting ones.  I moved the car forward right to sun angle; fortunately the vehicle did not fall into the pond.  The problem was that the very best pose was created right off the bat.  The solution:  I borrowed the foot from a later frame using a Quick Mask, covered the merged twigs with the borrowed foot, rotated and scaled the selection, and finally erased the two extra twigs with the Clone Stamp.

Here is the final image:

boat-tailed-grackle-displaying-male-_mg_7434-indian-lake-estates-fl

I liked this pose best because of the wonderully flared tail.  BTW, ISO 400.  Evaluative metering +2/3 stop: 1/1000 at f/8.

I found an Osprey sitting on a low post with some dried moss for its nest.  Lens and set-up same as above.  ISO 400.  Evaluative metering -1/3 stop: 1/1000 sec. at f/8.  With the 50D you need to be more careful about burning the whites in bright sun than with the MIII bodies. 

When I viewed the image on my laptop (where I optimize all of  my images) I was dismayed to see a large nail in the post.  Using the Clone Stamp, the Patch Tool, and a series of Quick Masks, I eliminated the nail and shorted a single long stem of grass that had inesected with the bird’s body.  

Here is the image out of the camera:

_mg_7419-indian-lake-estates-flc

Here is a close-up of the offending area:

section-before-_mg_7419-indian-lake-estates-flc

Here is that same section after I cleaned it up:

section-after

All of the techniques that I used for the cleanup (as well as our coplete digital workflow and dozens of great Photoshop tips) are described in detail in our Digital Basics File.  You can learn more here:

http://www.birdsasart.com/digitalbasics.htm  

Finally, here is the final image:

osprey-on-post-with-nesting-material-_mg_7419-indian-lake-estates-fl

Notice the perfect look-back head angle.

Oh, by the way, when Jim, Jim Litzenberg,  my right hand man, came back from his morning walk (except in summer, I walk in the afternoons), he told me that he had seen a Florida Panther just two blocks from home….   All  of you who have dealt with Jim on the phone know that he is personable, efficient, helpful, and friendly.  If you would like to meet him, click here:

http://www.birdphotographers.net/forums/showthread.php?t=31956

Lastly, here is a killer image of me in action created by Jory Griesman, click here:

http://www.birdphotographers.net/forums/showthread.php?t=32199

Some SW FLA Presidents Week IPT Images

Tuesday, March 17th, 2009

brown-pelican-landing-1-8-sec-blur-_mg_6835-little-estero-lagoon-ft-myers-beach-flc

On a nice afternoon at Little Estero, the fog swooped in like some mythic creature.  Rather than quit, I suggested that we begin making intentional blurs explaining that getting one great one was like winning the lottery.  The image above was created with 70-200mm f/4L IS lens handheld at 78 mm with the 50D.    Evaluative metering + 1 1/3 stops in TV mode: 1/8 second at f/29.   Much better would have been to have had the correct 9-stop neutral density filter for the 70-200 f.4; then I could have used a much wider aperture to avoid maximizing the few dust spots.  A start in that direction would have been to go from ISO 400 to ISO 2oo.

brown-pelican-splashdown-_mg_6143-placida-flc

 When an IPT visits the Venice Rookery in the morning I have a great afternoon spot about an hour away for both Brown and White Pelicans.    The green swatch in the water (that I love by the way) is the reflection of a pressure treated piling..   This image was made with the much maligned 100-400 IS L zoom lens handheld at 120mm with the EOS-50D.  ISO 400.  Evaluative metering -1/3 stop: 1/1600 at f/7.1 in Av Mode. 

great-blue-heron-silh-yellow-orange-1-10-sec-_d4i0110-little-estero-lagoon-ft-myers-beach-flc1

Early on still mornings at Estero can be magic but only if you are in the right spot at the eastern end of the lagoon where the sun comes up over the Gulf and a distant spit.  This image was created with the Canon 800mm f/5.6L IS lens with the EOS-1D Mark III.  ISO 800.  Evaluative metering +2/3 stop: 1/10 sec. at f/5.6.  The 800 features a new 4-stop IS system that at times seems close to miraculous.  I have made sharp images at shutter speeds as slow as 1/6 sec. 

snowy-egret-flying-in-800mm-miii-_d4i9930-little-estero-lagoon-ft-myers-beach-flc

Being at Little Estero Lagoon on a low tide with little wind and the sun just coming over the condos can be pure magic, especially when there is a natural feeding spree.  This Snow Egret was photographed on just such a morning with the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark III.  ISO 400.  Evaluative metering +2/3 stop: 1/1250 sec. at f/8.