Archive for the ‘Photoshop Tips’ Category

Blacklit Images

Sunday, June 14th, 2009
Blacklit Coastal Brown Bear, Katmai National Park, AK.  See the image below for the techs.   And do click on each image to view a larger version.

Blacklit Coastal Brown Bear, Katmai National Park, AK. See the image below for the techs. And do click on each image to view a larger version. I created the opening image from the image below.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

The second image represents what I saw in the field, the first image is the one that I visualized.   It is much better to create an image with the histogram well to the right (as in the second image) than to try and create the opening image in camera.   Your files will contain much more info by following this approach.
Here is how I created the opening image.  First, I converted the RAW file in ACR.  (When you do this, be sure that the rim-lit fur is not flashing.)  Next, I did a Levels adjustment by pulling the left-hand slider far to the right while holding down the Alt key (until the shape of the bear appeared almost solid black). Then I moved the middle-tone slider to the right to make the image even darker. I do these two things often to create blacker SILHs. Then I added Black to the Blacks and to the Neutrals in Selective Color as described in Digital Basics: https://store.birdsasart.com/shop/item.aspx?itemid=252
This particular image was inspired directly by Miguel Lasa’s BBC honored blacklit Polar Bear image.  (I thought that it deserved top honors….)   You can see Miguel’s winning image (in the Creative Visions of Nature category) here:  http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/photo.do?photo=2428&category=50&group=1  It would be interesting to see the RAW file. 
I first came across the term “black light” in Andy Rouse’s latest and highly inspirational book, “Concepts of Nature.”   The opening image is a combination of Andy’s “Black Light” and his “Atmospheric Ring of Fire” concepts.  You can learn more about this great book here: https://store.birdsasart.com/shop/item.aspx?itemid=53.   I have long pitched the idea that in order to improve folks need to look at as many great natural history images as possible, and in Concepts of Nature Andy has made that easy to do.  I was so taken with the words and the pictures that we ordered fifty copies of Concepts of Nature so that the serious photographers on this side of the pond could take advantage of Andy’s brilliance.   
Here is an abstract black-lit image of the backlit hump and back of a big bear.  It was created with the same gear as the image above.  ISO 500.  Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

Here is an abstract blacklit image of the backlit hump and back of a big bear. It was created with the same gear as the image above. ISO 500. Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

I take pride in the fact that I have coined many terms commonly used by today’s nature photographers.  Even though the opening image was jointly inspired by MIguel and Andy I will take credit for coming up with the term “blacklit.”  I will be back soon to share more images from my Alaska trip.

Farewell to Dauphin Island

Wednesday, April 22nd, 2009
This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder.  The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III.  ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.   This image was created after our set had fallen into shadow.  I much prefer this image to those created in the late afternoon light.  Once I switched to digital cloudy bright days and shaded subjects became my very best friends.

This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder. The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8. This image was created after our set-up had fallen into shadow. I much prefer this image to those created in the late afternoon light. Once I switched to digital, cloudy bright days and shaded subjects became my very best friends. This image was my last Dauphin Island keeper....

The hospitality that Chris and I encountered on Dauphin Island was incredible.  First  we met Mike Rogers, a contractor from Mobile, who invited us to the beautiful home on the bay that he built with his Dad and served us a great crab and shrimp dinner.  He introduced us to his friend Terry Hartley and the two of them went out of their way to show us the best spots.  On day 2 they brought us to the home of John and Jennie Stowers who just happened to be serving a sumptous lunch to more than 100 folks who were attending the Alabama Ornithological Society’s spring meeting.  That night Mike took us out to dinner!  We had to work hard for each image as we did not encounter any fallouts of major proportions.   Mike and Terry introduced us to Chris and Michele Steber who served us a great lunch on their deck and allowed us to remake their yard in an effort to photograph the great birds at their feeders.  Again, it required a lot of work as the birds were quite shy.  We achieved success on our last afternoon on Dauphin after erecting a makeshift blind using a blanket that I keep int the back of my SUV to keep the gear covered.  We hung the blanket between two trees (secured by gold-colored horsehoes), left it in place for a day so that the birds could get used to it blowing in the wind, and finally got to stand behind it while  photographing Indigo Bunting, Blue Grosbeak, and Red-breasted Grosbeak. 

We awoke before 3am on Tuesday, left just after 3:30, and made it to Hill Country near Austin, TX 12 hours later with Chris doing the bulk of the driving.   As always, you can click on each image to enlarge it.

Three happy campers.  Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer.  This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago.  Chris Dodds is on your right.

Three happy campers. Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer. This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago. Chris Dodds is on your right.

This Northern Parula was attracted to our position by playing a tape of its call.  The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII.  ISO 800.  Evaluative metering +1/3 stop: 1/100 sec. at f/5.6.  Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

This Northern Parula was attracted to our position by playing a tape of its call. The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII. ISO 800. Evaluative metering +1/3 stop: 1/100 sec. at f/5.6. Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

The Better Beamer is designed to be used with telephoto lenses with equivalent focal lengths of more than 300mm: learn more here: http://www.birdsasart.com/accs.html#BEAMER.  In the original image here, the bill tip of the singing bird was–as expected because of the slow shutter speed–quite blurred.  I created a Quick Mask of the sharp lower mandible from the previous frame, moved it to this image as an layer mask, and then, using the techniques described in APTATS, warped the lower mandible to create a perfect (and sharp) match.   You can learn the basics of Quick Masking (plus tons more) in our Digital Basics File (http://www.birdsasart.com/digitalbasics.htm) and learn the advanced techniques from the APTATS CD here:  http://www.birdsasart.com/aptats.htm

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500.  Evaluative metering +2/3 stop: 1/250 sec. at f/9.  With the blowing grasses about ten feet behind the perch they created a pleasing background.  It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500. Evaluative metering +2/3 stop: 1/250 sec. at f/9. With the blowing grasses about ten feet behind the perch, they created a pleasing background. It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeders with the same gear as the rest. ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeder with the same gear as the rest. No flash. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8.

I removed a secong hanging vine from the background here using a variety of techniques described in Digital Basics. 

Though we did not get to enjoy a major fallout, Chris and I made some great images on Dauphin Island and had an overall great time.  I particularly enjoyed taking my health walks on the seaside golf course.  We offer our heartfelt thanks to all of the folks who made our trip more enjoyable and productive.

More Dauphin Island plus some Photoshop Tips

Monday, April 20th, 2009

I should have mentioned that when we arrived we were greeted by chants of “You should have been here yesterday.”  As it turns out, Thursday–the afternoon of the day that we should have been on Dauphin Island, was a big wave day with a large fallout of neo-tropical migrants.  And we soon learned that the preceding Monday had been an epic day….

In any case, on our first afternoon, there was a single adult male Scarlet Tanager that was very tame.  The problem was that he spent most of his time on the ground.    On occasion, he did pop up for a second or two.

As always, you can click on each image to enlarge it.

_10j4094-dauphin-island-al1

This is a JPEG that represents the original capture. The image was created with the Canon 800mm f/5.6L IS lens, one 25mm extension tube (to allow for closer focusing), and the Canon EOS-1D Mark III. ISO 500. Evaluative metering +2/3 stop: 1/60 sec. at f/7.1. The image looks pretty washed out as it should (with the histogram pushed to the right). The perch below the bird is a bit hot with just a few over-exposed pixels, and the several little branchlets are distracting. Though I knew that it would require a fair amount of time (it took me about 45 minutes), I decided to remove all of the offending branchlets.

Below is a JPEG that represents the optiimized master file.   I used a variety of techniques including one that I call “Protect and Defend.”   You can learn more about this technique here:  http://www.birdsasart.com/bn275.htm.  Scroll down to “A FREE DIGITAL BASICS EXCERPT: GETTING RID OF THAT BRANCH!”  The work involves using the Clone Stamp, a series of Quick Masks, and the Patch Tool. 

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders.  Lastly, I did a small crop after balancing the color and working on the REDs.

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders. Lastly, I did a small crop after balancing the color and working on the REDs.

You can learn all of the above techniques plus dozens and dozens more from our Digital Basics file (a PDF sent via e-mail).  Click here to learn more: 

Captain Froggie and the Alafia Banks; Near Dunking or Near Drowning?

Sunday, March 22nd, 2009

For those having image distortion problems related to their browsers, we apologize but will be unable to deal with that problem until we are able to customize Word  Press; that will not happen for a while as I am hoping to get my taxes done on time for the first time in years.  Anyone who has a solution is of course welcome to e-mail us at birdsasart@att.net

I had the alarm set for 4am early on Friday morning.  I was asleep before 9pm but woke with unabated excitement at 2:07am.  I finished a Sudoku puzzle and then gave up on getting any more sleep.   Spoonbills can do that to you.  I met Captain James Shadle at the dock at Gibsonton.   He had a single client, Randy Stout, who had been on the BIRDS AS ART SW FLA Post X-mas  IPT.  He has since become quite active on BirdPhotographer’s.Net  (BPN: It Ain’t just birds; honest critiqutes done gently.)   You can see our Image of the Year here: http://www.birdphotographers.net/ 

In any case, we were out on the bay in the pitch dark marvelling at the phosphorence in the wake of James’ pontoon boat, the Hooptie Deux.   Soon after that we had some nice pre-dawn ibis blast-offs.

Here is an image I made with the 800mm lens alone and the EOS-1D MII (ISO 500:  1/1250 sec. at f/6.3 in manual mode.  Evalutive -+2/3 stop off the low blue sky and then confirmed via histogram check):

roseate-spoonbill-_10j2601-alafia-banks-tampa-bay-fl3

I added canvas right and eliminated a variety of minor but distracting BKGR elemens.

Once we had several birds in front of us on the mud flat I wanted to sit down in the water for a lower angle. I shortened the legs on my Gitzo 3530 LS tripod and pulled out the leg tabs.  I was wearing my lightweight chest waders without a belt.  I spread the legs of the tripod and attempted to sit down behind my rig in about 18 inches of water.  The problem was that I began to float….  James called out that the water was about an inch from going over the top of the rear of my waders as my bouyancy attempted to tip me over backwards and he left his rig to give me a hand.   Now I had a bigger problem.  As I struggled to gain control of myself and my rig I pretty much lost control of the 800 lens with a Mark III on it.  Two or three times the camera body came within 1/2 inch of the salt water. Finally, with James’ help, I regained control, pulled the tripod legs together, pushed in the leg tabs, and got on my knees–not my favorite position–behind the tripod, and made some images.  It was a close call and I believe that disaster was averted only because I did not panic. 

Anyway, below is my favorite image from that little adventure.  It was created with the 800 f/5.6 L IS lens, the 1.4X II TC, and the EOS 1D MIII.  ISO 500.  Evaluative metering -1/3 stop: 1/800 sec. at f/9 set manually. 

roseate-spoonbill-head-toss-display-_10j2681-alafia-banks-tampa-bay-fl

If you are or will be in Florida at any time during the next six weeks do make sure to give James a buzz, get out on Tampa Bay, and enjoy some quality opportunities with one of Florida’s most sought-after species.  You can reach James via e-mail at either of these addresses:   james@wildflorida.net or james@birdphotographers.net  or on his cell phone:     813-363-2854   .  It is better to keep trying than to leave a message.   To learn more about James click here:  www.wildflorida.net

 

 

ILE: My Home Turf (and and news of an amazing sighting…)

Thursday, March 19th, 2009

I wake up at my home-office at Indian Lake Estates (ILE), Florida about half of each year.   (Don’t ask me where the estates are….)    In any case, ILE consists of 450 modest homes on 4,000 acres surrounded by 17,000 protected acres on the Lake Wales Ridge.  My late masseuse, John Lynott, told me that he saw a Florida Panther in the yard of the local church about 20 years ago, and there are Panther Crossing signs on SR 60 that I travel regularly.   On some mornings and even more rarely, on some afternoons, I do get out for an hour to photograph.  The tame Sandhill Cranes make good subjects year round, and in early spring there are always some chicks about.  In several months they grow to handsome colts.   The current issue of My Big Backyard (i.e., Ranger Rick for younger children), featured my image a large chick taking a sip of water and a spread of baby sandhill images inside.  Do not laugh: they pay very well. 

On the morning of March 15 I created two images that I liked; each required some special handling in Photoshop.  The first image was of a displaying Boat-tailed Grackle.  I photographed it from my vehicle near a golf course pond with the Canon 800mm f/5.6L IS lens and the EOS-50D on the BLUBB (the BAA Big Lens Ultimate BeanBag).   I began photographing the  bird from a spot just off sun angle when I noticed that if I moved forward a few yards I would be able to separate the three twigs and later, clone out the two distracting ones.  I moved the car forward right to sun angle; fortunately the vehicle did not fall into the pond.  The problem was that the very best pose was created right off the bat.  The solution:  I borrowed the foot from a later frame using a Quick Mask, covered the merged twigs with the borrowed foot, rotated and scaled the selection, and finally erased the two extra twigs with the Clone Stamp.

Here is the final image:

boat-tailed-grackle-displaying-male-_mg_7434-indian-lake-estates-fl

I liked this pose best because of the wonderully flared tail.  BTW, ISO 400.  Evaluative metering +2/3 stop: 1/1000 at f/8.

I found an Osprey sitting on a low post with some dried moss for its nest.  Lens and set-up same as above.  ISO 400.  Evaluative metering -1/3 stop: 1/1000 sec. at f/8.  With the 50D you need to be more careful about burning the whites in bright sun than with the MIII bodies. 

When I viewed the image on my laptop (where I optimize all of  my images) I was dismayed to see a large nail in the post.  Using the Clone Stamp, the Patch Tool, and a series of Quick Masks, I eliminated the nail and shorted a single long stem of grass that had inesected with the bird’s body.  

Here is the image out of the camera:

_mg_7419-indian-lake-estates-flc

Here is a close-up of the offending area:

section-before-_mg_7419-indian-lake-estates-flc

Here is that same section after I cleaned it up:

section-after

All of the techniques that I used for the cleanup (as well as our coplete digital workflow and dozens of great Photoshop tips) are described in detail in our Digital Basics File.  You can learn more here:

http://www.birdsasart.com/digitalbasics.htm  

Finally, here is the final image:

osprey-on-post-with-nesting-material-_mg_7419-indian-lake-estates-fl

Notice the perfect look-back head angle.

Oh, by the way, when Jim, Jim Litzenberg,  my right hand man, came back from his morning walk (except in summer, I walk in the afternoons), he told me that he had seen a Florida Panther just two blocks from home….   All  of you who have dealt with Jim on the phone know that he is personable, efficient, helpful, and friendly.  If you would like to meet him, click here:

http://www.birdphotographers.net/forums/showthread.php?t=31956

Lastly, here is a killer image of me in action created by Jory Griesman, click here:

http://www.birdphotographers.net/forums/showthread.php?t=32199

Little Estero Lagoon

Sunday, March 15th, 2009

On the morning of March 14 I photographed at Little Estero Lagoon in Fort Myers Beach, FL with IPT veterans Brendan Quigley and Bob Blanchard.  While we were amazed that there were so few herons and egrets around we still had lots of great photo opps.   The bridge over San Carlos Pass was closed for most of the morning for a parade so it took us a while to get to breakfast lunch.  Brendan took us to First Watch on the corner of College and Cleveland where we looked at images and had some great chow. 

The SW FLA IPT report will be coming soon. 

mottle-duck-drake-_d4i1564-little-estero-lagoon-ft-myers-beach-fl1

Mottled Duck, drake, Little Estero Lagoon, Fort Myers Beach, FL

Image copyright 2009:  Arthur Morris/BIRDS AS ART

Canon 800mm f/5.6L IS lens with the EOS-1D Mark III on the Mongoose M3.5 atop the Gitzo 3530LS CF tripod.  ISO 400.  Evaluative metering +1 stop:  1/400 sec. at f/11. 
 
Getting flat on the ground yields intimate images but you need to be willing to get wet and muddy as I did here.   I went for some extra depth of  field here knowing that with the bird swiming slowly that 1400 sec. was plenty fast enough for making sharp images.  
 
wilsona-plover-stitched-beach-less-panorama-_d4i1478-little-estero-lagoon-ft-myers-beach-fl

Wilsons’s Plover on beach, Fort Myers Beach, FL

Image Copyright  2009: Arthur Morris/BIRDS AS ART

Canon 800mm f/5.6L IS lens with the EOS-1D Mark III on the Mongoose M3.5 atop the Gitzo 3530LS CF tripod.  ISO 400.  Evaluative metering +1 1/3 stops set manually:  1/320 sec. at f/10. 
 
This image is a stitch pano created from three horizontal frames , combined in Photoshop CS3, and then cropped from the righ.  To merge the images click on  File/Autommate/Batch/Photomerge.   Whenever you see something that looks great long and low, think stitched pano.