Archive for the ‘Workflow Tips’ Category

Blacklit Images

Sunday, June 14th, 2009
Blacklit Coastal Brown Bear, Katmai National Park, AK.  See the image below for the techs.   And do click on each image to view a larger version.

Blacklit Coastal Brown Bear, Katmai National Park, AK. See the image below for the techs. And do click on each image to view a larger version. I created the opening image from the image below.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

The second image represents what I saw in the field, the first image is the one that I visualized.   It is much better to create an image with the histogram well to the right (as in the second image) than to try and create the opening image in camera.   Your files will contain much more info by following this approach.
Here is how I created the opening image.  First, I converted the RAW file in ACR.  (When you do this, be sure that the rim-lit fur is not flashing.)  Next, I did a Levels adjustment by pulling the left-hand slider far to the right while holding down the Alt key (until the shape of the bear appeared almost solid black). Then I moved the middle-tone slider to the right to make the image even darker. I do these two things often to create blacker SILHs. Then I added Black to the Blacks and to the Neutrals in Selective Color as described in Digital Basics: https://store.birdsasart.com/shop/item.aspx?itemid=252
This particular image was inspired directly by Miguel Lasa’s BBC honored blacklit Polar Bear image.  (I thought that it deserved top honors….)   You can see Miguel’s winning image (in the Creative Visions of Nature category) here:  http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/photo.do?photo=2428&category=50&group=1  It would be interesting to see the RAW file. 
I first came across the term “black light” in Andy Rouse’s latest and highly inspirational book, “Concepts of Nature.”   The opening image is a combination of Andy’s “Black Light” and his “Atmospheric Ring of Fire” concepts.  You can learn more about this great book here: https://store.birdsasart.com/shop/item.aspx?itemid=53.   I have long pitched the idea that in order to improve folks need to look at as many great natural history images as possible, and in Concepts of Nature Andy has made that easy to do.  I was so taken with the words and the pictures that we ordered fifty copies of Concepts of Nature so that the serious photographers on this side of the pond could take advantage of Andy’s brilliance.   
Here is an abstract black-lit image of the backlit hump and back of a big bear.  It was created with the same gear as the image above.  ISO 500.  Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

Here is an abstract blacklit image of the backlit hump and back of a big bear. It was created with the same gear as the image above. ISO 500. Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

I take pride in the fact that I have coined many terms commonly used by today’s nature photographers.  Even though the opening image was jointly inspired by MIguel and Andy I will take credit for coming up with the term “blacklit.”  I will be back soon to share more images from my Alaska trip.

ILE: My Home Turf (and and news of an amazing sighting…)

Thursday, March 19th, 2009

I wake up at my home-office at Indian Lake Estates (ILE), Florida about half of each year.   (Don’t ask me where the estates are….)    In any case, ILE consists of 450 modest homes on 4,000 acres surrounded by 17,000 protected acres on the Lake Wales Ridge.  My late masseuse, John Lynott, told me that he saw a Florida Panther in the yard of the local church about 20 years ago, and there are Panther Crossing signs on SR 60 that I travel regularly.   On some mornings and even more rarely, on some afternoons, I do get out for an hour to photograph.  The tame Sandhill Cranes make good subjects year round, and in early spring there are always some chicks about.  In several months they grow to handsome colts.   The current issue of My Big Backyard (i.e., Ranger Rick for younger children), featured my image a large chick taking a sip of water and a spread of baby sandhill images inside.  Do not laugh: they pay very well. 

On the morning of March 15 I created two images that I liked; each required some special handling in Photoshop.  The first image was of a displaying Boat-tailed Grackle.  I photographed it from my vehicle near a golf course pond with the Canon 800mm f/5.6L IS lens and the EOS-50D on the BLUBB (the BAA Big Lens Ultimate BeanBag).   I began photographing the  bird from a spot just off sun angle when I noticed that if I moved forward a few yards I would be able to separate the three twigs and later, clone out the two distracting ones.  I moved the car forward right to sun angle; fortunately the vehicle did not fall into the pond.  The problem was that the very best pose was created right off the bat.  The solution:  I borrowed the foot from a later frame using a Quick Mask, covered the merged twigs with the borrowed foot, rotated and scaled the selection, and finally erased the two extra twigs with the Clone Stamp.

Here is the final image:

boat-tailed-grackle-displaying-male-_mg_7434-indian-lake-estates-fl

I liked this pose best because of the wonderully flared tail.  BTW, ISO 400.  Evaluative metering +2/3 stop: 1/1000 at f/8.

I found an Osprey sitting on a low post with some dried moss for its nest.  Lens and set-up same as above.  ISO 400.  Evaluative metering -1/3 stop: 1/1000 sec. at f/8.  With the 50D you need to be more careful about burning the whites in bright sun than with the MIII bodies. 

When I viewed the image on my laptop (where I optimize all of  my images) I was dismayed to see a large nail in the post.  Using the Clone Stamp, the Patch Tool, and a series of Quick Masks, I eliminated the nail and shorted a single long stem of grass that had inesected with the bird’s body.  

Here is the image out of the camera:

_mg_7419-indian-lake-estates-flc

Here is a close-up of the offending area:

section-before-_mg_7419-indian-lake-estates-flc

Here is that same section after I cleaned it up:

section-after

All of the techniques that I used for the cleanup (as well as our coplete digital workflow and dozens of great Photoshop tips) are described in detail in our Digital Basics File.  You can learn more here:

http://www.birdsasart.com/digitalbasics.htm  

Finally, here is the final image:

osprey-on-post-with-nesting-material-_mg_7419-indian-lake-estates-fl

Notice the perfect look-back head angle.

Oh, by the way, when Jim, Jim Litzenberg,  my right hand man, came back from his morning walk (except in summer, I walk in the afternoons), he told me that he had seen a Florida Panther just two blocks from home….   All  of you who have dealt with Jim on the phone know that he is personable, efficient, helpful, and friendly.  If you would like to meet him, click here:

http://www.birdphotographers.net/forums/showthread.php?t=31956

Lastly, here is a killer image of me in action created by Jory Griesman, click here:

http://www.birdphotographers.net/forums/showthread.php?t=32199