SONY Center Zone AF-C. A Road-kill Cafe Squabble: Bite me! And the RawDigger e-Guide is almost finished! « Arthur Morris/BIRDS AS ART

SONY Center Zone AF-C. A Road-kill Cafe Squabble: Bite me! And the RawDigger e-Guide is almost finished!

What’s Up?

I enjoyed lots of action (story below) at my road-kill cafe set-up on Thursday morning. Then I got a ton of work done on the RawDigger e-guide. Though it is nearly finished, I created a PDF of the current version and sent to all who have saved $10.00 by purchasing the pre-publication version. If you did so and did not receive the new link that I sent out early last evening, please let me know via e-mail.

Today is Friday 8 January. It rained overnight. Though the forecast is poor: clear with a wind from the west, I will head down to the lake at 7:30 to see if I can find some birds before the wind picks up. After breakfast I need to head into town for a bit. This afternoon and this weekend I will finish the RawDigger e-Guide.

This blog past makes twenty-one days in a row with a new blog post. This one took about 2 hours to prepare. Please remember …

Please Remember

With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

SONY Center Zone AF-C

As I wrote when replying to a comment last week, If my life depended on making a single sharp flight image I would want a SONY a9 series body in my hands (rather than a Canon EOS R5). And center zone is pretty darned good for action too! In the SONY e-guide we teach you exactly which AF modes to use and when to use them. In the recent update, we shared info on SONY’s answer to Canon’s Face Detection + Tracking AF; it was there all the time but we had over-looked it!

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

RawDigger e-Guide and Video Advance Copy Available

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a pre-publication copy of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is veryikely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the RawDigger guide ready for sale by next Monday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Canon R5/R6 AF e-Guide Info

So far, 70 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 28 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least a month to finish.

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

Remember that I got away from any form of back-button or rear focusing many years ago after finally realizing that it is always easier to do one thing (press the shutter button), than it is to do two things (press a back button and then press the shutter button).

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in January.

Canon R5/R6 User’s e-Guide

I am working on a complete Canon R5/R6 User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by mid- to late January. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

130 sold to rave reviews.

The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was also created on the morning of 7 January 2021 at Indian Lake Estates. Standing outside of my SUV, I used the Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1250. Exposure determined by Zebras with ISO on the rear wheel: 1/2500 sec. at f/4.5 in Manual mode.

Center Zone Continuous AF was active at the moment of exposure and performed perfectly. Click the image to see a larger version.

Image #1: Capture One screen-grab of Turkey Vultures squabbling: the frame before the Family Jewel image

The Frame Before the Family Jewel Image

Note the perfect framing. The near wing position of the bird on our right is less than ideal as it somewhat obscures its head and face.

I set up the road-kill cafe atop the small knoll just to the right of the parking circle down by the lake because there were dozens of vultures on and around the pier. My new strategy is to sit in my vehicle working on my computer and wait for the first vulture to show up. It helps keep me from having my impatience cause me to drive away after five minutes if no birds show up 🙂 In any case, the birds came in about 20 minutes. Had there been a nice wind from the east or southeast, I would have had lots of chances on landing birds; with the still conditions, I had very few. I did get a keeper or two of an Osprey chasing one of the two Bald Eagles that have been hanging around the lake-front. The eagles have been acting as if they might nest in the vicinity; I saw one bird with a small stick fly into an old Osprey nest at the end of the South Field. And I saw the pair copulate atop a regularly-occupied Osprey platform. Time will tell. Both eagles are currently very dirty birds.

Click on the screen capture to see a larger version.

Image #2: The RawDigger Screen Capture of the original of today’s featured image

Darnit: I Clipped the Primary Tips of the Far Wing!

Had I panned up just a bit, I would not have clipped three primary tips. But with the sharpness of both bird’s heads and the dramatic action, I decided to do the work repair the wingtips. It took me about 20 minutes or perhaps a bit longer, but from where I sit it was well worth it.

Note the opossum carcass at the top of the rise on the left frame-edge and the two half eggshells that were part of the vulture bait.

The RawDigger Screen Capture

In the RawDigger Guide, you will learn about the red highlight warnings and the blue under-exposure warnings. There are very few of the former on the shaft of the first primary on the right wing of the bird on our left. And more of the latter on that bird’s belly. In addition, we teach you to evaluate the OvExp/UnExp pixel numbers. Note the total of 1874 OvExp pixels. Again, those are shown by the red warnings on the shaft of that first primary. The 1874 OvExp pixels out of 24,200,000 are insignificant and were dealt with easily during the raw conversion in Capture One. In the guide, we teach why such seemingly un-recoverable over-exposed pixels can often be recovered. In short, this is a perfect exposure. Going even 1/3-stop darker would have resulted in many more UnExp pixels in the darkest tones.

And Patrick’s latest brilliance, an adaptation of the default RawDigger histogram, makes evaluating the exposure of your raw files from virtually all present-day camera bodies a snap. You will learn not to be misled by specular highlights. It is so simple that even a child could do it!

This image was also created on the morning of 7 January 2021 at Indian Lake Estates. Standing outside of my SUV, I used the Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1250. Exposure determined by Zebras with ISO on the rear wheel: 1/2500 sec. at f/4.5 in Manual mode.

Center Zone Continuous AF was active at the moment of exposure and performed perfectly. Click the image to see a larger version.

Image #3: the optimized version of the family jewel Turkey Vultures squabbling image

The Image Optimization

The first thing I did was to adjust the color temperature because the original — Image #2 — looked a bit YELLOW to me. After very few additional adjustments in Capture One, I converted the raw file and opened the tif file in Photoshop. As almost always, I ran Topaz DeNoise on Auto on the whole image. Back in Photoshop, I added canvas above and right while cropping in from below and left. I eliminated the two eggshells and a few small, white distracting flowers. Then I was left with the somewhat tedious and exacting tasks re-building the three missing primary tips. Actually, the first primary was missing a good bit more than the tip. I removed the whitewash from the visible portion of the far wing of the bird on our right. Last, I boosted the contrast a bit to make the vultures a bit blacker and to give the image more pop.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).

You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The clean-up techniques mentioned above and tons more great Photoshop tips and techniques (with the exception of Capture One RAW Conversions) — along with all of my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my MacBook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: all of the videos are now priced at an amazingly low $5.00 each.

You can learn how and why I used to convert all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About two years ago I began converting my Nikon and Sony RAW files in Capture One Pro 12 and continue to do so today (along with my R5 images).

To purchase Capture One, please use this link. Then you can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here.

You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in The Professional Post Processing Guide by Arash Hazeghi and edited by yours truly. Please use this link to purchase NeatImage.

To introduce folks to our MP.4 videos and the basics involved in applying more NeatImage noise reduction to the background and less on the subject, I’d be glad to send you a free copy of the Free Noise Reduction Basics MP.4 Video. Simply click to shoot me an e-mail to get your free copy.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

2 comments to SONY Center Zone AF-C. A Road-kill Cafe Squabble: Bite me! And the RawDigger e-Guide is almost finished!

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