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	Comments on: Abstract Thoughts &#038; A Depth-of-Field Lesson	</title>
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	<description>The blog of bird photographer Arthur Morris</description>
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		<title>
		By: Fabrizio Giudici		</title>
		<link>https://www.birdsasart-blog.com/baa/2011/02/01/abstract-thoughts-a-depth-of-field-lesson/comment-page-1/#comment-52469</link>

		<dc:creator><![CDATA[Fabrizio Giudici]]></dc:creator>
		<pubDate>Sun, 06 Feb 2011 11:21:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.birdsasart-blog.com/?p=3809#comment-52469</guid>

					<description><![CDATA[Art, since when you posted a question about the DoF in the gull+pelican photo, I was going to ask you something about and waited for a proper post.

Simply put, my question was: how often do you use f/22 (and smaller) in a long tele shot? Usually, I never go beyond f/11 or f/16. More than one year ago, I run into a beautiful subject with two sanderlings sleeping in the foreground and one dunlin in the background. Indeed I was near to a flock of birds, down on the sand, with the sun in good position and a good way to stabilise my long lens. I shot hundreds of photos and most of them (simpler subjects, such as one bird at a time) were fine (sharp, etc...). With the &quot;two sanderlings + dunlin&quot; subject I knew that it was impossible to get everything sharp, but I wanted to have the dunlin in the background less blurred as possible. So I went for f/40 (which was the smallest aperture given by the lens + multiplier). The image didn&#039;t get as sharp as the others, of course, I suppose because of diffraction (and also because sometimes I don&#039;t feel confident in myself, so I kept 1/160 sec. and consequently ISO rose up to 720, giving more grain and less detail). The dunlin was deeply blurred, anyhow.

So, I&#039;m always questioning whether it makes sense to try such a shot, that perhaps is just impossible...

Thanks.]]></description>
			<content:encoded><![CDATA[<p>Art, since when you posted a question about the DoF in the gull+pelican photo, I was going to ask you something about and waited for a proper post.</p>
<p>Simply put, my question was: how often do you use f/22 (and smaller) in a long tele shot? Usually, I never go beyond f/11 or f/16. More than one year ago, I run into a beautiful subject with two sanderlings sleeping in the foreground and one dunlin in the background. Indeed I was near to a flock of birds, down on the sand, with the sun in good position and a good way to stabilise my long lens. I shot hundreds of photos and most of them (simpler subjects, such as one bird at a time) were fine (sharp, etc&#8230;). With the &#8220;two sanderlings + dunlin&#8221; subject I knew that it was impossible to get everything sharp, but I wanted to have the dunlin in the background less blurred as possible. So I went for f/40 (which was the smallest aperture given by the lens + multiplier). The image didn&#8217;t get as sharp as the others, of course, I suppose because of diffraction (and also because sometimes I don&#8217;t feel confident in myself, so I kept 1/160 sec. and consequently ISO rose up to 720, giving more grain and less detail). The dunlin was deeply blurred, anyhow.</p>
<p>So, I&#8217;m always questioning whether it makes sense to try such a shot, that perhaps is just impossible&#8230;</p>
<p>Thanks.</p>
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		<item>
		<title>
		By: Arthur Morris/BIRDS AS ART		</title>
		<link>https://www.birdsasart-blog.com/baa/2011/02/01/abstract-thoughts-a-depth-of-field-lesson/comment-page-1/#comment-51504</link>

		<dc:creator><![CDATA[Arthur Morris/BIRDS AS ART]]></dc:creator>
		<pubDate>Thu, 03 Feb 2011 12:35:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.birdsasart-blog.com/?p=3809#comment-51504</guid>

					<description><![CDATA[Bryan,  You are on the right track.  Additional great advice: always focus on the subject&#039;s eye and let the rest fall where it may.  And yes, differences in d-o-f with different cameras are a result of the differing crop factors of the cameras.  See you on BPN :)]]></description>
			<content:encoded><![CDATA[<p>Bryan,  You are on the right track.  Additional great advice: always focus on the subject&#8217;s eye and let the rest fall where it may.  And yes, differences in d-o-f with different cameras are a result of the differing crop factors of the cameras.  See you on BPN 🙂</p>
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