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	Comments on: So It&#8217;s Bald Eagles You Wanted&#8230;	</title>
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	<link>https://www.birdsasart-blog.com/baa/2011/11/03/so-its-bald-eagles-you-wanted/</link>
	<description>The blog of bird photographer Arthur Morris</description>
	<lastBuildDate>Fri, 11 Nov 2011 21:28:53 +0000</lastBuildDate>
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		<title>
		By: Bill Eaton		</title>
		<link>https://www.birdsasart-blog.com/baa/2011/11/03/so-its-bald-eagles-you-wanted/comment-page-1/#comment-123421</link>

		<dc:creator><![CDATA[Bill Eaton]]></dc:creator>
		<pubDate>Fri, 11 Nov 2011 21:28:53 +0000</pubDate>
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					<description><![CDATA[I love the blur!!There is such a strong sense of movement that it almost seems that you could click on it and you would be there in the cold snow with the eagle.]]></description>
			<content:encoded><![CDATA[<p>I love the blur!!There is such a strong sense of movement that it almost seems that you could click on it and you would be there in the cold snow with the eagle.</p>
]]></content:encoded>
		
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		<title>
		By: Mike Goldhamer		</title>
		<link>https://www.birdsasart-blog.com/baa/2011/11/03/so-its-bald-eagles-you-wanted/comment-page-1/#comment-120934</link>

		<dc:creator><![CDATA[Mike Goldhamer]]></dc:creator>
		<pubDate>Sat, 05 Nov 2011 22:26:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.birdsasart-blog.com/?p=7406#comment-120934</guid>

					<description><![CDATA[Hi Artie: Glad you had a great Homer trip. My question is, at what point in your workflow do you apply the Nik fliters? Thanks. Love, Mike

&lt;font id=comreply&gt;Thanks Mikie.  I run Tonal Contrast on it&#039;s own layer (usually reducing the Opacity to 50-80%) when I bring the image into Photshop after converting.  And I run Detail Extractor also on its own layer (usually at about 20%) either then or after doing whatever I need to do in Photoshop (such as background clean-up or Eye Doctor work). The latter is far better than either Multiply or Linear Burn. I usually use either a Hide-All or a regular layer mask so that I can paint the effects that I want either in or out.  Details on the latter in &lt;a href=&quot;https://store.birdsasart.com/shop/item.aspx?itemid=252&quot; rel=&quot;nofollow&quot;&gt;Digital Basics&lt;/a&gt;.   I will be showing some examples soon.   &lt;font&gt;artie]]></description>
			<content:encoded><![CDATA[<p>Hi Artie: Glad you had a great Homer trip. My question is, at what point in your workflow do you apply the Nik fliters? Thanks. Love, Mike</p>
<p><font id=comreply>Thanks Mikie.  I run Tonal Contrast on it&#8217;s own layer (usually reducing the Opacity to 50-80%) when I bring the image into Photshop after converting.  And I run Detail Extractor also on its own layer (usually at about 20%) either then or after doing whatever I need to do in Photoshop (such as background clean-up or Eye Doctor work). The latter is far better than either Multiply or Linear Burn. I usually use either a Hide-All or a regular layer mask so that I can paint the effects that I want either in or out.  Details on the latter in <a href="https://store.birdsasart.com/shop/item.aspx?itemid=252" rel="nofollow">Digital Basics</a>.   I will be showing some examples soon.   </font><font>artie</font></p>
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