{"id":93510,"date":"2025-03-17T06:43:43","date_gmt":"2025-03-17T10:43:43","guid":{"rendered":"https:\/\/www.birdsasart-blog.com\/baa\/?p=93510"},"modified":"2025-03-19T07:01:57","modified_gmt":"2025-03-19T11:01:57","slug":"three-very-good-days-at-stick-marsh-a-big-editing-tip","status":"publish","type":"post","link":"https:\/\/www.birdsasart-blog.com\/baa\/2025\/03\/17\/three-very-good-days-at-stick-marsh-a-big-editing-tip\/","title":{"rendered":"Three Very Good Days at Stick Marsh &#038; A Big Editing Tip"},"content":{"rendered":"<h3>Your Calls<\/h3>\n<p>Which are the two strongest images? Which are the two weakest images? Why did you make those choices?<\/p>\n<h3>The Last Blog Post<\/h3>\n<h2><strong>The times they are a&#8217; changing &#8230;<\/strong><\/h2>\n<p>In the last blog post, <em>Important Rerun: Field Etiquette for Nature Photographers<\/em>, here, I was a surprised that only a single reader, David Policansky (Dr. Fish), left a comment that was on point. When the article was first published on the blog 23 years ago, there were 17 comments. <\/p>\n<p>Have we gotten so used to lots of photos, ten-second IG reels, and whatever goes on at TikTok (I have never visited) that a 2500 word essay is simply too much to handle? If you have any ideas as to why only one person had a story to share, please do tell. <\/p>\n<p>Dr. Fish made a good point. If you keep your eyes open you can often use the behavior of oblivious folks to make a great image simply be getting ready for the take-off shot! They scare the bird or birds and you make a great image or two. <\/p>\n<h2><strong>Used Induro Tripod Bargains at Give-away Prices<\/strong><\/h2>\n<p>Your truly, Arthur Morris\/BIRDS AS ART, is offering the following used Induru tripods for sale as below. Each includes only the legs and insured ground shipping to your lower 48 address. Please contact artie via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a>.<\/p>\n<p>Induro Stealth GIT 304L in excellent plus condition: a steal at $325.00. The 304L was my go-to tripod for more than eight years. It is perfect for big lenses for folks as tall as 6 feet or so. B&#038;H is offering one in the same condition <a href=\"https:\/\/www.bhphotovideo.com\/c\/used\/1158026\/?smpm=bu_uar&#038;gad_source=1&#038;gbraid=0AAAAAD7yMh1hRr6nNST_amy4RJg92KRr3&#038;gclid=Cj0KCQjw1um-BhDtARIsABjU5x7FO1ezAc8f04sZgBwaAjXQUM07PP1mtNmBzo9cGxdLrXbxc5cqxu4aAlIBEALw_wcB\" target=\"_blank\">here<\/a> for $441.95 (plus tax).<\/p>\n<p>Induro Stealth GIT 304L in very good to excellent condition: a steal at $275.00 as this one is also in perfect working condition. The 304L was my go-to tripod for more than eight years. It is perfect for big lenses for folks as tall as 6 feet or so.<\/p>\n<p>Induro Stealth GIT 505XXL (used only very rarely) in like new condition: an absolute steal at $525.00. This is the monster of all tripods. It offers maximum strength and rigidity and can support 88.2 pounds of gear with ease. It stands 81.3&#8243; tall with the legs fully extended. It is perfect for folks desiring maximum stability in windy conditions, those working from a fixed position with very slow shutter speeds, and in situations where you need to ge very tall such as when working a tree nest possibly while standing on a ladder. This is not a tripod that you want to be carrying around in the field unless you are Superman. <\/p>\n<p>I could not find a single one for sale anywhere in the world. It sold new for $809.95 when it was in production. I paid B&#038;H $802.50 for it when purchased new in 2021. <\/p>\n<h3>What&#8217;s Up?<\/h3>\n<p>Anita North and I headed back to Stick Marsh on Sunday morning and enjoyed another excellent session. With a fairly brisk wind from the southeast, things were different but the results were excellent. I created 1600 photos, about half the images that I made on each of our three previous 2025 visits, but wound up with 140 keepers after the first edit. Those included a few that I really like. <\/p>\n<p>Today is Monday 17 March 2025. The forecast is for partly cloudy with a WNW wind so we will be heading down to the lake early despite the less than favorable wind direction, hoping &#8212; of course, for more clouds than sun. Whatever you plan on doing, I hope that you too opt to have a wonderful day. Do remember that happiness is a choice &#8212; Byron Katie, <a href=\"https:\/\/thework.com\" target=\"_blank\">The Work.Com<\/a>. <\/p>\n<p>If an item \u2014 a Delkin flash card, or a tripod head \u2014 for example, that is available from B&#038;H and\/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&#038;H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and\/or discounts. And always earns my great appreciation.<\/p>\n<h3>Supporting My Efforts Here<\/h3>\n<p>If you enjoy and learn from the blog, are all set for gear, or live overseas, consider leaving a BAA Blog Thank You Gift <a href=\"https:\/\/birdsasart-shop.com\/baa-blog-thanks\/\" rel=\"noopener\" target=\"_blank\">here<\/a>.<\/p>\n<p>If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&#038;H by beginning your search <a href=\"http:\/\/www.bhphotovideo.com\/?BI=6633&#038;KBID=7226\" rel=\"noopener noreferrer\" target=\"_blank\">here.<\/a> Or, click <a href=\"https:\/\/www.bedfords.com\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a>.<\/p>\n<p>In many cases, I can help you save some serious dollars. And\/or prevent you from purchasing the wrong gear from the wrong shop. <\/p>\n<p><iframe loading=\"lazy\" title=\"Amazing Stick Marsh Spoonbills\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/_m9UKuTP1t4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3>Amazing Stick Marsh Spoonbills<\/h3>\n<p>Sit with me at my laptop as I comment on selected keeper images from three pretty good days with the Roseate Spoonbills at Stick Marsh. Learn that while picking your keepers it is very important to consider the potential crops and to visualize a plan for the image optimizations. In this 20 minute video I share my thoughts on exactly what I am looking for in the field and the gear I am using &#8212; mostly the Sony 300mm f\/2.8 GM and the incredible a-1 ii. You will learn what I am looking for when I pick my keepers and why your vision for the crop and the image optimization process are vitally important as you are deciding which images to keep and which to trash. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_0_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>Stick Marsh<\/strong> <\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<p>12844<\/p>\n<h3>The Stick Marsh Site Guide Subscription Service<\/h3>\n<p>The Site Guide Subscription Service currently consists of seven e-mails: <\/p>\n<p>Stick Marsh Site Guide e-Mail #1: The Basics. It includes specific directions to the site, and a map of the rookery with specific instructions on wind direction, light, and where-to-be advice. There are lots of photographers at Stick Marsh most days. Many are skilled at hand-holding 500 and 600mm f\/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of a very nice and very helpful man I met, Fred Vaughn, every single photographer got to their favorite spot and never moved. We moved around a lot and had great and different chances all day long. <\/p>\n<p>The six e-mails that follow detail additional photographic discoveries and shooting recommendations with annotated maps and lots of images. I did not send any updates in 2024 or 2025 as the first seven e-mails cover all the relevant situations. I will be sending a March 2025 Update soon. <\/p>\n<p>To sign up for the Stick Marsh Site Guide Subscription Service, send a PayPal for $100.00 to us at birdsasart@verizon.net and be sure to include the words Stick Marsh Site Guide. Or, call Jim MON thru THURS at 1-863-692-0906 to pay by credit card. <\/p>\n<p>I fully understand that you can go to Google Maps, find Stick Marsh without much trouble, visit, and likely make some good or great images. You might think, I can do fine just without artie\u2019s advice. But you will do a whole lot better with it. Please contact me via e-mail to explore the possibilities of a morning In-the-Field Instructional Session or two at Stick Marsh.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_1_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 7 February 2025 at Stick Marsh. Seated on a milk crate and two pillows, I used the  I used the hand held  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1746375-REG\/sony_fe_300mm_f_2_8_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO30028GM\/DFF\/d10-v2-t1-xSO30028GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 300mm f\/2.8 GM OSS Lens (Sony E)<\/a> and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. ISO 800: 1\/4000 sec. at f\/2.8 (wide open) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 7:08:48am on a cloudy-bright morning.<\/p>\n<p>Zone\/AF-C with Bird Eye\/Face Detection enabled performed perfectly.<\/p>\n<p>Be sure to click on the image to see a larger, inexplicably sharper high res version. <\/p>\n<h2><strong>Image #1: Incoming Roseate Spoonbill in early morning light<br \/>\nImage courtesy of and copyright 2025 Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11421&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>A Dime a Dozen<\/h3>\n<p>With today&#8217;s amazing mirrorless camera bodies, images like this, though perhaps not as perfect as Image #1 above, have become relatively commonplace for folks who visit Stick Marsh regularly. The sweet early morning light, the bits of green, and the perfectly illuminated underwings with zero shadows make this one very special for me. As I have been so often and have many dozens if not hundreds of similar images, I have recently been grabbing the 600mm f\/4, often with the 1.4X TC, in an effort to come up with some new and different stuff.  <\/p>\n<h3>Made for Stick Marsh<\/h3>\n<p>The Sony 300mm f\/2.8 GM lens was made for Stick Marsh. With dozens of incoming birds early every morning with the right winds, the focal length is perfect and the fast f\/2.8 aperture enables you to transition early on from pleasing blurs to sharp. It was also my go-to lens on the 2025 Homer Bald Eagle IPTs.<\/p>\n<p>While Nikon has been introducing some fabulous telephoto lenses recently, including several super-telephoto lenses with built in teleconverters, the huge hole in their lens line-up is a lightweight Z 300mm f\/2.8. The Sony version weighs 3.25 pounds and is easily hand-holdable for most folks. The most recent Nikon version, the Nikon AF-S NIKKOR 300mm f\/2.8G ED VR II, weighs a whopping 6.38 pounds. Similarly, Canon does not offer a lightweight RF 300mm f\/2.8 lens. Their most recent version, the EF 300mm f\/2.8L IS II USM lens, tips the scale at a rather embarrassing 5.29 pounds. Vasili Chernikoff&#8217;s favorite lens, the versatile <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1762615-REG\/canon_rf_100_300mm_f_2_8_l.html\/BI\/6633\/KBID\/7226\/kw\/CA10030028RF\/DFF\/d10-v2-t1-xCA10030028RF\" target=\"_blank\">Canon RF 100-300mm f\/2.8 L IS USM lens (Canon RF)<\/a>, comes in at a hefty 5.7 pounds.   <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_2_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 9 February 2025 at Stick Marsh. Seated on a milk crate and two pillows, I used the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1383159-REG\/robus_rc_5570_c_5570_tripod.html\/BI\/6633\/KBID\/7226\/kw\/RORC5570\/DFF\/d10-v2-t1-xRORC5570\" target=\"_blank\" rel=\"noopener\">Robus RC-5570 Vantage Series 3 Carbon Fiber Tripod<\/a>\/<a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a>-mounted <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 1.4x Teleconverter<\/a>, and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel: ISO 1600; 1\/2500 second at f\/7.1 (stopped down 2\/3-stop) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:42:03am on sunny morning.     <\/p>\n<p>Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the larger, inexplicably sharper high-res version.<\/p>\n<h2><strong>Image #2: Roseate Spoonbill flat incoming flight<br \/>\nImage copyright 2025: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11429&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Right Down the Lens Barrel<\/h3>\n<p>As you saw with more than a few of my Homer Bald Eagle images, I am a sucker for birds flying directly at me while staring right down the barrel of the lens. With 840mm of reach, the bokeh of distant backgrounds could not be any sweeter. Different is good. <\/p>\n<h3>The Levered-Clamp FlexShooter Pro<\/h3>\n<p>It goes without saying that the <a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a> is by far the cream of the current tripod crop. This counter-balanced ballhead (say goodbye to ballhead flop)  acts like a gimbal is smooth and lightweight. Flight photography with long lenses is a dream. Simply put, there is nothing out there close to it. If yo are trying to use a Really Wrong Stuff BH-55 ballhead with any telephoto lens use it is a fishing sinker for deepwater codfish instead and get yourself a Levered-Clamp FlexShooter Pro. <\/p>\n<p>In addition, there is no longer a need to travel with one tripod head for super-telephotos and another for scenic photography. How so? The Levered-Clamp FlexShooter Pro features a bi-directional clamp. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_3_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 9 February 2025 at Stick Marsh. Again seated on a milk crate and two pillows, I used the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1383159-REG\/robus_rc_5570_c_5570_tripod.html\/BI\/6633\/KBID\/7226\/kw\/RORC5570\/DFF\/d10-v2-t1-xRORC5570\" target=\"_blank\" rel=\"noopener\">Robus RC-5570 Vantage Series 3 Carbon Fiber Tripod<\/a>\/<a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a>-mounted <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 1.4x Teleconverter<\/a>, and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel: ISO 1600; 1\/2500 second at f\/7.1 (stopped down 2\/3-stop) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:42:05am on sunny morning.     <\/p>\n<p>Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the larger, inexplicably sharper high-res version.<\/p>\n<h2><strong>Image #3: Roseate Spoonbill in flight (tight vertical)<br \/>\nImage copyright 2025: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11429&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Incredible Mirrorless AF<\/h3>\n<p>Autofocus with the high end mirrorless camera bodies is so good that I encourage folks to keep shooting even when the bird is well beyond filling the frame. Be sure to compare the optimized version above with the original in the video to see how I cropped this one and added lots of canvas at the top. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_4_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 15 February 2025 at Stick Marsh. seated on a milk crate and two pillows, I used the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1383159-REG\/robus_rc_5570_c_5570_tripod.html\/BI\/6633\/KBID\/7226\/kw\/RORC5570\/DFF\/d10-v2-t1-xRORC5570\" target=\"_blank\" rel=\"noopener\">Robus RC-5570 Vantage Series 3 Carbon Fiber Tripod<\/a>\/<a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a>-mounted <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 1.4x Teleconverter<\/a>, and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel: ISO 1600; 1\/2500 second at f\/5.6 (wide open) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:10:30am on sunny morning.     <\/p>\n<p>Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the larger, inexplicably sharper high-res version.<\/p>\n<h2><strong>Image #4: Roseate Spoonbill with stick for nest<br \/>\nImage copyright 2025: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11429&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>I Just Could Not Do It<\/h3>\n<p>Check out the original in the video and you will see that the wing of a young spoonbill was in the background and merged with the neck of the subject. I tried and tried and tried to preserve the fluffy feathers on the neck just above the upper breast, but could not manage it. So, I cropped most of them away from below and eliminated the rest of them with the Remove Tool. Bummer. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_5_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 15 February 2025 at Stick Marsh. Standing at full height I used the hand held <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1383159-REG\/robus_rc_5570_c_5570_tripod.html\/BI\/6633\/KBID\/7226\/kw\/RORC5570\/DFF\/d10-v2-t1-xRORC5570\" target=\"_blank\" rel=\"noopener\">Robus RC-5570 Vantage Series 3 Carbon Fiber Tripod<\/a>\/<a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a>-mounted <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 1.4x Teleconverter<\/a>, and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel: ISO 1250 1\/4000 second at f\/5.6 (wide open) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:37:39am on sunny morning.     <\/p>\n<p>Tracking: Spot XS\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the larger, inexplicably sharper high-res version.<\/p>\n<h2><strong>Image #5: Roseate Spoonbill (tight) flap<br \/>\nImage copyright 2025: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11429&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Dreaded Water Hyacinth<\/h3>\n<p>As you saw in the video, the bird was bathing quite close to the ramp and the leaves of water hyacinths at the bottom of the frame were problematic at best. Thus, the somewhat pano crop for Image #5. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_6_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 15 February 2025 at Stick Marsh. Standing at full height I used the hand held  <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel &#8212; ISO 500. 1\/4000 second at f\/4 (wide open) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:44:29am on a clear sunny morning.      <\/p>\n<p>Tracking: Spot XS\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the high-res version.<\/p>\n<p>Be sure to click on the image to view a larger, high res version.<\/p>\n<h2><strong>Image #6: Roseate Spoonbill bathing<br \/>\nImage Optimization by Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11462&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Decent at Last<\/h3>\n<p>There were lots of folks photographing the bathing spoonbill so space was at a premium, especially as I was somewhat late to the party. I was much too tight at 840mm so I removed the TC and was delighted that the bird bathed a second time. As he was a bit farther from the shoreline,  I only had to remove only a single hyacinth leaf. Again, we were fighting the leaves at the bottom of the frame because they were quite distracting. <\/p>\n<p>Note the prefect look-back head turn in Image #6. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_7_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 15 February 2025 at Stick Marsh. seated on a milk crate and two pillows, I used the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1383159-REG\/robus_rc_5570_c_5570_tripod.html\/BI\/6633\/KBID\/7226\/kw\/RORC5570\/DFF\/d10-v2-t1-xRORC5570\" target=\"_blank\" rel=\"noopener\">Robus RC-5570 Vantage Series 3 Carbon Fiber Tripod<\/a>\/<a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">Levered-Clamp FlexShooter Pro<\/a>-mounted <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1485539-REG\/sony_sel600f40gm_fe_600mm_f_4_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO6004GM\/DFF\/d10-v2-t1-xSO6004GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 600mm f\/4 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 1.4x Teleconverter<\/a>, and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the rear wheel: ISO 1600; 1\/2500 second at f\/5.6 (wide open) in Manual mode. <a href=\"https:\/\/birdsasart-shop.com\/the-rawdigger-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">RawDigger<\/a> showed that the exposure was dead-solid perfect. AWB at 8:10:30am on sunny morning.     <\/p>\n<p>Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy the larger, inexplicably sharper high-res version.<\/p>\n<h2><strong>Image #7 Roseate Spoonbill preening <strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11429&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Why a Square?<\/h3>\n<p>As you saw in the video, the reflection of a large white sign in front of the South Island Rookery in the upper left portion of the frame that necessitated the square crop. Remember that it is important to consider all the cropping possibilities before marking a given image for the trash bin. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_8_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).<\/strong> <\/h2>\n<p>You can order your copy from the BAA Online Store <a href=\"http:\/\/birdsasart-shop.com\/digital-basics-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>, by sending a PayPal for $40 <a href=\"mailto:birdsasart@verizon.net\">here,<\/a> or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)<\/h3>\n<p>The techniques mentioned above and tons more great Photoshop tips and techniques &#8212; along with my complete digital workflow, Digital Eye Doctor Techniques, and all my personalized Keyboard Shortcuts &#8212; are covered in detail in the <a href=\"http:\/\/birdsasart-shop.com\/digital-basics-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">BIRDS AS ART Current Workflow e-Guide (Digital Basics II)<\/a>, an instructional PDF that is sent via e-mail. Note: folks working on a PC and\/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking <a href=\"http:\/\/birdsasart-shop.com\/the-digital-basics-digital-basics-ii-bundle\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a> to buy the DB Bundle.<\/p>\n<p>Please note: the Divide and Conquer technique was inadvertently omitted from DB II. It is detailed in a free excerpt in the blog post <a href=\"https:\/\/www.birdsasart-blog.com\/2021\/07\/09\/divide-and-conquer-revealed-in-a-free-excerpt-clean-up-by-popular-demand-and-one-bird-butt-too-many\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>.<\/p>\n<p>Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking <a href=\"http:\/\/birdsasart-shop.com\/mp4-photoshop-tutorial-videos\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. Note: most of the videos are now priced at an amazingly low $5.00 each.<\/p>\n<p>You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide <a href=\"http:\/\/birdsasart-shop.com\/dpp-4-raw-conversion-guide\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video <a href=\"https:\/\/birdsasart-shop.com\/the-capture-one-pro-12-simplified-video\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>. The next step would be to get a copy of Arash Hazeghi&#8217;s <a href=\"https:\/\/birdsasart-shop.com\/the-nikon-photographers-guide-to-phase-one-capture-one-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">&#8220;The Nikon Photographers\u2019 Guide to Phase One Capture One Pro e-Guide<\/a>&#8221; in the blog post <a href=\"http:\/\/www.birdsasart-blog.com\/2019\/05\/14\/lets-run-that-one-back-arash-hazeghis-capture-one-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">here.<\/a> Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.<\/p>\n<p>You can learn advanced Quick Masking and advanced Layer Masking techniques in <a href=\"http:\/\/birdsasart-shop.com\/aptats-1-2-cds-bundle\/\" target=\"_blank\" rel=\"noopener noreferrer\">APTATS I &#038; II.<\/a> You can save $15 by purchasing the pair.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_9_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>The Digital Basics III Video Series<\/em><strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Digital Basics III Video Series<\/h3>\n<p>I realized two years ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.<\/p>\n<p>As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, <em>The Digital Basics III Video Series<\/em> was born.  <\/p>\n<p>You can order the five videos in Volume I by clicking <a href=\"https:\/\/birdsasart-shop.com\/the-digital-basics-iii-video-series\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.<\/p>\n<h3>Typos<\/h3>\n<p>With all blog posts, feel free to <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a><\/center> or to leave a comment regarding any typos or errors.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Your Calls <\/p>\n<p>Which are the two strongest images? Which are the two weakest images? Why did you make those choices?<\/p>\n<p> The Last Blog Post The times they are a&#8217; changing &#8230; <\/p>\n<p>In the last blog post, Important Rerun: Field Etiquette for Nature Photographers, here, I was a surprised that only a single reader, David Policansky [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[643],"tags":[],"class_list":["post-93510","post","type-post","status-publish","format-standard","hentry","category-643","odd"],"_links":{"self":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/93510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/comments?post=93510"}],"version-history":[{"count":21,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/93510\/revisions"}],"predecessor-version":[{"id":93576,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/93510\/revisions\/93576"}],"wp:attachment":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/media?parent=93510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/categories?post=93510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/tags?post=93510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}