{"id":98860,"date":"2026-07-20T04:36:49","date_gmt":"2026-07-20T08:36:49","guid":{"rendered":"https:\/\/www.birdsasart-blog.com\/baa\/?p=98860"},"modified":"2026-07-20T08:37:11","modified_gmt":"2026-07-20T12:37:11","slug":"one-good-second-with-the-hh-sony-100-400-f-4-5-gm-lens","status":"publish","type":"post","link":"https:\/\/www.birdsasart-blog.com\/baa\/2026\/07\/20\/one-good-second-with-the-hh-sony-100-400-f-4-5-gm-lens\/","title":{"rendered":"One Good Second With the HH Sony 100-400 f\/4.5 GM Lens"},"content":{"rendered":"<h3>Summary<\/h3>\n<p>When photographing birds in flight and facing wind-against-sun conditions, the odds are already stacked against you. You must have all the fundamentals dialed in: a fast shutter speed, an accurate exposure (ISO), and the right AF area. When a bird flies the \u201cwrong way,\u201d there&#8217;s zero room for hesitation. You have to raise your lens instantly, acquire focus, pan smoothly, and keep the bird centered in the frame. Becoming a master flight photographer takes study, dedication, determination, the right gear for you, and\u2014above all\u2014practice, practice, and more practice.<\/p>\n<p>With today\u2019s four featured images, I managed to do everything right when my one good second came along. Handholding the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> gave me the speed, responsiveness and AF accuracy that I needed, and the gear performed flawlessly. The final step was finding the ideal crop for each frame. Scroll down to become a better flight photographer. <\/p>\n<p>Note: Copy editing, re-crafting, technical refinement, and formatting for this blog post were assisted by Gemini AI. I have never used, and will never use, Generative AI on my photographs.<\/p>\n<h3>Your Call?<\/h3>\n<p>Which is the single strongest image?  Why did you make your choice? <\/p>\n<h3>What&#8217;s Up?<\/h3>\n<p>As expected, bird photography here at Indian Lake Estates has slowed down considerably as compared to June. After two cloudy mornings, Sunday morning dawned clear and sunny. As you might have guessed, I have made at least a single very good image on each of my past three early outings. <\/p>\n<p>Today is Monday 20 July 2026. Yup &#8212; I will be heading down to the lake after my 1 1\/2 walk in the dark. I have been and will continue working on some more JAX images and on my 2025 taxes. Whatever you opt to do, I hope that you too choose to have fun and enjoy life. Please remember that happiness is a choice Byron Katie &#8211; <a href=\"https:\/\/thework.com\" target=\"_blank\">The Work.Com<\/a> <\/p>\n<p>If an item \u2014 a <a href=\"https:\/\/birdsasart-shop.com\/digital-media\/\" target=\"_blank\">Delkin flash card or reader<\/a>, a <a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" target=\"_blank\">Levered-clamp FlexShooter Pro<\/a>, or a<a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-arca-swiss-style-lens-plates\/\" target=\"_blank\"> Wimberley lens plate <\/a> or <a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-lens-replacement-feet\/\" target=\"_blank\">low foot<\/a> &#8212; for example, that is available from B&#038;H and\/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match or beat any price. Please remember also to use my B&#038;H affiliate links or to earn 3% cash back at Bedford by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and\/or discounts. And always earns my great appreciation. <\/p>\n<h2><strong>Gear Questions and Advice<\/strong><\/h2>\n<p>Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on <a href=\"https:\/\/birdphotographers.net\/forums\/avian.2\/\" target=\"_blank\">BirdPhotographer&#8217;s.Net<\/a>,  are &#8212; out of ignorance &#8212; using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail.<\/a> If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_0_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>The four RAW files. <\/p>\n<h2><strong>Photo Mechanic Screen Capture: Royal Turn turning in flight sequence<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Situation &#8212; Bad \ud83d\ude41<\/h3>\n<p>It was clear and sunny. There was a stiff breeze from the west, right in our faces as we looked down sun angle. As expected, most of the birds were flying and landing directly away from us. In these situations &#8212; heck, we had the same wind on our five sunny mornings &#8212; the trick is to look low and right of sun angle for the occasional bird flying east and turning left. You must be selective. We had our fair share of terns flying &#8220;the wrong way&#8221;. <\/p>\n<p>The bird in the four frames above followed the script to perfection. The four raw files shown above were created in less than one second as the bird flew right down sun angle and then turned to its left. They are the four strongest images from a 15-frame sequence. Before you scroll down, consider your cropping options. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_1_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 July 2026 by yours truly at Huguenot Memorial Park northeast of Jacksonville, FL. Standing at full height,  I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> (at 400\/effective focal length: 600mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode). The exposure was determined by Zebras with ISO on the rear wheel. ISO 640: 1\/5000 second at f\/4.5 (wide open) in Manual mode. AWB at 7:32:40am on a sunny morning       <\/p>\n<p>Wide\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #1: Royal Tern beginning left turn in flight<br \/>\n<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Tern Beginning to Turn<\/h3>\n<p>In the first two keepers from this sequence the bird was flying southeast. I held the shutter button down as the bird began to turn to the south.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_2_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Click on the screen capture to enlarge the image for a better look at the red AF box. The incredible Bird Face-Eye tracking AF is one of the many reasons that I love my Sony a-1 ii. <\/p>\n<h2><strong>Adobe Camera Raw Screen Capture: AF point in red for the <em>Royal Turn beginning left turn in flight<\/em> image<strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>AF Points in Adobe Camera Raw (ACR)!<\/h3>\n<p>Thanks to blog regular and IPT veteran Dane Johnson who alerted me to the fact that the latest version of ACR &#8212; July 2026 (version 18.4.1) can now superimpose your camera&#8217;s autofocus points directly on the photo preview for supported Canon, Nikon, and Sony raw files. After updating, open a raw file in ACR, place the cursor on the image, then Control + click and Select &#8220;Show Autofocus Points&#8221; from the dropdown menu. Repeat to hide the AF point.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_3_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 July 2026 by yours truly at Huguenot Memorial Park northeast of Jacksonville, FL. Standing at full height,  I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> (at 400\/effective focal length: 600mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode). The exposure was determined by Zebras with ISO on the rear wheel. ISO 640: 1\/5000 second at f\/4.5 (wide open) in Manual mode. AWB at 7:32:40am on a sunny morning       <\/p>\n<p>Wide\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #2: Royal Tern turning in flight<br \/>\n<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Tern Continuing to Turn<\/h3>\n<p>The crop here, to a 2X3 vertical, was again the obvious choice as the bird continued its midair turn.  <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_4_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 July 2026 by yours truly at Huguenot Memorial Park northeast of Jacksonville, FL. Standing at full height,  I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> (at 400\/effective focal length: 600mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode). The exposure was determined by Zebras with ISO on the rear wheel. ISO 640: 1\/5000 second at f\/4.5 (wide open) in Manual mode. AWB at 7:32:40am on a sunny morning       <\/p>\n<p>Wide\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #3: Royal Tern braking during turn<br \/>\n<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Reverse &#8220;C&#8221; Flight Pose<\/h3>\n<p>The bird braking hard in mid-flight resulted in a really neat reverse &#8220;C&#8221; wing position. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_5_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 July 2026 by yours truly at Huguenot Memorial Park northeast of Jacksonville, FL. Standing at full height,  I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> (at 400\/effective focal length: 600mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode). The exposure was determined by Zebras with ISO on the rear wheel. ISO 640: 1\/5000 second at f\/4.5 (wide open) in Manual mode. AWB at 7:32:41am on a sunny morning       <\/p>\n<p>Wide\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #4: Royal Tern coming right at me<br \/>\n<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>I Struggled<\/h3>\n<p>I struggled with two questions on this image. <\/p>\n<p>1: How should it be cropped?<br \/>\n2: Where should the bird be placed in the frame?<\/p>\n<p>I finally decided on a vertical crop and placed the bird a bit to our right (from side to side) in the frame. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_6_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 July 2026 by yours truly at Huguenot Memorial Park northeast of Jacksonville, FL. Standing at full height,  I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> (at 400\/effective focal length: 600mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode). The exposure was determined by Zebras with ISO on the rear wheel. ISO 640: 1\/5000 second at f\/4.5 (wide open) in Manual mode. AWB at 7:32:41am on a sunny morning       <\/p>\n<p>Wide\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #4A:Tight crop: Royal Tern coming right at me<br \/>\n<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"468\" scrolling=\"no\" height=\"60\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=468x60&#038;mode=m&#038;bucket_num=11708&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Super Resolution<\/h3>\n<p>Having used APS-C crop mode and then executed a substantial crop with Image #4 and several of the others above, I ran the .TIF files back through ACR and clicked the Super Resolution box (as detailed in the <a href=\"https:\/\/birdsasart-shop.com\/digital-basics-iv-volume-iii\/\" target=\"_blank\">Digital Basics IV Video Series, VOL III<\/a>. This doubles the file size and is best used on exceedingly sharp images. This super-tight crop was suggested by my good friend Anita North. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_7_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>The title says it all. Purchase your copy <a href=\"https:\/\/birdsasart-shop.com\/the-complete-and-quintessential-guide-to-photographing-birds-in-flight\/\" target=\"_blank\">here. <\/a><\/p>\n<h2><strong><em>The Complete and Quintessential Guide to Photographing Birds in Flight<\/em><br \/>\nby Arash Hazeghi, Ph.D., and Arthur Morris\/BIRDS AS ART<\/strong><\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3><em>The Complete and Quintessential Guide to Photographing Birds in Flight: $99.00<\/em><\/h3>\n<p>I had long dreamed of becoming a great flight photographer. When using dSLR gear, making sharp images was a huge problem. Most of the time, the camera bodies simply were not up to snuff. Things have changed dramatically with mirrorless technology. The high-end mirrorless camera bodies now feature science fiction-like autofocus systems and frame rates of 30, 40, and even 125 fps. Nowadays, getting the eye sharp is no longer a problem. The problem more often involves selecting the strongest image from a long series of sharp images. <\/p>\n<p>The truth, however, is that there is a lot more than owning a Canon EOS R1, a Nikon Z9, or a Sony a-1 ii to consistently creating great photographs of birds in flight. Some of the biggest factors to success include gear choice, shooting strategies, and understanding the importance of sky conditions and wind speed and direction. Once you have the techniques and technical aspects down pat and can routinely create sharp images, learning the importance of flight poses, wing positions, backgrounds, and subject placement and image design enable you to create and then select superb flight images. And you guessed it, each of those topics and tons more are covered in detail in <em>The Complete and Quintessential Guide to Photographing Birds in Flight.<\/em><\/p>\n<p>The guide consists of 267 pages and 21,013 words. There are 82 illustrative photos scattered throughout the text, two screen captures, and a 112-image gallery that includes examples created by Canon, Nikon, and mostly Sony gear. As seen above, each of the 194 inspirational photos is labeled with an educational caption. <\/p>\n<p>You can purchase your copy <a href=\"https:\/\/birdsasart-shop.com\/the-complete-and-quintessential-guide-to-photographing-birds-in-flight\/\" target=\"_blank\">here<\/a> for $99.00. <\/p>\n<h2><strong>Arash Hazeghi<\/strong><\/h2>\n<p>Arash Hazeghi, Ph.D. is a principal electron device engineer. He received his Ph.D. degree in Electrical Engineering in 2011, from Stanford University, Stanford, California. His pioneering research on Carbon Nanotubes has been cited many times. In the past decade, Arash Hazeghi has been a major contributor to the research and the development of some of the most cutting-edge technologies introduced by Silicon Valley\u2019s most reputable names including SanDisk, Intel and Apple.<\/p>\n<p>More relevant here is that he is widely recognized as one of the world&#8217;s best birds in flight photographers. He specializes in raptors and the technical aspects of bird photography. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_8_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Flight photography is a skill that can be studied, practiced, and learned. <\/p>\n<h2><strong>Learn to get better in <em><a href=\"https:\/\/birdsasart-shop.com\/the-complete-and-quintessential-guide-to-photographing-birds-in-flight\/\" target=\"_blank\">The Complete and Quintessential Guide to Photographing Birds in Flight<\/a><\/em><strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Complete and Quintessential Guide to Photographing Birds in Flight<br \/>\nBy Arash Hazeghi Ph.D., and Arthur Morris\/BIRDS AS ART<\/h3>\n<h2><strong>What you will learn (about):<\/strong><\/h2>\n<ul>\n1-\tWeight and handholding super-telephoto lenses.<br \/>\n2-\tWeight and handholding intermediate telephoto and telephotos zoom lenses.<br \/>\n3-\tChoosing the right flight photography lens or lenses for you.<br \/>\n4-\tThe importance of focal length for flight photography.<br \/>\n5-\tThe importance of lens speed (the maximum aperture for flight photography.<br \/>\n6-\tChoosing between fixed focal lengths and zoom lenses for flight photography.<br \/>\n7-\tThe importance of AF speed and performance for flight photography.<br \/>\n8-\tHandholding tips and techniques.<br \/>\n9-\tShooting flight off a tripod with the Levered-clamp FlexShooter Pro.<br \/>\n10-\tFlight poses and wing positions.<br \/>\n11-\tWhy artie changed his mind about the 400mm f\/2.8 lenses for flight and more.<br \/>\n12-\tThe advantages and disadvantages of using teleconverters for flight photography.<br \/>\n13-\tWhy to stay away from off-brand lenses.<br \/>\n14-\tUnderstanding the importance of wind direction and speed for flight photography.<br \/>\n15-\tThe relationship between sky conditions and wind direction and how it affects flight photography.<br \/>\n16-\tCreating flight silhouettes in wind-against-sun conditions.<br \/>\n17-\tThe importance of being on sun angle for flight photography (and avoiding harsh shadows).<br \/>\n18-\tTips on doing flight photography in cloudy, foggy, or overcast conditions.<br \/>\n19-\tAbout the direction of light in cloudy, foggy, or overcast conditions and how it affects flight photography.<br \/>\n20-\tHow your understanding of bird behavior can dramatically improve your flight photography.<br \/>\n21-\tTips on attracting birds for flight photography.<br \/>\n22-\tWhat to do when your camera\u2019s AF system is temporarily blind.<br \/>\n23-\tThe vital importance of pre-focusing.<br \/>\n24-\tHow Direct Manual Focus can help you with flight photography.<br \/>\n25-\tThe importance of shooting aggressively when doing flight photography.<br \/>\n26-\tEverything that you need to know with regards to rest positions for flight photography.<br \/>\n27-\tThe importance of getting low when doing flight in many situations.<br \/>\n28-\tGetting the right exposure when doing flight photography.<br \/>\n29_     Why to use Manual mode 95% of the time for flight.<br \/>\n30-\tTips on finding the bird in the frame, acquiring focus, and tracking the bird in flight.<br \/>\n31-\tHow to set and best utilize your lens\u2019s image stabilization feature (and why).<br \/>\n32-\tSetting the focus range limiter switch on your flight lens or lenses.<br \/>\n33-\tTo choose the best shutter speed for photographing birds in flight.<br \/>\n34-\tThe vital importance of pre-focusing. And yes, this is so important that it is on the list twice. <\/ul>\n<p>You can purchase your copy <a href=\"https:\/\/birdsasart-shop.com\/the-complete-and-quintessential-guide-to-photographing-birds-in-flight\/\" target=\"_blank\">here. <\/a><\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_9_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Sample Page #1. Image copyright 2024: Arthur Morris\/BIRDS AS ART, the senior author. <\/p>\n<h2><strong>Page 254 of <em>The Complete and Quintessential Guide to Photographing Birds in Flight<\/em><strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3><strong>Sample Page #1<\/strong><\/h3>\n<p>Birds in flight that are flying away from you may at times provide spectacular views of the dorsal wing surfaces. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_10_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Image copyright 2024: Arthur Morris\/BIRDS AS ART, the senior author. <\/p>\n<p>Sample pages #2 &#038; 3.<\/p>\n<h2><strong>Pages 106 &#038; 107 of <em>The Complete and Quintessential Guide to Photographing Birds in Flight<\/strong><\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Sample pages #2 &#038; 3<\/h3>\n<p>It is &#8212; for many reasons, imperative that you shoot aggressively when doing flight photography. If you wait for it to be perfect, you will usually wind up with nothing. That said, most of my flight sequences rarely consist or more than seven or eight frames; I do not blast away at specks and once the bird is past the light and flying away from me I quit shooting. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_11_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Image copyright 2024: Arthur Morris\/BIRDS AS ART, the senior author. <\/p>\n<p>Sample page #4<\/p>\n<h2><strong>Page 108 of <em>The Complete and Quintessential Guide to Photographing Birds in Flight<\/strong><\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Sample page #4<\/h3>\n<p>Sometimes you need to press the shutter button and hold it down just in case the bird or birds turn back to look at you. The Great Egret above was flying directly away from me but turned abruptly when the gull grabbed the fish. Having learned from two lady photographer friends, I was right on this one!<\/p>\n<p>Shooting flight aggressively can enable you to make images that on the surface, would seem impossible. <\/p>\n<h3>Typos<\/h3>\n<p>With all blog posts, feel free to <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a><\/center> or to leave a comment regarding any typos or errors. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summary <\/p>\n<p>When photographing birds in flight and facing wind-against-sun conditions, the odds are already stacked against you. You must have all the fundamentals dialed in: a fast shutter speed, an accurate exposure (ISO), and the right AF area. When a bird flies the \u201cwrong way,\u201d there&#8217;s zero room for hesitation. You have to raise your [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[643],"tags":[],"class_list":["post-98860","post","type-post","status-publish","format-standard","hentry","category-643","odd"],"_links":{"self":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/98860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/comments?post=98860"}],"version-history":[{"count":21,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/98860\/revisions"}],"predecessor-version":[{"id":98883,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/98860\/revisions\/98883"}],"wp:attachment":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/media?parent=98860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/categories?post=98860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/tags?post=98860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}