{"id":99470,"date":"2026-09-13T06:02:10","date_gmt":"2026-09-13T10:02:10","guid":{"rendered":"https:\/\/www.birdsasart-blog.com\/baa\/?p=99470"},"modified":"2026-09-13T14:15:25","modified_gmt":"2026-09-13T18:15:25","slug":"a-morning-to-long-remember-on-the-human-condition-at-nickerson-beach-and-an-exhilarating-near-death-experience","status":"publish","type":"post","link":"https:\/\/www.birdsasart-blog.com\/baa\/2026\/09\/13\/a-morning-to-long-remember-on-the-human-condition-at-nickerson-beach-and-an-exhilarating-near-death-experience\/","title":{"rendered":"A Morning to Long Remember:  On the Human Condition at Nickerson Beach and An Exhilarating Near-Death Experience"},"content":{"rendered":"<h3>Summary<\/h3>\n<p>The Atlantic was stormy on Thursday morning past. In the wind and the drizzle, there were lots of good low-light blastoff chances. Check out the images and keep reading to learn how I wound up in the surf. Twice. And might have lost my life. <\/p>\n<p>Note: General information, copy editing, re-crafting, technical refinement, and formatting for this blog post were assisted by Gemini AI.<\/p>\n<h3>In the Last Blog Post<\/h3>\n<p>Thanks to the few who commented on Rob DeBartolo&#8217;s images in the last blog post. My two favorite were the preening young oystercatcher and the juvie turnstone going down the berm. The former for the dead solid perfect head angle and the latter because I really wish it were mine.<\/p>\n<h3>Your Call? <\/h3>\n<p>Which of today&#8217;s three pleasing blurs do you like best? Why? (Sorry, Pat Fishburne.) <\/p>\n<p>If you have ever been close to death and would like to share your story, please leave a comment below. <\/p>\n<h3>What&#8217;s Up?<\/h3>\n<p>When I finally got back in action after the stomach flu, the tennis match that ended at 3:33am, and the small claims court case mediation that went on for hours, the late-season bird photography at Nickerson Beach turned out to be quite excellent (even though many of the birds have left. After four days without creating a single image, Thursday morning was looking fabulous \u2014 until I almost died in the heavy surf. Right after my near-death adventure, a Marbled Godwit, rare on open ocean beaches, landed right in front of us in a tidal pool. While I was still indisposed, Anke made a great flight shot of the bird that changed my life some fifty years ago. We saw nearly a thousand Sanderlings that afternoon and enjoyed a nice sunset and lots of tern and skimmer blasts. We had a nice sunrise on Friday morning, but photography was difficult. We had had many more Sanderlings, but only a few were present. Anke spotted a juvenile Whimbrel, another rare visitor to the south shore of Long Island and we both managed a few decent photos.<\/p>\n<p>We headed back to the AirBnb early to finish packing. I dropped her off at her apartment in NYC and continued on to Wilmington, DE where I grabbed a room in a Courtyard Marriott. I woke early on Saturday, began work on a second edit of my July\/August Nickerson photos, and drove less than three hours to the Auto Train Station in Lorton, VA. <\/p>\n<p>Today is Sunday 13 September 2026 and I am feeling fine. And alive. We should be pulling into Sanford Station in Florida before 9:00am and after a quick stop at Publix, I am hoping to be home by noon on Sunday, in time for a quick nap before the NFL games while continuing work on the second edit and the new BAA Sony 100-400 f\/4.5GM Lens Guide. Whatever you opt to do, I hope that you choose to have fun and enjoy life. Please remember that happiness is a choice &#8212; Byron Katie &#8211; <a href=\"https:\/\/thework.com\" target=\"_blank\">The Work.Com<\/a> <\/p>\n<p>If an item \u2014 a <a href=\"https:\/\/birdsasart-shop.com\/digital-media\/\" target=\"_blank\">Delkin flash card or reader<\/a>, a <a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" target=\"_blank\">Levered-clamp FlexShooter Pro<\/a>, or a<a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-arca-swiss-style-lens-plates\/\" target=\"_blank\"> Wimberley lens plate <\/a> or <a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-lens-replacement-feet\/\" target=\"_blank\">low foot<\/a> &#8212; for example, that is available from B&#038;H and\/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match or beat any price. Please remember also to use my B&#038;H affiliate links or to earn 3% cash back at Bedford by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and\/or discounts. And always earns my great appreciation. <\/p>\n<h2><strong>Gear Questions and Advice<\/strong><\/h2>\n<p>Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on <a href=\"https:\/\/birdphotographers.net\/forums\/avian.2\/\" target=\"_blank\">BirdPhotographer&#8217;s.Net<\/a>,  are &#8212; out of ignorance &#8212; using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail.<\/a> If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_0_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 10 September 2026 at Nickerson Beach Park, Lido Beach, NY. Standing on the beach, I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1746375-REG\/sony_fe_300mm_f_2_8_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO30028GM\/DFF\/d10-v2-t1-xSO30028GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 300mm f\/2.8 GM OSS Lens (Sony E)<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 420mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with Exposure Compensation (EC) on the Thumb Dial. Multi Metering +2.0 stops. AUTO ISO set ISO 400: 1\/13 second at f\/4 (wide open) in Shutter Priority mode. AWB at 6:38:05am just before the time of sunrise on a cloudy morning. <\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #1: Black Skimmer flock blastoff<br \/>\nImage copyright 2026: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11624&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Doing Flock Blurs With a Fixed Focal Length Lens<\/h3>\n<p>Many of the best blastoff blurs are created in the first one or two seconds and that was the case with Image #1. The skimmer flock &#8212; there were about 500 remaining on Thursday&#8211; was well up on the beach, surrounded by three yellow lifeguard stands reminder of the recently ended summer season \ud83d\ude41  The first thing you need to do is consider the wind as that would determine the direction of the takeoff. Then you pick a clear slot in hopes of eliminating manmade yellow background blurs from your photo. With a fixed focal length, you must consider the distance to the flock when you choose where you will stand. <\/p>\n<p>For this blastoff, I judged everything perfectly. And even managed a nice strip of green colony vegetation at the top as a border. Had I framed a bit higher, I would have had more out of focus green. That would have been better than having to crop away lots of boring sand at the bottom. <\/p>\n<p>Note: zoom lenses are generally best for blastoff and flock blurs. But fixed focal length lenses can perform admirably if you either put yourself in the right spot or get lucky. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_1_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 10 September 2026 at Nickerson Beach Park, Lido Beach, NY. Standing on the beach, I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1746375-REG\/sony_fe_300mm_f_2_8_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO30028GM\/DFF\/d10-v2-t1-xSO30028GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 300mm f\/2.8 GM OSS Lens (Sony E)<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 420mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a> (in APS-C crop mode yielded and effective focal length of 630mm). The exposure was determined by Zebras with Exposure Compensation (EC) on the Thumb Dial. Multi Metering +2.0 stops. AUTO ISO set ISO 125: 1\/13 second at f\/4 (wide open) in Shutter Priority mode. AWB at 6:45:05am on a cloudy morning.  <\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #2: Black Skimmer flock over the ocean blur<br \/>\nImage copyright 2026: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11624&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Green Water on a Blah Morning<\/h3>\n<p>Properly exposed to the right, the raw file for this on was absolutely flat and boring. My regular workflow brought the image to life. Then, I created an Adobe Camera Raw mask of the ocean. I moved the Hue slider to the right to bring up the green and followed that up with the Dehaze slider to further improve things. <\/p>\n<p>Learn about the power of the ACR masking feature in the <a href=\"https:\/\/birdsasart-shop.com\/digital-basics-iv-video-series\/\" target=\"_blank\">Digital Basics IV Video Series<\/a>. Or, if you are new to BAA and Photoshop, consider saving $86.00 by grabbing <a href=\"https:\/\/birdsasart-shop.com\/the-birds-as-art-digital-basics-collection\/\" target=\"_blank\">The BIRDS AS ART Digital Basics Collection<\/a>.<\/p>\n<p>The point of the image was to show that the ocean was rough, so the ACR filter work was the bomb. The plan was to build to the finale: me in some danger of dying. <\/p>\n<p>Note that the framing at effective 630mm for this one was also perfect. <\/p>\n<h2><strong>From Gemini<\/strong> <\/h2>\n<p>Increasing the Dehaze slider (moving it to the right) in Adobe Camera Raw or Photoshop&#8217;s Camera Raw Filter boosts three main visual attributes:<\/p>\n<p>1-Local and Midtone Contrast: It analyzes the image to estimate light transmission through atmospheric haze and selectively boosts contrast, particularly in flat, low-contrast midtone areas. <\/p>\n<p>2- Color Saturation and Vibrance: It deepens color intensity and saturation across the affected areas (often acting similarly to a polarizing filter on skies and foliage). <\/p>\n<p>3- Shadow Density\/Dark Tones: It deepens dark tones and lowers exposure slightly in washed-out areas to cut through atmospheric glare, smoke, or fog.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_2_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 10 September 2026 at Nickerson Beach Park, Lido Beach, NY. Standing on the beach, I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1746375-REG\/sony_fe_300mm_f_2_8_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO30028GM\/DFF\/d10-v2-t1-xSO30028GM\" target=\"_blank\" rel=\"noopener noreferrer\">Sony FE 300mm f\/2.8 GM OSS Lens (Sony E)<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 420mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with Exposure Compensation (EC) on the Thumb Dial. Multi Metering +2.0 stops. AUTO ISO set ISO 125: 1\/20 second at f\/4 (wide open) in Shutter Priority mode. AWB at 6:53:20am on a cloudy morning.  <\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<h2><strong>Image #3: Sanderling flock in front of face of wave blur<br \/>\nImage copyright 2026: Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11624&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>A Sanderling Morning<\/h3>\n<p>Until the tenth of September, I had never seen so few Sanderlings during the summer at Nickerson. On Thursday, a flock of about a hundred landed right in front of me while I was still doing skimmer blurs. I make it a habit to keep my <a href=\"https:\/\/amzn.to\/4h55uaW\" target=\"_blank\">Rubbermaid Roughneck Step-Stool<\/a> at my side in case I need to get low instantly. As I moved a few feet to my right, I bent to grab the stool. The flock blasted off right at me and I was caught with my pants down for the first time that day. <\/p>\n<p>This much smaller flock flew by a few minutes later right in front of the face of a breaking wave. Again, it gives you an idea that it was not a calm day. <\/p>\n<h3>On the Human Condition at Nickerson Beach and An Exhilarating Near-Death Experience<\/h3>\n<p>For real.<\/p>\n<p>\u201cThe sea was angry that day, my friends.\u201d That\u2019s Jason Alexander playing George Costanza in the famous Seinfeld marine biologist episode.<\/p>\n<p>Well, last Thursday morning, the sea was indeed angry. A 25-knot southwest wind had blown all night long and continued right through the morning. Massive four- to five-foot rollers piled in one after another. As the light slowly broke, we noticed a narrow, 200-yard long overflow tidal pool just west of the West Colony. Anke spent the rest of the morning capturing great images of the bathing shorebirds, while I concentrated on Sanderlings on the clean, wave-washed sand.<\/p>\n<p>I\u2019d been feeling fine since Sunday\u2019s stomach trouble, but suddenly, reality hit: I needed a restroom immediately. The problem? The men\u2019s room was nearly a mile away, across soft, energy-sapping sand.<\/p>\n<p>I took about ten steps east and instantly realized I wasn\u2019t going to make it. There was no other choice. I set my lens down safely on the step stool, made sure my phone and fanny pack were also on it, and strode straight into the surf to handle business.<\/p>\n<p>Heading into waist-deep water, I knew I was taking a risk. But growing up, I was completely at home in the ocean \u2014 as a young teenager, I spent every July and August bodysurfing the Atlantic at the Capri Beach Club just down the road in Atlantic Beach. Still, the ocean can kill a careless person in a heartbeat. (Ask me sometime about how I nearly was killed while working as a mate on Ron Grandinetti\u2019s charter boat, the Julie II, back in the mid-70s.)<\/p>\n<p>I loosened my belt as I waded into the surf, but almost immediately, a heavy wave slammed into me, followed by an even bigger one. For a terrifying moment, I lost my footing and felt the undertow pull me out. If there\u2019s a rip current, I\u2019m done, I thought. Fortunately, the next set pushed me back toward the shore. I sat down in the water, lowered my pants, and let the incoming whitewash do the cleaning. I pulled my pants back up, stood, and walked back toward dry sand.<\/p>\n<p>I barely made it ten steps back to my step stool before realizing I wasn\u2019t done \u2014 a second wave hit. Back into the ocean I went.<\/p>\n<p>That was when a massive set of waves crashed down one after another in rapid succession and really did a number on me. With my belt still unfastened, I was knocked down repeatedly. Every time I fought to get my feet under me, another wave smashed me upside down. I was swallowing seawater with every wave. It was like being trapped inside a giant washing machine. I knew that my pants would be completely clean. I kept my head, stayed calm, and eventually was able to make my way out of danger. <\/p>\n<p>After the very few tense minutes, I managed to make my way back into shallow water, thoroughly exhausted. I stayed down sitting in a foot of water facing out to sea, letting the small waves wash over me as I caught my breath, deeply grateful just to be alive.<\/p>\n<p>As I sat there recovering, I turned to get up and who should happen to drive by on the completely deserted beach? Five lifeguards in a truck. They all exited the vehicle and ran up to me asking, &#8220;Do you need help.&#8221; I said, &#8220;I was in a bit of trouble but I am fine now. I could use some help getting up.&#8221; They were all young, fit, and athletic. They looked at me quizzically, clearly wondering what on earth an old photographer was doing tumbling around in heavy surf fully clothed.<\/p>\n<p>Always honest, I replied, &#8220;I had diarrhea. Twice.&#8221; They nodded in quiet understanding, walked back to their truck, and drove off without another word. I never did ask if they had seen me struggling. <\/p>\n<p>The craziest thing was that for the next six hours \u2014 fueled by a massive, exhilarating rush of adrenaline, I felt completely supercharged. It was a morning that I won&#8217;t soon forget.<\/p>\n<p>The only casualty was the new pair of reading glasses I\u2019d forgotten to take out of the pocket of my long-sleeved Ex-Officio shirt &#8211; I still have several of those from the six episodes of the Canon Photo Safari TV show days. That was a small price to pay: far better that the reading glasses were lost to the sea than me.<\/p>\n<h3>Typos<\/h3>\n<p>With all blog posts, feel free to <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a><\/center> or to leave a comment regarding any typos or errors.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summary <\/p>\n<p>The Atlantic was stormy on Thursday morning past. In the wind and the drizzle, there were lots of good low-light blastoff chances. Check out the images and keep reading to learn how I wound up in the surf. Twice. And might have lost my life. <\/p>\n<p>Note: General information, copy editing, re-crafting, technical refinement, [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[643],"tags":[],"class_list":["post-99470","post","type-post","status-publish","format-standard","hentry","category-643","odd"],"_links":{"self":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/comments?post=99470"}],"version-history":[{"count":22,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99470\/revisions"}],"predecessor-version":[{"id":99503,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99470\/revisions\/99503"}],"wp:attachment":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/media?parent=99470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/categories?post=99470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/tags?post=99470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}