{"id":99536,"date":"2026-09-20T07:09:09","date_gmt":"2026-09-20T11:09:09","guid":{"rendered":"https:\/\/www.birdsasart-blog.com\/baa\/?p=99536"},"modified":"2026-09-20T12:42:21","modified_gmt":"2026-09-20T16:42:21","slug":"a-ridiculously-tame-peep-on-the-pier-railing-lessons","status":"publish","type":"post","link":"https:\/\/www.birdsasart-blog.com\/baa\/2026\/09\/20\/a-ridiculously-tame-peep-on-the-pier-railing-lessons\/","title":{"rendered":"A Ridiculously Tame Peep on the Pier Railing Lessons"},"content":{"rendered":"<h3>What&#8217;s Up?<\/h3>\n<p>It&#8217;s been great being home after five weeks at Nickerson Beach. Bird photography down by the lake at ILE, however, has been very challenging. With torrential rains most afternoons for the past month or more, I have not even considered driving on either field or the South Peninsula. The ground is super-saturated and it would be like trying to drive on oatmeal. And though the area left of the pier is accessible by car, it has become totally overgrown with marsh vegetation: natural succession, but terrible for bird photography.  <\/p>\n<p>So, the best and pretty much only decent stuff has been on and from the pier; I have spent much of my time photographing a variety of avian subjects on the pier railings. Though wooden railings are not the most attractive perches around, at least I have something to photograph. In the past week I have shot Black Vulture, Turkey Vulture, Red-shouldered Hawk, Fish Crow, Boat-tailed Grackle, Great Blue Heron, Great Egret, Green Heron, Belted Kingfisher, Black-bellied Whistling Duck, Osprey, and two species of juvenile shorebirds &#8212; Spotted Sandpiper and Least Sandpiper. <\/p>\n<p>Today is Sunday 20 September 2026. I will be heading down to the lake at about 7:15am, just about the time of sunrise.  Whatever you opt to do, I hope that you choose to have fun and enjoy life. Please remember that happiness is a choice &#8212; Byron Katie &#8211; <a href=\"https:\/\/thework.com\" target=\"_blank\">The Work.Com<\/a> <\/p>\n<p>If an item \u2014 a <a href=\"https:\/\/birdsasart-shop.com\/digital-media\/\" target=\"_blank\">Delkin flash card or reader<\/a>, a <a href=\"https:\/\/birdsasart-shop.com\/levered-clamp-flexshooter-pro\/\" target=\"_blank\">Levered-clamp FlexShooter Pro<\/a>, or a<a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-arca-swiss-style-lens-plates\/\" target=\"_blank\"> Wimberley lens plate <\/a> or <a href=\"https:\/\/birdsasart-shop.com\/plates-and-replacement-feet\/wimberley-lens-replacement-feet\/\" target=\"_blank\">low foot<\/a> &#8212; for example, that is available from B&#038;H and\/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match or beat any price. Please remember also to use my B&#038;H affiliate links or to earn 3% cash back at Bedford by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and\/or discounts. And always earns my great appreciation. <\/p>\n<h2><strong>Gear Questions and Advice<\/strong><\/h2>\n<p>Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on <a href=\"https:\/\/birdphotographers.net\/forums\/avian.2\/\" target=\"_blank\">BirdPhotographer&#8217;s.Net<\/a>,  are &#8212; out of ignorance &#8212; using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail.<\/a> If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.<\/p>\n<h3>Summary<\/h3>\n<p>I hit the jackpot last Tuesday morning when I encountered a ridiculously tame juvenile Least Sandpiper on the ILE pier railing. I needed to get within eight or nine feet of the young peep in order to get on sun angle. Amazingly, I did. A variety of techniques were employed to get as low as possible and  minimize the less-than-ideal setting. The bird\u2019s feet were a mess and its bill was not in much better condition. Check out the cleanup results below, and don\u2019t miss the section detailing exactly why I hate working in sidelight \u2014 i.e., well off the sun angle. <\/p>\n<p>Note: General information, copy editing, re-crafting, technical refinement, and formatting for this blog post were assisted by Gemini AI.<\/p>\n<h3>In The Last Blog Post<\/h3>\n<p>Thanks for all the eloquent and moving comments in response to Warren Robb&#8217;s Vietnam War combat survival tales. <\/p>\n<h3>Your Call?<\/h3>\n<p>Which of today&#8217;s three featured images do you like best? Why? <\/p>\n<h3>CJ Loves Her Sony 100-400mm f\/4.5 GM Lens!<\/h3>\n<p>82-year old Carolyn Johnson took my advice and replaced her Sony 200-600 with the Swiss Army Knife Sony 100-400mm f\/4.5 GM Lens. She loves the lighter, far better balanced 1-4 and uses hers often with either teleconverter. The best new? The BIRDS AS ART Sony 100-400mm f\/4.5 GM Lens Guide is pretty much finished. Use one of my links to purchase to earn a free copy of the guide. Otherwise, purchase your copy by sending a PayPal for $150.43 to <a href=\"mailto:samandmayasgrandpa@att.net\">samandmayasgrandpa@att.net<\/a>.<\/p>\n<h2>Carolyn Johnson\/September 19, 2026 at 7:37pm<\/h2>\n<p>Hey Artie, what a scary encounter with the sea\u2014so glad you kept your cool and saved yourself.<br \/>\nMy three days with you at Nickerson Beach was just what I needed to reboot my photo taking. I now don\u2019t leave the house without the 100-400 and a1ii in my car. Went down to Anzo Borrego and found the burrowing owls! What a hoot!! 6\u201d tall with attitude! I\u2019ll send you another image.<\/p>\n<p>Looking forward to seeing you in San Diego in January and Homer in February. Stay safe. Carolyn<\/p>\n<h2>Arthur Morris\/BIRDS AS ART\/September 20, 2026<\/h2>\n<p>Thanks, CJ. Me too \ud83d\ude42 I am glad that you are loving your 100-400mm f\/4.5 lens. I love mine too. You are a little short on the Burrowing Owl height \u2014 they go from 7 1\/2 to just under 10 inches tall. I look forward to seeing you in 2027!<\/p>\n<p>much love, artie<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_0_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>My pro photographer friend &#8212; see more below &#8212; has a wonderful eye for both composition and light, and is one of the very few leaders (<em>aside from me<\/em>, he said modestly) who actually teaches on a photo trip. <\/p>\n<h2><strong>Galapagos Tortoises<strong><\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Stellar Galapagos Trip<\/h3>\n<p>An award-winning professional photographer friend has three open slots on a summer 2027 photo cruise to the Galapagos Archipelago. This trip is capped at just eleven participants on a fast ship that normally carries fourteen. He is an exceptional photographer and instructor, a master of image design, and works with light as well as anyone in the field. Over the past few years, his work has even inspired me to get off sun angle on occasion.<\/p>\n<p>If you are seriously interested in learning more, please get in touch with me via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail.<\/a> <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_1_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>Screen Capture #1: Google Map of the ILE Pier showing the approximate sun angle at 8:05am on 15 September 2026<strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Morning Sun Angle at the ILE Pier<\/h3>\n<p>The pier at Indian Lake Estates is laid out almost perfectly east to west. The pier itself points just a few degrees north of west. With the fall equinox just days away, the sun is rising just about due east, right over the base of the pier. By 8:05am on 15 September 2026, the sun angle was slightly south of east. I first spotted the Least Sandpiper on the railing at A and standing about 20 feet to the north, I made a record shot well off sun angle. You can see that in Screen Capture #2 immediately below. As I approached, the bird flew to the end of the south T of the pier. Approaching slowly, I was amazed that the bird was tame enough so that I could get right on sun angle. The pier is less than ten feet in width. <\/p>\n<p>The bird then foraged its way from B all the way down the railing back to A. I stayed with the bird all the way as it walked to the north. At first, I did not crouch enough in fear of bringing the sky into the frame. Eventually I got lower as in Images #2 and #3. Both of those were made right around C. The bird continued north and then west and wound up resting at D. At that point, I made some eye level images with the lens resting on the railing. Then the bird headed back toward B. I followed him halfheartedly for a while until my battery died. Images #1-3 were made pretty much right on sun angle &#8212; that, somewhat of a miracle. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_2_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>Screen Capture #2: Least Sandpiper worn juvenile beginning molt to first basic (winter) plumage on pier railing<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11709&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Working Off Sun Angle &#8230;<\/h3>\n<p>When I first spotted the young Least Sandpiper foraging for small bugs on the pier railing I thought that as the &#8220;T&#8221; of the pier was only about ten feet wide that I would be impossible to get on sun angle. So, as noted above, I created this most unsatisfactory image as a record shot. <\/p>\n<h3>Why I Almost Always Hate Sidelight<\/h3>\n<p>Looking at the shadow cast by the bird&#8217;s legs you can see that I was a mile &#8212; probably 15 feet of so &#8212; from being on sun angle. The result? With the bird lit from our left the left side of the rear half of the bird&#8217;s body is totally in the shade while the forward half is lit by the sun. If the bird had had its head on straight, the near side of the face would have been shaded as well. I do not like this uneven lighting. Note: I do have perhaps three sidelit images from the last three decades that I like. Right now, I can only think of one. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_3_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was created on 15 September 2026 by yours truly on the pier at Indian Lake Estates, FL. Crouching and working through the viewfinder I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 280mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the Thumb Dial. ISO 1600: 1\/3200 second at f\/6.3 (wide open) in Manual mode. AWB at 8:04:04am on a mostly sunny morning.<\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<p>Image #1: Least Sandpiper worn juvenile beginning molt to first basic (winter) plumage on pier railing<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11709&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>For Best Results<\/h3>\n<p>Strive to get on sun angle or within 15\u00b0 of it. Have the sun behind you coming from somewhere over the top of your head, and ideally, pointing within 15\u00b0 of the subject. <\/p>\n<p>I was pretty flabbergasted when this bird let me approach to well within 9 feet without flying off. Again, as above, I followed it up and down the &#8220;T&#8221; of the pier for more than 20 minutes as if foraged on small bugs. I created more than 1100 images of the bird when my battery died. I had not expected to find much to photograph so I did not have a spare battery with me. <\/p>\n<p>With most of my first efforts, the bird&#8217;s raised foot was obscured by the wooden railing. So, I crouched in an effort to get some separation between the bill and the railing and to minimize the grain of the wood of the pier railing. Image #1 showed the raised foot perfectly. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_4_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 15 September 2026 by yours truly on the pier at Indian Lake Estates, FL. Crouching and working through the viewfinder I used the handheld <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 280mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the Thumb Dial. ISO 1600: 1\/3200 second at f\/6.3 (wide open) in Manual mode. AWB at 8:04:58am on a mostly sunny morning.<\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<p>Image #2: &#8220;Eye on the Fly&#8221; Least Sandpiper worn juvenile beginning molt to first basic (winter) plumage on pier railing<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11709&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Eye on the Fly<\/h3>\n<p>With their sharp pointed bills this species does not probe in the mud as all of its close relatives do. Instead, it picks insects and other tiny invertebrates from the substrate, in this case, the pier railing. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_5_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 15 September 2026 by yours truly on the pier at Indian Lake Estates, FL. I rested the lens on the pier railing and worked off the articulated rear monitor. With the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 560mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the Thumb Dial. ISO 1600: 1\/2500 second at f\/8 (stopped down 2\/3 stop by mistake) in Manual mode. AWB at 8:09:19am on a mostly sunny morning.<\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<p>Image #3: Least Sandpiper worn juvenile beginning molt to first basic (winter) plumage on pier railing<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11709&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>How Low Can You Go?<\/h3>\n<p>To get right down to the bird&#8217;s level, I place the lens on the railing of the pier and worked off the articulated rear monitor. When that possibility exists, I make sure to have my reading glasses in the pocket of a long sleeved shirt or, if I am taking a sun walk as is often the case, in a pants pocket. Most of the time, the readers let me see the AF points at work. <\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_6_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>This image was also created on 15 September 2026 by yours truly on the pier at Indian Lake Estates, FL. I rested the lens on the pier railing and worked off the articulated rear monitor. With the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1969774-REG\/sony_fe_100_400mm_f_4_5_gm.html\/BI\/6633\/KBID\/7226\/kw\/SO10040045GM\/DFF\/d10-v2-t1-xSO10040045GM\" target=\"_blank\">Sony FE 100-400mm f\/4.5 GM OSS lens<\/a> with the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1222777-REG\/sony_sel14tc_fe_1_4x_teleconverter.html\/BI\/6633\/KBID\/7226\/kw\/SOTC14\/DFF\/d10-v2-t1-xSOTC14\" target=\"_blank\">Sony FE 1.4x Teleconverter<\/a> (at 560mm) and The Latest Greatest Sony Flagship Body, the <a href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1861705-REG\/sony_a1_ii_mirrorless_camera.html\/BI\/6633\/KBID\/7226\/kw\/SOA12\/DFF\/d10-v2-t1-xSOA12\" target=\"_blank\" rel=\"noopener\">a-1 II Mirrorless Camera<\/a>. The exposure was determined by Zebras with ISO on the Thumb Dial. ISO 1600: 1\/2500 second at f\/8 (stopped down 2\/3 stop by mistake) in Manual mode. AWB at 8:09:19am on a mostly sunny morning.<\/p>\n<p>Tracking: Zone\/AF-C with Bird-Eye\/Face Detection performed perfectly. Click on the image to enjoy a larger high-res version.<\/p>\n<p>Image #4: Tight Crop of the <em>Least Sandpiper worn juvenile beginning molt to first basic (winter) plumage on pier railing<\/em> image<strong<\/h2>\n<p><iframe loading=\"lazy\" width=\"728\" scrolling=\"no\" height=\"90\" frameborder=\"0\" style=\"border:none;\" border=\"0\" src=\"https:\/\/mer54715.datafeedfile.com\/widget\/aff_widget_prdt_generate-2.0.php?aff_num=7226&#038;aff_net=1&#038;size=728x90&#038;mode=m&#038;bucket_num=11709&#038;link_target=y&#038;sid=\" marginheight=\"0\" marginwidth=\"0\"><\/p>\n<p>Your browser does not support iFrame.<\/p>\n<p><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Filthy Feet and Bill Clean-up and Toe-nail Repairs<\/h3>\n<p>Though its plumage was in fine shape, the rest of this bird was a mess, especially its feet &#8212; they were covered with dirt and whitewash (bird poop). In addition, most of the toenails were seriously abraded or completely broken off. Lastly, the bill would not win any prizes in a beauty contest. <\/p>\n<p>I utilized my usual cadre of Photoshop cleanup tools and techniques on each image. Those included the Patch Tool, Content Aware Fill, the Remove Tool, the Clone Stamp, and Divide and Conquer. Though I worked for about 15 minutes on the three image optimizations, I was quite happy with the results.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_7_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).<\/strong> <\/h2>\n<p>You can order your copy from the BAA Online Store <a href=\"http:\/\/birdsasart-shop.com\/digital-basics-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>, by sending a PayPal for $40 <a href=\"mailto:birdsasart@verizon.net\">here,<\/a> or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.<\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)<\/h3>\n<p>The techniques mentioned above and tons more great Photoshop tips and techniques &#8212; along with my complete digital workflow, Digital Eye Doctor Techniques, and all my personalized Keyboard Shortcuts &#8212; are covered in detail in the <a href=\"http:\/\/birdsasart-shop.com\/digital-basics-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">BIRDS AS ART Current Workflow e-Guide (Digital Basics II)<\/a>, an instructional PDF that is sent via e-mail. Note: folks working on a PC and\/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking <a href=\"http:\/\/birdsasart-shop.com\/the-digital-basics-digital-basics-ii-bundle\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a> to buy the DB Bundle.<\/p>\n<p>Please note: the Divide and Conquer technique was inadvertently omitted from DB II. It is detailed in a free excerpt in the blog post <a href=\"https:\/\/www.birdsasart-blog.com\/2021\/07\/09\/divide-and-conquer-revealed-in-a-free-excerpt-clean-up-by-popular-demand-and-one-bird-butt-too-many\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>.<\/p>\n<p>Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking <a href=\"http:\/\/birdsasart-shop.com\/mp4-photoshop-tutorial-videos\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. Note: most of the videos are now priced at an amazingly low $5.00 each.<\/p>\n<p>You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide <a href=\"http:\/\/birdsasart-shop.com\/dpp-4-raw-conversion-guide\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video <a href=\"https:\/\/birdsasart-shop.com\/the-capture-one-pro-12-simplified-video\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>. The next step would be to get a copy of Arash Hazeghi&#8217;s <a href=\"https:\/\/birdsasart-shop.com\/the-nikon-photographers-guide-to-phase-one-capture-one-pro\/\" rel=\"noopener noreferrer\" target=\"_blank\">&#8220;The Nikon Photographers\u2019 Guide to Phase One Capture One Pro e-Guide<\/a>&#8221; in the blog post <a href=\"http:\/\/www.birdsasart-blog.com\/2019\/05\/14\/lets-run-that-one-back-arash-hazeghis-capture-one-e-guide\/\" rel=\"noopener noreferrer\" target=\"_blank\">here.<\/a> Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.<\/p>\n<p>You can learn advanced Quick Masking and advanced Layer Masking techniques in <a href=\"http:\/\/birdsasart-shop.com\/aptats-1-2-cds-bundle\/\" target=\"_blank\" rel=\"noopener noreferrer\">APTATS I &#038; II.<\/a> You can save $15 by purchasing the pair.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_8_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong>The Digital Basics III Video Series<\/em><strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The Digital Basics III Video Series<\/h3>\n<p>I realized more than a year ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.<\/p>\n<p>As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, <em>The Digital Basics III Video Series<\/em> was born.  <\/p>\n<p>You can save $26 by ordering the first five videos in Volume I by clicking <a href=\"https:\/\/birdsasart-shop.com\/the-digital-basics-iii-video-series\/\" rel=\"noopener noreferrer\" target=\"_blank\">here<\/a>. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_9_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Click to enlarge.<\/p>\n<h2><strong>The Digital Basics IV Video Series by Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<p>You can save $50.00 by purchasing the entire 5-Volume Series by clicking <a href=\"https:\/\/birdsasart-shop.com\/digital-basics-iv-video-series\/\" target=\"_blank\">here<\/a>. <\/p>\n<\/td>\n<\/tr>\n<\/table>\n<h3>Digital Basics IV Video Series: $146.00 for all five videos\/save $50.00<\/h3>\n<p>I have some fabulous new image optimization tips, techniques, and tricks to share. As the Digital Basics III Video Series proved to be so popular, I decided last fall to run it back in the form of Digital Basics IV. Digital Basics V is on the horizon.<br \/>\nMy new workflow includes the use of the masking feature in Adobe Camera Raw (thanks to Anita North), the use of the Point Color eye dropper to tame super-saturated colors during raw conversions (discovered in tandem with Anita), a fabulous new Remove Tool trick that makes my favorite Photoshop Tool even more powerful than before -\u2014 that one discovered by me. In addition, I have recently begun doing some Curves work during my ACR raw conversions.<\/p>\n<p>My basic workflow remains much the same as is detailed in both the <a href=\"https:\/\/birdsasart-shop.com\/the-birds-as-art-current-workflow-e-guide-digital-basics-ii-pdf\/\" target=\"_blank\">Digital Basics II PDF<\/a> and in the <a href=\"https:\/\/birdsasart-shop.com\/the-digital-basics-iii-video-series\/\" target=\"_blank\">Digital Basics III Video Series<\/a>: <\/p>\n<p>1- Setting the Color Temperature (when and if needed).<br \/>\n2- Setting the White and Black Points and adjusting the Highlights and Shadows sliders.<br \/>\n3- Setting the Clarity and Dehaze sliders.<br \/>\n4- Fine-tuning color using the Hue\/Saturation\/Luminance Targeted Adjustment Tool, a huge step up from the Color Mixer Tool.<br \/>\n5- My 2-step noise reduction technique (with most images). <\/p>\n<p>Once I have the .TIF file in Photoshop, I use my usual cadre of clean-up tools and techniques including the Remove Tool, the Clone Stamp (only rarely), Divide and Conquer, Quick Masking, Layer Masking, Gaussian Blurs, an expanded array of personalized keyboard shortcuts, and tons of other image optimization strategies and methods adapted from previous versions of Digital Basics. I also demonstrate the selective use of Topaz Sharpen AI utilizing the masking feature. And last but not least, I share my JPEG creation methodology. <\/p>\n<p>The <a href=\"https:\/\/birdsasart-shop.com\/digital-basics-iv-video-series\/\" target=\"_blank\">Digital Basics IV Video Series<\/a> is now complete.<\/p>\n<table>\n<tr>\n<td>\n<p><center>ngg_shortcode_10_placeholder<\/center><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<h2><strong><a href=\"https:\/\/birdsasart-shop.com\/the-birds-as-art-digital-basics-collection\/\" target=\"_blank\">The BIRDS AS ART Digital Basics Collection<\/a>: $199.00.<br \/>\nImage copyright 2026 Arthur Morris\/BIRDS AS ART<strong<\/h2>\n<\/td>\n<\/tr>\n<\/table>\n<h3>The BIRDS AS ART Digital Basics Collection<\/h3>\n<p>The best news is that learning to use the tools and techniques that I use to improve my images is made fairly simple for those who purchase, use and study the Digital Basics offerings from BIRDS AS ART. One of the great skills that I have been blessed with is writing coherent how-to instructions that can be followed easily by a third grader. Learn to unlock the potential in your images by purchasing the Digital Basics Collection <a href=\"https:\/\/birdsasart-shop.com\/the-birds-as-art-digital-basics-collection\/\" target=\"_blank\">here.<\/a> The collection includes the Digital Basics II PDF, and all the videos in the Digital Basics III and the Digital Basics IV Video Series. <\/p>\n<p>The original Digital Basics file was created in the mid-aughts when I saw countless numbers of folks creating sharp, nicely designed, well exposed images and then ruining them in Photoshop. I sold enough copies at $20.00 a pop to pay for my $68,000 lap pool! As my workflow changed and improved, various versions of Digital Basics were created to help folks learn to improve their images at the computer during post processing. Save an incredible $86.00 by purchasing the Digital Basics Collection <a href=\"https:\/\/birdsasart-shop.com\/the-birds-as-art-digital-basics-collection\/\" target=\"_blank\">here.<\/a> Folks who own one or two of the three afore-mentioned products are invited to contact me via <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a>l for personalized discount information. <\/p>\n<h3>Typos<\/h3>\n<p>With all blog posts, feel free to <a href=\"mailto:samandmayasgrandpa@att.net\">e-mail<\/a><\/center> or to leave a comment regarding any typos or errors.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What&#8217;s Up? <\/p>\n<p>It&#8217;s been great being home after five weeks at Nickerson Beach. Bird photography down by the lake at ILE, however, has been very challenging. With torrential rains most afternoons for the past month or more, I have not even considered driving on either field or the South Peninsula. The ground is super-saturated and [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[643],"tags":[],"class_list":["post-99536","post","type-post","status-publish","format-standard","hentry","category-643","odd"],"_links":{"self":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/comments?post=99536"}],"version-history":[{"count":19,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99536\/revisions"}],"predecessor-version":[{"id":99557,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/posts\/99536\/revisions\/99557"}],"wp:attachment":[{"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/media?parent=99536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/categories?post=99536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.birdsasart-blog.com\/baa\/wp-json\/wp\/v2\/tags?post=99536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}