Archive for the ‘Travel Tips and Site Guide Info’ Category

Los Madrones

Friday, April 24th, 2009
This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

Chris and I arrived at Mike and Julie Murphy’s Los Madrones Ranch on Tuesday afternoon.   As with most new places, it took us a while to figure the place out but we wound up getting some great images of many species that we had seen or photographed (or both!) for the first time.  Texas’s top birder and one of (if not the) best bird photographers in the state, Greg Lasley, helped us track down our number one target species, the Golden-cheeked Warbler, a gorgeous bird that nests only in Texas Hill Country.  Six to seven pairs of this endangered warbler nest on the Murphy’s beautiful 400 acre ranch.     We stayed in the lovely Casita with all the comforts of home and photographed from three of the four photo blind/feeder set-ups that Mike has constructed. 

Los Madrones is located in western Travis County, TX.  If you would like to photograph some of the species below (and more), you can contact Mike Murphy to arrange a vist by cell phone at   512-925-6902 or via e-mail to mike@losmadrones.com.  You can learn more about the ranch here: http://www.losmadrones.com/Los_Madrones/Home.html  

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

There is a great section in “The Art of Bird Photography II” (916 pages on CD only) on selecting perches and creating a feeder set-up that will work for photography.  You can learn more about ABP II here: http://www.birdsasart.com/ABPII.htm.
This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

As regular BIRDS AS ART Bulletin readers know I am a huge fan of cloudy-bright days.  They offer  much reduced contrast, great color saturation, amd images without shadows.   And most importantly, they allow you to work well off light angle.  The two images above were created as the birds sat on natural perches well off to the side of our set.  Had it been a clear sunny day, each would have been about 40 degrees off of the proper sun angle and I would not have even pointed my lens at them. 

Thanks to Mike and Julie for their generous hospitality and for hosting our visit to Los Madrones.

Captain Froggie and the Alafia Banks; Near Dunking or Near Drowning?

Sunday, March 22nd, 2009

For those having image distortion problems related to their browsers, we apologize but will be unable to deal with that problem until we are able to customize Word  Press; that will not happen for a while as I am hoping to get my taxes done on time for the first time in years.  Anyone who has a solution is of course welcome to e-mail us at birdsasart@att.net

I had the alarm set for 4am early on Friday morning.  I was asleep before 9pm but woke with unabated excitement at 2:07am.  I finished a Sudoku puzzle and then gave up on getting any more sleep.   Spoonbills can do that to you.  I met Captain James Shadle at the dock at Gibsonton.   He had a single client, Randy Stout, who had been on the BIRDS AS ART SW FLA Post X-mas  IPT.  He has since become quite active on BirdPhotographer’s.Net  (BPN: It Ain’t just birds; honest critiqutes done gently.)   You can see our Image of the Year here: http://www.birdphotographers.net/ 

In any case, we were out on the bay in the pitch dark marvelling at the phosphorence in the wake of James’ pontoon boat, the Hooptie Deux.   Soon after that we had some nice pre-dawn ibis blast-offs.

Here is an image I made with the 800mm lens alone and the EOS-1D MII (ISO 500:  1/1250 sec. at f/6.3 in manual mode.  Evalutive -+2/3 stop off the low blue sky and then confirmed via histogram check):

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I added canvas right and eliminated a variety of minor but distracting BKGR elemens.

Once we had several birds in front of us on the mud flat I wanted to sit down in the water for a lower angle. I shortened the legs on my Gitzo 3530 LS tripod and pulled out the leg tabs.  I was wearing my lightweight chest waders without a belt.  I spread the legs of the tripod and attempted to sit down behind my rig in about 18 inches of water.  The problem was that I began to float….  James called out that the water was about an inch from going over the top of the rear of my waders as my bouyancy attempted to tip me over backwards and he left his rig to give me a hand.   Now I had a bigger problem.  As I struggled to gain control of myself and my rig I pretty much lost control of the 800 lens with a Mark III on it.  Two or three times the camera body came within 1/2 inch of the salt water. Finally, with James’ help, I regained control, pulled the tripod legs together, pushed in the leg tabs, and got on my knees–not my favorite position–behind the tripod, and made some images.  It was a close call and I believe that disaster was averted only because I did not panic. 

Anyway, below is my favorite image from that little adventure.  It was created with the 800 f/5.6 L IS lens, the 1.4X II TC, and the EOS 1D MIII.  ISO 500.  Evaluative metering -1/3 stop: 1/800 sec. at f/9 set manually. 

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If you are or will be in Florida at any time during the next six weeks do make sure to give James a buzz, get out on Tampa Bay, and enjoy some quality opportunities with one of Florida’s most sought-after species.  You can reach James via e-mail at either of these addresses:   james@wildflorida.net or james@birdphotographers.net  or on his cell phone:     813-363-2854   .  It is better to keep trying than to leave a message.   To learn more about James click here:  www.wildflorida.net

 

 

Some SW FLA Presidents Week IPT Images

Tuesday, March 17th, 2009

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On a nice afternoon at Little Estero, the fog swooped in like some mythic creature.  Rather than quit, I suggested that we begin making intentional blurs explaining that getting one great one was like winning the lottery.  The image above was created with 70-200mm f/4L IS lens handheld at 78 mm with the 50D.    Evaluative metering + 1 1/3 stops in TV mode: 1/8 second at f/29.   Much better would have been to have had the correct 9-stop neutral density filter for the 70-200 f.4; then I could have used a much wider aperture to avoid maximizing the few dust spots.  A start in that direction would have been to go from ISO 400 to ISO 2oo.

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 When an IPT visits the Venice Rookery in the morning I have a great afternoon spot about an hour away for both Brown and White Pelicans.    The green swatch in the water (that I love by the way) is the reflection of a pressure treated piling..   This image was made with the much maligned 100-400 IS L zoom lens handheld at 120mm with the EOS-50D.  ISO 400.  Evaluative metering -1/3 stop: 1/1600 at f/7.1 in Av Mode. 

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Early on still mornings at Estero can be magic but only if you are in the right spot at the eastern end of the lagoon where the sun comes up over the Gulf and a distant spit.  This image was created with the Canon 800mm f/5.6L IS lens with the EOS-1D Mark III.  ISO 800.  Evaluative metering +2/3 stop: 1/10 sec. at f/5.6.  The 800 features a new 4-stop IS system that at times seems close to miraculous.  I have made sharp images at shutter speeds as slow as 1/6 sec. 

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Being at Little Estero Lagoon on a low tide with little wind and the sun just coming over the condos can be pure magic, especially when there is a natural feeding spree.  This Snow Egret was photographed on just such a morning with the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark III.  ISO 400.  Evaluative metering +2/3 stop: 1/1250 sec. at f/8. 

Little Estero Lagoon

Sunday, March 15th, 2009

On the morning of March 14 I photographed at Little Estero Lagoon in Fort Myers Beach, FL with IPT veterans Brendan Quigley and Bob Blanchard.  While we were amazed that there were so few herons and egrets around we still had lots of great photo opps.   The bridge over San Carlos Pass was closed for most of the morning for a parade so it took us a while to get to breakfast lunch.  Brendan took us to First Watch on the corner of College and Cleveland where we looked at images and had some great chow. 

The SW FLA IPT report will be coming soon. 

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Mottled Duck, drake, Little Estero Lagoon, Fort Myers Beach, FL

Image copyright 2009:  Arthur Morris/BIRDS AS ART

Canon 800mm f/5.6L IS lens with the EOS-1D Mark III on the Mongoose M3.5 atop the Gitzo 3530LS CF tripod.  ISO 400.  Evaluative metering +1 stop:  1/400 sec. at f/11. 
 
Getting flat on the ground yields intimate images but you need to be willing to get wet and muddy as I did here.   I went for some extra depth of  field here knowing that with the bird swiming slowly that 1400 sec. was plenty fast enough for making sharp images.  
 
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Wilsons’s Plover on beach, Fort Myers Beach, FL

Image Copyright  2009: Arthur Morris/BIRDS AS ART

Canon 800mm f/5.6L IS lens with the EOS-1D Mark III on the Mongoose M3.5 atop the Gitzo 3530LS CF tripod.  ISO 400.  Evaluative metering +1 1/3 stops set manually:  1/320 sec. at f/10. 
 
This image is a stitch pano created from three horizontal frames , combined in Photoshop CS3, and then cropped from the righ.  To merge the images click on  File/Autommate/Batch/Photomerge.   Whenever you see something that looks great long and low, think stitched pano. 
 

More Bosque Post-NANPA Images

Friday, March 13th, 2009

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Sandhill Crane flock at sunrise, Bosque Del Apache, NWR, NM
Image Copyright 2009: Arthur Morris/BIRDS AS ART
Canon 70-200mm f/4L IS lens handheld at 135mm with the EOS-1D Mark III.  ISO 400.  Evaluative metering +2 stops: 1/400 sec. at f/5. 
Mid-rage telephoto zooms  are extremely valuable at Bosque.  This group of cranes was heading north for good so we were actually watching migration in progress. 
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Northern Pintail, hen swimming, Bosque Del Apache, NWR, NM
Image Copyright 2009: Arthur Morris/BIRDS AS ART
Canon 800mm f/5.6L IS lens with the EOS-1D Maark III on the Mongoose M3.5 atop the Gitzo 3530LS CF tripod.  ISO 400.  Evaluative metering +2/3 stop:  1/200 sec. at f/10. 
Most folks do not realize that you can get some nice reflections and killer backgrounds by photographing from the far right-hand end of the flight deck just after the sun has come up.  When the main impoundment has high water levels and is clear of vegetation as it was this year, the ducks are constanly swimming back and forth right down sun angle.
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Nine Ducks on Cloudy Morning, Bosque Del Apache, NWR, NM
Image Copyright 2009: Arthur Morris/BIRDS AS ART
 
 
Canon 24-105mm lens handheld at 28mm with the EOS-1D Mark III.  ISO 400.  Evaluative metering +1/3 stop: 1/125 sec. at f/22. 
 
 
Many folks are turned off when conditions are not spectacular. ”Gray clouds instead of red and orange and yellow….  Nine swimming ducks instead of 10,000 geese in flight….   Jeez, what luck.  Things are lousy.”  Good photographers think more in terms of making soup from a stone.   And so should you.  Just open your eyes, note the things that interest you, see the patterns, select the best tool (lens) for the job, and get to work making pleasing, effective images.