Arthur Morris/BIRDS AS ART
December 1st, 2023

Three From a Great 1200mm/BLUBB/X-5 Morning at Indian Lake Estates. Which is the strongest image?

Your Call?

Which is the strongest of today’s three 1200mm featured images? Please leave a comment and let us know why you made your choice. I have a very clear winner that I will share with your here soon.

Clockwise from the upper left back around to center: Osprey gaining altitude after missed strike; school of mullet under attack from below; Wood Stork with Southern Whiting; Osprey with Menhaden; Wood Stork with small lobster; Royal Tern with large baitfish; Osprey with Menhaden; juvenile Osprey directly overhead “t-shot”; Osprey taking flight with freshly caught Mullet.

Sebastian Inlet In-the-Field Sessions

Join me for 3 hours of morning In-the-Field Instruction at Sebastian Inlet for only $300.00/session. The main target will be fishing Ospreys hunting for a variety of migrating saltwater fish that visit the inlet each fall. Back-up subjects include fishing gulls, terns, and Brown Pelicans, Wood Stork, a variety of herons and egrets, shorebirds, sunrise cloud-scapes, and the occasional sea turtle or manatee.

Best Current Dates: Saturday 2 December 2023.

Please get in touch via e-mail or call my cell at 863-221-2372 ASAP to book one or more sessions. Please shoot me a text if I do not pick up.

Most photographers visit Sebastian Inlet with eyes only for Osprey. When the Osprey action is lacking, there are lots of other great avian subjects to shoot. The fact is, however, that most photographers ignore the other birds. And if on occasion, they get so bored by the lack of action that they point their lenses at the gulls, terns, shorebirds, and wading birds, they carelessly work well off sun angle with total disregard for the wind.

As mentioned previously, the key to making superb photographs at Sebastian (or anywhere else), is to understand the relationship of the wind strength and direction, the sky conditions, and the direction and quality of the light. Learn to do just that by joining me this Saturday morning (tomorrow, 2 DEC) at Sebastian. The morning forecast is again dead-solid perfect. The tide is perfect as well.

What’s Up

I had a great morning on Thursday driving around in my BMW X-5. I worked the whole time at 1200mm off the BLUBB. I began with a handsome adult Turkey Vulture on The Perch. And then, things got better!

Today is Friday 1 December 2023. It is 5:10am as I type in the car. I got to sleep very early and got out of bed at 3:40am. Jim is kindly driving me to Sebastian Inlet. By the time you read this, I am hoping to be photographing an Osprey coming out of the water with a large catch. The forecast is perfect. If I have a good morning, I will head back tomorrow on my own as Jim goes home today around midday.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

B&H Simplified

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on Thursday 30 November 2023 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat with the lens on a BLUBB, I used the Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1600. 1/640 sec. at f/13 (stopped down 1 1/3 stops) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 8:08:14am on sunny morning.

Tracking: Expand Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.

Image #1: Turkey Vulture adult head portrait

Getting Close

There is a fairly large picnic shelter with about eight large tables and a big barbecue to the south of the bathroom building near the base of the pier. It is surround by sawed off pilings. The vultures love scrounging around searching for scraps of left-over food and on most mornings there will be a few of each vulture species perched either on the pilings or the roof.

To get on sun angle at point blank range, I placed the lens on the BLUBB before beginning my approach. That to avoid scaring any of the perched birds. Then I moved my vehicle forward as slowly as possible while not moving my head at all and holding my breath till I got in the perfect spot.

For this image I had raised the driver’s side window about three inches so that I was on the same level as the perched bird.

As is often the case with vultures, the skin on the head was a mess. Vultures are scavengers and their favorite meals are rotten, smelly, decomposing fish or animal carcasses. It their heads were feathered, it would be impossible to keep them anywhere near clean. The mess cleaned up nicely with the new Remove Tool. Speaking of Digital Basics III Video Series, the Volume I/#2 video was distributed on Wednesday. Details on purchasing that single video will be published here soon.

Aperture Question

Why f/13 for Image #1?

This image was created on Thursday 30 November 2023 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat with the lens on a BLUBB, I used the Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1600. 1/2000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 8:20:45am on sunny morning.

Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.

Image #2: Mottled Duck flapping after bath

Mottled Ducks

Mottled Duck, the Florida Mallard, is common at ILE but difficult to get close to. I noted about six or eight of them swimming around south of the pier. Several were bathing. I positioned the car well back. The bird in Image #2 was off by himself. When he began dipping his breast in the lake I got excited as I knew that 95% of the time a bird will flap after bathing. I was in perfect position, not too close, so that I could get the front flaps and the back flaps without clipping any wings. I had two very similar front-flap images from a 70-frame series. This was the pick of the litter because the greenish/blue/aqua speculum was lit so evenly rendering the colors very bright.

L-TAT, the Luminance Targeted Adjustment Tool, enabled me to get the water and the speculum just as I saw and wanted them. I use this new Photoshop Tool on pretty much every image that I process. Details are of course available in the Digital Basics III Video Series. New folks will of course receive all of the published videos in Volume I.

For this image I had raised the driver’s side window about five inches so that I could be comfortable while photographing the ducks.

This image was created on Thursday 30 November 2023 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat with the lens on a BLUBB, I used the Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 800. 1/640 sec. at f/9 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 8:29:03am on sunny morning.

Tracking: Expand Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.

Image #3: Red-shouldered Hawk atop long dead Cabbage Palm trunk

Never Before

In the past, I would never have taken a single image of this bird because there was a photo wire right behind it. I knew that the new Remove Tool would deal with that easily. And it did.

For this image I had raised the driver’s side window about seven inches because the bird was perched on the relatively high stump. As always when working on the BLUBB, I moved the Direct Manual Focusing (DMF) switch to OFF so as to avoid throwing off the focus by inadvertently throwing off the focus when framing the image.

The Digital Basics III Video Series

The Digital Basics III Video Series

I realized about a year ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.

As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born. You can check out Volume I/#1 here.

You might opt to purchase single videos or to subscribe to Volume I and save $26 by ordering the first five videos in one fell swoop. You can purchase the five videos in Volume I by clicking here. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.

November 29th, 2023

Perfect Conditions at Sebastian Coming Very Soon

What’s Up?

Yesterday Jim sent DB III, Volume I/#2 to all who purchased the Digital Basic III Video series. If you wish to purchase the series at this point, you will receive the first two videos as soon as we process your order and the next three about one every week or so. I will share details on DB III, Volume I/#2 in the next blog post when it will be available for purchase as a single video.

I was glad to learn yesterday that good friend and many multiple IPT veteran Monte Brown will be joining me on the first San Diego IPT.

I took a walk with the peashooter rig yesterday when it clouded over. I created 376 images and kept three.

Today is Wednesday 29 November 2023. It is the coldest morning of the season. The temperature in the house was 71° when I awoke and the pool was down to 72.7°; the low overnight temps overwhelmed the heater. It will be another cold half-mile swim today. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

This image was created on 21 November 2023. Standing at full height, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 500: 1/400 second at f/5.6 (wide open) in Manual mode. AWB at 6:51:30am, right after sunrise on a partly cloudy morning.

Tracking Zone/AF-C performed perfectly. Be sure to click on the image to enjoy the larger, sharper, high-res version.

Image #1: Osprey carrying fish

Coming or Going?

Is the bird in Image #1 flying toward me or away from me? How do you know?

Why So Slow?

Looking at the EXIF above, many would ask, “Why 1/400 second shutter speed? You recommend at least 1/2500 or 1/3200 second as a minimum shutter speed?”

I had been doing blurs in Manual mode. When I visualized a possible decent image, I raised the shutter speed a bunch of clicks and lowered the ISO a bunch of clicks. I got the exposure right but was way short on shutter speed. But with the bird a good distance away, it was rendered sharp. I had gotten lucky. I did fail to mention one important principle yesterday: at a given shutter speed, the degree of blurring increases as the distance to the subject decreases.

Had I been working in Shutter Priority as detailed in yesterday’s blog post, I would have only needed to change one parameter instead of two and could have easily gotten to a much faster shutter speed.

On the morning of 21 November 2023 there were lots of Ospreys in the air but not many diving and even fewer catching. Otherwise, it was a great morning with 92 keepers; Royal and Caspian Terns, Laughing, Ring-billed, immature Herring, and adult Lesser Black-backed Gulls, Great and Reddish Egret, Brown Pelican, Ruddy Turnstone and Willet (among others!) Not to mention dozens of Wood Storks.

Sebastian Inlet — It Ain’t Just Osprey

Most photographers visit Sebastian Inlet with eyes only for Osprey. When the Osprey action is lacking, there are lots of other great avian subjects to shoot. The fact is, however, that most photographers ignore the other birds. And if on occasion, they get so bored by the lack of action that they point there lenses at the gulls, terns, shorebirds, and wading birds, they carelessly work well off sun angle with total disregard for the wind.

As mentioned previously, the key to making superb photographs at Sebastian (or anywhere else), is to understand the relationship of the wind strength and direction, the sky conditions, and the direction and quality of the light. Learn to do just that by joining me on this coming Friday or Saturday at Sebastian. The morning forecasts are again dead-said perfect as was the case on 21 NOV. In addition, the tide is perfect as well.

If you would like to join me for one or both mornings, please call my cell at 863-221-2372 ASAP. Please shoot me a text if I do not pick up. I need to know no later than today at 7:00pm — earlier is of course better. If you want to do the two mornings, we can share an AirBnB.

Clockwise from the upper left back around to center: Osprey gaining altitude after missed strike; school of mullet under attack from below; Wood Stork with Southern Whiting; Osprey with Menhaden; Wood Stork with small lobster; Royal Tern with large baitfish; Osprey with Menhaden; juvenile Osprey directly overhead “t-shot”; Osprey taking flight with freshly caught Mullet.

Sebastian Inlet In-the-Field Sessions

Join me for 3 hours of morning or afternoon In-the-Field Instruction at Sebastian Inlet for only $300.00/session (or $500 for a full day with two sessions). The main target will be fishing Ospreys hunting for a variety of migrating saltwater fish that visit the inlet each fall. Back-up subjects include fishing gulls, terns, and Brown Pelicans, Wood Stork, a variety of herons and egrets, shorebirds, sunrise cloud-scapes, and the occasional sea turtle or manatee.

Best Current Dates: Friday 1 and Saturday 2 December 2023.

Please get in touch via e-mail or call my cell at 863-221-2372 ASAP to book one or more sessions. Please shoot me a text if I do not pick up.

Click on the composite to view a larger version and be even more impressed.

The Art & Science of Photographing Birds in Flight with the Sony α-1

e-Book/PDF link sent via e-mail: $150.00

The Art & Science of Photographing Birds in Flight with the Sony α-1

by Arash Hazeghi and Arthur Morris

First of all, if you use Nikon or Canon (or Olympus or Fuji) gear, do not be put off by the title. While a portion of the guide deals with the Sony α-1, there is a ton of priceless information, tips, and techniques that can help you become a better flight photographer. No matter what system you are using. If you do not use an α-1, be sure to read down to the bottom to save a few bucks.

Arash Hazeghi and Arthur Morris have created the definitive and most comprehensive ever treatise on photographing birds in flight. With more than sixty years of experience photographing birds, they know what you need to know but have not figured out yet! You will be astounded by the depth of their knowledge and the tips they have to offer. More than six months in the making, the guide contains 229 pages, 24,321 words,97 exceptional and inspirational flight images — each with a legendary, enlightening BIRDS AS ART caption, and 22 screen captures. The guide contains a wealth of useful, practical, and for the most part — never-before-available information.

Purchase

Click here to purchase your copy in the BAA Online Store.

What Everyone Will Learn

We will teach you the basic concepts that you need to master to become a great flight photographer along with the techniques used by the world’s best flight photographers.

You will learn that most any telephoto lens can be perfect for flight photography in a given situation; focal lengths for the images in the book range from 200mm to 1200mm and everywhere in between.

We discuss the merits of various lenses in depth, including and especially comparing the 400mm f/2.8 lenses with the 600mm f/4s.

We guide you in getting your hands on the flight photography lens that will best meet your needs. We offer a variety of handholding and rest position tips and include tips on working with a big lens on a tripod when working with a flight lens that is otherwise too heavy for you.

Both authors offer their thoughts on getting the right exposure when photographing birds in flight. You will learn to get the right exposure on foggy days and even when photographing black birds in white sky conditions.

You will learn the tremendous importance of pre-focusing, of finding the bird in the viewfinder quickly, acquiring focus almost instantly (with tips on doing all three).

You will learn the role of image stabilization in flight photography and the best settings.

Both authors share their thoughts on using the focus range limiter switch. In the same vein, you will learn to use Direct Manual Focus to make your flight photography life easier.

All will learn about the best wing positions and the importance of the background with images of birds in flight. With lots of examples.

You will learn about the best shutter speeds (and the best aperture) to use when photographing flying birds.

You will learn to photograph flight while seated and the many advantages of doing so.

You will learn the best methods of controlling high ISO noise.

All will learn to format their flash cards properly and safely.

You will learn what to do when your AF system is temporarily blinded.

All will learn the huge effect that wind strength and direction has on flight photography and to evaluate the quality and direction of the light on both sunny and cloudy days.

You will learn why it is vitally important to shoot aggressively when photographing birds in flight.

You will learn to carefully observe and evaluate a variety of bird behaviors that may shine light on some excellent opportunities for photographing birds in flight. And about getting into the best position from which to photograph.

You will learn to be a much better flight photographer.

What Sony Folks Will Learn

Exactly how Artie uses Zebras to come up with perfect exposure after perfect exposure.

The fine points and recommended settings for Optical Steady Shot (OSS).

The concept of Auto-Focus (AF) tracking in the α-1.

Everything there is to know about the complex Sony autofocus system.

About all the AF patterns, how to quickly switch them, and about those favored by each author. And why.

The Tracking and Non-tracking AF patterns. When and why Arash uses Non-Tracking Zone. And why Artie uses only two AF patterns.

How to set and use Bird Face-Eye detection for flight photography.

How and why to assign various custom functions to the various programmable buttons on the α-1 body.

The perfect settings for the many, many Menu items that are vitally related to flight photography.

How and why the Sony α-1 uses both contrast and phase detection AF to determine focus (and the benefits thereof).

Which are the best memory cards for the Sony α-1.

To quickly access frequently used menu items.

Non-Sony α-1 Discount

Using the honor system, folks who do not use a Sony α-1 body are invited to click here to save $25.00 on the purchase price of the guide.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

November 28th, 2023

Crap Shooting on the Pier with the Peashooter Rig Pays Off

Your Call?

Which of today’s two featured peashooter images do you think is the stronger photo? Please leave a comment letting us know why you made your choice.

What’s Up?

I was beyond thrilled yesterday to fill five slots on the 2024 Homer Bald Eagle IPTs. There is now only one spot left on each IPT. Click here and scroll down for INFO on the Homer IPTs. I am still offering a $500 discount on a single IPT, $1500 off if you do both.

I was glad to learn recently of the following Used Gear Page sales:

Good friend and many multiple IPT veteran Indranil Sircar sold his Canon EOS 5D Mark IV in excellent plus condition with several extras for a very low $999.00 soon after is was listed in mid-November 2023.
Multiple IPT veteran Martin Mikulas sold his Sony a9 II body in near-mint condition for a BAA Record-low $2197.00 right after it was listed in early 2023.
Stan Gorlitsky sold his Nikon NIKKOR Z 800mm f/6.3 VR S lens in mint condition for a very low $5400.00 (was listed for $5,496.95) soon after it was listed in early November 2023.

Today is Tuesday 28 November 2023. With the north and NW morning winds, I have not spent much time down by the lake. I will likely take a Vitamin D/health walk this morning with the peashooter rig despite the poor wind direction (NW).

Jim will be sending out the Digital Basics III, Volume I/#2 to the subscriber group this afternoon. See the next blog post for details on Volume I/#2.

Wherever you are a whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Used Gear Page Price Drops

Sony FE 135mm f/1.8 GM (Grand Master) Lens

Price reduced $200.00 on 7 March 2023
Price reduced $200.00 on 27 November 2023

Anthony Ardito is offering a Sony FE 135mm f/1.8 GM lens (USA warranty) in like-new condition for a ridiculously low $1298.00 (was $1,698.00). The sale includes the original product box and everything that came in it including the ALC-F82S 82mm front lens cap, the ALC-R1EM rear lens cap, the ALC-SH156 lens hood, the lens case, all factory accessories and manuals, and insured ground shipping via major courier to lower 48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Anthony via e-mail at e-mail.

Prized for its ability to isolate focus, the FE 135mm f/1.8 GM from Sony is a medium telephoto prime characterized by a bright and sophisticated design. It is perfect for portraiture and also excels at close-range sports shooting and as a unique focal length for landscapes. Its Grand Master design prioritizes both sharpness and bokeh quality and the lens also offers fast autofocus AF capabilities and durable build quality. It is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations and its bright f/1.8 maximum aperture benefits working in difficult lighting conditions. The rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. Sony & B&H

This superb, high-end medium telephoto lens sells new for $2,098.00. It is the dream lens for all serious portrait photographers. If you have been hoping to find a reasonably-priced copy this lens, grab Anthony’s pretty much new one right now and put $400.00 in savings into your pocket. artie

Canon EOS-1DX Mark II Digital SLR Camera with Extras!

BAA Record-low Price!
Price reduced $200.00 on 25 November 2023

John Nelson is offering a Canon EOS-1DX Mark II dSLR camera in excellent condition for a BIRDS AS ART record low $1399.00 (was $1599.00). The sale includes the original box, one battery, the charger, the front body cap, four (4) 128 128GB CFast memory cards, cfast cards, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact John via e-mail.

The 1DX Mark II is a rugged, fast Canon professional digital camera body. It features an excellent AF system and high quality image files with great dynamic range. When he used Canon, it was the first choice of Arash Hazeghi, the world’s premier photographer of birds in flight.Two iDX II served as my workhorse bodies for several years. And I loved them. artie

Nikon D500 DSLR Camera Body

BAA Record-low Price!
Price reduced $50.00 on 27 November 2023

Larry Peavler is offering a like-new Nikon D500 DSLR Camera Body with only 2,408 actuations for a BIRDS AS ART Record-Low $699.00 (was $749.00). The sale includes one battery, the charger, the cable, the front body cap, the strap, the original product box, and insured ground shipping via a major carrier to the lower 48.

Please contact Larry via e-mail

The D500 is Nikon’s top-of-the-line crop factor body. It multiplies your focal length by 1.5X. Joe Przybyla and Dan Kearl, both excellent photographers on Bird Photographer’s.Net, use the D500 as their workhorse camera bodies. Joe, the co-author of The BAA Middle of Florida Photographic Site Guide, was after this old dog for a long time to try a D500 when I used Nikon. artie

This image was created on 26 November 2023 on the pier at Indian Lake Estates. While standing at full height, I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 2x teleconverter (zoomed out to 324mm), and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation on the Thumb Dial. Multi-metering +1.7 stops in Shutter Priority mode. AUTO ISO set ISO 4000: 1/3200 sec. at f/5.6 (wide open). AWB at 9:06:21am on a variably cloudy morning.

Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #1: Mottled Ducks — five taking off

The Peashooter Rig

Over the years I have often carried the 200-600 when taking health or vitamin D walks down by the lake. I love having 600mm at my disposal, but with the a-1, the rig weighs 6 pounds, 10.2 ounces (with a battery and a card) and is 18 1/8 inches in length (with the hood in place). On a 1 1/2 mile walk, lugging the 2-6 around is a real chore. Three days ago, I decided to walk with the 70-200 II, the 2X TC, and an a-1. That turned out to be a good move as the rig weighs only 4 pounds, 9.8 ounces (again, with a battery and a card) and is 18 1/8 inches in length (again, with the hood in place).

Though the smaller rig is only 2 pounds, .4 ounces lighter than the 2-6, that represents slightly more than a 30% drop in weight. Additionally, the length of the 70-200mm rig is almost 25% shorter than the bare 200-600. Comparing the bulk of the two set-ups, the smaller and lighter 70-200 rig seems like a feather when compared to the 200-600.

All of the above assuming that my measurements and my math are correct.

Though I will miss the 600mm maximum focal length of the 200-600 at times, the lighter more versatile, more easily carried, and easier-to-handhold 70-200/2X TC/a-1 combo will be with me whenever I take a walk down by the lake. 400mm is not chicken-feed.

The Sony 70-200mm f/2.8 II GM Lens

Regular readers know that I fell in love with the Sony FE 70-200mm f/2.8 GM OSS II lens from the first moment I used it. I had never seen such a huge improvement in a version II of a lens. Everything about it is better, including and especially AF performance and the ease of zooming in or out. When used with either TC, it completely renders the the Sony 100-400 GM lens obsolete and worthless for those who photograph birds or animals in action. Learn lots more about this great lens here, here, here, and here.

Why Not Manual Exposure Mode?

Yes, competent nature photographers work in Manual (exposure) mode more than 95% of the time on average. When I take my walks with a lens, however, I always work in Shutter Priority mode with AUTO ISO. The key is to assign Exposure Compensation (EC) to the Thumb Dial (rather than ISO as my camera is usually set up). Doing that with a Sony a-1 is of course detailed in the SONY Alpha a1 Set-up and Info Group e-mails. I use that same set-up often — but not always, when creating sunrise and sunset silhouettes against bright colored skies and when creating pleasing blurs in situations where the background is uniformly light-toned. The San Diego IPT is a great place to learn when and how to use this technique. (Click here and scroll down for INFO on the San Diego IPT.) The best news is that it is easy to set this method up with other camera systems, most notably on this side of the pond, that means Canon and Nikon.

The question remains, “Why? go to Shutter Priority Mode with EC and AUTO ISO.” When you are facing a succession of unexpected situations — who knows what I might stumble upon while walking in nature?, this set-up makes much more sense to me than Manual mode. The catch is that you need to be able to quickly analyze each scene, subject and background, so that you can properly set the EC.

As I began my walk onto the pier, it was white-sky-cloudy, so I set the EC to +2.3 stops and the shutter speed to 1/3200, wanting to be ready should something decent fly by. When I saw the five Mottled Ducks getting nervous as I approached them, I raised the lens and acquired focus. As the lake with some scattered marsh grasses was darker overall than the sky, I quickly turned the Thumb Dial two clicks counter-clockwise to reduce the EC from +2.3 stops to +1.7 stops. That turned out to be a brilliant move as the exposure was perfect with only some small areas of water showing as over-exposed.

While the arrangement of the five ducks is not quite perfect, it is pretty sweet. In addition, I love the painterly look and feel of the image. And there are some pretty neat wing positions as well along with lots of flying water droplets. Not bad for a grab shot.

Click on the image to better see the green eye-AF boxes in action.

Sony Alpha 1 Flight Photography AF Points!

The SONY Alpha a1 Set-up Guide and Info Group: $150.00 (or Free)

The SONY Alpha a1 Set-up Guide and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. By June 1, 2022, the group was up to an astounding 124 lucky and blessed folks. (More than a few folks own two or more a1 bodies! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. The best news is that everyone in the group receives an e-mail that includes a .DAT file with my a1 settings on it, and explicit directions on how to load my settings onto your a1; talk about convenience! I am now offering a .DAT file compatible with firmware update 1.20. Your entry into the group includes a consolidated Sony a1 CAMSETA2 INFO & GUIDE. New a1 folks will now receive six e-mails instead of the previous 28! You will receive new e-mails as they are published. Simply put, this e-mail guide is an incredible resource for anyone with an a1.

All who purchased their Alpha 1 bodies via a BAA affiliate link — B&H or Bedfords — will receive a free Sony Alpha a1 Set-Up Guide and free entry into the Info Updates group after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.). Others can purchase their guide here in the BAA Online Store.

This image was also created on 26 November 2023 on the pier at Indian Lake Estates. Again, while standing at full height, I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 2x teleconverter (zoomed out to 240mm for this one), and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation on the Thumb Dial. Multi-metering +2.0 stops in Shutter Priority mode. AUTO ISO set ISO 3200: 1/3200 sec. at f/5.6 (wide open). AWB at 9:07:25am on a variably cloudy morning.

Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #2: Boat-tailed Grackle — dorsal view of female in flight

The Crapshoot

There are almost always Boat-tailed Grackles on the pier railings. Naturally, as you walk by, they take flight. By evaluating the wind and sky conditions, and noting the pattern of take-offs, it is rarely possible to come up with a good flight chance or two. The smaller, lighter peashooter rig gives me a much better chance of succeeding in this situation than the larger, heavier 200-600.

When this female boat-tailed took flight toward the shore, I got the lens on the bird, acquired focus, panned quickly and erratically, and fired off about 15 frames. I managed to get the whole bird in the frame in only two images. I had one spectacular dorsal flight pose, but that image was not as sharp as today’s Image #2. That surely because I was unable to keep the bird anywhere near the middle of the frame.

When I was shooting Canon and Nikon dSLRs, I could never have envisioned even attempting flight shots of medium sized songbirds. With today’s incredible mirrorless cameras, pretty much anything is possible.

Click on the composite to view a larger version and be even more impressed.

The Art & Science of Photographing Birds in Flight with the Sony α-1

e-Book/PDF link sent via e-mail: $150.00

The Art & Science of Photographing Birds in Flight with the Sony α-1

by Arash Hazeghi and Arthur Morris

First of all, if you use Nikon or Canon (or Olympus or Fuji) gear, do not be put off by the title. While a portion of the guide deals with the Sony α-1, there is a ton of priceless information, tips, and techniques that can help you become a better flight photographer. No matter what system you are using. If you do not use an α-1, be sure to read down to the bottom to save a few bucks.

Arash Hazeghi and Arthur Morris have created the definitive and most comprehensive ever treatise on photographing birds in flight. With more than sixty years of experience photographing birds, they know what you need to know but have not figured out yet! You will be astounded by the depth of their knowledge and the tips they have to offer. More than six months in the making, the guide contains 229 pages, 24,321 words,97 exceptional and inspirational flight images — each with a legendary, enlightening BIRDS AS ART caption, and 22 screen captures. The guide contains a wealth of useful, practical, and for the most part — never-before-available information.

Purchase

Click here to purchase your copy in the BAA Online Store.

What Everyone Will Learn

We will teach you the basic concepts that you need to master to become a great flight photographer along with the techniques used by the world’s best flight photographers.

You will learn that most any telephoto lens can be perfect for flight photography in a given situation; focal lengths for the images in the book range from 200mm to 1200mm and everywhere in between.

We discuss the merits of various lenses in depth, including and especially comparing the 400mm f/2.8 lenses with the 600mm f/4s.

We guide you in getting your hands on the flight photography lens that will best meet your needs. We offer a variety of handholding and rest position tips and include tips on working with a big lens on a tripod when working with a flight lens that is otherwise too heavy for you.

Both authors offer their thoughts on getting the right exposure when photographing birds in flight. You will learn to get the right exposure on foggy days and even when photographing black birds in white sky conditions.

You will learn the tremendous importance of pre-focusing, of finding the bird in the viewfinder quickly, acquiring focus almost instantly (with tips on doing all three).

You will learn the role of image stabilization in flight photography and the best settings.

Both authors share their thoughts on using the focus range limiter switch. In the same vein, you will learn to use Direct Manual Focus to make your flight photography life easier.

All will learn about the best wing positions and the importance of the background with images of birds in flight. With lots of examples.

You will learn about the best shutter speeds (and the best aperture) to use when photographing flying birds.

You will learn to photograph flight while seated and the many advantages of doing so.

You will learn the best methods of controlling high ISO noise.

All will learn to format their flash cards properly and safely.

You will learn what to do when your AF system is temporarily blinded.

All will learn the huge effect that wind strength and direction has on flight photography and to evaluate the quality and direction of the light on both sunny and cloudy days.

You will learn why it is vitally important to shoot aggressively when photographing birds in flight.

You will learn to carefully observe and evaluate a variety of bird behaviors that may shine light on some excellent opportunities for photographing birds in flight. And about getting into the best position from which to photograph.

You will learn to be a much better flight photographer.

What Sony Folks Will Learn

Exactly how Artie uses Zebras to come up with perfect exposure after perfect exposure.

The fine points and recommended settings for Optical Steady Shot (OSS).

The concept of Auto-Focus (AF) tracking in the α-1.

Everything there is to know about the complex Sony autofocus system.

About all the AF patterns, how to quickly switch them, and about those favored by each author. And why.

The Tracking and Non-tracking AF patterns. When and why Arash uses Non-Tracking Zone. And why Artie uses only two AF patterns.

How to set and use Bird Face-Eye detection for flight photography.

How and why to assign various custom functions to the various programmable buttons on the α-1 body.

The perfect settings for the many, many Menu items that are vitally related to flight photography.

How and why the Sony α-1 uses both contrast and phase detection AF to determine focus (and the benefits thereof).

Which are the best memory cards for the Sony α-1.

To quickly access frequently used menu items.

Non-Sony α-1 Discount

Using the honor system, folks who do not use a Sony α-1 body are invited to click here to save $25.00 on the purchase price of the guide.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.