Even an Ugly Bird… « Arthur Morris/BIRDS AS ART

Even an Ugly Bird...


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This American Coot image was created from inside my rental vehicle on the 2013 Bosque IPT with the Canon EF 600mm f/4L IS II USM lens, the Canon 2x EF Extender III (Teleconverter), and the Canon EOS-1D X. ISO 400. Evaluative metering -1 stop as framed: 1/800 sec. at f/10 in Manual mode.

Central sensor (by necessity) Expand/AI Servo Rear Focus AF just behind the back of the bird’s neck active at the moment of exposure. Click here if you missed the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Even an Ugly Bird…

Ugly as a coot. Even an ugly bird can make for a beautiful image. Put that ugly bird in a nice setting–clean blue water here, add gorgeous late afternoon light, check for blinkies until you have a perfect exposure, and then create a sharp, well-composed photography. Convert the image in DPP and tidy up the bill shine and a few specular highlights in Photoshop. While you are there apply just a bit of Detail Extractor to the face and bill using a Hide-All Layer Mask and then paint in 100% Contrast Mask sharpening (15/65/0) on the face and 50% on the rest of the bird, again using a Hide-All Mask. Voila. You are good to go.

All of the above of course as described in detail in our Digital Basics File, an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, several different ways to expand canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, image clean-up techniques, Digital Eye Doctor, and tons more.

Client Richard Cornelius who was in the back seat with his borrowed Nikon 800mm lens also made some great images. As I remember he had one better than my image above. But I am scratching my head trying to figure out how it could have been better….

Image Questions

Why AI Servo AF active at the moment of exposure?
Why -1 full stop of exposure compensation (EC)?
What two things having to do with the bird’s posture add to the strength of this image?
Why didn’t I put the central sensor on the coot’s eye?

Coming Tomorrow: The Bosque Current Conditions Site Guide Update

This year’s Bosque Current Conditions Site Guide Update will be announced tomorrow. It will also be offered as a stand-alone purchase. Details will be announced in less than 18 hours. 🙂

Bosque del Apache 2014 A Creative Adventure/BIRDS AS ART “Creative Photography Instructional Photo-Tour.” (IPT). NOV 24-25, 2014. 2-FULL DAYS: $729. Leaders: Denise Ippolito & Arthur Morris. Introductory Slide program: 7:00pm on Sunday 11/23.

Learn to unleash your creative juices at the wondrous Bosque del Apache National Wildlife Refuge in San Antonio, New Mexico with two great leaders including the amazingly talented and creative Denise Ippolito. In-the-field instruction will include tips on gear set-up, on creating a variety of pleasing blurs, on getting the right exposure, and on designing pleasing images. And lots more. From vertical pan blurs to subject motion blurs to zoom blurs to multiple exposures we will cover it all. This workshop will include an inspirational introductory slide program on Sunday evening, 11/23 after dinner on your own, two morning and two afternoon photography sessions, all lunches, a digital workflow and Photoshop session after lunch on Monday, and an image critiquing session after lunch on Tuesday.

A $329 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 7/25/2014. If the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

Bosque del Apache 2014 BIRDS AS ART/A Creative Adventure Instructional Photo-Tour (IPT). NOV 29-DEC 3, 2014. 3 FULL and 2 HALF-DAYS: $1449. Leaders: Arthur Morris and Denise Ippolito. Introductory Slide program: 7:00pm on Sunday 11/29.

Tens of thousand of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with two of the world’s premier photographic educators at one of their very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive Novembers at Bosque for artie. This will be denise’s 6th workshop at the refuge. Nobody knows the place better than artie does. Join us to learn to think like a pro, to recognize situations and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time we make a move we will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 4 afternoon (11/29 through 12/2), 4 morning (11/30 to 12/3) photography sessions, an inspirational introductory slide program after dinner on your own on Saturday, 11/29, all lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a strict itinerary on a Bosque IPT as each day is tailored to the local conditions at the time and to the weather. We are totally flexible in order to maximize both the photographic and learning opportunities. We are up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it is back to Socorro for lunch and then a classroom session with the group most days. We head back to the refuge at about 3:30pm each day and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity.

A $449 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 7/25/2014. If the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

IPT Info

Many of our great trips are filling up. You will learn more about how to make great images on a BAA IPT than anywhere else on the planet. Click here for info on the Anhinga Trail IPT. Click here for info on the Estero Lagoon IPT. Click here for info on the just announced San Diego Short Notice IPT–only 2 slots left on that one. And click here to learn about the just-announced 2014 Bosque IPTs. You will find additional IPTs and general info here.

Great Buy: Used Canon 800mm f/5/6L IS Lens for Sale

Friend and multiple IPT-veteran Monte Brown is offering his lightly used Canon 800mm f/5.6L IS lens in excellent condition for sale for $9,500. Purchase includes the lens case and hood, the 4th Generation Design Low Foot, the original foot, a LensCoat, the original invoice and the original Canon shipping carton. The lens was purchased new from B&H in April 2009 and was recently underwent a pre-sale clean and check by Canon. The buyer pays insured shipping via UPS Ground to US addresses only. The lens will be shipped only after your check clears.

The Canon EF 800mm f/5.6L IS USM Autofocus lens sells new for $13,223.00 so you will save a bundle on a great lens. No need to ever use a 2X…

If interested you can contact Monte by phone at 1-765-744-1421 or via e-mail.

Last Year’s Grand Prize winning image by Lou Coetzer

grand-prize-winner-1st-baa-final-w-text

Time is Running Out!
BIRDS AS ART 2nd International Bird Photography Competition
The December 31, 2013 closing deadline is fast approaching.

Learn more and enter the BIRDS AS ART 2nd International Bird Photography Competition here. Twenty-five great prizes including the $1000 Grand Prize and intense competition. Bring your best.

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Typos

In all blog posts and Bulletins feel free to e-mail or leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

9 comments to Even an Ugly Bird…

  • avatar Michael Matusinec

    An awesome capture on the American coot. We have had thousands of them at Horicon Marsh during the Fall migration. They are an excellent driver a swimmer. Love the technical details, you give on each capture.

  • avatar Doug

    AI Servo:
    Bird is moving and with Rear Focus you can track focus right up to, and maybe even while, capturing the image.

    -1 full stop:
    The large black bird and reflection in the center of the image influence the cameras meter.

    two things:
    Raised head and tail, the bird is very alert or displaying.

    central sensor:
    Positioning of the bird and reflection in the frame.
    I think I’ve had issues getting focus on a dark subject, the contrast line between the bird and water may help auto focus.
    I also believe Coots bob their head while swimming so it would be hard to frame and track focus on the eye.

    • avatar David Policansky

      Hey, Doug, I’ve had the same difficulty, especially with swimming coots, even when I know I’m having the difficulty and try to get everything right. I agree with your answers. Artie, it’s a lovely image.

  • avatar Kevin Hice

    Artie after I posted I read elinor,s post and agree with the slight head angle also.

  • avatar Kevin Hice

    Hello Artie Ai servo on a moving subject so you don’t have to recompose.- one stop so you don’t highlight the bill or the white feathers on the rear. The coot is holding the neck back which looks more erect plus with the angle of the bill facing downward gives a better reflection off the water. The central sensor on the eye would place the coot too high in the frame. Nice pic I also like the water droplets on the back.

    • Aha I see now you have it that focus on the eye would place the bird in the wrong place. But wouldn’t the bird be too low in the frame, cutting off reflection, rather than too high?

  • Why AI Servo AF active at the moment of exposure? because the bird is moving
    Why -1 full stop of exposure compensation (EC)? agree with Doug on this. It’s like the alligator in sun exposure in the previous blog
    What two things having to do with the bird’s posture add to the strength of this image? One is slight head turn toward the camera
    Why didn’t I put the central sensor on the coot’s eye? The bird’s back just behind the back of the bird’s neck is in the same plane as the eye and much easier to hold on to than the small eye in a moving bird.

  • What a great image Guru! Just love it. That’s a handsome bird by any standard.

    Thanks for posting.

  • Why AI Servo AF active at the moment of exposure?
    I guess I would answer that with a question…why not AI Servo?
    I’m looking forward to the answer on this one.

    Why -1 full stop of exposure compensation (EC)?
    The dark tones of the coot and water is going to fool the
    meter and want to over expose, which in turn will also
    fry the Coot’s beak.

    What two things having to do with the bird’s posture add to the strength of this image?
    This one I’m not sure yet.

    Why didn’t I put the central sensor on the coot’s eye?
    I was going to say that because the Coot was at a slight angle, but you were
    at F10, so I don’t think its that. My guess would be to get more of the
    wake.

    Doug