More Wind Against Sun Success. And Finally Hatched! « Arthur Morris/BIRDS AS ART

More Wind Against Sun Success. And Finally Hatched!

Your Call?

Both of today’s featured images are quite good. If you were forced to choose only one, which would you rather have in your portfolio? Why?

What’s Up?

After taking the morning off, I walked the beach with the 200-600 on Sunday afternoon in less than ideal conditions with sunny blue skies and an east wind. In the Against All Odds! Success in Near-Impossible Conditions. Suggestions for Dealing with Seemingly Hopeless Situations blog post here, I wrote:

Suggestion #4 in Seemingly Hopeless Situations

Look for the one bird that does not care what direction the wind is blowing from. If the wind is not howling, foraging shorebirds or beach-nesters may sit on their edges while facing the “wrong” direction, i.e., not facing into the wind.

I followed my own advice and got lucky again.

Today is Monday 26 June 2023 and the scattered thunderstorm forecast was looking accurate as I headed to the beach. But it never rained at all. I had a decent morning with ruffling terns on clean sand and with the tiny oystercatcher chick featured in Image #2 below. Wherever you are and whatever you are doing, I hope that you too enjoy every day no matter the weather.

The Fact$ of Life

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This image was created on 25 June 2023 at Nickerson Beach, Long Island, NY. Seated on dry sand using the knee-pod technique, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 400mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1250. 1/1600 second at f/9 (stopped down one stop) in Manual Mode. AWB at 7:22:48pm on a then totally sunny afternoon. RawDigger showed the exposure to be dead solid perfect.

Tracking: Expand Spot/AF-C with Bird Face/Eye Detection performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #1: American Oystercatcher settling onto two eggs in scrape nest

Finally!

I headed east to the first jetty, and again, following another of my suggestions, made some good images of an American Oystercatcher hunting and catching mole crabs in the swash zone. The light was gorgeous. Then I circled back to the west and made a detour to check an oystercatcher nest that I had been photographing seemingly forever — would the eggs ever hatch? I was happy to see a single chick that was a day or two old — there were three eggs in the nest on Saturday morning. on Sunday afternoon there were just two. I sat down on sun angle hoping that that chick would return. The second adult landed nearby and invited the chick to brood. It did.

Perspective Question

Why didn’t I go lower for Image #1?

This image was also created on 25 June 2023 at Nickerson Beach, Long Island, NY. Seated on dry sand using the foot-pod technique, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 2500. 1/640 second at f/6.3 (wide-open) in Manual Mode. AWB at 7:50:17pm on after the sun ducked behind a big cloud to the west. RawDigger showed the exposure to be perfect.

Tracking: Expand Spot/AF-C with Bird Face/Eye Detection performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #2: American Oystercatcher chick about to be brooded

Different Light Led to a Different Approach

Once the sun disappeared, I moved to my left in hopes of photographing the chick that was sheltering under one of the adults while the other sat on the eggs. The adult got up and relocated and then the chick followed. That is when Image #2 was created.

A New Strategy

For too many decades in this and similar situations, I would always opt to focus on the adult and hope that the chick was covered by the depth of field. A few days ago, I switched tracks and now I do my best to focus on the chick and hope that the adult is covered by the depth of field. The new strategy worked perfectly here: the head of the adult was soft in the first few frames but as it approached the scrape it walked right into the plane of sharp focus.

On Light and Exposure

Note the huge difference in the color and quality of the light in the two images made less than 30 minutes apart. The first image features warm red and yellow light while the second one is much cooler and bluer.

Mid-Level Exposure Question

How many stops of light difference is there in the exposures for today’s two featured images?

This image was also created on 25 June 2023 at Nickerson Beach, Long Island, NY. Seated on dry sand using the foot-pod technique, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 2500. 1/640 second at f/6.3 (wide-open) in Manual Mode. AWB at 7:50:17pm on after the sun ducked behind a big cloud to the west. RawDigger showed the exposure to be perfect.

Tracking: Expand Spot/AF-C with Bird Face/Eye Detection performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #2A: Color corrected version: American Oystercatcher chick about to be brooded

Color Corrected Version

I must have been tired and in a rush last night when I prepared Image #2 as there was a very significant BLUE/PURPLE cast even though the RGB values for the WHITEs were showing 250/250/251. So, when I got back to my AirBnb for brunch, I corrected the color in Color Mixer by desaturating the BLUEs and the PURPLEs and increasing the Luminance for those two colors. Much better.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

11 comments to More Wind Against Sun Success. And Finally Hatched!

  • avatar Joel Eade

    I prefer the first image with the brighter light and strip of blue above the bird but I would remove the speck near the left edge of the frame just above the bird’s tail.

    The second image compared to the first has +3 stops of ISO, +4 stops of shutter speed and +3 stops of aperture so I am guessing 10 stops in all. Lol.

  • avatar Dane Johnson

    On the exposure – 1-2/3 stops difference. Image No. 2 has +1 stop on the exposure and +2/3 stop on the aperture.

  • avatar David Policansky

    Artie: I like image 1 even more than image 2. I love the light, the composition, the eggs, and the bird’s behavior. You didn’t get lower because there was no reason to and if you had, then you’d have had to get up! But if you’d got lower the horizon would have crossed lower behind the bird and possibly been more distracting. The background is already pleasantly out of focus so no need to get lower on that account.

  • avatar Mary Van Deusen

    …meant to refer to the dip more accurately as scrape nest

    • avatar Arthur Morris/BIRDS AS ART

      Image #1 shows the scrape nest, #2, a scrape away from the nest. When the birds are away from the nest, an adult bird will quickly nestle its breast into the sand and invite the chick or chicks to brood.
      ]with love, artie

  • avatar Richard Curtin

    Really like both but would pick #2. The chick really adds interest and prefer the diffuse lighting. Guess if you got lower in 1 you would not have included as much of the eggs.
    WAG #3: 5 1/2 stops (+/- 5)

  • avatar Mary Van Deusen

    Hi Artie! You wouldn’t have shown the dip in the sand, which is an important feature of life in the nesting colony if you shot lower in image 1. It’s also fun to observe the chicks dive into them as well!

  • avatar Sue Jarrett

    Image #1 and #2 of American Oystercatcher are good and interesting! But image #2 American Oystercatcher chick looks blacker than image #1. I guess that is because #2 is a chick and with a kid!

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