Arthur Morris/BIRDS AS ART
January 5th, 2016

How Would You Hold a Log? And still more 100-400II Versatility

What’s Up

I finished up all of the work on my end for the upcoming San Diego exhibition. I sent off the Canon panel, the sponsor’s logos for the Thank You panel, and everything needed for the Introductory Panel.

And yikes! I just about forgot to mention the best news: the overnight parcel arrived at Arcube, the master CD read fine on both a Mac and a PC, I received and approved the cover art proof, and it looks like clear sailing from here. The exhibit companion e-book has to be placed in the what a miracle category…

There is not a whole lot of room left on the OCT/NOV 2016 Cheesemans’ South Georgia Expedition, their last ever. If you would like to make your 2016 special by joining the BIRDS AS ART group for this trip, please scroll down for complete information.

birds as art: The Avian Photography of Arthur Morris

At TheNat, San Diego, California

Learn more here. Learn about the opening NATtalk, Choosing and Using Lenses for Bird and Nature Photography, here.

The Streak

In spite of having been buried by travel, teaching, and several major writing projects for the last two months, today’s blog post marks 60 days in a row with a new educational blog post. Please remember to use our B&H links for your major gear purchases.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • With three offers on the day his lens was listed the sale of Mike Quigley’s Canon 500mm f/4L IS lens (the old five) is pending.
  • Bill Ellison sold his 100-400 for $650 in early January, 2016.
  • Alice Garland sold her Canon 500mm f/4L IS Lens for $3999 in late December 2015.
  • Doug Rogers sold his Canon 100–400mm L IS zoom lens (the old 1-4) for $649 in late December 2015.
  • Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
  • Walt Anderson sold his used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
  • Larry Master sold his Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm f/2.8L II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.

Featured Items

The two items below are severely under-priced and surely represent the two best-ever buys in the history of Used Photo Gear Sales!

Mint Canon 100mm f/2.8L IS USM Macro Lens

The Already Record Low BAA Price was Reduced $150 MORE on January 5,2015.

Walt Thomas is offering a used Canon 100mm f/2.8L IS USM Macro lens in mint condition for $749. The sale includes all original packaging, the lens case, the lens hood, and insured UPS ground shipping. Your lens will not ship until your check clears unless other arrangements are made. Please contact Walt by e-mail or call him at (520)-495-5612 (Mountain time).

The 100 macro IS is Denise Ippolito’s very favorite flower lens and I love mine too. It is incredibly light and sharp and easy to hand hold. I would, however, strongly advise adding the Canon Tripod Mount Ring D for IS 100mm f/2.8L Macro lens. artie

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie


antarctic-fur-seal-on-tussock-grass-_36a4913-gothul-south-georgia

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 800. Evaluative metering at zero: 1/500 sec. at f/8 in Manual mode. AWB.

AI Servo/Rear Focus Zone AF as framed was active at the moment of exposure (as is always best when hand holding). It did a great job by selecting three AF points on the pup’s neck above and to the left of the center AF point, right on the same plane as the eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Young Antarctic Fur Seal on tussock mound

Antarctic Fur Seal

Though on most South Georgia landings it seems that there is a young fur seal on every tussock mound, I must admit that I do not spend much time photographing them. And the same goes for the adults. We were headed back to the zodiacs when I saw this cute little one so I decided to make a few images while experimenting with Zone AF. As far as the fur seals go, it is best to stay away from the big males on the beaches. There is a fairly substantial section in the Southern Ocean Photography Guide that lets folks know just how not to get bitten by a fur seal…

100-400II Versatility

The image above succeeds because of the endearing pose and the perfect framing. Zoom lenses are great for nature photographers as they allow us to adjust our framing without having to move our position. Here are two tips for hand holding an intermediate telephoto zoom lens:

  • Hold the lens with your left hand below the lens and your palm pointed to the sky–it’s amazing how many folks have their left hand on top of the lens with their palm pointed down. When I see folks on an IPT doing holding their lens incorrectly, I ask them, If you were trying to hold a small log up would you grab it from the top?
  • Hold the lens with your left hand far enough out on the lens barrel that your hand rests close to the center of the zoom ring. Though it seems quite obvious that in this manner, zooming in and out would be easier, but many folks hold the lens with their left hand too far back on the lens barrel, close to the camera body. That always prompts another log question from me: “If you were holding a log would it make more sense to hold it in the center or at the end?”

Image Cleanup

There was nothing that I could do in the field about the ugly strand of tussock grass intersecting with the seal’s flipper and hind quarters, but in Photoshop, eliminating it was fairly simple. I used my Divide and Conquer techniques: Clone Stamp to break the untoward strand of grass into manageable segments and then the Patch Tool to make them disappear. Then Protect and Defend cloning on layer to get rid of the grass where it merged with both the flipper and the rear of the pup’s body followed by a series of small Quick Masks each transformed and warped and then refined with a Regular Layer Mask to smooth over the areas of intersection. Then some regular Patch Tool and Spot Healing Brush work to get rid of some of the blemishes in the fur.

Next I carefully selected the whole seal with the Quick Selection Tool, put that on its own layer, and applied my NIK 50-50 recipe, 50% Tonal Contrast and 50% Detail Extractor. That layer was refined by a Regular Layer Mask. Then I selected only the face with the Quick Selection Tool and put that on its own layer and applied a Contrast Mask: Unsharp Mask at 15/65/0 and then pulled up the Curve to lighten it. Total time: 8 minutes after converting the RAW file in DPP 4.

Digital Basics

Everything that I did to optimize today’s featured image is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Digital Eye Doctor techniques, using Gaussian Blurs, Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur settings that I use to smooth background noise, Divide and Conquer, protective cloning on a layer, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.


dpp-4-guide

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

The RAW file for today’s image was of course converted in DPP 4. Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.




southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading the blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing an introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all questions via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one extra penny.

For additional details on the trip and the ship, see the blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

January 4th, 2016

More 100-400 II Versatility & Self Portrait & near-Zero depth-of-field Lesson

In Case You Haven’t Noticed

In spite of having been buried by travel, teaching, and several major writing projects for the last two months, today’s blog post marks 59 days in a row with a new educational blog post. Please remember to use our B&H links for your major gear purchases.

There is not a whole lot of room left on the OCT/NOV 2016 Cheesemans’ South Georgia Expedition, their last ever. If you would like to make your 2016 special by joining the BIRDS AS ART group for this trip, please scroll down for complete information.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • Bill Ellison sold his 100-400 for $650 in early January, 2016.
  • Alice Garland sold her Canon 500mm f/4L IS Lens for $3999 in late December 2015.
  • Doug Rogers sold his Canon 100–400mm L IS zoom lens (the old 1-4) for $649 in late December 2015.
  • Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
  • Walt Anderson sold his used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
  • Larry Master sold his Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm f/2.8L II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.

New Listing

Canon 500mm f/4L IS Lens

Sale pending in less than 10 hours!

Mike Quigley is offering his used Canon 500mm f/4L IS lens in excellent condition for $3999; the glass is in pristine condition. The sale includes lens trunk with keys, the manual, the original leather front lens cover, a LensCoat Hoodie, a black LensCoat, and insured ground shipping via major courier. This lens was cleaned and checked in April, 2015. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike e-mail or by phone at 815-549-1269.

The 500mm f/4 lenses are the world’s most popular super-telpotos for good reason: they produce sharp images either alone or with either TC, and they are well lighter, less bulky, and easier to travel with than the 600 f/4s. I used an owned one for more than a decade. I just purchased the lighter-still Canon 500mm f/4L IS II last week; it sells for $8999 at B&H. You can save a cool $5,000 by purchasing Mike’s lens. artie

Featured Listings

Canon 100–400mm f/4.5–5.6L IS Zoom Lens

Doug Bolt is offering a used Canon 100–400mm f/4.5–5.6L IS zoom lens (the old 1-4) in excellent condition for the record-low BAA price of $629. The sale includes front and rear lens caps, the ET-83C hood, the tripod ring, the tough fabric LZ1324 lens carrying case, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

The old 100-400 was and is superb. I made hundreds of sale-able images with mine including the one used on the front cover of Scott Weidensaul’s “Return to Wild America”. Contrary to reports by the internet idiots the lens is–in competent hands–sharp at all focal lengths. It is extremely versatile and would make a great starter lens for those interested in bird, wildlife, and general nature photography. artie

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie

Featured Items

Canon 200-400mm f/4L IS II Zoom Lens with Internal 1.4X Extender

Good friend and IPT veteran George Golumbeski is offering a used Canon 200-400mm f/4L IS zoom lens with Internal 1.4X Extender in excellent plus to near-mint condition with several extras, for $9450.00. The sale includes all of the original items supplied by Canon including the lens trunk, the lens strap, the Canon E-145C Lens Cap (actually a lens hood made of tough synthetic fabric), the rear lens cap, the ET-120 Lens Hood, a 4th Generation Design CRX-5 replacement foot, the the original Canon foot and screws, a LensCoat (in digital camo), a Don Zeck front lens cover, and insured shipping via UPS Ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact George via e-mail or by phone at 1-973 216 3832 (Eastern time zone).

The 200-400 is a killer lens when you are working with tame birds or large mammals; can you say the Galapagos, Africa, South Georgia and the rest of the great Southern Ocean locations, Florida, or La Jolla? I have owned and used this lens since its release. artie

Canon EOS-1D Mark IV professional digital camera body

Bill Fraser is offering a Canon EOS-1D Mark IV professional digital camera body in excellent condition for $1299. The sale includes the original box in perfect condition, three (3) LP-E4 Battery packs (the original and two spares), the battery charger LC-E4, Wide Strap L6, the Stereo AV Cable-DC400ST, the Cable Protector with attaching screw, the EOS Digital Solution disc Ver. 21.2, the Software Instruction Manual, printed Instruction Manuals in English and Spanish, the Pocket Guide (abbreviated instruction manual), and insured shipping by UPS Ground to US addresses only. Your camera will be shipped only after your check clears.

Interested folks may contact Bill via e-mail or by phone at 1-336-288-9025 (Eastern time zone). Bill traveled with me on the 2012 South Georgia Cheesemans’ Expedition and will be joining us on the San Diego IPT.


eye-of-seal-_36a4864-gothul-south-georgia

Like yesterday’s three images, this one was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens with the Canon Extender EF 1.4X III (at 450mm) and the amazing Canon EOS 7D Mark II. ISO 800. Evaluative metering at zero: 1/100 sec. at f/9 in Av mode. AWB.

Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The active AF point fell on white crescent just above the lower left corner of the seal’s eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Eye of seal plus self portrait

More 100-400 II Versatility

I mentioned this seal eyeball image in yesterday’s blog post. I was surely right at about 1 meter, just outside the new 1-4’s amazing close focus of .98 meters–3 feet, 2.52 inches. Considering how tame this animal was and the round black eye, I am pretty sure that this was a Southern Elephant Seal pup. Antarctic Fur Seal pups are tame but not this tame. They can be a bit feisty.

Comparing the subject matter and the framing in the four images in the last two blog posts should give you an appreciation of the amazing versatility of the Canon EF 100-400mm f/4.5-5.6L IS II USM lens.

Self Portrait

Did you miss my reflection in the seal’s eye? The most amazing part of the image for me, however, are the radiating lines that we see in the eyeball detail. If you know what they are, please feel free to let us know by leaving a comment.

Near-Zero depth-of-field Lesson

At my favorite online depth of field calculator website, DOF Master, I entered following data: EOS-7D (II); focal length: 500mm (even though I was at 560mm, the lens is not really at 560mm when zoomed all the way in with a TC; the 500mm was an estimate); selected f-stop: f/9; and Subject distance: 1 meter. The depth of field in front and in back of the plane of focus was zero and the total depth of field was of course zero as well. That is confirmed with a quick look at the image; only the eyeball itself, some of the fur in front of and below the eyeball, and a bit more fur above and the right of the eyeball, are in relatively sharp focus.

Note: do see the excellent comments by Mike Moore below.

This confirms two principles that I have been teaching here for quite some time:

  • You need to be concerned about depth of field when you working at or near the minimum focusing distance of a given lens.
  • With a telephoto lens, there are times when even very small apertures are just not going to help; focus on the eye and forget about the rest. In today’s example, even if I had stopped down to f/64 the total depth of field would still have been zero.


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading the blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing an introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all questions via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one extra penny.

For additional details on the trip and the ship, see the blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

January 3rd, 2016

Free Excerpt with Images. And more Canon 100-400 II Versatility...

What’s Up?

Well, I got the master CD and the cover art for the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book project to UPS on Saturday morning. It is going Next Day Air for delivery to the manufacturing company in Richardson, TX on Monday morning. But it was not easy.

First, I had a ton of trouble burning the CD because the external CD reader for my Apple 15.4″ MacBook Pro Notebook Computer with Retina Display & Force Touch Trackpad (Mid 2015) kept crapping out. When I did burn the CD on one of our office computers, it came up as “Corrupt File.” So I tried Jim’s computer and the file burned correctly. But I still had to make sure that the master CD could be read by a Mac. Miraculously, the external CD reader came back to life just long enough for me to view the PDF on my laptop.

Next, I called the UPS dispatcher. She was very nice and was willing to send a driver to my home for the pickup, but when she confessed to being “geographically challenged” and told me that there were “only four substitute drivers working” I decided to drive the 25 miles into town to hand-deliver my package to the UPS station. Piece of cake, right? Not exactly. I tried in vain to find the address for more than 15 minutes and then called the dispatcher. I told her that I was in the Sunoco station on SR 27. I must have sounded desperate as she offered to drive to the gas station to get my my overnight parcel. And so she did.

Now I can only hope that everything goes smoothly with the manufacturing process so that I have CDs to sell at the exhibit opening. 🙂

As for the free excerpt below from the Southern Oceans Guide (in progress), all that I can say is that if Godthul is basically a backup landing site, imagine the images that you could make at one of the world class South Georgia wildlife landing locations. Scroll down to join me and the BAA group on next year’s Cheesemans’ South Georgia Expedition.

Thanks a Stack!

Thanks a stack to the many who helped proofread the Canon Panel either via comment or e-mail. The irrepressible BugBob Allen volunteered to help without being asked and came up with a few great catches that everyone else missed. I will send the final version to Alan Lillich today so that he can go over it with his fine-toothed comb.


gentoos-on-hillside

This image was created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 176mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering -1/3 stop: 1/2500 sec. at f/5.6 in Av mode. AWB.

AI Servo Expand/Zone AF as framed was active at the moment of exposure (as is always best when hand holding). The system selected 4 AF points below and to the left of the center AF point, just where it should have. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Image #1: Gentoo Penguin colony on hillside with photographers (one kneeling, one seated)

Free Excerpt with Images

The text below was adapted from the Southern Oceans Site Guide that I have been working on in my free time. 🙂

Godthul

This is another spot that would not be on the top of anyone’s list of favorite landings. I have, however, made a few landings here and wound up making some good images. Godthul is in a very protected location; if you are blown out of a landing at St. Andrews Bay, for example, you might very well get to spend a few hours on Godthul. As above, there is a Gentoo colony up the hill. Before you make the hike be sure to check out the sun angle; if it looks as if you will not be able to point your shadow at the birds, it might be best to skip the hike.

100-400 II Versatility

Consider the variety of subject matter and the framing in today’s featured images and throw in the fact that I was able to make a pretty neat image of a single seal eyeball with the 1-4/1.4X TC combo and it gives you a pretty good idea of just how versatile this new lens is.


gentoo-penguin-in-stream-_36a4510-gothul-south-georgia

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens with the Canon Extender EF 1.4X III (at 450mm)and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering at about -2 stops was considerably underexposed at 1/800 sec. at f/9 in Manual mode. AWB.

Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The active AF point fell on the penguin’s right eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Image #2: Gentoo Penguin swimming in stream

Godthul Excerpt Continued

The beach at Godthul is small and narrow. If it is clear and the sun is on your right when you get out of the zodiac the best strategy is to cross the small stream about 75 yards to your right so that you can work properly on sun angle. On some visits when there are lots of penguins by the stream, the leaders may forbid you from approaching them and crossing the stream. When that happened on my last visit I asked if a zodiac could drop off a few folks on the other side of the stream. “No problem.”


gentoo-penguin-calling-_36a4442-gothul-south-georgia

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering -1 stop: 1/2000 sec. at f/8 in Manual mode. AWB.

Center AF point/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The active AF point was placed just forward of and below the eye, just touching the gape–right on the plane of the bird’s eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Image #3: Gentoo Penguin calling

Godthul Excerpt Continued

You will usually find some King and Gentoo Penguins on the beach along with some fur seals. And there will be lots of fur seals up in the tussock grass. The penguins often congregate near or bathe in the stream; this can—as above—provide lots of good opportunities. By moving slowly and getting low, it is easy to get close to the penguins.

Exposure Question

What two factors led to my applying negative exposure compensation for each of today’s featured images?

Your Favorite?

Artistically, for me, one of today’s three images stands head and shoulders above the other two. Please leave a comment and let us know which is your favorite and why you like it.


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading the blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see the blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

January 2nd, 2016

Stuff...

What’s Up?

I finished the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book last night at about 9pm. I will be burning the master CD early this morning and getting it off to the manufacturing company in Richardson, TX today for overnight UPS delivery on Monday. Whew!


canonpanelc

I created the Canon panel for the upcoming San Diego Natural History Museum exhibit in InDesign yesterday. Please scroll down to see my request for proofreading help with the text. Note: I posted the corrected version above at 9am on Saturday morning.

Insanity

I had the idea for the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book in my mind for about a year but never did anything about it. I always say, “Great ideas are a dime a dozen; implementing a single good idea is priceless.” As recently as two weeks ago, faced with a ton of work to be done for the exhibit and two additional writing projects, I knew that I was not going to have time to do the e-book. About a week ago, however, I thought that I just might–with the help of friends–be able to pull it off. The result? A miracle.

My first and only-ever photography instructor, Milton Heiberg, helped me put together the InDesign file for the e-book when I visited his home last Monday and Tuesday. Several folks volunteered to help me with the first edit. Then Robert “BugBob” Allen, a longtime friend from southern California sent me an e-mail after reading the December 29th Hare-Brained Scheme… blog post here. He offered to help both with both InDesign and with the final edits. Many multiple IPT veteran and good friend Alan Lillich also offered to help with the final edits. Neither knew what they were getting into. The three of us spent virtually all of our waking hours for the past three days (or at least it seemed like that…) on the next “final edit.” Think that I am exaggerating? From December 27th through yesterday the three of us exchanged well more than 100 e-mails.


boba

BugBob Allen with his wildflower book. Scroll down for info on Bob’s book.

On January 1, BugBob sent this hopefully not prophetic but likely realistic e-mail:

I learned with my second book (Wildflowers, see the image in my signature block) that no matter how hard you edit, something will slip through the cracks. I had a co-author, the publisher’s editor, and 12 botanists edit my book. When I received the first bound copy, I randomly opened it up to a page and immediately found a typo in the middle of the first paragraph I read! Bob

Right after I got Bob’s e-mail I got this from Alan:

It looks great to me. The newly aligned layout is very nice. An amazingly professional book in how few days? Help aside, the selection of the photos and drafting of the text is quite an accomplishment. Not to mention the little part about creating the photos in the first place … Alan

Both Bob and Alan are incredibly eagle-eyed; they have consistently found errors that I would not have found if I live to be a hundred. So just when we were all feeling pretty good about the final “final version,” I got this e-mail from good friend Patrick Sparkman:

Thanks for sending me the final version of your new e-book. It is fantastic and I am sure it will be well received. I did not read the whole thing carefully, and it is probably too late, but I did find one mistake. In the caption that goes with the Wood Duck head portrait, you wrote “nets in tree cavities.” It should of course be “nests.” Patrick

You gotta love it.

Both Bob and Alan have my profound thanks for the incredible amount of work that they put into this project.

Wildflowers of Orange County and the Santa Ana Mountains

Wildflowers of Orange County and the Santa Ana Mountains. Allen, R.L. & F.M. Roberts, Jr. 2013. Laguna Wilderness Press, Laguna Beach, CA. 500 pages, more than 2300 photos and 360 illustrations of wildflowers, plant communities, and associated wildlife– primarily insects and birds.

It is available here from the Orange County chapter of the California Native Plant Society and at Barnes & Noble. The BioQuip website has sample pages here.

Many years ago, Bob learned macro photography from George Lepp and John Shaw. Then bird photography from yours truly. He teaches general nature photography and macro photography workshops in southern California. Learn more here.

Canon Panel Help Needed

If you have a good eye for proofreading and spot any errors in the Canon Panel that opened this blog post, please leave a comment. Suggestions for improvement are also welcome.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

January 1st, 2016

Have a Great 2016!

What’s Up?

I spent virtually all of my waking hours yesterday working with Alan Lillich and BugBob Allen on the final edits of the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book. This morning I need to incorporate the changes suggested by folks who called and ordered an advance review copy yesterday and fine-tune the document cover art and cover text. I hope to be burning the master CD today right after lunch. Luckily, I was able to arrange for a UPS pickup at my home-office for Saturday morning.

There is not a whole lot of room left on the OCT/NOV 2016 Cheesemans’ South Georgia Expedition, their last ever. If you would like to make your 2016 special by joining the BIRDS AS ART group for this trip, please scroll down for complete information.


predawn-clouds

This image was created from the ship at about 3:45am as it was anchored off the spectacular King Penguin colony at Salisbury Plain, South Georgia on the 2015 Cheesemans’ Expedition. What can I say? I like getting up early. I used the hand held Canon EF 24-105mm f/4L IS USM lens and the rugged Canon EOS-1D X. ISO 400. Evaluative meterting +1/3 stop: 1/320 sec. at f/8 in Manual mode. AWB.

Center AF point/AI Servo Expand/Rear Focus AF on the top of the large mountain on the left and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Pre-dawn lenticular clouds

Have a Great 2016!

Older daughter Jennifer, right-hand man Jim Litzenberg, and I hope that all of you have a great 2016 filled with wonder (as above), good health, happiness, prosperity, success, and lots of great new images. Whether you will be traveling to many of the world’s top photo destinations or will be making images in your own backyard, remember that the big secret to becoming a better nature photographer is to pay attention to small details.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • Alice Garland sold her Canon 500mm f/4L IS Lens for $3999 in late December 2015.
  • Doug Rogers sold his Canon 100–400mm L IS zoom lens (the old 1-4) for $649 in late December 2015.
  • Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
  • Walt Anderson sold his used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
  • Larry Master sold his Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm f/2.8L II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.

New Listings

Canon 100–400mm f/4.5–5.6L IS Zoom Lens

Doug Bolt is offering a used Canon 100–400mm f/4.5–5.6L IS zoom lens (the old 1-4) in excellent condition for the record-low BAA price of $629. The sale includes front and rear lens caps, the ET-83C hood, the tripod ring, the tough fabric LZ1324 lens carrying case, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

The old 100-400 was and is superb. I made hundreds of sale-able images with mine including the one used on the front cover of Scott Weidensaul’s “Return to Wild America”. Contrary to reports by the internet idiots the lens is–in competent hands–sharp at all focal lengths. It is extremely versatile and would make a great starter lens for those interested in bird, wildlife, and general nature photography. artie

Canon 400mm f/5.6L Lens

Douglas Bolt is also offering a used Canon 400mm f/5.6L lens in excellent condition for $699. The sale includes all the original stuff, a LensCoat, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

I put my beloved Toy Lens” on the map before the turn of the millennium when I began using it with film and the Canon A2 camera body to photograph birds in flight. Today it remains a great flight lens and in addition, makes a great bird photography starter lens. I couples quite well with the 7D Mark II and will autofocus with a 1.4X TC with that camera and most of the newer Canon bodies as well. artie

Tamron SP 150-600mm f/5-6.3 Di VC USD Zoom Lens for Canon

Douglas Bolt is also offering a used Tamron SP 150-600mm f/5-6.3 Di VC USD Zoom lens for Canon in like-new condition for $699. The lens sells new at B&H for $1069. The sale includes all the original stuff and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



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To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

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December 31st, 2015

e-book News, Leucistic Crane, & 400 DO II/1.4X III/7D II Hand Holdability

What’s Up?

e-book News

The companion e-book for the exhibit at The Nat in San Diego is in the final stages of editing and I worked like a rented mule all day yesterday. Thanks to older daughter Jennifer, my right-hand man Jim Litzenburg, Alan Lillich, and especially to “Bug” Bob Allen for their amazing help with this project. I need to have the finished CD along with the cover art ready for the courier by Saturday morning.

Special Pre-Publication Offer/Today Only!

birds as art: The Avian Photography of Arthur Morris/The Top 100 will sell for $20. Those who would like to purchase the CD today and receive an advance review copy via e-mail, can call Jim this morning to place a phone order, today only, Thursday, December 31, 2015, after 9am and before 3pm, eastern time. Those who have a chance to review their copy can shoot me an e-mail noting any errors later today or on Friday (if they like).


leucisticcrane

This image was created on the first 2015 Bosque IPT with the hand held Canon EF 400mm f/4 DO IS II USM lens, the Canon Extender EF 1.4X III, and the amazing Canon EOS 7D Mark II. ISO 400: 1/2000 sec. at f/7.1. AWB.

Center AF point (Manual selection)/AI Servo/Shutter Button AF as framed was active at the moment of exposure (as is always best when hand holding). The selected AF point was on the body just behind the base of the neck and below the raised near wing, nicely on the same plane as the bird’s eye. Click on the image to see a larger version.

Leucistic Sandhill Crane in flight#5:

Leucism

Leucism (looːkɪzəm or looːsɪzəm) is a condition in which there is partial loss of pigmentation in an animal resulting in white, pale, or patchy coloration of the skin, hair, feathers, or scales, but not the eyes. Unlike albinism, it is caused by a reduction in multiple types of pigment, not just melanin. Learn more here.

This leucistic Sandhill Crane was photographed at Bosque at both the crane pools and the farm fields on the first IPT in mid-November of this year. It was still present in mid- to late-December (Patrick Sparkman, personal comment). It was a really cool bird; I just love the pink pads on the bottoms of the usually all-black feet.

400 DO II/1.4X III/7D II Hand Holdability

Having shipped the 600mm II and the 200-400mm with the Internal Extender, I stuck my 400mm DO II in my Think Tank rolling bag almost as an afterthought. Boy, was I glad that I did.

I used the 400 DO II often for flight with the 1.4X III TC and the 7D II as here, and with the 1D X and the 2X III TC as here. Though some folks disagree, hand holding either the 300mm II or the 400mm DO II for flight with a teleconverter is a lot easier than shooting flight off a tripod with either the 500mm II or the 600mm II. As I was walking along the crane pool that morning with the big lens and the tripod in the car I felt a huge sense of freedom. And getting and keeping the birds in the frame is so, so, so much easier when hand holding than when using a tripod.


bosque2016cardlayers-1

The Best of Bosque 2015

The Facts

Next season, I am offering a 4 1/2-DAY Bosque IPT in mid-January. And yes, there are lots of less costly workshops being offered these days. Many of them are downright cheap. There are strict requirements for becoming a workshop leader these days: you must own a camera…. Please remember that you get exactly what you pay for. With me you will have an instructor with more days of teaching and more in-the-field photography experience at Bosque than anyone living or dead: 21 seasons worth. And two BBC Wildlife Photographer of the Year-honored images from Bosque. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join me.

Bosque del Apache 2017 BIRDS AS ART/Instructional Photo-Tour. January 13 (afternoon session) through January 17, 2017. 4 1/2 DAYS: $1899. Limit 12/Openings 10.

One half day followed by four full days. Includes four lunches, a comprehensive introductory program on the evening of January 13, and unequaled in-classroom and in-the-field instruction. Breakfasts are on-the-run/grab what you can or motel lobby or get-up-early-and-get to McDonalds (right next door). Four early morning sessions. Five afternoon sessions. The last afternoon will be spent at the Albuquerque Zoo photographing Wood Ducks. This will allow folks to stay in ABQ that evening and grab an early morning flight home (if that works for them).

Photograph tens of thousands of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with the world’s premier photographic educator at one of his very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive seasons at Bosque for me. Nobody knows the place better than I do. Nobody understands the wind and the light better than I do. Join me to learn to think like a pro, to see like a pro, to recognize situations, and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time I make a move I will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 4 pre-dawn morning and 5 afternoon photography sessions, an inspirational, introductory slide program after dinner on your own on Friday, 1/13/17, four lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a set itinerary on a Bosque IPT; each day is tailored to the local conditions and to the weather. I need to be totally flexible in order to maximize both the photographic and learning opportunities. We will be up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it’s back to Socorro for lunch and followed at some point by a classroom session with the group. There is almost always room for a short nap in there somewhere. We head back to the refuge each afternoon and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity. As always, we will make time to do some non-avian creative stuff.

How Do I Sign Up?

A $599 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 9/13/2016. If you cancel and the trip fills, I will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Whether or not your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

Small Group Pre-IPT In-the-Field Instruction (I-T-F): January 11 & 12, 2017: $375/morning session. Limit six.

Though I am not sure exactly when, I will be flying to New Mexico early to scout. What can I say? I love the place. Right now I am offering two I-T-F morning photography sessions as above. The sessions will run from 6:00-10:00am and will include an informal image review session at lunch. Lunch is on me. Right now registration is open only to folks registering for the IPT. This will allow participants to maximize their travel dollars and get a head start on learning. Sign up for one or for both.

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December 30th, 2015

These Reservations Made Three Years Ago. Bearly


bearboatcubscard-1

Images and card copyright Arthur Morris/BEARS AS ART 🙂

The Really Big News

We have been in contact with an overseas operator who wishes to fill all sixteen slots for the two bear boat cub IPTs below right now!. But both co-leader Denise Ippolito and I wish to give our regular clients first crack at these two great trips; we are presently negotiating as to a cut-off date. As below, we have had these reservations for nearly three years; they are the prime dates for chances at photographing small spring Coastal Brown Bear cubs (coastal grizzlies). Please let us know if you be sending your deposit or e-mail if you have any questions. I will be e-mailing those who have previously expressed interest in these two trips.

2017 Bear Boat Coastal Brown Bear Cubs IPTs: July 12-18 and July 18-24, 2017 from Kodiak, AK/each IPT is 5 FULL & 2 Half DAYS: $6699. Happy campers only! Maximum 8 plus the two great leaders: Denise Ippolito and Arthur Morris.

Double your opportunities and maximize your travel dollars by signing up for both trips and we will be glad to apply a $500 discount to your balance.

Join us in spectacular Katmai National Park, AK for six (or twelve!) days of photographing Coastal Brown Bears. Mid-July is prime time for making images of small, football-sized cubs. The cubs, and these dates, are so popular that we had to reserve them three years in advance to secure them. There are lots of bears each year in June, but the mothers only rarely risk bringing their tiny cubs out in the open for fear of predation by rival bears. In addition to making portraits of both adults and cubs, we hope to photograph frolicking and squabbling youngsters and tender nursing scenes. At this time of year the bears are either grazing in luxuriant grass or clamming. There will also be some two- and three-year old cubs to add to the fun. And we will get to photograph it all.

We live on our tour operator’s luxurious new boat. At 78 feet long its 24 foot beam makes it quite spacious as well. And the food is great. We will likely spend most of our time at famed Geographic Harbor as that is where the bears are generally concentrated in summer. On the odd chance that we do need to relocate to another location we can do so quickly and easily without having to venture into any potentially rough seas. We land via a 25 foot skiff that has lots of room for as much gear as you can carry.

Aside from the bears we will get to photograph Horned and Tufted Puffin and should get nice stuff on Mew Gull, Glaucous-winged Gull, Black-legged Kittiwake, Harbor Seal, and Steller’s Sea Lion as well. A variety of tundra-nesting shorebirds including Western Sandpiper and both yellowlegs are also possible. Halibut fishing (license required/not included) is optional.

For folks on the first trip, July 12-18, 2017, it is mandatory that they be in Kodiak no later than the late afternoon of July 11 to avoid missing the float planes to our boat on the morning of July 12. With air travel in Alaska being what it is–with the chance of fog or other bad weather–being on Kodiak on July 10 is a much better plan. That said in my dozen bear boat trips I was delayed only once and that was for only part of a day, but since I was a day early there was no harm, no foul.

For folks on the second trip–July 18, 24, 2017–it is mandatory that they be in Kodiak no later than the late afternoon of July 17 to avoid missing the float planes to our boat on the morning of July 18. Again, with air travel in Alaska subject to possible delays, being on Kodiak on July 16 is a much better plan.

On both trips we should get to photograph bears on our first afternoon and then again every day for the next five days after that, all weather permitting of course. On our last mornings on the boat, July 18 and July 24 respectively, those who would like to enjoy one last photo session will have the opportunity to do so. The group will return to Kodiak via float plane from late morning through midday. Most folks will then fly to Anchorage and to continue on red-eye flights to their home cities.

What’s included? 7 DAYS/6 NIGHTS on the boat as above. All meals on the boat. National Park and guide fees. In-the-field photo tips, instruction, and guidance. An insight into the mind of two top professionals; we will constantly let you know what we are thinking, what we are doing, and why we are doing it. Small group image review, image sharing, and informal Photoshop instruction on the boat.

What’s not included: Your round trip airfare to and from Kodiak, AK (almost surely through Anchorage). Your lodging and meals on Kodiak. The cost of the round-trip float plane to the boat and then back to Kodiak as above. The cost of a round trip last year was $550. The suggested crew tip of $200.

Have you ever walked with the bears?

Is this an expensive trip? Yes, of course. But with 5 full and two half days, a wealth of great subjects, and the fact that you will be walking with the bears just yards away (or less….), it will be one of the great natural history experiences of your life. Most folks who take part in a Bear Boat IPT wind up coming back for more.

A $2,000 per person non-refundable deposit by check only made out to “BIRDS AS ART” is required to hold your spot. Please click here to read our cancellation policies. Then please print, read, and sign the necessary paperwork here and send it to us by mail to PO Box 7245, Indian Lake Estates, FL 33855.

Your deposit is due when you sign up. That leaves a balance of $4699. The next payment of $2699 will be due on September 15, 2016. The final payment of $2000 is due on February 15, 2017. We hope that you can join us for what will be a wondrously exciting trip.

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December 29th, 2015

Hare-Brained Scheme...


covera

The Exhibit Companion CD Book Cover. The idea for the cover — with Gannets in Love as the featured image and the matching type-face colors — was mine. Milton Heiberg –see more below — helped me fine-tune the final crop and design.

BIRDS AS ART: The Avian Photography of Arthur Morris

At TheNat, San Diego, California

Learn more here. Learn about the opening NATtalk, Choosing and Using Lenses for Bird and Nature Photography, here.

Harebrained

harebrained (hâr′brānd′) adjective. Having or showing little sense; foolish. “With no more sense than a hare.”

As I mentioned recently, I decided — on a wing and a prayer if you would — at the last minute, to try to put together a companion e-book that would include the 67 images that will hang in my solo exhibit in the Ordover gallery at the San Diego Natural History Museum, January 16 through April 25, 2016 along with 33 additional almost-made-the-show images. That of course brings the total to an even 100. All of the above despite the fact that I knew that Adobe InDesign is an exceedingly difficult program to work with, no matter how simple the tasks.

I called my one and only photography teacher — 8 two-hour Tuesday night sessions that began in February of 1984–Milton Heiberg to enlist his help. He was up to the task. Jim drove me up to Milton and Dani’s home in eastern Orlando on Monday morning and dropped me off. We went to work.

I forgot to mention that part of my harebrained scheme was that I would purchase, download, and install InDesign (as part of the Adobe Creative Cloud 1-Year Subscription Student & Teacher Edition). I figured that I qualified as some sort of teacher… In any case, I actually had the program open on my Apple 15.4″ MacBook Pro Notebook Computer with Retina Display & Force Touch Trackpad by the time we left at 10am.

After three hours of hard work we had been pretty much been stumped by InDesign. I was ready to write off the cost of my Creative Cloud subscription and head home. It took almost two hours to complete one page with one photo and a caption. And even worse, when we tried to repeat what had just done, we failed. Milton, however, remained confident. So I stayed and working together, we ironed things out. I hammered away at the project for the rest of the day while Milton worked on the CD-cover art on his main office computer. By the time I hit the sack at 10pm I had inserted 52 of the one hundred images with their accompanying captions. We still have lots of work to do today so that I can get the project ready to be sent second-day air to the CD manufacturer in Texas on Thursday. But even that looks do-able now.

My dream all along has been to have product in California no later than the Thursday before the opening so that we can sell them at the opening. As I said, “harebrained.” Wish me luck.

Gotta get back to work now.

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December 28th, 2015

Why?

What’s Up?

I will be scrambling this week trying to get the files for the companion CD book to the CD publishing company by Monday, January 4, 2016 so that we will have product available for the exhibit opening on January 16. I did a lot of scrambling yesterday. Thanks to the many who responded to my pleas for editing help. Four folks — Alan Lillich, Andrae Acerra, Bob Smith, and John Armitage were quite helpful but old friend “Bug” Bob Allen rose well above the call of duty first by sending his powerful yet gentle edits of the documents and then being available to answer my e-mails and phone calls till late into the night. Thanks all.

Important Note

Please understand that if you are up in the air about selling some of your old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
  • Walt Anderson sold a used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
  • Larry Master sold a Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm 2.8 II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
  • Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie


sandhill-cranes-silh-sign-one-drinking-6r7a0161-bosque-del-apache-nwr-san-antonio-nm

This image was created on the second 2015 Bosque IPT with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 1.4X III,, and the incredible Canon EOS 5DS R. ISO 800. Evaluative metering +1 stop: 1/1000 sec. at f/5.6 in Manual mode. Color temperature 8000K.

Center AF point/AI Servo Expand/Rear Focus AF on the neck of the crane on our right and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Sandhill Crane sunset silhouette

A Dime a Dozen

If you do not know when and where and how to create images like this you either need to join me on next January’s IPT or at the very least, get yourself a copy of the Bosque Site Guide.

The Facts

Next season, I am offering a 4 1/2-DAY Bosque IPT in mid-January. And yes, there are lots of less costly workshops being offered these days. Many of them are downright cheap. There are strict requirements for becoming a workshop leader these days: you must own a camera…. Please remember that you get exactly what you pay for. With me you will have an instructor with more days of teaching and more in-the-field photography experience at Bosque than anyone living or dead: 21 seasons worth. And two BBC Wildlife Photographer of the Year-honored images from Bosque. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join me.

Bosque del Apache 2017 BIRDS AS ART/Instructional Photo-Tour. January 13 (afternoon session) through January 17, 2017. 4 1/2 DAYS: $1899. Limit 12/Openings 10.

One half day followed by four full days. Includes four lunches, a comprehensive introductory program on the evening of January 13, and unequaled in-classroom and in-the-field instruction. Breakfasts are on-the-run/grab what you can or motel lobby or get-up-early-and-get to McDonalds (right next door). Four early morning sessions. Five afternoon sessions. The last afternoon will be spent at the Albuquerque Zoo photographing Wood Ducks. This will allow folks to stay in ABQ that evening and grab an early morning flight home (if that works for them).

You can find the complete details by clicking here.

The Big Question

Lana Hays asked on Facebook, “Does this mean that you are not going to be at Bosque during your traditional Thanksgiving time slot next year?

Others were concerned that there might not be any birds….

Why?

#1: I have two big Southern Ocean trips–two land-based trips to the Falklands plus the great Cheesemans’ South Georgia/Falklands Expedition. With three weeks and one day between the end of the first trip and the start of the second, I am strongly considering staying in South America for the whole nine weeks instead of having to fly up and back twice…. And even if I do fly home in between the trips, the dates for the Festival of the Cranes and the timing of Thanksgiving would conspire against me.

#2: Over the years, many folks have written stating that they would love to come to Bosque but that they could never get away any time near Turkey Day because of family obligations and the difficulty of traveling by air at that season. This IPT should work well for those folks.

#3: I have been to the refuge in late February, and yes, things were different. We had lots of geese posing in clear blue water right next to the tour loop road and I got to see hundreds of Sandhill Cranes circling up to ride the thermals as they began their northward migration. And I was there once in January. We had lots of birds and lots of action. Along with some great sunrise and sunset colors.


geeses

Light Geese Numbers

I decided to see what I could dig up as far as goose numbers over the year…. I found this 5-year summary on the Friends of the Bosque website. I added the red vertical line to approximate the start date of the January 2016 IPT. It looks as if are on average about 30,000 white geese (Snows and Ross’s) in mid-January, well more than that if you discount the 2009/10 numbers.


crane-data_0

Crane Numbers

Next I decided to check out the Sandhill Crane numbers and again found what I was looking for on the Friends’ website. And again I added the red vertical line to approximate the start date of the January 2016 IPT. Here it looks as if there are at least about 1,000 more cranes on average in mid-January than in the third week of November.

What’s It All Mean?

While there are never any guarantees in nature photography, it looks as if a mid-January IPT will enjoy good numbers of both light geese and Sandhill Cranes.

More Recent Data?

If anyone can find some more recent annual or monthly Bosque bird counts, I would appreciate their leaving a link or two in a comment. I am especially interested in seeing if the seemingly diminishing corn crops in recent years have reduced numbers across the board….



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 27th, 2015

Help Needed Now :)


kiosk-birds-as-art

Kiosk art for my solo exhibit at the San Diego Natural History Museum: January 16 through mid-April 2017. Design by Mary Lou Morreal, Art Director, SDNHM.

Help Needed Now

I am looking for three folks who are good with language and have a bit of free time between now and 9pm tonight. I have three things that need to be proof read and corrected. One is short and simple: the San Diego Exhibit Intro Text: 512 words. Next up are the grouping labels, SDNHM text for the eleven grouping labels. Also short and simple: 998 words.

The last document is a bit more complex: 100 image captions, 67 for the exhibit images, and 33 more that will be in the companion CD book that I have been working very hard on (after a late start) 🙂 Exhibit CD book captions is 7,779 words.

I would gladly exchange a free copy of the CD book (once it is complete) for competent help with the proofreading. If you would like to take a crack at it, please shoot me an e-mail now. Do understand that I have carefully reviewed all three of these documents several times each and that they are pretty close to perfect….

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 27th, 2015

Next Season's BIRDS AS ART Bosque del Apache IPT

Please note: This IPT has been cancelled due to extremely poor conditions at the refuge in January 2016. artie


bosque2016cardlayers-1

The Best of Bosque 2015

The Facts

Next season, I am offering a 4 1/2-DAY Bosque IPT in mid-January. And yes, there are lots of less costly workshops being offered these days. Many of them are downright cheap. There are strict requirements for becoming a workshop leader these days: you must own a camera…. Please remember that you get exactly what you pay for. With me you will have an instructor with more days of teaching and more in-the-field photography experience at Bosque than anyone living or dead: 21 seasons worth. And two BBC Wildlife Photographer of the Year-honored images from Bosque. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join me.

Bosque del Apache 2017 BIRDS AS ART/Instructional Photo-Tour. January 13 (afternoon session) through January 17, 2017. 4 1/2 DAYS: $1899. Limit 12/Openings 10.

One half day followed by four full days. Includes four lunches, a comprehensive introductory program on the evening of January 13, and unequaled in-classroom and in-the-field instruction. Breakfasts are on-the-run/grab what you can or motel lobby or get-up-early-and-get to McDonalds (right next door). Four early morning sessions. Five afternoon sessions. The last afternoon will be spent at the Albuquerque Zoo photographing Wood Ducks. This will allow folks to stay in ABQ that evening and grab an early morning flight home (if that works for them).

Photograph tens of thousands of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with the world’s premier photographic educator at one of his very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive seasons at Bosque for me. Nobody knows the place better than I do. Nobody understands the wind and the light better than I do. Join me to learn to think like a pro, to see like a pro, to recognize situations, and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time I make a move I will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 4 pre-dawn morning and 5 afternoon photography sessions, an inspirational, introductory slide program after dinner on your own on Friday, 1/13/17, four lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a set itinerary on a Bosque IPT; each day is tailored to the local conditions and to the weather. I need to be totally flexible in order to maximize both the photographic and learning opportunities. We will be up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it’s back to Socorro for lunch and followed at some point by a classroom session with the group. There is almost always room for a short nap in there somewhere. We head back to the refuge each afternoon and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity. As always, we will make time to do some non-avian creative stuff.


bosque-2014-a-card

Join me in January 2015 to learn to read Bosque’s amazing light and use it to create dramatic images.

How Do I Sign Up?

A $599 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 9/13/2016. If you cancel and the trip fills, I will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Whether or not your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.


bosque-cardlarger

There are two BBC Wildlife Photographer of the Year Competition-honored images along with a National Wildlife Contest winner on this card…. Join me in January 2017 to learn to create contest-quality images.

Small Group Pre-IPT In-the-Field Instruction (I-T-F): January 11 & 12, 2017: $375/morning session. Limit six.

Though I am not sure exactly when, I will be flying to New Mexico early to scout. What can I say? I love the place. Right now I am offering two I-T-F morning photography sessions as above. The sessions will run from 6:00-10:00am and will include an informal image review session at lunch. Lunch is on me. Right now registration is open only to folks registering for the IPT. This will allow participants to maximize their travel dollars and get a head start on learning. Sign up for one or for both.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 26th, 2015

A Nice Holiday Gift from Jim Keener

What’s Up?

I spent most of Thursday writing the new Southern Oceans Guide that I started working on about three weeks ago. I hope to have it finished in two weeks.

I watched lots of NBA basketball. The Golden State Warriors continue to make history every day. The record now stands at 28 wins, 1 loss, the best-ever NBA start.

A Nice Holiday Gift from Jim Keener

As the BAA Online Store was down from Thursday evening through most of the day on Friday, I had put a note in yesterday’s blog stating that folks were welcome to call in their orders. (The store was back up on Friday afternoon.)

The phone rang at 1:39pm and I picked up to a pleasant voice. It was a Jim Keener calling from Albuquerque to order Digital Basics and both APTATS I and APTATS II. We chatted for a while and he told me that he had moved to Albuquerque to be close to Bosque. I was quite impressed. After I finished taking his order Jim said, “I need to thank you for changing my life, for inspiring me with your images and your teaching.”

After we hung up I e-mailed Jim and asked him to expand on what he had told me on the phone. He wrote:

I bought a lot of gear in August 2013 when I was 70 and was looking for things to photograph. I was at a friend’s home in Rancho Mirage, CA and must have been underfoot,because she handed me her Canon 400mm f/5.6 lens and told me to go outside and play. I saw a Great Egret across a pond, focused on it, and waited for it to fly. Finally it took to the air. In that instant I was hooked on bird photography. I scoured the internet for information on bird photography and found your B&H video describing the lenses you use for photographing birds and nature. After a bit more searching I found the BIRDS AS ART website, your blog, and BirdPhotographers.Net. I was amazed at the quality of guidance and the courtesy on the BPN forums–I hang out in Eager to Learn (ETL) right now, and I was amazed at the expertise that you share every day on your blog.

How nice is that?

Out of curiosity I clicked on Jim’s website and checked out his Bosque gallery. I thought that I recognized one image and then 100% for sure recognized another, a Sandhill Crane image of Jim’s that I had recently commented on in the ETL Forum. You can find that thread here. There were lots of reposts including two by me but the image was still not looking very good so I asked Jim if he would kindly send me the RAW file. He did.


orig

This JPEG accurately represents the RAW file that Jim sent to me via a Dropbox.

My Final BPN Comment

Again, you can find the whole thread here.

Thanks for sending me the RAW file Jim. I converted it in DPP 4 and used my standard Photoshop workflow most especially including Filter/Blur/Surface Blur on the background only, some Eye Doctor work, and my NIK Color EFX Pro 50/50 recipe at 35%. Total time: about 4 minutes….

Your RAW file was about a full stop underexposed; this is not what you want to go with a 7D III ISO 1600 file . And your crop was way too tight…..

Non-the-less there was a pretty good image in your RAW file.

artie


jimkeenercraneartie6e4a4559

This is the image that I created from his under-exposed RAW file after converting it in DPP 4. Notice that the background is pretty darned smooth.

Digital Basics

Everything that I did to optimize Jim’s image is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Contrast Masks, Digital Eye Doctor techniques, using Gaussian Blurs, Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur settings that I use to smooth background noise, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.


dpp-4-guide

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

The RAW file for today’s image was of course converted in DPP 4. Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 25th, 2015

Duckstaposition

What’s Up?

For those of you who celebrate Christmas, I hope that Santa has left some great photo gear for you under the tree. I was thrilled to learn recently that this year Santa began using our BH affiliate links for all lenses and camera bodies. And he does buy his accessories from the BAA Online Store.

I learned from Ted Cheeseman on Wednesday that OCT/NOV 2016 South Georgia/Falklands expedition is filling nicely: if you have been thinking of making this trip and would like to become part of the BAA group, please scroll down and do not tarry.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
  • Walt Anderson sold a used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
  • Larry Master sold a Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm 2.8 II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
  • Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.


south-georgia-pintail-sign-_36a4344-south-georgia

This image was created at Grytviken, South Georgia with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering +1 stop: 1/1000 sec. at f/11 in Manual mode.

Center AF point (Manual selection)/AI Servo/Shutter Button AF as framed was active at the moment of exposure (as is almost always best when hand holding). The active AF point was on the side of the duck’s breast. Click on the image to see a larger version.

South Georgia Pintail

Grytviken, South Georgia

Grytviken is mandatory landing on all South Georgia trips as you need to go through South Georgia customs there. I always skip the champagne toast at the Shackelton grave as there are some nice wildlife opportunities. In addition there is access to a derelict whaling station, a lovely old church, and quite a few rotting ships along the shoreline.

Duckstaposition

With the successful completion of the Rat Eradication Project, there were lots more South Georgia Pintails about on the grass at
Grytviken. Better yet, there were many little areas filled with snow. If it had been a golf course, I would have said that the sand traps were full of snow.

For some reason, the ducks liked the snow; the trick to making a good image was to get a complete snow background. As the snow bunkers were small and the ducks like to stand along the edges, this was not easy to do. To come up with a complete snow background with today’s image required a decent crop and some APTATS II work on the lower right corner. See the next image for more on that.

Another Depth-of-Field Question

Why did I stop down to f/11 when I would usually be working at f/5.6 with this combination. Note: “To get more depth-of-field” is not the answer I am looking for. I want to know why it was necessary in this specific set or circumstances to get down to f/11.


sogapintailorig

The complete JPEG here represents the full frame original capture.

Creating the Pure Snow Background

The full frame capture above represents the full frame original image. The dotted line shows the approximate crop. I added the red square in Photoshop to show the position of the selected AF sensor. Note the extraneous grass in the lower right corner that ruined the pure snow background. I executed one of the flip and flop tutorials from APTATS II to cover the offending grass; this technique involves adding a Regular Layer Mask to refine the repair.

Digital Basics

Everything that I did to optimize today’s image–did you notice the bill clean-up?–is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Contrast Masks, Digital Eye Doctor techniques, using Gaussian Blurs, Tim Grey Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur settings that I use to smooth background noise, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.


dpp-4-guide

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

The RAW file for today’s image was of course converted in DPP 4. Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 24th, 2015

Canon 100-400II/Which Teleconverter? & What do you think of the image design: disappointing or fortuitous?

What’s Up?

I answered a few zillion more e-mails yesterday and began work on a companion CD book for the solo San Diego exhibit. I worked hard with the folks from Cheesemans’ organizing the BIRDS AS ART group on next October’s South Georgia/Falklands expedition, their last. I learned from Ted Cheeseman that this voyage is now 75% full so if you are planning on joining us and would like to become part of the BAA group, please scroll down and do not tarry.




king-penguins-neck-abstract-_y5o5909-salisbury-plain-south-georgia

This image was created at Salisbury Plain on South Georgia on our last day of landings on the memorable 2015 Cheesemans’ South Georgia Expedition with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 560mm), and the rugged Canon EOS-1D X. ISO 400. Evaluative metering +1/3 stop: 1/200 sec. at f/16. AWB.

Center AF point (Manual selection)/AI Servo/Rear Focus AF as framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

King Penguins neck abstract

Canon 100-400II/AF with which Teleconverter?

I receive several e-mails each week asking if the new 100-400II will focus with this camera or that teleconverter. First off, assuming that you have one of the newer Canon camera bodies (5DS R, 5D S, 1D X, 5D III, or 7D II), your body will focus to f/8. As the 100-400 II is effectively an f/5.6 lens, that means that it will autofocus with the 1.4 X III TC at effective f/8, and that it will not autofocus with the 2X III TC at effective f/11. When working with static subject the latter combination can produce some amazing images as long as you (gasp!) focus manually and are working with a sturdy tripod. See the blog post here for a wonderfully sharp example of what is possible.

Do understand that when you add a 1.4X III TC to the 100-400 II (or to any f/5.6 lens) with any camera body, initial focusing acquisition will be slowed somewhat as the AF system needs light (and contrast) so see; adding a 1.4X TC robs the system of one stop of light, going from f/5.6 to f/8 That is one reason that I love using this combination on sunny days (although it worked just fine in cloudy bright conditions for today’s featured image). Note also that with a 1.4X TC on the 100-400 II or on any f/5.6 lens that only the center AF point (plus the 4 assist points if you go to Expand) will be available.

What do you think of the image design: disappointing or fortuitous?

On every South Georgia trip that I have made–5 in all–I create many hundreds if not several thousand tight images of the necks of King Penguins. These birds are both large and curious. Working with a full frame camera for today’s image I did not hesitate to add the 1.4X III TC to the mix.

I was excited to see that the main subject in today’s image had bent its head over backwards creating a new and different shape and new and different patterns. But just as I pressed the shutter button I realized that another penguin had walked into the frame.

What do you think? Do you like the additional penguin breast in the lower left corner? Or do you hate it? Either way, be sure to let us know why. I will share my thoughts with you here in a day or three at most.

Blog Interactivity

Please remember that more learning takes place when the blog is truly interactive. You will learn more by pondering a question and leaving a well thought out response. And when you do leave a comment, everyone else learns more as well.

Depth-of-field Questions

Why f/16 for this image? The extraneous penguin’s breast was only about two inches in front of the subject; why didn’t it show more detail?


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All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


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All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 23rd, 2015

Need Ospreys? Want Ospreys? We've Got Ospreys! And More...


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Osprey landing with fish. Image copyright 2013: Jim Neiger/Flight School Photography

Jim Neiger’s Osprey Heaven Workshops 2016
Lake Blue Cypress (Vero Beach), Florida

Flight School Photography returns to Lake Blue Cypress for the seventh year and will be featuring two, five day workshops in spring, 2016. The workshops will be conducted by expert bird photographer Jim Neiger, who knows the lake and surrounding area like no-one else. Jim has spent the past several years perfecting his unique techniques for photographing birds in flight using large telephoto lenses, hand held. The focus of these workshops will be learning Jim’s hand held, long lens techniques for photographing birds in flight and in other action. The workshops will be held in some of the most beautiful, wild, and unspoiled wilderness areas of central Florida.

Each workshop will include a four hour classroom session, welcome dinner, four morning photography sessions, and three afternoon photography sessions. Each photography session will be of three to four hours in duration. Five of the photography sessions will be conducted via a specially configured pontoon boat that has been customized for photography from the water (weather permitting). The remaining photography sessions will be land based sessions in the field. The workshops will be limited to five participants so that everyone may photograph in comfort and receive personalized instruction.

The photography sessions by boat will be held on the unspoiled and unparalleled Lake Blue Cypress. This spectacularly beautiful lake is virtually free of civilization and man made elements. The lake is surrounded by ancient cypress swamp and marshy wetlands. Here, the gorgeous cypress trees grow from the lake bottom, surrounded on all sides by water. Osprey nest by the hundreds in these trees, and participants will be able to photograph them as they fly to and fro, dive for fish, gather nesting materials, and feed their young chicks. Some of the nests are actually at or below eye level when standing in the boat. The only distraction in this pristine, wilderness environment is the constant cries of the Osprey as they frolic in the air and defend their nests from other birds.

Lake Blue Cypress is also a landscape photographers dream. The horizons contain nothing of man’s influence and only the beauty of the real Florida wilderness. Perches and backgrounds are spectacular beyond belief. March and April are the best months to be at Lake Blue Cypress. Many of the birds are actively nesting and rearing their young during this time. Wildflowers cover the stumps and trees like blankets of radiant color. The skies glow with spectacular, multi-hued sunrises and sunsets. Hundreds of different species of birds are possible including the typical Florida waders and water fowl. Large Alligators are commonly seen sunning themselves on top of the fallen trees and stumps amidst the colorful wildflowers. The biggest problem for a photographer here is deciding which subject to photograph. Even the weather cooperates this time of year. It is the dry season and clear, sunny days are the most common weather condition.

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These are artie’s images from Lake Blue Cypress trips with Jim Neiger.

The photography sessions on land will be held in remote areas of southern Osceola County. Here, participants are likely to have opportunities to photograph birds that are endangered and rarely seen. Possible species include: Whooping Cranes, Swallow-tailed Kites, Great Horned Owls, Barred Owls, and Red Shoulder Hawks, among others. Sandhill Cranes, a common bird in Central Florida, are tame enough to approach as closely as you like. Participants will also learn how to safely use bird song recordings to attract birds. Jim has developed his own, innovative techniques for using recordings to attract birds, in such a way, that amazing photographic opportunities are common when they would be almost impossible otherwise. This includes special techniques that encourage birds to fly and land in desired ways, which provide spectacular opportunities for flight images and images on perches chosen for their beauty.

Jim consistently produces amazing flight images. His imagination and dedication have resulted in his developing many new techniques, techniques that can only be learned from Jim. His Flight School Photography Workshops are a must for any serious nature photographer. artie

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Osprey landing with bream. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Dates

Workshop LBC-1: April 17-21, 2016
Workshop LBC-2: April 24-28, 2016


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Osprey landing tight. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Itinerary

Day 1 (afternoon/evening ): Morning arrival in Vero Beach, which is the base location for the workshops. There will be a four hour classroom session from 2:00pm to 6:00pm in the hotel meeting room. This will be followed by a welcome dinner with the group. The classroom instruction will focus on using hand held techniques for photographing birds in flight to prepare participants for the subsequent photography sessions.

Days 2: Morning photography session via boat on Lake Blue Cypress. Mid-day siesta and lunch break on your own. Afternoon/evening photography session on Lake Blue Cypress. Late dinner on your own.

Day 3: Morning photography session via boat on Lake Blue Cypress. Mid-day siesta and lunch break. Afternoon/evening photography session on Lake Blue Cypress. Late dinner on your own.

Day 4: Mini caravan to land locations for morning photography session. Mid-day siesta and lunch break. Afternoon/evening photography session. Dinner on your own.

Day 5 (morning): Morning photography session via boat on Lake Blue Cypress.

Please note: The itinerary may be re-arranged to take advantage of the best weather conditions for photography sessions by boat.


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American Alligator on log. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Costs and Payment

The cost of each workshop is $1750 per person. Each workshop includes a four hour formal classroom instruction session, a welcome dinner, 4 morning photography sessions, and 3 afternoon photography sessions. The photography sessions include personalized instruction in the field. Each participant will receive a copy of Jim’s e-book “Flight Plan – How to Photograph Birds in Flight” when they sign up for the workshop. Discounted lodging is available, but is not included in the workshop fee. A $875 non-refundable deposit is required to reserve a spot in a workshop. The remaining $875 is due 30 days before the start date of the workshop. If you are unable to attend the workshop, after paying the balance, the balance payment will be refunded ONLY if your spot can be filled, on short notice, from the waiting list. All workshop payments must be made by check or money order. Credit cards are not accepted.


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Juvenile Ospreys squabbling in flight. Image copyright 2010: Jim Neiger/Flight School Photography

Participant Requirements

Participants should have working knowledge of how to create a properly exposed image, a telephoto lens of 400mm or more (300mm with a teleconverter is acceptable), and be physically capable of holding their camera and lens up to their eye in shooting position for at least 20 seconds. Participants must also have a vehicle to travel to and from the photography locations.


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River Otter eating snake. Image copyright 2010: Jim Neiger/Flight School Photography

Lodging and Logistics

Workshop participants who require lodging during the workshop should stay at the hotel in Vero Beach where the classroom sessions will be conducted. Participants arriving via air arrive at the Orlando International Airport, which is the closest major airport to Vero Beach. Rental vehicles are available at the airport. Flight School Photography will assist participants with arranging the sharing of vehicles and/or lodging if desired. Detailed information will be provided when you sign up for the workshop or upon request. Lodging, transportation, and meals (except for welcome dinner) are not included.

Learn more here. View Jim’s incredible image gallery here. And see some of artie’s images here.


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Great Horned Owl being harassed by Fish Crow. BBC Honored image copyright: Jim Neiger/Flight School Photography

Flight School Custom Anytime Workshops

Flight School Photography offers private, customized workshops, September thru May, in some of the most beautiful, wild, and unspoiled areas of central Florida. Your instructor and guide, Jim Neiger, has spent several years observing, studying, and photographing the varied birds near his home in central Florida and knows this avian rich area like no one else. If you prefer, Jim will travel to a location selected by you to provide personal instruction.

These individual or small group workshops are tailored exclusively to the participants’ interests, goals, and schedule. Workshops are conducted by boat, on land, or a combination of both. Personalized instruction lets you make the most of your time. The workshops can range from a single half-day workshop to multi-day or week-long workshops. Snacks and drinks are provided during every workshop session.

You have the following options: scheduling a private, individual custom workshop; putting together a small group of photographers for a customized workshop; or having Jim travel to your location to provide a custom workshop. You can also choose the species you wish to focus on and/or the topics you would like to learn more about. Jim’s experience in the central Florida area allows him to locate the most sought after species in settings and conditions that are optimal for photography.

Custom Workshops by Boat

Jim’s pontoon boat was purchased and customized specifically for use during photography workshops. It is roomy, comfortable, and stable. The boat is equipped with an extremely quiet, four-stroke motor for silent cruising. It also has a powerful, silent, electric trolling motor with wireless remote control. This allows Jim to position the boat precisely and silently. The boat has a capacity of twelve people, but Jim limits the number of participants to five or less so that everyone has room to photograph in comfort. The boat can be configured with no top, a half canopy to provide shelter from sun and rain, or with a half enclosure that can completely protect participants from the elements. Using the boat allows close access to some of the most difficult and desirable subjects in North America. Many of the images of these subjects in their wetland habitat would not be possible from land.

Custom Workshops on Land

Land-based sessions are held in a number of wild and remote locations of central Florida. Jim has spent several years learning the out-of-the-way wilderness areas in the region. He has also written a best selling guide to photographing birds in central Florida. The variety of birds in the area is astounding; Jim knows where to find them and how best to photograph them. Participants will need to provide their own vehicle for the land-based workshops, unless there is only 1 photographer.

Both land and boat workshops are likely to provide participants with opportunities to photograph birds that are uncommon and rarely seen. Possible subjects include: Crested Caracara, Sandhill Cranes, Whooping Cranes, Barred and Great Horned Owls, Bald Eagles, Osprey, Snail Kites, Red-Shouldered Hawks, Red Cockaded Woodpeckers, Pileated Woodpeckers, Limpkins, Ibis, Wood Storks, Purple Gallinules, various wading birds, warblers, sparrows, and many others too numerous to list.

Custom Workshop Instruction

Custom workshops may also include personalized, in-the-field instruction; formal classroom instruction; or an introductory slide presentation, if desired. Topics may include instruction devoted to learning or practicing:

· Jim’s unique handheld techniques for photographing birds in flight using long telephoto lenses.
· Jim’s unique techniques for using recordings safely to attract and photograph birds successfully
· Making proper exposures working in manual exposure mode
· Other nature photography topics of your choice

Learn more about Jim’s Flight School Custom Anytime Workshops here. See the spectacular image gallery here. See the custom workshop rates here.

Contact Information

Contact Information: Jim Neiger, Flight School Photography, Inc. 550 Basin Drive, Kissimmee, FL 34744-4804
Cell phone: (407) 247-5200. e-mail.

Flight School website.

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Flight Plan

I can say without a doubt that after spending more than two months (part time) editing Jim Neiger’s great e-Guide–Flight Plan–two years ago–that my flight photography improved by leaps and bound whether I am working off a tripod or hand holding. His explanation of the bumping the focus technique finally sunk in. Learning to use this technique regularly is a huge help for any all types of flight photography.

You can learn more about Flight Plan here or order a copy by clicking here.

Bob Hollowell’s Flight Plan Comments

I just wanted to send kudos to both you and Jim Neiger for the excellent E-book that you referenced in a recent BAA blog post. I immediately purchased a copy, and have finished my first read and will now read it a second time just to make sure I’m ready to take it to the field. My favorite haunt is Squaw Creek NWR and I’ve stumbled & fumbled with flight photos using both tripod & monopod as support for my Canon 7D, and just can’t seem to come up with real sharp photos using that method. Jim’s text is well written, and really puts flight photography in a whole new perspective for me. I’m 76 years old, and I’m sure I’ll have to experiment with the handholding methodology a bit, but I’m excited at the prospect of applying Jim’s methods.

Thanks again… Bob H.

December 22nd, 2015

Lots of Bloody Penguins in a Snowstorm! And Three Great Snowstorm Photo Tips

What’s Up?

I spent a good part of the day working on exhibit-related tasks, the largest of which was writing the captions for the eleven image groupings: Bosque, Galapagos, Gulls and Terns, Japan in Winter, Midway, Odds and Ends, Puffins and Gannets, San Diego, Shorebirds, the Southern Ocean, and Wading Birds. I hope to be posting some firm info on the exhibit here very soon so that you can make your travel plans 🙂

I continue to feel pretty good and I continue to work very hard for long hours every day par for the course 🙂 I am looking forward to getting back in the pool this week….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

  • Walt Anderson sold a used Canon 1D X for $3000 yesterday before it was even listed!
  • Larry Master sold a Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
  • Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
  • Monte Brown sold his 300mm 2.8 II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
  • Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
  • Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
  • Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
  • Alan and Sara Levine sold their old 300 f/2.8L IS lens in early December for $3175.
  • Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.

Amazing 7D Mark II/PIXMA PRO-100 Printer Kit Deal

Get a 7D II for a ridiculous $1049 and a free PIXMA PRO-100 Printer. With paper!

Y’all know how much I love my 7D II. Heck, look no further than the featured image in the blog post here and be sure to check out the amazing image quality. That plus the 7D II’s 1.6 crop factor which gives you lots of extra reach with lots of pixels. Also included within this kit is the PIXMA PRO-100 wireless inkjet printer, which prints up to 4800 x 2400 dpi and supports media up to 13 x 19″. An eight-color ink system realizes true color rendition and incorporates three monochrome inks for enhanced density and black and white printing capabilities.



South Georgia OCT/NOV 2016

If you have been thinking of joining me as part of the BIRDS AS ART group on the last-ever Cheesemans’ South Georgia expedition, please note that cabin choices are becoming quite limited. If you are seriously interested, please do not tarry. Scroll down for details or shoot me an e-mail. If you are desperate to make the trip call me at the home/office: 863-692-0906.


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This image was created at Gold Harbor, South Georgia on the fabulous OCT/NOV 2015 Cheesemans’ South Georgia Expedition with the Induro GIT 304L Tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm and the rugged Canon EOS-1D X. ISO 160. Evaluative metering +1 1/3 stops: 1/500 sec. at f/5.6. Cloudy WB.

Center AF point/AI Servo Expand/Rear Focus AF on the penguin just behind the head of the baby Elephant Seal near the lower right corner and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

King Penguins and friends in snow storm

Lots of Bloody Penguins in a Snowstorm!

Yesterday’s blog post, “Life and Death on South Georgia… Warning: Bloody, Gruesome & Gory” was hugely popular. And heck, there were lots of Brits on my last trip to South Georgia so give me a break on today’s title 🙂

Three Great Snowstorm Photo Tips

#1: be sure to have the lens hood on your telephoto lens.
#2: be sure to point your lens away from the wind to avoid getting snow and moisture on the front element.
#3: be sure to have several zip lock plastic bags in your Xtrahand Magnum vest, each with an old cotton t-shirt in it so that when you screw up on #2–don’t worry, you will do it several times during each shooting session–you can turn your back to the wind, remove the lens hood, and dry the front element of your lens…. Why several dry t-shirts? Two reasons: you will invariably get the first t-shirt wet after one or two drying sessions. And, you will continue to forget on #2….

Lessons on Photographing Piles of Penguins…

Photographing the huge assemblages of King Penguins on the Gold Harbor, Salisbury Plains and St. Andrews Bay landings on a Southern Oceans expedition is not as easy as it might seems. There are so many birds that you need to pay attention to lots of small but important details. Keep reading to learn a ton.

Note: this feature was adapted from the lead item in BIRDS AS ART Bulletin #478. You can view that here.

  • Get as high a vantage point as possible. This might include climbing atop a ridge or a large hill or simply getting on top of a mound of tussock grass. For today’s featured image I was able to get nicely above the birds by climbing a gentle slope and then finding a stable spot on top of a large tussock; every bit of elevation helps.
  • Unless you are doing a frame filling pure pattern shot, strive for a clean lower edge as above.
  • Zoom lenses are really helpful when it comes to framing. Take extreme care when it comes to checking the left and right frame-edges… Small crops and a bit of Photoshop edge cleanup can work wonders as they did with the image above.
  • Working on a tripod can really help with careful framing; remember to do as I say not as I do 🙂
  • Try to find a close bird or animal that is distinctive either by position or pose so that it can serve as a compositional anchor, as the seal and the two birds immediately behind it did for today’s image.
  • Consider the options and choose your perspective carefully.
  • As far as the upper frame edge, at times it is possible to have a clean upper edge as in today’s featured image, but often the birds will simply disappear out of the frame especially if you are working at a wide aperture.
  • Speaking of f/stops, your best option when hand holding is to work wide open or close to it. If you are on a tripod and the birds are resting or sleeping, you have the option of going to a tiny aperture and trying to get lots of depth of field with the range of sharpness extending either well back in the frame or actually covering all of the birds; this is largely a function of your focal length and how far away from the birds you are. It is generally not my style. In today’s image a really small aperture would likely have blurred the snowflakes too much for my taste; I wanted them relatively sharp.


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


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All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.


bhfreeshipa

You can check these great holiday offers plus free next day shipping by clicking here.

B&H Free Next Day Holiday Shipping (on Selected Items)
Just two more days!

Click here and then either click on a category or a brand of by clicking on the red See All Qualified Items box. This deal is just what the holidays ordered. From now till December 23rd.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 21st, 2015

Life and Death on South Georgia... Warning: Bloody, Gruesome & Gory

What’s Up?

I had a long to-do list for Sunday but wound up watching too much NFL football. The NY Football Giants one-hand catch phenom Odell Beckham Jr. dropped a sure, wide open touchdown pass on the game’s third play. Using both hands…. A bit later on in the game one of their usually sure-handed defensive backs dropped a sure pick six (interception returned for a touchdown) only 30 yards from the goal line. I should have explained that the Giants were playing with their whole season on the line: lose and miss the playoffs. And I should have mentioned that they were playing the undefeated Carolina Panthers with their superman quarterback Cam Newton. Ah, what could have been.

By the end of the third quarter the Giants were down by 28 points, 35-7. Game over Season over for the Giants. Right? Not so fast. With a bit more than a minute left in the game the Giants capped off an amazing comeback on the second touchdown pass caught by the aforementioned Odell Beckham Jr. And tied the score!

Only to lose in regulation on a Panther field goal with no time left on the clock. It was yet another fitting and well deserved loss in a Giants’ season marred by countless squandered opportunities. Not to mention countless games squandered away.

So what’s the good news? I am feeling pretty darned good for the first time since October 20. Two months is a long time for a cold and congestion. I hope that it is gone for good!



South Georgia OCT/NOV 2016

If you have been thinking of joining me as part of the BIRDS AS ART group on the last-ever South Georgia expedition, please note that cabin choices are becoming quite limited. If you are seriously interested, please do not tarry. Scroll down for details.

Amazing 7D Mark II/PIXMA PRO-100 Printer Kit Deal

Get a 7D II for a ridiculous $1049 and a free PIXMA PRO-100 Printer. With paper!

Y’all know how much I love my 7D II. Heck, look no further than the featured image in the blog post here and be sure to check out the amazing image quality. That plus the 7D II’s 1.6 crop factor which gives you lots of extra reach with lots of pixels. Also included within this kit is the PIXMA PRO-100 wireless inkjet printer, which prints up to 4800 x 2400 dpi and supports media up to 13 x 19″. An eight-color ink system realizes true color rendition and incorporates three monochrome inks for enhanced density and black and white printing capabilities.

What’s in the Kit?

Canon EOS 7D Mark II DSLR Camera (Body Only)
Canon PIXMA PRO-100 Wireless Professional Inkjet Photo Printer
Canon SG-201 Photo Paper Plus Semi-Gloss (13 x 19″, 50 Sheets)
Ruggard Commando 36 DSLR Shoulder Bag
SanDisk 32GB Ultra UHS-I SDHC Memory Card (Class 10)

Please note that there is a $350 mail-in rebate with this offer.


king-penguin-wound-on-breast-_y5o4879-st-andrews-bay-south-georgia

This image was created at St. Andrews Bay, South Georgia on the OCT/NOV Cheesemans’ Expedition with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 560mm), and the rugged Canon EOS-1D X. ISO 400. Evaluative metering +2/3 stop: 1/200 sec. at f/11. AWB. Should have been evaluative metering +1 1/3 stops as I needed to open this up during the RAW conversion in DPP 4.

Center AF point (by necessity)/AI Servo Expand/Rear Focus AF on the center of the breast as framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial.

King Penguin with large wound on breast

Warning: Gruesome & Gory

I saw more than a few bloody animals and birds on my last South Georgia expedition. The big male Elephant Seals led the league in gory wounds, wounds that were received in territorial/breeding dominance battles with other large males. King Penguins were not far behind but this wound in today’s featured image was the most gruesome by far. “It is possibly a prop injury but those would likely be on the penguin’s back” said Expedition Leader Ted Cheeseman when I shared this image with him. But he was not big on the wound having been caused by either a Leopard Seal or an Orca. Who knows? If you have a theory you are invited to share it with us here by leaving a comment.

This image is in stark contrast to the typically beautiful images made of this most handsome and colorful subject. I have spent hours and hours creating tight abstracts of the patterns on the necks of King Penguins. Life goes on. And in this case, sure death.


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.


bhfreeshipa

You can check these great holiday offers plus free next day shipping by clicking here.

B&H Free Next Day Holiday Shipping (on Selected Items)
Just two more days!

Click here and then either click on a category or a brand of by clicking on the red See All Qualified Items box. This deal is just what the holidays ordered. From now till December 23rd.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 20th, 2015

How Often Do We Get a Second Chance? Redemption in the Snow at Effective 1280mm: 400mm IS DO II + 2X III TC + EOS 7D Mark II

What’s Up?

I spent a few hours nearly finishing up the 2015 Bosque Current Conditions Guide and an equal amount of time doing critiques on BirdPhotographers.Net where honest critiques are done gently. BPN: it ain’t just birds. With my insane travel schedule, the upcoming San Diego exhibit, and the Bosque IPTs, I have not been spending much time there lately.

Amazing 7D Mark II/PIXMA PRO-100 Printer Kit Deal

Get a 7D II for a ridiculous $1049 and a free PIXMA PRO-100 Printer. With paper!

Y’all know how much I love my 7D II. Heck, look no further than today’s featured image to check out the amazing image quality. That plus the 7D II’s 1.6 crop factor which gives you lots of extra reach with lots of pixels. Also included within this kit is the PIXMA PRO-100 wireless inkjet printer, which prints up to 4800 x 2400 dpi and supports media up to 13 x 19″. An eight-color ink system realizes true color rendition and incorporates three monochrome inks for enhanced density and black and white printing capabilities.

What’s in the Kit?

Canon EOS 7D Mark II DSLR Camera (Body Only)
Canon PIXMA PRO-100 Wireless Professional Inkjet Photo Printer
Canon SG-201 Photo Paper Plus Semi-Gloss (13 x 19″, 50 Sheets)
Ruggard Commando 36 DSLR Shoulder Bag
SanDisk 32GB Ultra UHS-I SDHC Memory Card (Class 10)

Please note that there is a $350 mail-in rebate with this offer.


macaroniinsnow

This image was created on the 2015 Cheesemans’ South Georgia Expedition with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 400mm f/4 DO IS II USM lens, the Canon Extender EF 2X III, and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering +2/3 stop: 1/640 sec. at f/11 in Manual mode.

Center AF point (Manual selection)/AI Servo/Rear Focus AF as originally framed was active at the moment of exposure. The active AF point was just below and behind the bird’s gape. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Macaroni Penguin head portrait in snow

How Often Do We Get a Second Chance?

On my 2012 Cheesemans’ Southern Ocean Expedition I snoozed and lost when I decided–worried about my left knee–to stay on the ship on the Cooper Bay landing in a big snowstorm. Thanks to the kindness of friends, you can see what I missed in the November 18, 2012 blog post here.

There was lots of snow on the ground on the 11/6 landing on the great 2015 South Georgia Expedition. There was no way I was gonna miss that landing. And as fate would have it, there was lots of snow on the ground. I brought both the 100-400II and the new 400 DO II up the hill along with a 1D X, a 7D II, and both teleconverters. As the snow and the large stands of tussock grass made it hard to move around I got myself a good seat on a small mound and waited for the birds to oblige. They did.

I went super long with the 400 DO II, the 2X III TC, and the 7D II. With the cloudy bright conditions and all that snow, I was fine working at ISO 400. I set the exposure manually to two stops above the reading off the snow. I stopped down to f/11 both for a little extra sharpness as compared to f/8 and for a bit of extra depth of field; I knew that I would be working tight. The closer you are to the minimum focusing distance of your lens the more you need some extra d-o-f.

I created more than 700 images that morning and kept about 150 of them. This is the single frame that thrilled me. I guess that redemption might just be best served cold. 🙂

Exposure Question

If I set the exposure to two stops above the meter reading off the snow why did the analogue scale show only +2/3 stop as framed?


southgeorgiacardfor-2016

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay.

Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.


steeplenewsealioncard

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.



Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 19th, 2015

The Sickest-ever Canon EOS 5DS R 100% Crop... And to think that I rescued this one from the trash!

What’s Up

By 9:40pm on Friday evening when I was finishing up work on this blog post, I had answered 88 e-mails today. And I got lots of work done on the 2015 Bosque Current Conditions update. It is turning out to be much more involved then any previous update and includes lots of new tips new and information that is not just specific to 2015….


bhfreeshipa

You can check these great holiday offers plus free next day shipping by clicking here.

B&H Free Next Day Holiday Shipping (on Selected Items)

Click here and then either click on a category or a brand of by clicking on the red See All Qualified Items box.

I did and quickly found a 7D Mark II for the insanely low price of $1399. That price already includes the $400 instant rebate. The icing on the cake includes the 2% reward and the free next day shipping. Just what the holidays ordered. From now till December 23rd.


snow-goose-head-detail-5ds-r-6r7a0111-bosque-del-apache-nwr-san-antonio-nm

This image was created at Bosque del Apache on the 2nd afternoon of the first 2015 IPT with the Induro GIT 304L tripod/Mongoose M3.6-mounted BLUBB-supported Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 1.4X III,, and the incredible Canon EOS 5DS R. ISO 400. Evaluative metering -1/3 stop: 1/1600 sec. at f/9 in Manual mode. AWB.

Center AF point/AI Servo Expand/Rear Focus AF just behind and below the base of the bird’s lower mandible was active at the moment of exposure. As a result, the active AF point was precisely on the same plane as the bird’s eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Snow Goose, tight head portrait of adult

The Back-story

While working on the 2015 Bosque Current Conditions Update late on Friday afternoon I was looking for some images to illustrate a portion of the text that lets folks know where they might get tight shots of the geese. I could not find what I knew what I had so I went to my “All Pix 6-30-2015” WD 2TB My Passport Ultra Portable Hard Drive (Black), found the 11/23/15 folder, and wound up keeping an additional six images that I had mistakenly overlooked on my first edit. With my new system, started almost six months ago, I keep every RAW file that I create by copying the complete download to the All Pix HD and to my laptop at the same time using Photo Mechanic’s Ingest feature. That way I can never lose a RAW file and I can go back to look for files that I overlooked or possibly some that I might need as source material.

Today’s featured image stood out like a sore thumb. “How in the world did I miss giving that one a check mark???”

Note that the exposure values, 1/1600 sec. at f/9 are just a third stop lighter than my recommended ISO 400 Bright White in the Sun exposure of 1/2500 sec. at f/8. Why 1/3 stop lighter? The sun was getting low. And I checked the histogram.


snow-goose-head-100pctcrop-detail-5ds-r-6r7a0111-bosque-del-apache-nwr-san-antonio-nm

This is an unsharpened 100% crop of today’s featured image. It wound up being 1200 pixels wide and is displayed here at 800 pixels wide after being optimized to < 395 kb (from about 475 kb). Click on the image if you dare to see a larger version....

The Sickest-ever Canon EOS 5DS R 100% Crop…

If this one does not leave you slack-jawed….

Coming Soon

Quite soon I will attempt to present a cogent examination of both the facts and my gut feeling that you need to keep your rig steadier when using a 5DS R (or a 5DS and possibly a 7D Mark II) than when using the same lens any other Canon camera bodies. There are lots of complex issues and I am sure that there will be lots of civil disagreements. I do not permit any other type 🙂

My New 5DS R

On Tuesday past I purchased my affiliate loaner Canon EOS 5DS R camera body from B&H. On Wednesday I got an e-mail with a $325 B&H gift card as a result of my purchase. Wow! On Friday evening (Shabbos at B&H) the 10% Reward was still n effect. If you call on Sunday to check remember that you must hang up and place a web order (no matter what the salesman tells you). Many thanks for that. If what you have been learning here inspires you to purchase a 5DS R (or a 5DS), please remember to use the logo-link above; it will not cost you a penny and helps me out tremendously. Many thanks, artie

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

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In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

December 18th, 2015

Shoot First/Ask Questions Later...

What’s Up?

I did lots of work yesterday on the San Diego Exhibit. Things are really coming to fruition. I will be sharing the formal announcement with y’all here soon. In the meantime you can mark the time of the “Choosing and Using Lenses for Bird and Nature Photography” slide program (8:30 to 10am) and the date of the exhibit opening, Saturday, January 16, 2016 on your calendars. The exhibit will open right after the slide program is concluded.

I went to Bartow early on Thursday morning to have blood spun for a sophisticated food allergy test ordered by Dr. Oliver. I really fell off the wagon with my diet both in the Southern Ocean and in New Mexico; the Cyrex test may give Cliff some insight into whether my congestion is a result of my gliadin allergies or possibly something else. Gliadin is a component of all grains especially wheat. Note: eating lasagna and raviolis as I did in NM was not a good plan :). But it sure tasted great. This weekend I will be gathering samples for a parasite test; we need to make sure that I did not pick up any bugs in South America. The last time I did this test it was discovered that I had three parasites, two of which could kill you.

In any case, I continue to feel pretty good, just congested.



Galapagos Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience

If you would like to join me in the Galapagos in August, 2017, please scroll down and read carefully. Simply put, my Galapagos Photo-Cruises are the best ever for lots of reasons….


frigatebird-silh

This image was created on the July 2015 Galapagos IPT with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 640. Evaluative metering +1/3 stop: 1/8000 sec. at f/5.6 in Av Mode. See more below on my exposure screw-up.

Center AF point/AI Servo Expand/Shutter Button AF as originally framed was active at the moment of exposure (as is always best when hand holding). Neither the selected AF point nor any of the assist points was on the subject…. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Frigatebird silhouette

Shoot First/Ask Questions Later…

Here we were in the panga (zodiac) heading back to the ship after a fine first afternoon at Bachas Island. We had had some great chances with Black-necked Stilts, Striated Heron, Greater Flamingo, Lava Gulls, Sally Lightfoot Crabs, and baby Marine Iguanas. I properly had the 100-400 II in my hands with the camera turned on. It is almost always very calm in the Galapagos so there is rarely a need to keep your gear covered while cruising. In any case, I was not properly prepared. I have long advised folks to shoot first and ask questions later when it comes to action. In this case, I did as I say.

I saw the frigatebird flying by, raised the lens, acquired focus, and created two or three images, keeping one. When I looked at the EXIF and saw +1/3 stop, 1/8000 second, I knew that I had screwed up by severely under-exposing the image. I could have had plenty of shutter speed had I had the EC set properly to something like +2 stops (as framed).

What to do?


dppfrig

The DPP 4 Screen Capture for the RAW file right out of camera. Note that neither the active AF point nor the assist points (I added the red circles to show them) fell on the bird. Yet, the image was sharp. This was due in part to the fact that the system often will keep tracking for a moment or two with a sky background, and in part to my Custom Case settings as detailed in the User’s Guides for the new cameras, the 5D III, the 1D X, and the 7D II.

The RAW Conversion and the Image Optimization

With the image created at ISO 640 but well under-exposed, I used my saved recipe for the 7D Mark II at ISO 800 for the conversion. A little extra noise reduction would make the sky smoother. You can easily see the big under-exposure in the DPP 4 screen capture above by noting the tonality of the gray sky. Next I moved the Brightness slider to +1.5 stops. One of the things that I love about DPP 4 is that once you load your saved recipe for a given camera and ISO there is very little work left to be done, usually just a few tweaks on two of the Advanced sliders (lower right above).

The original plan after bringing the image into Photoshop was to create a stark Black and White silhouette with a Levels adjustment. But I decided to add some color to the sky so I selected the BKGR with the Magic Wand Tool (my custom keyboard shortcut M) and used the Paint Bucket to add yellow to the sky but the results were much too garish. To soften up the yellow, still with the sky on its own layer, I first went to Selective Color and took about 80 points of BLACK out of the YELLOWs. Then I messed around with the sliders for the WHITEs but there were no great changes It looked better but still needed some tweaking so I opened up Color Balance on that same layer and moved the sliders around going left and then right with each slider to see the effect. Moving the bottom slider well towards BLUE got me the nice soft yellow that you see in the optimized image that opened this blog post.

Digital Basics

Most everything that I did to optimize today’s image is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Contrast Masks, Digital Eye Doctor techniques, using Gaussian Blurs, Tim Grey Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur (background noise reduction) settings that I use to smooth background noise, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.


dpp-4-guide

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.


7d-ii-ug

You can purchase your copy of the The 7D Mark II User’s Guide in the BAA Online Store here for $59.

7D Mark II User’s Guide

You can purchase your copy right now in the BAA Online Store here for $59. Or call Jim or Jennifer at 863-692-0906 and place a phone order. This is the highest priced user’s guide ever, surpassing the 5D II User’s Guide that is priced at $50. Why? I did twice as much work preparing the 7D II Guide. It required many days of writing, many dozens of hours of study and research, not to mention hundreds of hours in the field trying to figure out the best 7D II setting while doing what I love to do best, photographing birds and nature. The camera is quite complex. Many thanks to both Rudy Winston and Chuck Westfall of Canon USA for their help in getting me through the stickiest parts.

The guide contains 23,196 words in 516 paragraphs. There are 24 photos and screen captures interspersed in the main body of the text and a gallery of 23 additional 7D II images that show what the camera is capable of with a variety of lens and lens/TC combinations. We would love your feedback.

The Great Strength of the 7D Mark II User’s Guide

The very great strength of the 7D Mark II User’s Guide is the coverage of the autofocus system. I review in detail all of the items on the five pink AF Menus. Most important of these is the Custom Case setting (at AF 1) that I have developed over time and currently use for all of my bird photography. On the recently concluded Hooptie Deux Spoonbills and more IPT John Johnson of Naples, FL mentioned that he was having trouble producing sharp flight images. I set up my Custom Case on his camera, and within minutes he was amazed at the sharp results that he was getting…. While skill, strength, fine motor control, and superior hand eye coordination are all factors that will influence your success as a flight photographer, you can have all of the preceding in spades but if your camera is not set up properly much of your effort will be in vain….

What Else is in the Guide?

In the 7D Mark II User’s Guide you will learn everything that I know about the important topics listed below, and better yet, I explain the options for each along with my reasons for choosing a specific setting in a specific situation.

Handling the WHITEs
The top LCD and all camera control buttons
7D Mark II drive modes
How to manually select an AF sensor
Choosing an AF Area Selection Mode; how and why (includes extensive detail)
Moving the AF point or Zone
The creation of in-camera Multiple Exposures and in-camera HDR images (includes extensive detail)
Live View Shooting and AF choices (all new in the 7D II)
Menu Item Access
Coverage of almost all Menu Items and Custom Functions including the following: Image Quality, Auto Lighting Optimizer, Lens aberration corrections settings, Highlight Tone Priority, AF Configuration Tool (as above, this includes details on the custom setting that I use), Acceleration/deceleration tracking, Tracking sensitivity, Lens drive when AF impossible, Orientation linked AF point (I love this feature), Highlight alert, Histogram display–do you know how to access both histograms at once?, Auto rotate, Image Jump, LCD Brightness, Info button display options, Custom Shooting Modes set-up, ISO Safety shift, using the Q button, setting up rear focus, and setting up your My Menu feature (among others).

The guide is–of course–written in my informal, easy-to-follow style.

Please note: Some Menu items are not covered in this guide for one of several reasons:

  • They deal only with the creation of movies (not covered)
  • They are irrelevant to nature photography.
  • After spending hours studying the 7D II Instruction Manual and consulting others I have no clue as to the purpose or the reason for the existence of a given feature.

Though I recommend that the irrelevant and confusing items be left at the default settings, I do, in most cases, I refer you to the relevant page in the 7D II Instruction Manual. If you follow up, it just might turn out that you are a lot smarter than me. In those cases I would love to hear from you via e-mail. So far none of the above have prevented me from creating many spectacular images with my 7D II.

Please note that this guide does not contain a table of contents or an index. To search the document for a given topic simply hit Control F to search. When the Find box pops up, simply type the term that you are looking for into the field and hit Next. This will allow you to find what you are looking for quickly and efficiently.

If you purchase the 7D II UG and it helps you to create better images, please feel free to send no more than two 1200 pixel wide or 900 pixel tall sharpened JPEGs to me via e-mail along with your comments. I will be glad to do a short critique if requested.

Click here and scroll down for a free 7D Mark II User’s Guide AF Point Auto Switching Excerpt.


galapagpscardbnew2015_0

Tame birds and wildlife. Incredible diversity. You only live once….

Galapagos Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. August 8-22, 2017 on the boat. 13 FULL and two half-days of photography: $12,499. Limit: 13 photographers plus the leader: yours truly. Openings: 10.

Same great trip; no price increase! This trip needs nine to run; in the unlikely event that it does not, all payments to BAA will be refunded in full.

My two-week Galapagos Photo-Cruises are without equal. The world’s best guide, a killer itinerary, a great boat (the Samba), and two great leaders with ten Galapagos cruises under their belts. Pre-trip and pre-landing location-specific gear advice. In-the-field photo instruction and guidance. Jeez, I almost forgot: fine dining at sea!

The great spots that we will visit include Tower Island (including Prince Phillips Steps and Darwin Bay), Hood Island (including Punta Suarez, the world’s only nesting site of Waved Albatross, and Gardner Bay)—each of the preceding are world class wildlife photography designations that rank right up there with Antarctica, Africa, and Midway. We will also visit Fernandina, Puerto Ayora for the tortoises, Puerto Egas—James Bay, and North Seymour for nesting Blue-footed Boobies in most years, South Plaza for Land Iguanas, Floreana for Greater Flamingoes, and Urbina Bay, all spectacular in their own right. We visit every great spot on a single trip. Plus tons more. And there will be lots of opportunities to snorkel on sunny mid-days for those like me who wish to partake.

It is extremely likely that we will visit the incredible Darwin Bay and the equally incredible Hood Island, world home of Waved Albatross twice on our voyage. The National Park Service takes its sweet time in approving such schedule changes.

We will be the first boat on each island in the morning and the last boat to leave each island every afternoon. If we are blessed with overcast skies, we will often spend 5-6 hours at the best sites. And as noted above, mid-day snorkeling is an option on most sunny days depending on location and conditions. On the 2015 trip most snorkeled with a mega-pod of dolphins. I eased off the zodiac to find hundreds of dolphins swimming just below me. Note: some of the walks are a bit difficult but can be made by anyone if half way decent shape. Great images are possible on all landings with either a hand held 70-200mm lens and a 1.4X teleconverter or an 80- or 100-400. I sometimes bring a longer lens ashore depending on the landing. In 2017 I will be bring the Canon 400mm IS DO II lens. In the past I have brought either the 300mm f/2.8L IS II or the 200-400mm f/4 L IS with Internal Extender.


galapagos-card-a2015

Do consider joining me for this once in a lifetime trip to the Galapagos archipelago. There simply is no finer Galapagos photography trip. Learn why above.

An Amazing Value…

Do know that there are one week Galapagos trips for $8500! Thus, our trip represents a tremendous value; why go all that way and miss half of the great photographic locations?

The Logistics

August 6, 2017: We arrive a day early to ensure that we do not miss the boat.

August 7, 2017: There will be an introductory Galapagos Photography session and a hands on exposure session at our hotel.

August 8, 2017: We fly to the archipelago and board the Samba. Heck, on the 2015 trip some people made great images at the dock in Baltra while our luggage was being loaded!

August 22, 2017: We disembark late morning and fly back to Guayaquil midday; most will overnight there.

Most will fly home on the early morning of July 23 unless they are staying on or going elsewhere (or catching a red-eye flight on the evening of the 22nd).

$12,499 includes just about everything: all transfers, guide and park fees, all food on the boat, transfers and ground transportation, your flights to the archipelago, and three nights (double occupancy) in a top notch hotel in Guayaquil. If you are good to go, a non-refundable deposit of $5,000 per person is due immediately. The second payment of $4,000 is not due until 11/1/16. The final payment of $3449 per person will be due on 2/1/17. A $200 discount will be applied to each of the balances for couples or friends who register at the same time.

Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.

Not included: your round trip airfare from your home to and from Guayaquil, beverages on the boat, phone calls, your meals in Guayaquil, personal items, and a $600/person cash tip for the crew and the guide—this works out to roughly $40/day to be shared by the 7 folks who will be waiting on us hand and foot every day for two weeks. The service is so wonderful that many folks choose to tip extra.

Please e-mail for the tentative itinerary or with questions. Please cut and paste “Galapagos 2017 Tentative Itinerary Please” into the Subject line.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).