What’s Up?

It is early Tuesday evening: I am at the Courtyard Marriott Orlando Airport for my early morning flights to San Diego tomorrow. Tuesday was packing day and Jim dropped me off at about 4:30pm. I have not mentioned it lately but I have been feeling pretty darned good lately but for what seems like a developing case of laryngitis 🙂 Not a sore throat, but if I talk for more than a sentence or two I start to lose my voice. Perfect for the IPT and my exhibit-opening program at the Nat on January 16th.

Strange that I still have something going on in terms of congestion. I have been to the doctor. Heck, it is only been ten weeks now.

400 DO Price War!

The prices on use 400 DO lenses have been dropping steadily. Tom Blackman would like to sell his now.

Used Canon EF 400mm f/4 IS DO Lens

Yet Another Lowest-ever BAA Price!
Price Reduced an insane $825 on January 5, 2015.

IPT veteran Tom Blackman offering a used Used Canon EF 400mm f/4 IS DO lens in excellent condition for $2250. There is some paint wear near the lens hood. The sale includes the lens trunk, the front cover, the rear lens cap, a worn LensCoat, and insured shipping via Fed ex Ground. Your item will not ship until your check clears unless other arrangements are made. This lens was just cleaned and checked by Canon’s Irvine, CA Repair Center; documentation can be provided upon request.

Please contact Tom by e-mail or by phone at 619.807.5615 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Tom’s lens is priced to sell. artie

And to think that I could’a been a jockey…

I found this B&W print on my dresser the other day and had older daughter Jennifer scan it. I imagine that I was about seven years old, maybe eight. My very vague memory is that this was somewhere out on the Sunrise Highway where it breaks off from the Belt Parkway. I am not sure of the camera or the exposure data.

I sent the image to my sister Arna to show to my Mom to see if she remembered the pony occasion. Her reaction? “That’s not Arthur.” You gotta love it. She is 93 and her mind is sharp.

This Just In

Click here for a link to slew of new Nikon stuff.

Nikon announces two new flagship bodies; you can pre-order now. If you do, please use one of the two product specific links below to support my efforts here on the BAA Blog. If you know the difference between the two bodies, please educate us 🙂

Canon EOS-1D X II

As for me, I can’t wait for the 1D X II to be announced…

New Nikon Bodies

Yesterday evening Nikon introduced two flagship camera bodies, the Nikon D5 DSLR Camera (Dual CompactFlash) and the Nikon D5 DSLR Camera (Dual XQD). You can read some of the seemingly amazing hype for the Dual Compact Flash version below, or follow the links to compare the two bodies.

Right now I am at a loss as to what differentiates the two bodies. If you know, please feel free to leave a comment.

If you are a Nikon-shooter who enjoys getting the latest, greatest camera body, I would appreciate your using one of my affiliate links above to order. Remember: the sooner you order the sooner you will have your dream camera body in your hands.

Overview of the Nikon D5 DSLR Camera (Dual CompactFlash) Body

Qualifying itself as the flagship model in Nikon’s DSLR lineup, the D5 is positioned as a truly fast, highly precise machine for professional photographers. Revolving around a full-frame, FX-format 20.8MP CMOS sensor and EXPEED 5 image processor, this workhorse touts an impressive 12 fps continuous shooting rate with full-time AF and AE, an expandable sensitivity range that goes up to ISO 3280000, and 4K UHD video recording at 30 fps. Matching the imaging versatility, the D5 is also characterized by its redeveloped Multi-CAM 20K 153-point AF system, which incorporates 99 cross-type sensors for refined precision when tracking moving subjects or working in difficult lighting conditions. This model features dual CompactFlash memory card slots, to provide versatility in file handling during shooting, and a range of selectable raw file sizes can also be used depending on output needs. Designed to keep up with the fastest subjects and handle the most difficult working conditions, the D5 is an advanced DSLR well-suited to the most extreme multimedia workflows.

Echoing the robust set of imaging capabilities, the D5 is of course equally refined in its handling and physical design attributes. A rear 3.2″ 2.36m-dot touchscreen LCD monitor afford clean, clear playback and live view shooting, along with an intuitive means for navigating the menu system. The camera chassis is constructed from magnesium alloy and is both dust- and weather-sealed to enable working in the harshest of environments. And lending an air of familiarity to the design, a slew of configurable Function buttons are available across the body, and an integrated vertical grip supports working in both horizontal and vertical shooting orientations.

20.8MP FX-Format CMOS Sensor and EXPEED 5 Image Processor

The FX-format 20.8MP CMOS sensor teams with the EXPEED 5 image processor to offer an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-102400 permits working in a broad array of lighting conditions, an can be further expanded to ISO 50-3280000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.

In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate or 14 fps with the mirror up, or 12 fps with full-time autofocus and auto-exposure control. When shooting at 12 fps, up to 200 frames can be recorded in a single burst, even when shooting 14-bit lossless compressed NEF files. Benefitting this speed, redeveloped sequencer and mirror driving mechanisms also ensure consistent, accurate exposure results as well as a more stable viewfinder image.

153-Point Multi-CAM 20K Autofocus System

Matching the speed and imaging capabilities is the apt Multi-CAM 20K AF system, which features 153 total phase-detection points, including 99 cross-type sensors for improved subject recognition, and 55 of the points are selectable for greater compositional freedom. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points, including 9 selectable points, are compatible with an effective aperture of f/8 and all 153 points support working with effective apertures of f/5.6 or brighter.

Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 12 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with all points capable of focusing -3 EV and the center point capable of reading at -4 EV for working in very dark, low-contrast situations.

Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subject matter:

Single-Point AF: The camera uses a single point to find focus.
Dynamic-Area AF: Available with 25, 72, or 153-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.
3D-Tracking: Using a subject’s color information, this mode utilizes all 153 points to maintain focus on a moving subject while half-pressing the shutter button.
Auto-Area AF: This mode makes use of all 153 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.

In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance, and can be adjusted by two parameters–quick or delayed blocked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.

Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.

Scene Recognition System and Exposure Metering

The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180,000-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.

Other Camera Features

Three different sizes of raw files can be used depending on your output needs; raw size medium and small are 12-bit lossless compressed NEF files while the large file size is a 14-bit lossless uncompressed or compressed NEF file.
Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white. Additionally, 1-6 preset white balance settings can be stored for easier switching between different light sources.

When reviewing continuous shooting sequences, you can configure to have the playback begin with the first or last image from the burst.

The D5 is compatible with the radio-controlled Advanced Wireless Lighting system, which permits working with the optional WR-R10 Controller and WR-A10 Receiver, along with the SB-5000, for intuitive, controllable wireless flash shooting.

The built-in wired LAN function of 1000 Base-T (Gigabit) standard enables high-speed, seamless transferring of still imagery and movie files for expediting an entire post-production workflow.
For wireless file transferring, the D5 is compatible with the optional WT-6A Wireless Transmitter.
Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.

Overview of the Nikon D5 DSLR Camera (Dual XQD) Body

To read the Overview for the Dual XQD version and possibly compare it to the Dual CompactFlash version, click here and scroll down to Overview.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up

I finished up all of the work on my end for the upcoming San Diego exhibition. I sent off the Canon panel, the sponsor’s logos for the Thank You panel, and everything needed for the Introductory Panel.

And yikes! I just about forgot to mention the best news: the overnight parcel arrived at Arcube, the master CD read fine on both a Mac and a PC, I received and approved the cover art proof, and it looks like clear sailing from here. The exhibit companion e-book has to be placed in the what a miracle category…

There is not a whole lot of room left on the OCT/NOV 2016 Cheesemans’ South Georgia Expedition, their last ever. If you would like to make your 2016 special by joining the BIRDS AS ART group for this trip, please scroll down for complete information.

birds as art: The Avian Photography of Arthur Morris

At TheNat, San Diego, California

Learn more here. Learn about the opening NATtalk, Choosing and Using Lenses for Bird and Nature Photography, here.

The Streak

In spite of having been buried by travel, teaching, and several major writing projects for the last two months, today’s blog post marks 60 days in a row with a new educational blog post. Please remember to use our B&H links for your major gear purchases.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

• With three offers on the day his lens was listed the sale of Mike Quigley’s Canon 500mm f/4L IS lens (the old five) is pending.
• Bill Ellison sold his 100-400 for $650 in early January, 2016.
• Alice Garland sold her Canon 500mm f/4L IS Lens for $3999 in late December 2015.
• Doug Rogers sold his Canon 100–400mm L IS zoom lens (the old 1-4) for $649 in late December 2015.
• Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
• Walt Anderson sold his used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
• Larry Master sold his Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
• Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
• Monte Brown sold his 300mm f/2.8L II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
• Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.

Featured Items

The two items below are severely under-priced and surely represent the two best-ever buys in the history of Used Photo Gear Sales!

Mint Canon 100mm f/2.8L IS USM Macro Lens

The Already Record Low BAA Price was Reduced $150 MORE on January 5,2015.

Walt Thomas is offering a used Canon 100mm f/2.8L IS USM Macro lens in mint condition for $749. The sale includes all original packaging, the lens case, the lens hood, and insured UPS ground shipping. Your lens will not ship until your check clears unless other arrangements are made. Please contact Walt by e-mail or call him at (520)-495-5612 (Mountain time).

The 100 macro IS is Denise Ippolito’s very favorite flower lens and I love mine too. It is incredibly light and sharp and easy to hand hold. I would, however, strongly advise adding the Canon Tripod Mount Ring D for IS 100mm f/2.8L Macro lens. artie

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 800. Evaluative metering at zero: 1/500 sec. at f/8 in Manual mode. AWB. AI Servo/Rear Focus Zone AF as framed was active at the moment of exposure (as is always best when hand holding). It did a great job by selecting three AF points on the pup’s neck above and to the left of the center AF point, right on the same plane as the eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Young Antarctic Fur Seal on tussock mound

Antarctic Fur Seal

Though on most South Georgia landings it seems that there is a young fur seal on every tussock mound, I must admit that I do not spend much time photographing them. And the same goes for the adults. We were headed back to the zodiacs when I saw this cute little one so I decided to make a few images while experimenting with Zone AF. As far as the fur seals go, it is best to stay away from the big males on the beaches. There is a fairly substantial section in the Southern Ocean Photography Guide that lets folks know just how not to get bitten by a fur seal…

100-400II Versatility

The image above succeeds because of the endearing pose and the perfect framing. Zoom lenses are great for nature photographers as they allow us to adjust our framing without having to move our position. Here are two tips for hand holding an intermediate telephoto zoom lens:

• Hold the lens with your left hand below the lens and your palm pointed to the sky–it’s amazing how many folks have their left hand on top of the lens with their palm pointed down. When I see folks on an IPT doing holding their lens incorrectly, I ask them, If you were trying to hold a small log up would you grab it from the top?
• Hold the lens with your left hand far enough out on the lens barrel that your hand rests close to the center of the zoom ring. Though it seems quite obvious that in this manner, zooming in and out would be easier, but many folks hold the lens with their left hand too far back on the lens barrel, close to the camera body. That always prompts another log question from me: “If you were holding a log would it make more sense to hold it in the center or at the end?”

Image Cleanup

There was nothing that I could do in the field about the ugly strand of tussock grass intersecting with the seal’s flipper and hind quarters, but in Photoshop, eliminating it was fairly simple. I used my Divide and Conquer techniques: Clone Stamp to break the untoward strand of grass into manageable segments and then the Patch Tool to make them disappear. Then Protect and Defend cloning on layer to get rid of the grass where it merged with both the flipper and the rear of the pup’s body followed by a series of small Quick Masks each transformed and warped and then refined with a Regular Layer Mask to smooth over the areas of intersection. Then some regular Patch Tool and Spot Healing Brush work to get rid of some of the blemishes in the fur.

Next I carefully selected the whole seal with the Quick Selection Tool, put that on its own layer, and applied my NIK 50-50 recipe, 50% Tonal Contrast and 50% Detail Extractor. That layer was refined by a Regular Layer Mask. Then I selected only the face with the Quick Selection Tool and put that on its own layer and applied a Contrast Mask: Unsharp Mask at 15/65/0 and then pulled up the Curve to lighten it. Total time: 8 minutes after converting the RAW file in DPP 4.

Digital Basics

Everything that I did to optimize today’s featured image is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Digital Eye Doctor techniques, using Gaussian Blurs, Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur settings that I use to smooth background noise, Divide and Conquer, protective cloning on a layer, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

The RAW file for today’s image was of course converted in DPP 4. Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading the blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing an introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all questions via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one extra penny.

For additional details on the trip and the ship, see the blog post here.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up?

Well, I got the master CD and the cover art for the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book project to UPS on Saturday morning. It is going Next Day Air for delivery to the manufacturing company in Richardson, TX on Monday morning. But it was not easy.

First, I had a ton of trouble burning the CD because the external CD reader for my Apple 15.4″ MacBook Pro Notebook Computer with Retina Display & Force Touch Trackpad (Mid 2015) kept crapping out. When I did burn the CD on one of our office computers, it came up as “Corrupt File.” So I tried Jim’s computer and the file burned correctly. But I still had to make sure that the master CD could be read by a Mac. Miraculously, the external CD reader came back to life just long enough for me to view the PDF on my laptop.

Next, I called the UPS dispatcher. She was very nice and was willing to send a driver to my home for the pickup, but when she confessed to being “geographically challenged” and told me that there were “only four substitute drivers working” I decided to drive the 25 miles into town to hand-deliver my package to the UPS station. Piece of cake, right? Not exactly. I tried in vain to find the address for more than 15 minutes and then called the dispatcher. I told her that I was in the Sunoco station on SR 27. I must have sounded desperate as she offered to drive to the gas station to get my my overnight parcel. And so she did.

Now I can only hope that everything goes smoothly with the manufacturing process so that I have CDs to sell at the exhibit opening. 🙂

As for the free excerpt below from the Southern Oceans Guide (in progress), all that I can say is that if Godthul is basically a backup landing site, imagine the images that you could make at one of the world class South Georgia wildlife landing locations. Scroll down to join me and the BAA group on next year’s Cheesemans’ South Georgia Expedition.

Thanks a Stack!

Thanks a stack to the many who helped proofread the Canon Panel either via comment or e-mail. The irrepressible BugBob Allen volunteered to help without being asked and came up with a few great catches that everyone else missed. I will send the final version to Alan Lillich today so that he can go over it with his fine-toothed comb.

This image was created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 176mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering -1/3 stop: 1/2500 sec. at f/5.6 in Av mode. AWB. AI Servo Expand/Zone AF as framed was active at the moment of exposure (as is always best when hand holding). The system selected 4 AF points below and to the left of the center AF point, just where it should have. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #1: Gentoo Penguin colony on hillside with photographers (one kneeling, one seated)

Free Excerpt with Images

The text below was adapted from the Southern Oceans Site Guide that I have been working on in my free time. 🙂

Godthul

This is another spot that would not be on the top of anyone’s list of favorite landings. I have, however, made a few landings here and wound up making some good images. Godthul is in a very protected location; if you are blown out of a landing at St. Andrews Bay, for example, you might very well get to spend a few hours on Godthul. As above, there is a Gentoo colony up the hill. Before you make the hike be sure to check out the sun angle; if it looks as if you will not be able to point your shadow at the birds, it might be best to skip the hike.

100-400 II Versatility

Consider the variety of subject matter and the framing in today’s featured images and throw in the fact that I was able to make a pretty neat image of a single seal eyeball with the 1-4/1.4X TC combo and it gives you a pretty good idea of just how versatile this new lens is.

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens with the Canon Extender EF 1.4X III (at 450mm)and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering at about -2 stops was considerably underexposed at 1/800 sec. at f/9 in Manual mode. AWB. Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The active AF point fell on the penguin’s right eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #2: Gentoo Penguin swimming in stream

Godthul Excerpt Continued

The beach at Godthul is small and narrow. If it is clear and the sun is on your right when you get out of the zodiac the best strategy is to cross the small stream about 75 yards to your right so that you can work properly on sun angle. On some visits when there are lots of penguins by the stream, the leaders may forbid you from approaching them and crossing the stream. When that happened on my last visit I asked if a zodiac could drop off a few folks on the other side of the stream. “No problem.”

This image was also created at Godthul on the Cheesemans’ 2015 South Georgia Expedition with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering -1 stop: 1/2000 sec. at f/8 in Manual mode. AWB. Center AF point/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The active AF point was placed just forward of and below the eye, just touching the gape–right on the plane of the bird’s eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #3: Gentoo Penguin calling

Godthul Excerpt Continued

You will usually find some King and Gentoo Penguins on the beach along with some fur seals. And there will be lots of fur seals up in the tussock grass. The penguins often congregate near or bathe in the stream; this can—as above—provide lots of good opportunities. By moving slowly and getting low, it is easy to get close to the penguins.

Exposure Question

What two factors led to my applying negative exposure compensation for each of today’s featured images?

Your Favorite?

Artistically, for me, one of today’s three images stands head and shoulders above the other two. Please leave a comment and let us know which is your favorite and why you like it.

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading the blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see the blog post here.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up?

I spent virtually all of my waking hours yesterday working with Alan Lillich and BugBob Allen on the final edits of the birds as art: The Avian Photography of Arthur Morris/The Top 100 exhibit-companion e-book. This morning I need to incorporate the changes suggested by folks who called and ordered an advance review copy yesterday and fine-tune the document cover art and cover text. I hope to be burning the master CD today right after lunch. Luckily, I was able to arrange for a UPS pickup at my home-office for Saturday morning.

There is not a whole lot of room left on the OCT/NOV 2016 Cheesemans’ South Georgia Expedition, their last ever. If you would like to make your 2016 special by joining the BIRDS AS ART group for this trip, please scroll down for complete information.

This image was created from the ship at about 3:45am as it was anchored off the spectacular King Penguin colony at Salisbury Plain, South Georgia on the 2015 Cheesemans’ Expedition. What can I say? I like getting up early. I used the hand held Canon EF 24-105mm f/4L IS USM lens and the rugged Canon EOS-1D X. ISO 400. Evaluative meterting +1/3 stop: 1/320 sec. at f/8 in Manual mode. AWB. Center AF point/AI Servo Expand/Rear Focus AF on the top of the large mountain on the left and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Pre-dawn lenticular clouds

Have a Great 2016!

Older daughter Jennifer, right-hand man Jim Litzenberg, and I hope that all of you have a great 2016 filled with wonder (as above), good health, happiness, prosperity, success, and lots of great new images. Whether you will be traveling to many of the world’s top photo destinations or will be making images in your own backyard, remember that the big secret to becoming a better nature photographer is to pay attention to small details.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

• Alice Garland sold her Canon 500mm f/4L IS Lens for $3999 in late December 2015.
• Doug Rogers sold his Canon 100–400mm L IS zoom lens (the old 1-4) for $649 in late December 2015.
• Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
• Walt Anderson sold his used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
• Larry Master sold his Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
• Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
• Monte Brown sold his 300mm f/2.8L II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
• Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.

New Listings

Canon 100–400mm f/4.5–5.6L IS Zoom Lens

Doug Bolt is offering a used Canon 100–400mm f/4.5–5.6L IS zoom lens (the old 1-4) in excellent condition for the record-low BAA price of $629. The sale includes front and rear lens caps, the ET-83C hood, the tripod ring, the tough fabric LZ1324 lens carrying case, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

The old 100-400 was and is superb. I made hundreds of sale-able images with mine including the one used on the front cover of Scott Weidensaul’s “Return to Wild America”. Contrary to reports by the internet idiots the lens is–in competent hands–sharp at all focal lengths. It is extremely versatile and would make a great starter lens for those interested in bird, wildlife, and general nature photography. artie

Canon 400mm f/5.6L Lens

Douglas Bolt is also offering a used Canon 400mm f/5.6L lens in excellent condition for $699. The sale includes all the original stuff, a LensCoat, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

I put my beloved Toy Lens” on the map before the turn of the millennium when I began using it with film and the Canon A2 camera body to photograph birds in flight. Today it remains a great flight lens and in addition, makes a great bird photography starter lens. I couples quite well with the 7D Mark II and will autofocus with a 1.4X TC with that camera and most of the newer Canon bodies as well. artie

Tamron SP 150-600mm f/5-6.3 Di VC USD Zoom Lens for Canon

Douglas Bolt is also offering a used Tamron SP 150-600mm f/5-6.3 Di VC USD Zoom lens for Canon in like-new condition for $699. The lens sells new at B&H for $1069. The sale includes all the original stuff and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Doug via e-mail or by phone at 301-937-3112 (Eastern time).

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

Images and card copyright Arthur Morris/BEARS AS ART 🙂

The Really Big News

We have been in contact with an overseas operator who wishes to fill all sixteen slots for the two bear boat cub IPTs below right now!. But both co-leader Denise Ippolito and I wish to give our regular clients first crack at these two great trips; we are presently negotiating as to a cut-off date. As below, we have had these reservations for nearly three years; they are the prime dates for chances at photographing small spring Coastal Brown Bear cubs (coastal grizzlies). Please let us know if you be sending your deposit or e-mail if you have any questions. I will be e-mailing those who have previously expressed interest in these two trips.

2017 Bear Boat Coastal Brown Bear Cubs IPTs: July 12-18 and July 18-24, 2017 from Kodiak, AK/each IPT is 5 FULL & 2 Half DAYS: $6699. Happy campers only! Maximum 8 plus the two great leaders: Denise Ippolito and Arthur Morris.

Double your opportunities and maximize your travel dollars by signing up for both trips and we will be glad to apply a $500 discount to your balance.

Join us in spectacular Katmai National Park, AK for six (or twelve!) days of photographing Coastal Brown Bears. Mid-July is prime time for making images of small, football-sized cubs. The cubs, and these dates, are so popular that we had to reserve them three years in advance to secure them. There are lots of bears each year in June, but the mothers only rarely risk bringing their tiny cubs out in the open for fear of predation by rival bears. In addition to making portraits of both adults and cubs, we hope to photograph frolicking and squabbling youngsters and tender nursing scenes. At this time of year the bears are either grazing in luxuriant grass or clamming. There will also be some two- and three-year old cubs to add to the fun. And we will get to photograph it all.

We live on our tour operator’s luxurious new boat. At 78 feet long its 24 foot beam makes it quite spacious as well. And the food is great. We will likely spend most of our time at famed Geographic Harbor as that is where the bears are generally concentrated in summer. On the odd chance that we do need to relocate to another location we can do so quickly and easily without having to venture into any potentially rough seas. We land via a 25 foot skiff that has lots of room for as much gear as you can carry.

Aside from the bears we will get to photograph Horned and Tufted Puffin and should get nice stuff on Mew Gull, Glaucous-winged Gull, Black-legged Kittiwake, Harbor Seal, and Steller’s Sea Lion as well. A variety of tundra-nesting shorebirds including Western Sandpiper and both yellowlegs are also possible. Halibut fishing (license required/not included) is optional.

For folks on the first trip, July 12-18, 2017, it is mandatory that they be in Kodiak no later than the late afternoon of July 11 to avoid missing the float planes to our boat on the morning of July 12. With air travel in Alaska being what it is–with the chance of fog or other bad weather–being on Kodiak on July 10 is a much better plan. That said in my dozen bear boat trips I was delayed only once and that was for only part of a day, but since I was a day early there was no harm, no foul.

For folks on the second trip–July 18, 24, 2017–it is mandatory that they be in Kodiak no later than the late afternoon of July 17 to avoid missing the float planes to our boat on the morning of July 18. Again, with air travel in Alaska subject to possible delays, being on Kodiak on July 16 is a much better plan.

On both trips we should get to photograph bears on our first afternoon and then again every day for the next five days after that, all weather permitting of course. On our last mornings on the boat, July 18 and July 24 respectively, those who would like to enjoy one last photo session will have the opportunity to do so. The group will return to Kodiak via float plane from late morning through midday. Most folks will then fly to Anchorage and to continue on red-eye flights to their home cities.

What’s included? 7 DAYS/6 NIGHTS on the boat as above. All meals on the boat. National Park and guide fees. In-the-field photo tips, instruction, and guidance. An insight into the mind of two top professionals; we will constantly let you know what we are thinking, what we are doing, and why we are doing it. Small group image review, image sharing, and informal Photoshop instruction on the boat.

What’s not included: Your round trip airfare to and from Kodiak, AK (almost surely through Anchorage). Your lodging and meals on Kodiak. The cost of the round-trip float plane to the boat and then back to Kodiak as above. The cost of a round trip last year was $550. The suggested crew tip of $200.

Have you ever walked with the bears?

Is this an expensive trip? Yes, of course. But with 5 full and two half days, a wealth of great subjects, and the fact that you will be walking with the bears just yards away (or less….), it will be one of the great natural history experiences of your life. Most folks who take part in a Bear Boat IPT wind up coming back for more.

A $2,000 per person non-refundable deposit by check only made out to “BIRDS AS ART” is required to hold your spot. Please click here to read our cancellation policies. Then please print, read, and sign the necessary paperwork here and send it to us by mail to PO Box 7245, Indian Lake Estates, FL 33855.

Your deposit is due when you sign up. That leaves a balance of $4699. The next payment of $2699 will be due on September 15, 2016. The final payment of $2000 is due on February 15, 2017. We hope that you can join us for what will be a wondrously exciting trip.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up?

I will be scrambling this week trying to get the files for the companion CD book to the CD publishing company by Monday, January 4, 2016 so that we will have product available for the exhibit opening on January 16. I did a lot of scrambling yesterday. Thanks to the many who responded to my pleas for editing help. Four folks — Alan Lillich, Andrae Acerra, Bob Smith, and John Armitage were quite helpful but old friend “Bug” Bob Allen rose well above the call of duty first by sending his powerful yet gentle edits of the documents and then being available to answer my e-mails and phone calls till late into the night. Thanks all.

Important Note

Please understand that if you are up in the air about selling some of your old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

• Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
• Walt Anderson sold a used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
• Larry Master sold a Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
• Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
• Monte Brown sold his 300mm 2.8 II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
• Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
• Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.

Canon 400mm f/4 IS DO Lens

The Already Record Low BAA Price was Reduced $200 MORE on DEC 27, 2015.

Stephen Zarate is offering a used Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2499.00. The lens is covered by a well-worn “digital camo” LensCoat and the tripod ring shows minor signs of wear. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stephen by e-mail or by phone at 949-697-8194 (Pacific time).

I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Stephen’s lens is priced to sell. artie

This image was created on the second 2015 Bosque IPT with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 1.4X III,, and the incredible Canon EOS 5DS R. ISO 800. Evaluative metering +1 stop: 1/1000 sec. at f/5.6 in Manual mode. Color temperature 8000K. Center AF point/AI Servo Expand/Rear Focus AF on the neck of the crane on our right and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Sandhill Crane sunset silhouette

A Dime a Dozen

If you do not know when and where and how to create images like this you either need to join me on next January’s IPT or at the very least, get yourself a copy of the Bosque Site Guide.

The Facts

Next season, I am offering a 4 1/2-DAY Bosque IPT in mid-January. And yes, there are lots of less costly workshops being offered these days. Many of them are downright cheap. There are strict requirements for becoming a workshop leader these days: you must own a camera…. Please remember that you get exactly what you pay for. With me you will have an instructor with more days of teaching and more in-the-field photography experience at Bosque than anyone living or dead: 21 seasons worth. And two BBC Wildlife Photographer of the Year-honored images from Bosque. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join me.

Bosque del Apache 2017 BIRDS AS ART/Instructional Photo-Tour. January 13 (afternoon session) through January 17, 2017. 4 1/2 DAYS: $1899. Limit 12/Openings 10.

One half day followed by four full days. Includes four lunches, a comprehensive introductory program on the evening of January 13, and unequaled in-classroom and in-the-field instruction. Breakfasts are on-the-run/grab what you can or motel lobby or get-up-early-and-get to McDonalds (right next door). Four early morning sessions. Five afternoon sessions. The last afternoon will be spent at the Albuquerque Zoo photographing Wood Ducks. This will allow folks to stay in ABQ that evening and grab an early morning flight home (if that works for them).

You can find the complete details by clicking here.

The Big Question

Lana Hays asked on Facebook, “Does this mean that you are not going to be at Bosque during your traditional Thanksgiving time slot next year?

Others were concerned that there might not be any birds….

Why?

#1: I have two big Southern Ocean trips–two land-based trips to the Falklands plus the great Cheesemans’ South Georgia/Falklands Expedition. With three weeks and one day between the end of the first trip and the start of the second, I am strongly considering staying in South America for the whole nine weeks instead of having to fly up and back twice…. And even if I do fly home in between the trips, the dates for the Festival of the Cranes and the timing of Thanksgiving would conspire against me.

#2: Over the years, many folks have written stating that they would love to come to Bosque but that they could never get away any time near Turkey Day because of family obligations and the difficulty of traveling by air at that season. This IPT should work well for those folks.

#3: I have been to the refuge in late February, and yes, things were different. We had lots of geese posing in clear blue water right next to the tour loop road and I got to see hundreds of Sandhill Cranes circling up to ride the thermals as they began their northward migration. And I was there once in January. We had lots of birds and lots of action. Along with some great sunrise and sunset colors.

Light Geese Numbers

I decided to see what I could dig up as far as goose numbers over the year…. I found this 5-year summary on the Friends of the Bosque website. I added the red vertical line to approximate the start date of the January 2016 IPT. It looks as if are on average about 30,000 white geese (Snows and Ross’s) in mid-January, well more than that if you discount the 2009/10 numbers.

Crane Numbers

Next I decided to check out the Sandhill Crane numbers and again found what I was looking for on the Friends’ website. And again I added the red vertical line to approximate the start date of the January 2016 IPT. Here it looks as if there are at least about 1,000 more cranes on average in mid-January than in the third week of November.

What’s It All Mean?

While there are never any guarantees in nature photography, it looks as if a mid-January IPT will enjoy good numbers of both light geese and Sandhill Cranes.

More Recent Data?

If anyone can find some more recent annual or monthly Bosque bird counts, I would appreciate their leaving a link or two in a comment. I am especially interested in seeing if the seemingly diminishing corn crops in recent years have reduced numbers across the board….

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

Please note: This IPT has been cancelled due to extremely poor conditions at the refuge in January 2016. artie

The Best of Bosque 2015

The Facts

Next season, I am offering a 4 1/2-DAY Bosque IPT in mid-January. And yes, there are lots of less costly workshops being offered these days. Many of them are downright cheap. There are strict requirements for becoming a workshop leader these days: you must own a camera…. Please remember that you get exactly what you pay for. With me you will have an instructor with more days of teaching and more in-the-field photography experience at Bosque than anyone living or dead: 21 seasons worth. And two BBC Wildlife Photographer of the Year-honored images from Bosque. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join me.

Bosque del Apache 2017 BIRDS AS ART/Instructional Photo-Tour. January 13 (afternoon session) through January 17, 2017. 4 1/2 DAYS: $1899. Limit 12/Openings 10.

One half day followed by four full days. Includes four lunches, a comprehensive introductory program on the evening of January 13, and unequaled in-classroom and in-the-field instruction. Breakfasts are on-the-run/grab what you can or motel lobby or get-up-early-and-get to McDonalds (right next door). Four early morning sessions. Five afternoon sessions. The last afternoon will be spent at the Albuquerque Zoo photographing Wood Ducks. This will allow folks to stay in ABQ that evening and grab an early morning flight home (if that works for them).

Photograph tens of thousands of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with the world’s premier photographic educator at one of his very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive seasons at Bosque for me. Nobody knows the place better than I do. Nobody understands the wind and the light better than I do. Join me to learn to think like a pro, to see like a pro, to recognize situations, and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time I make a move I will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 4 pre-dawn morning and 5 afternoon photography sessions, an inspirational, introductory slide program after dinner on your own on Friday, 1/13/17, four lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a set itinerary on a Bosque IPT; each day is tailored to the local conditions and to the weather. I need to be totally flexible in order to maximize both the photographic and learning opportunities. We will be up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it’s back to Socorro for lunch and followed at some point by a classroom session with the group. There is almost always room for a short nap in there somewhere. We head back to the refuge each afternoon and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity. As always, we will make time to do some non-avian creative stuff.

Join me in January 2015 to learn to read Bosque’s amazing light and use it to create dramatic images.

How Do I Sign Up?

A $599 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 9/13/2016. If you cancel and the trip fills, I will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Whether or not your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

There are two BBC Wildlife Photographer of the Year Competition-honored images along with a National Wildlife Contest winner on this card…. Join me in January 2017 to learn to create contest-quality images.

Small Group Pre-IPT In-the-Field Instruction (I-T-F): January 11 & 12, 2017: $375/morning session. Limit six.

Though I am not sure exactly when, I will be flying to New Mexico early to scout. What can I say? I love the place. Right now I am offering two I-T-F morning photography sessions as above. The sessions will run from 6:00-10:00am and will include an informal image review session at lunch. Lunch is on me. Right now registration is open only to folks registering for the IPT. This will allow participants to maximize their travel dollars and get a head start on learning. Sign up for one or for both.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up?

For those of you who celebrate Christmas, I hope that Santa has left some great photo gear for you under the tree. I was thrilled to learn recently that this year Santa began using our BH affiliate links for all lenses and camera bodies. And he does buy his accessories from the BAA Online Store.

I learned from Ted Cheeseman on Wednesday that OCT/NOV 2016 South Georgia/Falklands expedition is filling nicely: if you have been thinking of making this trip and would like to become part of the BAA group, please scroll down and do not tarry.

Important Note

Please understand that if you are up in the air about selling any old gear that the price of your item is dropping every day….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

Things have been heating up on the Used Gear page lately.

• Troy Duong sold his Canon 500mm f/4L IS II lens for $7500.00 in late December 2015.
• Walt Anderson sold a used Canon 1D X for $3000 in late December to a BAA friend before it was even listed!
• Larry Master sold a Canon EOS-1D Mark IV in excellent condition for $1399 in mid-December 2015.
• Melissa Hahn sold her Canon 400mm f/2.8L IS II lens in mint condition now for $8299 in early December, 2015.
• Monte Brown sold his 300mm 2.8 II lens in near-mint condition for $4499 two days after it was listed in mid-December, 2015.
• Stephen Zarate sold his used Canon 100-400mm L IS zoom lens very quickly in early December for $650, the original asking price.
• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
• Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.

This image was created at Grytviken, South Georgia with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering +1 stop: 1/1000 sec. at f/11 in Manual mode. Center AF point (Manual selection)/AI Servo/Shutter Button AF as framed was active at the moment of exposure (as is almost always best when hand holding). The active AF point was on the side of the duck’s breast. Click on the image to see a larger version. South Georgia Pintail

Grytviken, South Georgia

Grytviken is mandatory landing on all South Georgia trips as you need to go through South Georgia customs there. I always skip the champagne toast at the Shackelton grave as there are some nice wildlife opportunities. In addition there is access to a derelict whaling station, a lovely old church, and quite a few rotting ships along the shoreline.

Duckstaposition

With the successful completion of the Rat Eradication Project, there were lots more South Georgia Pintails about on the grass at
Grytviken. Better yet, there were many little areas filled with snow. If it had been a golf course, I would have said that the sand traps were full of snow.

For some reason, the ducks liked the snow; the trick to making a good image was to get a complete snow background. As the snow bunkers were small and the ducks like to stand along the edges, this was not easy to do. To come up with a complete snow background with today’s image required a decent crop and some APTATS II work on the lower right corner. See the next image for more on that.

Another Depth-of-Field Question

Why did I stop down to f/11 when I would usually be working at f/5.6 with this combination. Note: “To get more depth-of-field” is not the answer I am looking for. I want to know why it was necessary in this specific set or circumstances to get down to f/11.

The complete JPEG here represents the full frame original capture.

Creating the Pure Snow Background

The full frame capture above represents the full frame original image. The dotted line shows the approximate crop. I added the red square in Photoshop to show the position of the selected AF sensor. Note the extraneous grass in the lower right corner that ruined the pure snow background. I executed one of the flip and flop tutorials from APTATS II to cover the offending grass; this technique involves adding a Regular Layer Mask to refine the repair.

Digital Basics

Everything that I did to optimize today’s image–did you notice the bill clean-up?–is covered in detail in my Digital Basics File–written in my easy-to-follow, easy-to-understand style. Are you tired of making your images look worse in Photoshop? Digital Basics File is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, details on using all of my image clean-up tools, the use of Contrast Masks, several different ways of expanding and filling in canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, Contrast Masks, Digital Eye Doctor techniques, using Gaussian Blurs, Tim Grey Dodge and Burn, a variety of ways to make selections, how to create time-saving actions, the Surface Blur settings that I use to smooth background noise, and tons more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders. Please call Jim or Jennifer weekdays at 863-221-2372 to take advantage of this special offer. You can find the same deal in the BAA Online Store here.

You can order your copy of “The Photographers’ Guide to Canon Digital Photo Professional 4.0” (aka the DPP 4 Raw Conversion eGuide) by Arash Hazeghi and Arthur Morris by clicking here.

The DPP 4 eGuide (PDF)

The RAW file for today’s image was of course converted in DPP 4. Learn how and why I and many other discerning photographers choose and use only DPP 4 to convert their Canon RAW files in the DPP 4 RAW Conversion Guide by Arash Hazeghi and yours truly. The latest version supports all of the newer Canon camera bodies and several older models including the EOS-7D and the EOS-1D Mark IV. The DPP IV Guide is the ideal companion to the 7D Mark II User’s Guide, a runaway best seller.

The DPP 4 eGuide (PDF) Updated for 1D Mark IV and the original 7D

The DPP 4 eGuide was recently updated to include the luminance and chrominance noise reduction values for both the 1D Mark IV and the original 7D. If you purchased your copy from BAA please e-mail Jim and request the DPP 4 1d IV/7D update. Please be sure to cut and paste page 1 into your e-mail as proof of purchase.

DPP 4 Kudos

From Richard Gollard via e-mail:

I have been doing tons of studying the books and PDFs that I have purchased from BIRDS AS ART. And I have to say that after reading the DPP 4 conversion guide that you did with Arash Hazeghi I tried DPP 4 and was blown away with the difference from the conversions that I made with Adobe Photoshop and Lightroom. Thanks for the consistently great information.

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last Southern Ocean Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

Osprey landing with fish. Image copyright 2013: Jim Neiger/Flight School Photography

Jim Neiger’s Osprey Heaven Workshops 2016
Lake Blue Cypress (Vero Beach), Florida

Flight School Photography returns to Lake Blue Cypress for the seventh year and will be featuring two, five day workshops in spring, 2016. The workshops will be conducted by expert bird photographer Jim Neiger, who knows the lake and surrounding area like no-one else. Jim has spent the past several years perfecting his unique techniques for photographing birds in flight using large telephoto lenses, hand held. The focus of these workshops will be learning Jim’s hand held, long lens techniques for photographing birds in flight and in other action. The workshops will be held in some of the most beautiful, wild, and unspoiled wilderness areas of central Florida.

Each workshop will include a four hour classroom session, welcome dinner, four morning photography sessions, and three afternoon photography sessions. Each photography session will be of three to four hours in duration. Five of the photography sessions will be conducted via a specially configured pontoon boat that has been customized for photography from the water (weather permitting). The remaining photography sessions will be land based sessions in the field. The workshops will be limited to five participants so that everyone may photograph in comfort and receive personalized instruction.

The photography sessions by boat will be held on the unspoiled and unparalleled Lake Blue Cypress. This spectacularly beautiful lake is virtually free of civilization and man made elements. The lake is surrounded by ancient cypress swamp and marshy wetlands. Here, the gorgeous cypress trees grow from the lake bottom, surrounded on all sides by water. Osprey nest by the hundreds in these trees, and participants will be able to photograph them as they fly to and fro, dive for fish, gather nesting materials, and feed their young chicks. Some of the nests are actually at or below eye level when standing in the boat. The only distraction in this pristine, wilderness environment is the constant cries of the Osprey as they frolic in the air and defend their nests from other birds.

Lake Blue Cypress is also a landscape photographers dream. The horizons contain nothing of man’s influence and only the beauty of the real Florida wilderness. Perches and backgrounds are spectacular beyond belief. March and April are the best months to be at Lake Blue Cypress. Many of the birds are actively nesting and rearing their young during this time. Wildflowers cover the stumps and trees like blankets of radiant color. The skies glow with spectacular, multi-hued sunrises and sunsets. Hundreds of different species of birds are possible including the typical Florida waders and water fowl. Large Alligators are commonly seen sunning themselves on top of the fallen trees and stumps amidst the colorful wildflowers. The biggest problem for a photographer here is deciding which subject to photograph. Even the weather cooperates this time of year. It is the dry season and clear, sunny days are the most common weather condition.

These are artie’s images from Lake Blue Cypress trips with Jim Neiger.

The photography sessions on land will be held in remote areas of southern Osceola County. Here, participants are likely to have opportunities to photograph birds that are endangered and rarely seen. Possible species include: Whooping Cranes, Swallow-tailed Kites, Great Horned Owls, Barred Owls, and Red Shoulder Hawks, among others. Sandhill Cranes, a common bird in Central Florida, are tame enough to approach as closely as you like. Participants will also learn how to safely use bird song recordings to attract birds. Jim has developed his own, innovative techniques for using recordings to attract birds, in such a way, that amazing photographic opportunities are common when they would be almost impossible otherwise. This includes special techniques that encourage birds to fly and land in desired ways, which provide spectacular opportunities for flight images and images on perches chosen for their beauty.

Jim consistently produces amazing flight images. His imagination and dedication have resulted in his developing many new techniques, techniques that can only be learned from Jim. His Flight School Photography Workshops are a must for any serious nature photographer. artie

Osprey landing with bream. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Dates

Workshop LBC-1: April 17-21, 2016
Workshop LBC-2: April 24-28, 2016

Osprey landing tight. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Itinerary

Day 1 (afternoon/evening ): Morning arrival in Vero Beach, which is the base location for the workshops. There will be a four hour classroom session from 2:00pm to 6:00pm in the hotel meeting room. This will be followed by a welcome dinner with the group. The classroom instruction will focus on using hand held techniques for photographing birds in flight to prepare participants for the subsequent photography sessions.

Days 2: Morning photography session via boat on Lake Blue Cypress. Mid-day siesta and lunch break on your own. Afternoon/evening photography session on Lake Blue Cypress. Late dinner on your own.

Day 3: Morning photography session via boat on Lake Blue Cypress. Mid-day siesta and lunch break. Afternoon/evening photography session on Lake Blue Cypress. Late dinner on your own.

Day 4: Mini caravan to land locations for morning photography session. Mid-day siesta and lunch break. Afternoon/evening photography session. Dinner on your own.

Day 5 (morning): Morning photography session via boat on Lake Blue Cypress.

Please note: The itinerary may be re-arranged to take advantage of the best weather conditions for photography sessions by boat.

American Alligator on log. Image copyright 2010: Jim Neiger/Flight School Photography

Workshop Costs and Payment

The cost of each workshop is $1750 per person. Each workshop includes a four hour formal classroom instruction session, a welcome dinner, 4 morning photography sessions, and 3 afternoon photography sessions. The photography sessions include personalized instruction in the field. Each participant will receive a copy of Jim’s e-book “Flight Plan – How to Photograph Birds in Flight” when they sign up for the workshop. Discounted lodging is available, but is not included in the workshop fee. A $875 non-refundable deposit is required to reserve a spot in a workshop. The remaining $875 is due 30 days before the start date of the workshop. If you are unable to attend the workshop, after paying the balance, the balance payment will be refunded ONLY if your spot can be filled, on short notice, from the waiting list. All workshop payments must be made by check or money order. Credit cards are not accepted.

Juvenile Ospreys squabbling in flight. Image copyright 2010: Jim Neiger/Flight School Photography

Participant Requirements

Participants should have working knowledge of how to create a properly exposed image, a telephoto lens of 400mm or more (300mm with a teleconverter is acceptable), and be physically capable of holding their camera and lens up to their eye in shooting position for at least 20 seconds. Participants must also have a vehicle to travel to and from the photography locations.

River Otter eating snake. Image copyright 2010: Jim Neiger/Flight School Photography

Lodging and Logistics

Workshop participants who require lodging during the workshop should stay at the hotel in Vero Beach where the classroom sessions will be conducted. Participants arriving via air arrive at the Orlando International Airport, which is the closest major airport to Vero Beach. Rental vehicles are available at the airport. Flight School Photography will assist participants with arranging the sharing of vehicles and/or lodging if desired. Detailed information will be provided when you sign up for the workshop or upon request. Lodging, transportation, and meals (except for welcome dinner) are not included.

Learn more here. View Jim’s incredible image gallery here. And see some of artie’s images here.

Great Horned Owl being harassed by Fish Crow. BBC Honored image copyright: Jim Neiger/Flight School Photography

Flight School Custom Anytime Workshops

Flight School Photography offers private, customized workshops, September thru May, in some of the most beautiful, wild, and unspoiled areas of central Florida. Your instructor and guide, Jim Neiger, has spent several years observing, studying, and photographing the varied birds near his home in central Florida and knows this avian rich area like no one else. If you prefer, Jim will travel to a location selected by you to provide personal instruction.

These individual or small group workshops are tailored exclusively to the participants’ interests, goals, and schedule. Workshops are conducted by boat, on land, or a combination of both. Personalized instruction lets you make the most of your time. The workshops can range from a single half-day workshop to multi-day or week-long workshops. Snacks and drinks are provided during every workshop session.

You have the following options: scheduling a private, individual custom workshop; putting together a small group of photographers for a customized workshop; or having Jim travel to your location to provide a custom workshop. You can also choose the species you wish to focus on and/or the topics you would like to learn more about. Jim’s experience in the central Florida area allows him to locate the most sought after species in settings and conditions that are optimal for photography.

Custom Workshops by Boat

Jim’s pontoon boat was purchased and customized specifically for use during photography workshops. It is roomy, comfortable, and stable. The boat is equipped with an extremely quiet, four-stroke motor for silent cruising. It also has a powerful, silent, electric trolling motor with wireless remote control. This allows Jim to position the boat precisely and silently. The boat has a capacity of twelve people, but Jim limits the number of participants to five or less so that everyone has room to photograph in comfort. The boat can be configured with no top, a half canopy to provide shelter from sun and rain, or with a half enclosure that can completely protect participants from the elements. Using the boat allows close access to some of the most difficult and desirable subjects in North America. Many of the images of these subjects in their wetland habitat would not be possible from land.

Custom Workshops on Land

Land-based sessions are held in a number of wild and remote locations of central Florida. Jim has spent several years learning the out-of-the-way wilderness areas in the region. He has also written a best selling guide to photographing birds in central Florida. The variety of birds in the area is astounding; Jim knows where to find them and how best to photograph them. Participants will need to provide their own vehicle for the land-based workshops, unless there is only 1 photographer.

Both land and boat workshops are likely to provide participants with opportunities to photograph birds that are uncommon and rarely seen. Possible subjects include: Crested Caracara, Sandhill Cranes, Whooping Cranes, Barred and Great Horned Owls, Bald Eagles, Osprey, Snail Kites, Red-Shouldered Hawks, Red Cockaded Woodpeckers, Pileated Woodpeckers, Limpkins, Ibis, Wood Storks, Purple Gallinules, various wading birds, warblers, sparrows, and many others too numerous to list.

Custom Workshop Instruction

Custom workshops may also include personalized, in-the-field instruction; formal classroom instruction; or an introductory slide presentation, if desired. Topics may include instruction devoted to learning or practicing:

· Jim’s unique handheld techniques for photographing birds in flight using long telephoto lenses.
· Jim’s unique techniques for using recordings safely to attract and photograph birds successfully
· Making proper exposures working in manual exposure mode
· Other nature photography topics of your choice

Learn more about Jim’s Flight School Custom Anytime Workshops here. See the spectacular image gallery here. See the custom workshop rates here.

Contact Information

Contact Information: Jim Neiger, Flight School Photography, Inc. 550 Basin Drive, Kissimmee, FL 34744-4804
Cell phone: (407) 247-5200. e-mail.

Flight School website.

Flight Plan

I can say without a doubt that after spending more than two months (part time) editing Jim Neiger’s great e-Guide–Flight Plan–two years ago–that my flight photography improved by leaps and bound whether I am working off a tripod or hand holding. His explanation of the bumping the focus technique finally sunk in. Learning to use this technique regularly is a huge help for any all types of flight photography.

You can learn more about Flight Plan here or order a copy by clicking here.

Bob Hollowell’s Flight Plan Comments

I just wanted to send kudos to both you and Jim Neiger for the excellent E-book that you referenced in a recent BAA blog post. I immediately purchased a copy, and have finished my first read and will now read it a second time just to make sure I’m ready to take it to the field. My favorite haunt is Squaw Creek NWR and I’ve stumbled & fumbled with flight photos using both tripod & monopod as support for my Canon 7D, and just can’t seem to come up with real sharp photos using that method. Jim’s text is well written, and really puts flight photography in a whole new perspective for me. I’m 76 years old, and I’m sure I’ll have to experiment with the handholding methodology a bit, but I’m excited at the prospect of applying Jim’s methods.

Thanks again… Bob H.

What’s Up?

I had a long to-do list for Sunday but wound up watching too much NFL football. The NY Football Giants one-hand catch phenom Odell Beckham Jr. dropped a sure, wide open touchdown pass on the game’s third play. Using both hands…. A bit later on in the game one of their usually sure-handed defensive backs dropped a sure pick six (interception returned for a touchdown) only 30 yards from the goal line. I should have explained that the Giants were playing with their whole season on the line: lose and miss the playoffs. And I should have mentioned that they were playing the undefeated Carolina Panthers with their superman quarterback Cam Newton. Ah, what could have been.

By the end of the third quarter the Giants were down by 28 points, 35-7. Game over Season over for the Giants. Right? Not so fast. With a bit more than a minute left in the game the Giants capped off an amazing comeback on the second touchdown pass caught by the aforementioned Odell Beckham Jr. And tied the score!

Only to lose in regulation on a Panther field goal with no time left on the clock. It was yet another fitting and well deserved loss in a Giants’ season marred by countless squandered opportunities. Not to mention countless games squandered away.

So what’s the good news? I am feeling pretty darned good for the first time since October 20. Two months is a long time for a cold and congestion. I hope that it is gone for good!

South Georgia OCT/NOV 2016

If you have been thinking of joining me as part of the BIRDS AS ART group on the last-ever South Georgia expedition, please note that cabin choices are becoming quite limited. If you are seriously interested, please do not tarry. Scroll down for details.

Amazing 7D Mark II/PIXMA PRO-100 Printer Kit Deal

Get a 7D II for a ridiculous $1049 and a free PIXMA PRO-100 Printer. With paper!

Y’all know how much I love my 7D II. Heck, look no further than the featured image in the blog post here and be sure to check out the amazing image quality. That plus the 7D II’s 1.6 crop factor which gives you lots of extra reach with lots of pixels. Also included within this kit is the PIXMA PRO-100 wireless inkjet printer, which prints up to 4800 x 2400 dpi and supports media up to 13 x 19″. An eight-color ink system realizes true color rendition and incorporates three monochrome inks for enhanced density and black and white printing capabilities.

What’s in the Kit?

Canon EOS 7D Mark II DSLR Camera (Body Only)
Canon PIXMA PRO-100 Wireless Professional Inkjet Photo Printer
Canon SG-201 Photo Paper Plus Semi-Gloss (13 x 19″, 50 Sheets)
Ruggard Commando 36 DSLR Shoulder Bag
SanDisk 32GB Ultra UHS-I SDHC Memory Card (Class 10)

Please note that there is a $350 mail-in rebate with this offer.

This image was created at St. Andrews Bay, South Georgia on the OCT/NOV Cheesemans’ Expedition with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 560mm), and the rugged Canon EOS-1D X. ISO 400. Evaluative metering +2/3 stop: 1/200 sec. at f/11. AWB. Should have been evaluative metering +1 1/3 stops as I needed to open this up during the RAW conversion in DPP 4. Center AF point (by necessity)/AI Servo Expand/Rear Focus AF on the center of the breast as framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. King Penguin with large wound on breast

Warning: Gruesome & Gory

I saw more than a few bloody animals and birds on my last South Georgia expedition. The big male Elephant Seals led the league in gory wounds, wounds that were received in territorial/breeding dominance battles with other large males. King Penguins were not far behind but this wound in today’s featured image was the most gruesome by far. “It is possibly a prop injury but those would likely be on the penguin’s back” said Expedition Leader Ted Cheeseman when I shared this image with him. But he was not big on the wound having been caused by either a Leopard Seal or an Orca. Who knows? If you have a theory you are invited to share it with us here by leaving a comment.

This image is in stark contrast to the typically beautiful images made of this most handsome and colorful subject. I have spent hours and hours creating tight abstracts of the patterns on the necks of King Penguins. Life goes on. And in this case, sure death.

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.

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To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

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Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂