Arthur Morris/BIRDS AS ART

The Streak Continues: 143

I published this post at 6:30am Amsterdam time, 12:30 in the morning on the east coast. We enjoyed a great morning of flower field photography

This post marks 143 straight days with a new blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I used, tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took 1 1/2 hours to put together. Enjoy!

This in-camera HDR Art Vivid image was created at the tulip fields across from the Main Entrance to Keukenhof Gardens, Lisse, Holland (The Netherlands) with the Gitzo GT1542T Tripod, the Mongoose M3.6 head, the Canon EF 70-200mm f/2.8L IS II USM Lens, the Canon Extender EF 2X III (at 205mm), and the and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +2 stops as framed left a base exposure of 6/10 sec. at f/29 in Tv Mode. Color temperature: 4000. To get a good histogram with Art Vivid you need to add a lot more light than you would when creating straight blurs and even when using HDR Natural images. Central sensor/AI Servo/Surround Rear Focus AF on the pink flowers, re-compose, and shake the lens. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #1: Child’s Play

Trying New Things

After entering Kuekenhof on the sunny Saturday morning of April 19th, I asked if anyone in the group would like to take the long walk from the Extra Entrance to the Main Entrance. First-timer Terry Jackson and multiple IPT veteran Mike Gotthelf joined me for the hike. We wound up trapped by a series of canals on the wrong side of the light. My bad. But we persisted and eventually wound up in the right spot.

Most in our group of 8 have enjoyed learning to create a variety of pleasing blurs. These techniques work well when photographing the amazing flower fields. Mike in particular has had great success in creating horizontal pan blurs. After a while, he experimented with shaking the camera rather violently during the long exposures in a manner similar to the Jiggle Technique that Denise Ippolito has been teaching folks for years. Mike named this twist on her technique “Shake and Bake.” With the image framed and the tripod head locked up you grab the camera and shake it forcefully during the exposure. Then we took things a step further by using the same technique while creating in-camera HDR Art Vivid images.

5D Mark III User’s Guide

You can learn the fine point of creating in-camera HDRs and in-camera Multiple Exposures plus everything that I know about this great camera in my 5D Mark III User’s Guide here.

Get a Free Copy of Our 5D Mark III User’s Guide

Purchase a Canon EOS-5D Mark III using one of our product-specific B&H affiliate links above or by clicking on the logo link below and shoot me your B&H receipt via e-mail. Once and if the purchase appears in my account–it should unless you screwed up somehow and did not use the link :), I will be glad to have Jim send you a free copy of our 5D Mark III User’s Guide.

Flowers are Red

The image above was a result of our willingness to experiment with new things, to think out of the box. The image reminds me of something a four-year old might create when asked to paint flowers.

I have long loved Harry Chapin and his story songs but the first time that I heard Flowers are Red I had hoped for an ending that would shed a more positive light on teachers…. You can click on the link to hear the song. Not all teachers insisted in rigid conformity. If you had a teacher in grade school who inspired you to be creative, please feel free to share that story here.

“Flowers are Red” Lyrics from the Harry Chapin Archives.

“The little boy went first day of school
He got some crayons and started to draw
He put colors all over the paper
For colors was what he saw
And the teacher said.. What you doin’ young man
I’m paintin’ flowers he said
She said… It’s not the time for art young man
And anyway flowers are green and red
There’s a time for everything young man
And a way it should be done
You’ve got to show concern for everyone else
For you’re not the only one

And she said…
Flowers are red young man
Green leaves are green
There’s no need to see flowers any other way
Than they way they always have been seen

But the little boy said…
There are so many colors in the rainbow
So many colors in the morning sun
So many colors in the flower and I see every one

Well the teacher said.. You’re sassy
There’s ways that things should be
And you’ll paint flowers the way they are
So repeat after me…..

And she said…
Flowers are red young man
Green leaves are green
There’s no need to see flowers any other way
Than they way they always have been seen

But the little boy said…
There are so many colors in the rainbow
So many colors in the morning sun
So many colors in the flower and I see every one

The teacher put him in a corner
She said.. It’s for your own good..
And you won’t come out ’til you get it right
And are responding like you should
Well finally he got lonely
Frightened thoughts filled his head
And he went up to the teacher
And this is what he said.. and he said

Flowers are red, green leaves are green
There’s no need to see flowers any other way
Than the way they always have been seen

Time went by like it always does
And they moved to another town
And the little boy went to another school
And this is what he found
The teacher there was smilin’
She said…Painting should be fun
And there are so many colors in a flower
So let’s use every one

But that little boy painted flowers
In neat rows of green and red
And when the teacher asked him why
This is what he said.. and he said

Flowers are red, green leaves are green
There’s no need to see flowers any other way
Than the way they always have been seen.”

This image was created on the afternoon of, April 20 at Keukenhof Gardens, Lisse, Holland (The Netherlands) with the Gitzo GT1542T Tripod, the Mongoose M3.6 head, the Canon EF 300mm f/2.8L IS II USM lens, the Canon Extender EF 2X III, and the and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +1 stop as framed: 1/6 sec. at f/45 in Av Mode. Color temperature: 4000K. Central sensor/AI Servo/Surround Rear Focus AF on the first row of gold flowers, re-compose, and pan. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #2: Painterly

Children at Play

That afternoon Mike and his wife Barbara went in search of a spot to photograph the flower fields adjacent to the eastern border of Keukenhof. We were eventually successful. For the most part we worked on honing the techniques that we had developed and tried but we did try some different stuff. Most of which failed. Mike and I both felt like little kids at play as we looked at one exciting image after another on the LCDs on the back of our cameras. While reviewing my images I found some gems in the HDR series. You can set up your 5D Mark III to save the three RAW files when creating in-camera HDR series; the final result is a 61-megabyte JPEG that can be opened in Photoshop and immediately be saved as a TIFF to avoid the problem of image quality deterioration that you run into when repeatedly saving an image as a JPEG.

A Guide to Pleasing Blurs

If you would like to learn more about creating pleasing blurs, check out “A Guide to Pleasing Blurs” by Denise Ippolito and yours truly. Illustrated with 144 different, exciting, inspiring, and artistic images the guide covers the basics of creating pleasingly blurred images, the factors that influence the degree of blurring, the use of filters in creating pleasing blurs, and a great variety of both in-the-field and Photoshop techniques that can be used to create the pleasingly blurred, out-of-the box images that do so well in major photographic compositions.

Your Favorite?

Please take a moment to leave a comment and let us know which of the two images here (if either) that you like best, and why.

Canon Gear for Sale

Doug Bolt is offering a used Canon 400mm f/4L IS DO lens in very good to excellent condition for $4599. The sale includes the lens trunk and lens cover; the seller will pay shipping to US addresses only. This one should sell in minutes to someone looking for a lightweight super-telephoto. The item will ship only when the check clears.

Please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Doug is also offering a used EOS-5D Mark II in very good to excellent condition for $1199. There is a shallow scratch on the body and a faint smudge on the top LCD. The sale includes a RRS L-plate, a vertical grip, and the original box and all the stuff that came in it. The seller will pay shipping to US addresses only. This one is a great body for flowers and landscapes. Mine saved me on a Southern Oceans cruise when I trashed two EOS-1D Mark IV bodies in a rainstorm; it was a great back-up camera body. The item will ship only when the check clears.

Again, please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Join me at Gatorland for a ton of learning. If you want to learn to use your flash, you will not want to miss this one. Click on the composite image to enjoy a larger version. Click on the composite to enjoy the larger size.

Another Gatorland Short Notice Saturday Full-Day In-the-Field Workshop

Saturday May 3, 2014. 7:15am till 10:15am & 4:00pm till dusk. Lunch, image review, and Photoshop session included. Limit 6. A very small group is again likely: $399.

The cost of your Gatorland Photographer’s Pass is not included.

Chicks in nests likely. Breeding plumage Cattle and Snowy Egrets. And tons more. You will learn to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. A big part of the above is that you will learn how and why you must work in Manual mode 90% of the time at Gatorland.

At lunch we will review my images, take a look at five of your best images from the morning session (for those who opt to bring their laptops), and process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time. Last Saturday all 3 folks had a great time and learned a ton. And the weather for this coming Saturday is looking good.

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues: 141

I will be publishing this post just after 6:00am Amsterdam time, about noon on the east coast. We enjoyed another great day of photography at Keukenhof and the nearby tulip fields.

This post marks 141 straight days with a new blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I used, tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took 1 1/2 hours to put together. Enjoy!

Arni Cheatham at work. Image by by Kayana Szymczak.

Press Release

Tammis Coffin, Education Coordinator

Museum of American Bird Art at Mass Audubon/Connecting People & Nature through Art
781-821-8853 x101 / 963 Washington St, Canton MA 02021

Bird Lives by Boston Jazz Hero Arni Cheatham

Bird Photography – Jazz Improvisation – Storytelling April 27

CANTON, MA – The Museum of American Bird Art (MABA) at Mass Audubon hosts Arni Cheatham’s performance of Bird Lives on Sunday afternoon, April 27 as part of their spring series titled “Travels with the Bird Artists.” Cheatham’s performance fuses his bird photography and stories with jazz improvisation in a museum setting of silkscreen prints of birds and habitats around the world. Bird Lives is an interwoven tapestry of stories, large format projected images and music presented by multi-talented artist Arni Cheatham. Named last year’s “Boston Jazz Hero” by the Jazz Journalists Association, Cheatham finds inspiration for his photography, stories and music near Boston and beyond. Below, MABA shares a brief interview with the artist about his upcoming performance, along with ticket information.

How do you get started with music?

I’ve been playing Jazz since my teens. Matter of fact I bought my first tenor saxophone while in High School and performed in many venues before my 21st birthday. My musical tastes have always run the gamut from blues, bebop and gospel, to Trane, Ornette and Free Jazz.

How about photography?

I was hooked on photography at an early age. My father was a serious shutterbug who loved photographing with his Yashicamat and Rolleiflex TLR cameras. He gave me my own Kodak Pony 135. As a teen, I worked part time with my dad at a photo reproduction company in Chicago and he educated me in the nuances that make an image great. Later, I began to investigate landscape and nature photography.

Juvenile Semipamated Sandpiper, image courtesy of and copyright Arni Cheatham.

What about birds?

As for bird photography, I’d looked longingly at the wonderful work of Arthur Morris over and over until I finally broke down in 1999 and acquired a Canon EOS-3 and a Canon 100-400mm lens. For the first time I had enough “reach” to begin to experiment with bird photography. The ball really got rolling in late 2004 with the advent of the Canon 20D DSLR. At last with the increased capacity of the CF card storage media, I could afford to take the many images on an outing that bird photography really requires. This is not to put an undue emphasis on equipment because equipment doesn’t take photographs on its own, however bird work in particular does have its minimum requirements.

When did these interests come together?

The first time I had an opening exhibit of my photography, it was a natural for me to have my quintet provide the music with me at the helm. And of course it was equally inevitable that I would tell the band to look at the images on the walls and make that the score for an improvisational performance.

What unites your music, your photography, your writing?

Music is my public art, and photography is my quiet art, and yet I consider them both part of the same continuum. In fact, there is a special place that I can sometimes arrive at when improvising. It’s a magical place where there is no thinking about notes, chords and fingers but rather literally being the music. The right hemisphere takes over. In like fashion, on an exceptional day I am in the same magical place when photographing. It’s not something that I can have all the time but like Nirvana, once you’ve tasted it you’ll always strive to experience it again.

With music, I attempt to tell the audience “Come. Let me take you on a journey. We may go somewhere you haven’t been before but I promise to bring you back safely.” Photographically I strive to follow the same principle and the writing is just another way to enhance the journey.

What birds fascinate you?

I first saw a photograph of a Puffin more than 10 years ago and the die was cast. Such beautiful coloration, amazing large quizzical red eyes, the rainbow beak and the orange rosettes that seem like a small orange stickpin being held in each corner of its mouth. From that fateful day until the trip I took last year, I dreamed often of having one of these gorgeous birds in my viewfinder with an unlimited time budget, great light, perfect weather conditions, unrestricted access and an empty CF card.

Do you consider yourself a “bird artist?”

I am simply Arni Cheatham, a guy with this incredible urge to create art every day. I’m fortunate to have several means to achieve that goal. I think that the fact I’m able to pursue that intention every day is a blessing. I’m passionate about bird photography. I am a decent photographer but not necessarily a great ornithologist. I shoot first and ask questions later.

However therein lies the wondrous part. Every day I have something to learn.

I look forward to each day as an opportunity to explore something new or learn more about something familiar. I believe that’s what an “artist” is at the core.

Norhtern Pintail, image courtesy of and copyright Arni Cheatham.

Ticket Information

Tickets for Cheatham’s 3pm program are $15 for Mass Audubon members and $19 for nonmembers. Advance reservations are required to massaudubon.org/maba or 781-821-8853.

Performance Details: Accompanying Cheatham will be creative improviser and long time musical associate, John Funkhouser, a well-known pianist/keyboardist, bassist composer and educator. Cheatham and Funkhouser have performed together in the Aardvark Jazz Orchestra, Mark Harvey’s Jazztet, and other ensemble settings. Funkhouser teaches at Berklee School of Music and co-teaches with Cheatham for the JazzBoston’s Riffs and Raps program.

Other Events: The Travels with the Bird Artists series concludes May 1 with an evening presentation by author John Hanson Mitchell about bicycling with bird migrations across Europe, also by advance registration.

Fort DeSoto in spring is rich with tame birds. With many in breeding plumage it is a photographer’s paradise. I hope that you can join me there in mid-May.

Short Notice Fort DeSoto IPT/In-the-Field Workshops: May 9, 10, & 11, 2014

IPT–3 FULL DAYs: $1099
In-the-Field Workshops: $399/day

Fort DeSoto in spring is so good that I needed to create two cards in order to give folks an idea of what is possible. Even then I have barely scratched the surface. If you are coming from out of town you will surely want to do all 3 days, the entire IPT. Local folks may wish to join me for one or more full days.

There will Lots of tame birds including breeding plumage Laughing Gull and Royal and Sandwich Terns courting and copulating. American Oystercatcher plus lots of sandpipers and plovers, some in breeding plumage. Red Knot in breeding plumage likely. Lots of wading birds including Great and Snowy Egrets, both color morphs of Reddish Egret, Great Blue, Tricolored and Little Blue Heron, and Yellow-crowned Night-Heron. Roseate Spoonbill and WOod Stork between possible and likely…. Lots of flight photography with the gulls and terns and with Brown Pelican.

You will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. And you will learn learn how and why to work in Manual mode (even if you are scared of it).

At lunch we will review my images–folks learn a ton watching me edit–why keep this one and delete that one. If you opt to bring your laptop, we will take a look at five of your best images from the morning session. We will process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time.

This is the IPT hotel: Comfort Inn St. Petersburg, FL. 2260 54th Ave N., St. Petersburg, FL 33714. tel: 1-727-362-0075. The best airport is Tampa (TPA).

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Fort DeSoto in spring is rich with tame birds. With many in breeding plumage it is a photographer’s paradise. I hope that you can join me there in mid-May.

Fort DeSoto Site Guide

Can’t make it in mid-May? Get yourself a copy of the Fort DeSoto Site Guide. Learn the best spots, where to be when in what season in what weather. Learn the best wind directions for the various locations. BAA Site Guides are the next best thing to being on an IPT. You can see all of them here.

Shorebirds/Beautiful Beachcombers

If the shorebirds in the ID quiz gave you pause, get yourself a copy of my Shorebirds/Beautiful Beachcombers. Includes ID tips, shorebird biology, migration, and tons more. All in my simple-to-read easy-to-read style.

Canon Gear for Sale

Doug Bolt is offering a used Canon 400mm f/4L IS DO lens in very good to excellent condition for $4599. The sale includes the lens trunk and lens cover; the seller will pay shipping to US addresses only. This one should sell in minutes to someone looking for a lightweight super-telephoto. The item will ship only when the check clears.

Please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Doug is also offering a used EOS-5D Mark II in very good to excellent condition for $1199. There is a shallow scratch on the body and a faint smudge on the top LCD. The sale includes a RRS L-plate, a vertical grip, and the original box and all the stuff that came in it. The seller will pay shipping to US addresses only. This one is a great body for flowers and landscapes. Mine saved me on a Southern Oceans cruise when I trashed two EOS-1D Mark IV bodies in a rainstorm; it was a great back-up camera body. The item will ship only when the check clears.

Again, please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Join me at Gatorland for a ton of learning. If you want to learn to use your flash, you will not want to miss this one. Click on the composite image to enjoy a larger version. Click on the composite to enjoy the larger size.

Another Gatorland Short Notice Saturday Full-Day In-the-Field Workshop

Saturday May 3, 2014. 7:15am till 10:15am & 4:00pm till dusk. Lunch, image review, and Photoshop session included. Limit 6. A very small group is again likely: $399.

The cost of your Gatorland Photographer’s Pass is not included.

Chicks in nests likely. Breeding plumage Cattle and Snowy Egrets. And tons more. You will learn to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. A big part of the above is that you will learn how and why you must work in Manual mode 90% of the time at Gatorland.

At lunch we will review my images, take a look at five of your best images from the morning session (for those who opt to bring their laptops), and process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time. Last Saturday all 3 folks had a great time and learned a ton. And the weather for this coming Saturday is looking good.

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues: 139

I am publishing this blog post at about noon in Amsterdam, which is about 6:00am on the east coast. We took the early arriving participants out for a morning session in the tulip fields. The colors and patterns are beyond stunning…. After a short nap and then lunch we meet the group at 1:30pm for our first formal session.

This post marks 139 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I used, tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took 2 hours to put together. Enjoy!

This image was created yesterday, on the afternoon of April 16 at Keukenhof Gardens with the Gitzo GT1542T Tripod, the Mongoose M3.6 head, the Canon EF 100mm f/2.8L Macro IS USM lens, and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +1 1/3 stops as framed: 1/60 sec. at f/4 in Av Mode. Color temperature: 3500. Central sensor only manual focus as there was not enough contrast anywhere for AF to work. Click on the image to see a larger version. Image #1

Keukenhof Scouting

Denise and I arrived in Amsterdam a day early in order to get in a bit of scouting. The flower fields are 1000 times better than last year when we caught the tail end of the coldest winter and early spring in 100 years. The tulips in Willem-Alexander Pavilion are well past peak and many of the plots of tulips have been cut. But with fewer folks visiting and lots of older flowers photography is spectacular as it is easy to see into the flower centers (though that is not what I did for the two images featured today).

The name for today’s flower is “Tulipa Dordgone. With one of the petals on the right slightly separated from the flower the darker strip of orange in each image is actually the inside of the flower. This image would not have been possible had I been working with a perfect blossom….

This image of the same flower was also created yesterday, on the afternoon of April 16 at Keukenhof Gardens with the Gitzo GT1542T Tripod, the Mongoose M3.6 head, the Canon EF 100mm f/2.8L Macro IS USM lens, and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +1 stop as framed: 1/80 sec. at f/4 in Av Mode. Color temperature: 3500. Central sensor only manual focus as there was not enough contrast anywhere for AF to work. Click on the image to see a larger version. Image #2

Vary Your Compositions

While working with this single flower I made 39 images varying my framing and apertures as I went. I quickly noticed that using a smaller aperture brought up too much background detail. I often moved my tripod a bit left or right or up or down to vary the background and eliminate anything distracting, and several times moved in a bit or back a bit to achieve the desired framing.

The Lightweight Gitzo GT1542T 4-section Traveler Tripod

I have owned this tripod for about a year now. For the most part, I use it mostly to hold the LensAlign Mark II when micro-adjusting my lenses. On a whim, I packed it in one of my two checked bags for the Holland trip along with my workhorse Gitzo 3532 tripod. I have been rehabbing my right shoulder for more than a decade…. Yesterday I decided to go super-light with the tiny tripod and the Mongoose. Lord was I pleased. I used the 300 II with the 2X III TC and using good sharpness techniques on my part I was able to make sharp images at shutter speeds below 1/100 sec. And my shoulder felt great after the 5 hour photo session.

Because the Gitzo GT1542T will be top heavy with pretty much any camera and lens mounted on it, it is imperative that you never ever leave your tripod unattended, even for an instant. If you do lots of flowers and/or work with an intermediate telephoto lens and you like lightweight stuff, the Gitzo GT1542T tripod might just be perfect for you. Click here to read my probably too honest evaluation. As for me, I am sold on it for flower photography. More coming soon.

Canon Tripod Mount Ring D for IS 100mm f/2.8L Macro Lens

Because the 100 macro does not come with a tripod collar, those of you who own the lens are likely wondering “How does he get the 100 macro onto a Mongoose?” The answer is simple. I purchased the right tripod collar as a Canon accessory. In general it is not a good policy to mount the camera onto a ball head with the lens hanging from the front of it and stressing the lens mount. I prefer using the Mongoose for my flower photography for a variety of reasons so once I learned of the Canon Tripod Mount Ring D for IS 100mm f/2.8L Macro Lens I made it a point to get my hands on one asap and to bring it to Holland. And I did.

I tried the much cheaper ($49.95 as compared to $172.00) Vello Tripod Collar D (Black) for Canon EF 100mm f/2.8L IS USM Macro Lens but it pretty much turned out to be junk. It was very difficult to loosen and open it and very difficult to get it on the lens and tighten it. So I went with the Canon version. In general, you get what you pay for.

Your Favorite?

Take a moment to leave a comment and let us know which of the two images here you like best. And be sure to let us know why.

Shorebird ID

In yesterday’s blog post ID quiz most folks did quite well. Most were easy peasy. But nobody got #4 correct in the first composite…. Three thought Western Sandpiper but that is incorrect. Semipalmated Sandpiper was closer but incorrect. Here’s a clue: if I gave you a clue most folks would get it right…. I will come clean in a day or so but till then, let’s see if someone can figure it out correctly.

Fort DeSoto in spring is rich with tame birds. With many in breeding plumage it is a photographer’s paradise. I hope that you can join me there in mid-May.

Short Notice Fort DeSoto IPT/In-the-Field Workshops: May 9, 10, & 11, 2014

IPT–3 FULL DAYs: $1099
In-the-Field Workshops: $399/day

Fort DeSoto in spring is so good that I needed to create two cards in order to give folks an idea of what is possible. Even then I have barely scratched the surface. If you are coming from out of town you will surely want to do all 3 days, the entire IPT. Local folks may wish to join me for one or more full days.

There will Lots of tame birds including breeding plumage Laughing Gull and Royal and Sandwich Terns courting and copulating. American Oystercatcher plus lots of sandpipers and plovers, some in breeding plumage. Red Knot in breeding plumage likely. Lots of wading birds including Great and Snowy Egrets, both color morphs of Reddish Egret, Great Blue, Tricolored and Little Blue Heron, and Yellow-crowned Night-Heron. Roseate Spoonbill and WOod Stork between possible and likely…. Lots of flight photography with the gulls and terns and with Brown Pelican.

You will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. And you will learn learn how and why to work in Manual mode (even if you are scared of it).

At lunch we will review my images–folks learn a ton watching me edit–why keep this one and delete that one. If you opt to bring your laptop, we will take a look at five of your best images from the morning session. We will process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time.

This is the IPT hotel: Comfort Inn St. Petersburg, FL. 2260 54th Ave N., St. Petersburg, FL 33714. tel: 1-727-362-0075. The best airport is Tampa (TPA).

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Fort DeSoto in spring is rich with tame birds. With many in breeding plumage it is a photographer’s paradise. I hope that you can join me there in mid-May.

Fort DeSoto Site Guide

Can’t make it in mid-May? Get yourself a copy of the Fort DeSoto Site Guide. Learn the best spots, where to be when in what season in what weather. Learn the best wind directions for the various locations. BAA Site Guides are the next best thing to being on an IPT. You can see all of them here.

Shorebirds/Beautiful Beachcombers

If the shorebirds in the ID quiz gave you pause, get yourself a copy of my Shorebirds/Beautiful Beachcombers. Includes ID tips, shorebird biology, migration, and tons more. All in my simple-to-read easy-to-read style.

Canon Gear for Sale

Doug Bolt is offering a used Canon 400mm f/4L IS DO lens in very good to excellent condition for $4599. The sale includes the lens trunk and lens cover; the seller will pay shipping to US addresses only. This one should sell in minutes to someone looking for a lightweight super-telephoto. The item will ship only when the check clears.

Please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Doug is also offering a used EOS-5D Mark II in very good to excellent condition for $1199. There is a shallow scratch on the body and a faint smudge on the top LCD. The sale includes a RRS L-plate, a vertical grip, and the original box and all the stuff that came in it. The seller will pay shipping to US addresses only. This one is a great body for flowers and landscapes. Mine saved me on a Southern Oceans cruise when I trashed two EOS-1D Mark IV bodies in a rainstorm; it was a great back-up camera body. The item will ship only when the check clears.

Again, please contact Doug for additional info and/or a link to photos via e-mail or try him by phone at home: at 301-937-3112 or on his cell at 301-537-8073.

Join me at Gatorland for a ton of learning. If you want to learn to use your flash, you will not want to miss this one. Click on the composite image to enjoy a larger version. Click on the composite to enjoy the larger size.

Another Gatorland Short Notice Saturday Full-Day In-the-Field Workshop

Saturday May 3, 2014. 7:15am till 10:15am & 4:00pm till dusk. Lunch, image review, and Photoshop session included. Limit 6. A very small group is again likely: $399.

The cost of your Gatorland Photographer’s Pass is not included.

Chicks in nests likely. Breeding plumage Cattle and Snowy Egrets. And tons more. You will learn to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. A big part of the above is that you will learn how and why you must work in Manual mode 90% of the time at Gatorland.

At lunch we will review my images, take a look at five of your best images from the morning session (for those who opt to bring their laptops), and process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time. Last Saturday all 3 folks had a great time and learned a ton. And the weather for this coming Saturday is looking good.

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

Another Gatorland Short Notice Saturday Full-Day In-the-Field Workshop: Saturday May 3, 2014

Announced Here for the First Time

Please scroll down for details.

The Streak Continues: 137

It is 5:42 am. Though I leave for the airport at 10:30am for my flights to Amsterdam for the Holland Tulip IPT, I still have not begun packing my two checked bags…. My Think Tank rolling bag is packed. I decided to take the 300 II and leave the 200-400 at home and to leave one of my two 1D X bodies at home since we will be doing only a few birds at most and I will be depending on my 5D Mark III for the tulips and the flower fields.

This post marks 137 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I used, tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took 3 hours to put together. Enjoy!

This image was created at 7:23pm on Saturday April 12, 2014 aboard Jim Neiger’s customized pontoon boat with the Canon EF 24-70mm f/2.8L II USM lens (hand held at 24mm) and the Canon EOS 5D Mark III. ISO 800. Evaluative metering +2/3 stop as framed: 1/2500 sec. at f/5.6 in Av mode. Color temperature: 10,000K. Central sensor/AI Servo/Surround Rear Focus AF on the horizon line and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #1:It’s All About the Clouds

One Business You Do Not Want to Get Into

We first noticed the swirly clouds at about 5pm. By 7:30, most were–going by the gorgeous patterns of the light clouds on the eastern horizon, predicting a killer colorful sunset. Though I agreed, I did caution: “One business that you do not want to get into is predicting sunset color….”

Within 20 minutes, my caution rang true.

Image Optimization Note

I wanted to try adding a reduced opacity later of Auto Contrast (ALT-SHIFT-CNTRL L) as taught to me by Denise Ippolito) but I accidentally hit SHIFT-CNTRL L. Wow, that really popped the BLUEs, similar to what White Neutralizer does in NIK but a lot faster. A bit of searching showed that I had hit the default keyboard shortcut for Auto Tone. I reduced the opacity to 80% and was thrilled with my new discovery. I shall not forget it.

This image was created at 7:45pm on Saturday April 12, 2014 aboard Jim Neiger’s customized pontoon boat with the Canon EF 24-70mm f/2.8L II USM lens (hand held at 26mm) and the Canon EOS 5D Mark III. ISO 800. Evaluative metering +1 1/3 stops: 1/640 sec. at f/4 in Av mode. Color temperature: 10,000K. Three sensors to the left of the central sensor/AI Servo/Surround Rear Focus AF as framed active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #2: Cypress Trees Straight Up

Straight Up

Once Jim positioned the boat grabbing the 24-70 and going wide with it was the obvious choice. With a bit of color above the horizon I went with the traditional approach by creating a sharp image.

Image Question

What 2 species of birds can be identified in this photo? Note: clicking on the image to enlarge it will help.

This 3-frame in-camera HDR Art Vivid image was created at 7:46pm on Saturday April 12, 2014 aboard Jim Neiger’s customized pontoon boat with the Canon EF 24-70mm f/2.8L II USM lens (hand held at 24mm) and the Canon EOS 5D Mark III. ISO 800. Evaluative metering +1 2/3 stops: 1/125 sec. at f/4 in Av mode. Color temperature: 10,000K. Three sensors to the left of the central sensor/AI Servo/Surround Rear Focus AF as framed were active at the moment of each exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #3: Cypress Trees HDR Art Vivid Funky Outlines

What to Do With a Fizzle?

In-camera Art Vivid HDR

My first thought was to boost the color by going in-camera HDR Art Vivid, offered only in the Canon EOS-D Mark III. I know that with the boat rocking that both the horizon line and the trees would feature funky black outlining. I was right.

This 5-frame in-camera multiple exposure was created at 7:53pm on Saturday April 12, 2014 aboard Jim Neiger’s customized pontoon boat with the Canon EF 24-70mm f/2.8L II USM lens (hand held at 26mm) and the Canon EOS 5D Mark III. ISO 800. Evaluative metering +1 2/3 stops: 1/125 sec. at f/4 in Av mode. Color temperature: 10,000K. Three sensors to the left of the central sensor/AI Servo/Surround Rear Focus AF as framed active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #4: Ghost Cypress Trees

What to Do With a Fizzle?

In-camera Multiple Exposure

Just for the heck of it I decided to try an in-camera Multiple Exposure. The first one looked quite ghostly so I created 5 more. This one is my favorite.

Your Favorite

After enlarging each image, please take a moment to let us know which one you like best and why.

The Feather Button

I access both the in-camera HDR feature and the in-camera Multiple Exposure feature via the Artist’s Brush button on the back of the 5D Mark III. Learn everything that there is to know about these 2 great features, everything that there is to know about the 5D III’s great new AF system, and pretty much everything that there is to know about this great camera in our 5D MK III User’s Guide.

Get a Free Copy of Our 5D Mark III User’s Guide

Purchase a Canon EOS-5D Mark III using one of our product-specific B&H affiliate links above or by clicking on the logo link below and shoot me your B&H receipt via e-mail. Once and if the purchase appears in my account–it should unless you screwed up somehow and did not use the link :), I will be glad to have Jim send you a free copy of our 5D Mark III User’s Guide.

Join me at Gatorland for a ton of learning. If you want to learn to use your flash, you will not want to miss this one. Click on the composite image to enjoy a larger version. Click on the composite to enjoy the larger size.

Another Gatorland Short Notice Saturday Full-Day In-the-Field Workshop

Saturday May 3, 2014. 7:15am till 10:15am & 4:00pm till dusk. Lunch, image review, and Photoshop session included. Limit 6. A very small group is again likely: $399.

The cost of your Gatorland Photographer’s Pass is not included.

Chicks in nests likely. Breeding plumage Cattle and Snowy Egrets. And tons more. You will learn to spot the good situations, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. A big part of the above is that you will learn how and why you must work in Manual mode 90% of the time at Gatorland.

At lunch we will review my images, take a look at five of your best images from the morning session (for those who opt to bring their laptops), and process a few of my images in Photoshop after converting them in DPP. That followed by Instructor Nap Time. Last Saturday all 3 folks had a great time and learned a ton. And the weather for this coming Saturday is looking good.

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues

We had a great morning on Lake Blue Cypress on Saturday with dozens of opportunities to photograph landing Ospreys; both the light–the sun was filtered by light clouds, and the wind–from the east/northeast, were perfect. Multiple IPT veterans included Aaron Chandler and the amazingly talented Clemens van der Werf. They were joined by first-timer Michael Tapes of Lens Align fame. Captain Jim Neiger did his usual stellar job of piloting the boat and getting us in perfect position.

This post marks 135 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I used, tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took 3 1/2 hours to put together. Enjoy!

This image was created on a cloudy dark afternoon on Lake Blue Cypress on Friday afternoon April 11, 2014 at 3:02pm. There were five of us aboard Jim Neiger’s pontoon boat. I used the hand held Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender (with the internal TC engaged at 560mm) and the Canon EOS-1D X. ISO 1600. Evaluative metering +3 1/3 stops off the white sky: 1/1250 sec. at f/5.6 in Manual mode. AWB. Fill flash with Better Beamer using manual flash at 1:2 with High SPeed Synch with the Canon Speedlite 600EX-RT with the Canon CP-E4 Compact Battery Pack for faster re-charging times. With all that the flash did not do much…. Central Sensor/AI Servo-Surround/Rear Focus AF on the bird’s face active at the moment of exposure. Learn everything there is to know about the 1D X and 5D III AF systems including how to manage the various AF Area Selection Modes, when to use which one, and several ways to move the AF sensor around in my 1D X AF Guide and the 5D Mark III User’s Guide. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. .

The Situation

It was cloudy dark; the conditions for photographing Osprey in flight were poor at best. But knowing the amazing capabilities of digital, I felt that there were good images to be made. I metered off the dreary white sky and set my exposure manually to +3 1/3 stops. I needed ISO 1600 to get a shutter speed of 1/1250 sec. I added High Speed Sync flash in hopes that by using the flash at full power, 1:1 in manual mode, that at least some flash would hit the bird. It did not.

Exposing to the Right

When we teach folks to expose to the right we explain that in low light situations their images will look washed out on the back of the camera and washed out when they see them on a computer; see the image above for a perfect example. We continue by explaining that images that are exposed to the right will contain more data than images that are exposed darker and look pretty good on the back of the camera, that they will have less noise, and will produce higher quality image files and prints. At times, as you will see below, it is necessary to completely over-expose a white sky in order to come up with the best exposure for the subject.

This is the BreezeBrowser Main View of today’s image.

Creating a High Key Image

I created the BreezeBrowser Main View screen capture above while the sky was flashing black indicating a large overexposure. Most of the sky was rendered with RGB values of 255, 255, 255, detail-less white. To create the high key look below with the best exposure for the subject that is exactly what I wanted. As above, if your image looks washed out on the back of the camera it will likely be your best exposure. Here is a very fine: this image showed some vignetting from being created at the wide open aperture, f/5.6. In the screen capture the vignetting is represented by the white splotches in the corners. You can also see the vignetting by looking at the image that opens this post: the corners are darker than the rest of the sky and show some CYAN artifacting. The vignetting was eliminated during the RAW conversion in DPP by checking the Peripheral Illumination box and adjusting the slider. You can find Peripheral Illumination in the Lens Aberration Correction section under the Lens tab.

The illuminated red square shows the AF point that was selected. Note: in Breezebrowser you need to check “Show Focus Points” under View to activate this feature. To see the focus points in DPP check “AF Point” under View or hit Alt L. Hit Alt M in DPP to see Highlight Alert. To learn how and why I use DPP (Canon Digital Photo Professional) to convert my RAW files, see the info on our DPP RAW Conversion Guide here.

Note that the WHITEs in the histogram are pegged up against right side of the histogram; this indicates overexposure of the WHITEs. But again, for this high key image, that is exactly what I wanted.

BreezeBrowser

Regular readers know that I use and depend on BreezeBrowser every day of the year. It allows me to sort my keepers and delete the rejects faster than any other Windows browsing program. We use it on the main computer in the home office to catalog our images file-drawer style. And the companion program, Downloader Pro allows me to download my images quickly and conveniently. It automatically adds my IPTC data and the shooting location. I have it set up to create a folder named by the Month/date/year. The Breezebrowser/Downloader Pro combo saves me many hours each week. To learn more or to purchase this great PC only program, click here. As far as the BreezeBrowser/Downloader Pro Combo goes, if you are using a Windows platform and are not using these two great programs you are at best, wasting your valuable time. My understanding is that Photo Mechanic is best for Mac-users who do not opt to run Parallels or VM Ware fusion on their Macs so that they can enjoy the many advantages of BreezeBrowser. See BreezeBrowswer on a Mac for details.

This is the optimized image. Be sure to click on it to view the spectacular larger version.

Burn the Sky and Wind Up in (Osprey) Heaven…

The Image Optimization

Once I converted the RAW file I brought the washed out image into Photoshop 6. While working on a Levels adjustment layer I pulled in the Shadow slider while holding down the ALT key and backed off a bit when I noticed the first speckles. That gave the image some much needed punch. Next was a layer of my NIK 50/50 Tonal Contrast/Detail Extractor recipe on the bird only. (I used the Quick Selection Tool to select the bird.) That was followed by adding 4 points of BLACK to the BLACKs and the NEUTRALs in Selective Color, the latter done by hitting the f/9 key twice to run my Selective Color action. Then a bit of Eye Doctor work and a contrast mask on the face only (by painting a Quick Mask of the face) put the finishing touches on what I consider a very fine image made in difficult conditions.

The DPP RAW Conversion Guide

To learn why I use Canon’s Digital Photo Professional (DPP) to convert every image that I work on, click here.

Digital Basics

Are you tired of making your images look worse in Photoshop? Do you have no clue as to how I optimized the image above? The Photoshop stuff mentioned above plus tons more is detailed in my Digital Basics File, an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, the use of Contrast Masks, several different ways of expanding canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, my killer image clean-up techniques, Digital Eye Doctor, creating time-saving actions, and lots more.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Learn Advanced Layer Masking Techniques in APTATS I. Mention this blog post and apply a $5 discount to either with phone orders only. Buy both APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders only.

Remember: Expose to the Right

Remember to expose to the right. If you have ten seconds with a subject in the same light, there are no hard exposures with digital. Just get some data well into the rightmost histogram box and you will have an exposure that you can work with to produce a high quality image file. You can learn everything that you need to know about exposure theory in original classic, The Art of Bird Photography and in the Exposure Simplified section of The Art of Bird Photography II (ABP II:916 pages, 900+ images on CD only). You can save $10 by purchasing the 2-book bundle here.

I hope that you can join us on this great trip. The vertical puffin image was created by David Tipling. The rest–almost all from the UK, are mine :).

UK Puffins and Gannets IPT July 2-9, 2014. 5 full days of puffins and two half-days of gannet boat photography: $4,999 USD. Limit 10 + the 2 leaders.

Desperately seeking: 1 female roommate & 1 male roommate.

With 5 folks registered, this trip is a go.

Fly to Edinburgh (say “ED-in-BRUH”), Scotland on a red eye flight on July 1st arriving on the early morning of July 2 or certainly before 10am. UK folks who plan on driving please contact me via e-mail immediately.

There are direct flights to Edinburgh from both Philadelphia and Toronto. If you learn of any others please advise via e-mail so that I may share with all the interested folks. Fly home mid-morning on July 9. UK locals and our many European friends are of course welcome.

With 5 deposits in hand, this trip is a go; you can buy your flights now :).

What’s included:

5 full DAYS on the best UK puffin boat; trips to 2 different islands–all dependent on decent weather, i.e, no major storms. Seabirds including scads of Atlantic Puffin both in flight and perched, Razorbill, Great Cormorant, Shag, and others likely. The trip is timed to maximize the opportunities for photographing the puffins bringing fish back to the nests. All boat fares and landing fees are included. The boat leaves at 9:30am. We have two hours on the first island. We are then picked up and head to the 2nd island for a 2+ hour session. The weather is typically cloudy bright.

One late-afternoon (2 July) and one early morning (probably 8 July) trip on a gannet photography boat where the birds are fed and dive very close to the boat. Both are dependent on good weather but we do have some flexibility. Boat fares and the cost of the fish are covered. Each will consist of a one hour outbound ride, two hours of diving Northern Gannet photography (with 6 boxes of fish) and the one hour return trip.

The tentative, weather-dependent itinerary:

July 2: airport pick-up no later than 10am UK time. Lunch on your dime. Drive to hotel. Afternoon gannet boat trip/time TBD.
July 3, 4, 5, 6, & 7: Full Day Puffin Boat trips as noted above.
July 8: early morning Gannet Boat trip. Afternoon: Small group Image review and Photoshop sessions. Pack for the trip home.
July 9: early morning departure for Edinburgh Airport (EDI).

The itinerary is subject to change to ensure the best possible photographic opportunities.

A super-telephoto lens is not required on this trip. The 300mm f/2.8s are ideal. I will be bringing one along with my 200-400mm with Internal Extender, my 70-200 f/2.8L IS II, and a shorter zoom lenses. Plus three 1.4X and two 2X TCs, a Gitzo 3532 LS Carbon Fiber tripod, and my Mongoose M3.6. I may go tripod-less on the puffin trips at times…. Or not…. All photography on the gannet boat will be hand held. It is likely that the 70-200s will be ideal for the gannets.

7 nights lodging in an older but excellent hotel just a few minutes from the puffin boat dock with about a 70 minute ride to the gannet boat. Double occupancy will be the rule though we might be able to offer a single supplement at an exorbitant price. See the hotel info here.

All breakfasts and dinner (at the hotel) from dinner on July 2 through dinner on July 8. And breakfast on our get-away day unless we need to leave earlier than they serve to make our flights home…

Airport pick-up until 10am on July 2–this should not be a problem as there are lots of red-eye flights from the US to Edinburgh.

All ground transportation. Airport return on the early morning of July 9. We may be getting up very early on July 9th.

Two great leaders; Denise Ippolito and yours truly will provide personalized and small group in-the-field instruction. As usual, the closer you stay to us and the more questions that you ask the more you will learn. We will of course point out the best situations. You will learn to see these great situations for yourself, to get the right exposure every time after making a single test exposure, to work in Manual mode, and to design pleasing images by mastering your camera’s AF system. You will learn the basics of photographing birds in flight and how the relationship between light direction and wind direction impacts the photography of both birds in flight and perched puffins. And tons more.

We will be conducting informal, small group image review and Photoshop sessions after dinner. All are invited to bring their laptops. Image critiques of your five best images will be done after the trip upon request.

Early morning castle photography right near the hotel is an option for the early risers. In the event of inclement weather or stormy seas there is the possibility of bird photography along the coast. Early evening bird photography along the coast is also optional.

Not included: all lunches–for the most part we will need to pack lunches for the puffin trips, or you may opt to skip lunch. Your round trip airfare from home to Scotland. Booze, wine, and any other beverages other than coffee and tea at breakfast.

A non-refundable deposit of $2,000 USD is required to hold your spot so please check on flights and your schedule before committing. The balance will be due on 15 May so you may wish to pay the whole thing at once. Overseas folks may e-mail for wire transfer info. Our $15 wire transfer fee will be added to your balance.

Trip insurance is highly recommended as your deposit (less a $200 cancellation fee) will not be refunded unless the trip fills completely. I, and my family, use Travel Insurance Services.

After letting us know via e-mail that you will be coming, please send your deposit check made out to “Arthur Morris” to us as follows:

Arthur Morris/BIRDS AS ART
PO Box 7245 (US mail) or 4041 Granada Drive (if by courier).
Indian Lake Estates, FL 33855

My friend David Tipling, with multiple BBC honored images and the author of dozens of photo illustrated books, helped with the planning and arrangements for this trip.

If you have any questions, please contact me via e-mail.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues

As you read this, I will likely be photographing Ospreys on Lake Blue Cypress with Jim Neiger and our Friday group of 3. This post marks 133 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H and Amazon links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I use, have used, and depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took only about 1 1/2 hours to put together. Enjoy!

This flapping Wood Duck drake image was created at 3:38pm in late afternoon sunlight on January 17, 2014 on the San Diego Short Notice IPT with the Gitzo 3532 LS carbon fiber tripod, the Mongoose M3.6 head, the Canon EF 600mm f/4L IS II USM lens, the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-1D X. ISO 800. Evaluative metering +2/3 stop as framed: 1/1250 sec. at f/6.3 in Av mode. Color temperature: AWB. Central sensor/AI Servo Surround/Rear Focus AF as framed active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

The Promised Flapper; Well Worth the Wait?

More than 3 months ago I mentioned that friend and multiple IPT veteran Mike Goldhamer (who is joining us on the UK Puffin IPT) ran into me in LaJolla and taught me a trick to get the Wood Ducks to flap. I have been so busy that I have not had a chance to optimize any of my favorites. I will be sharing Mike’s trick in the next update to the San Diego Site Guide; the update will be a short one. I promise to have it finished no later than October of this year. Reminders are welcome. 🙂

Let us know what you think of the image.

For the Eagle-Eyed Photoshop Police

In yesterday’s blog post, several eagle-eyed Photoshop policemen pointed out problems with my optimized image. They did of course, have the advantage of seeing the original. It is always easier to spot processing imperfections when you know exactly where to look. Today they have a second chance. I will tell you that I did some substantial Photoshop work in two areas of this image.

Do you see anything funky? Do let us know exactly where I went to work and I will tip my hat to you if you are correct.

San Diego IPT: early February, 2015

If you would like to be placed on the interested list, please shoot me an e-mail.

I hope that you can join us on this great trip. The vertical puffin image was created by David Tipling. The rest–almost all from the UK, are mine :).

UK Puffins and Gannets IPT July 2-9, 2014. 5 full days of puffins and two half-days of gannet boat photography: $4,999 USD. Limit 10 + the 2 leaders.

Desperately seeking: 1 female roommate & 1 male roommate.

With 5 folks registered, this trip is a go.

Fly to Edinburgh (say “ED-in-BRUH”), Scotland on a red eye flight on July 1st arriving on the early morning of July 2 or certainly before 10am. UK folks who plan on driving please contact me via e-mail immediately.

There are direct flights to Edinburgh from both Philadelphia and Toronto. If you learn of any others please advise via e-mail so that I may share with all the interested folks. Fly home mid-morning on July 9. UK locals and our many European friends are of course welcome.

With 5 deposits in hand, this trip is a go; you can buy your flights now :).

What’s included:

5 full DAYS on the best UK puffin boat; trips to 2 different islands–all dependent on decent weather, i.e, no major storms. Seabirds including scads of Atlantic Puffin both in flight and perched, Razorbill, Great Cormorant, Shag, and others likely. The trip is timed to maximize the opportunities for photographing the puffins bringing fish back to the nests. All boat fares and landing fees are included. The boat leaves at 9:30am. We have two hours on the first island. We are then picked up and head to the 2nd island for a 2+ hour session. The weather is typically cloudy bright.

One late-afternoon (2 July) and one early morning (probably 8 July) trip on a gannet photography boat where the birds are fed and dive very close to the boat. Both are dependent on good weather but we do have some flexibility. Boat fares and the cost of the fish are covered. Each will consist of a one hour outbound ride, two hours of diving Northern Gannet photography (with 6 boxes of fish) and the one hour return trip.

The tentative, weather-dependent itinerary:

July 2: airport pick-up no later than 10am UK time. Lunch on your dime. Drive to hotel. Afternoon gannet boat trip/time TBD.
July 3, 4, 5, 6, & 7: Full Day Puffin Boat trips as noted above.
July 8: early morning Gannet Boat trip. Afternoon: Small group Image review and Photoshop sessions. Pack for the trip home.
July 9: early morning departure for Edinburgh Airport (EDI).

The itinerary is subject to change to ensure the best possible photographic opportunities.

A super-telephoto lens is not required on this trip. The 300mm f/2.8s are ideal. I will be bringing one along with my 200-400mm with Internal Extender, my 70-200 f/2.8L IS II, and a shorter zoom lenses. Plus three 1.4X and two 2X TCs, a Gitzo 3532 LS Carbon Fiber tripod, and my Mongoose M3.6. I may go tripod-less on the puffin trips at times…. Or not…. All photography on the gannet boat will be hand held. It is likely that the 70-200s will be ideal for the gannets.

7 nights lodging in an older but excellent hotel just a few minutes from the puffin boat dock with about a 70 minute ride to the gannet boat. Double occupancy will be the rule though we might be able to offer a single supplement at an exorbitant price. See the hotel info here.

All breakfasts and dinner (at the hotel) from dinner on July 2 through dinner on July 8. And breakfast on our get-away day unless we need to leave earlier than they serve to make our flights home…

Airport pick-up until 10am on July 2–this should not be a problem as there are lots of red-eye flights from the US to Edinburgh.

All ground transportation. Airport return on the early morning of July 9. We may be getting up very early on July 9th.

Two great leaders; Denise Ippolito and yours truly will provide personalized and small group in-the-field instruction. As usual, the closer you stay to us and the more questions that you ask the more you will learn. We will of course point out the best situations. You will learn to see these great situations for yourself, to get the right exposure every time after making a single test exposure, to work in Manual mode, and to design pleasing images by mastering your camera’s AF system. You will learn the basics of photographing birds in flight and how the relationship between light direction and wind direction impacts the photography of both birds in flight and perched puffins. And tons more.

We will be conducting informal, small group image review and Photoshop sessions after dinner. All are invited to bring their laptops. Image critiques of your five best images will be done after the trip upon request.

Early morning castle photography right near the hotel is an option for the early risers. In the event of inclement weather or stormy seas there is the possibility of bird photography along the coast. Early evening bird photography along the coast is also optional.

Not included: all lunches–for the most part we will need to pack lunches for the puffin trips, or you may opt to skip lunch. Your round trip airfare from home to Scotland. Booze, wine, and any other beverages other than coffee and tea at breakfast.

A non-refundable deposit of $2,000 USD is required to hold your spot so please check on flights and your schedule before committing. The balance will be due on 15 May so you may wish to pay the whole thing at once. Overseas folks may e-mail for wire transfer info. Our $15 wire transfer fee will be added to your balance.

Trip insurance is highly recommended as your deposit (less a $200 cancellation fee) will not be refunded unless the trip fills completely. I, and my family, use Travel Insurance Services.

After letting us know via e-mail that you will be coming, please send your deposit check made out to “Arthur Morris” to us as follows:

Arthur Morris/BIRDS AS ART
PO Box 7245 (US mail) or 4041 Granada Drive (if by courier).
Indian Lake Estates, FL 33855

My friend David Tipling, with multiple BBC honored images and the author of dozens of photo illustrated books, helped with the planning and arrangements for this trip.

If you have any questions, please contact me via e-mail.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

….. …..

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues

This post marks 131 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H and Amazon links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store. We sell only what I use and depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took about 3 hours to assemble. Enjoy!

“The Different Tools, Different Light, Flash Off, Flash On…” Blog Post Why ISO 200 Answer….

Scroll down to Bill Richardson’s comment here to learn how I wound up at ISO 200 for Image 1. Remember, my one-size fits all ISO in all bright situations is 400.

This image was created on Lake Blue Cypress on March 21, 2014 at 8:46am on a clear morning right down sun angle with the hand held the Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender (with the internal TC engaged at 320mm) and the Canon EOS-1D X. ISO 800. Evaluative metering +1/3 stop as framed: 1/3200 sec. at f/7.1 in Manual mode. AWB. Central Sensor/AI Servo-Surround/Rear Focus AF active at the moment of exposure just caught the top of the bird’s head; see the BreezeBrowser screen capture below. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. .

Lake Blue Cypress

Lake Blue Cypress is an incredibly beautiful location with hundreds of pairs of Osprey all using natural nest sites. If you spend a morning and afternoon aboard Jim Neiger’s customized pontoon boat it is possible to create a wonderful Osprey portfolio in a single day. This Saturday’s trip is sold out but there is a single opening on Friday, April 11. Scroll down for details.

Update

Friday is now sold out.

This is the original capture.

Greedy, Greedy, Greedy

Even having zoomed out to 320mm, I clipped the three of the bird’s left wingtips, those of the 3rd, 4th, and 5th primaries. I love the nearly perfect lighting on the underwings, the diagonal, and the placement of the bird well back in the frame so the choice to repair the missing wingtips was an obvious one. After converting the image in DPP, I expanded canvas below, grabbed the corresponding wingtips from the right wing–each on a separate layer, repositioned, transformed, and warped each of them, and then added a Regular Layer Mask to fine-tune things.

APTATS I to the Rescue

Using the techniques detailed in the 4th tutorial in APTATS I, “Clipped Feather Tip Repair,” it took me only fifteen minutes to salvage this image and replace tips of the 3 clipped primaries. I used the tip of the 5th primary to replace the missing tip of the 4th primary. And I used the tip of the first primary to replace the missing tips of the 2nd and 3rd primaries. I did work both large and carefully. The advanced knowledge of Layer Masking that I picked up from APTATS II was of course quite helpful in fine-tuning the various wingtip layers.

APTATS I & II

Learn the details of advanced Quick Masking techniques in APTATS I. Mention this blog post and apply a $5 discount with phone orders only. Learn advanced Layer Masking Techniques in APTATS II. Mention this blog post and apply a $5 discount with phone orders only. Buy the pair, APTATS I and APTATS II and we will be glad to apply at $15 discount with phone orders only.

Eye Doctor Work

Be sure to enlarge the optimized and the original versions and check out the Eye Doctor work. See more in Digital Basics immediately below.

Digital Basics

Are you tired of making your images look worse in Photoshop? Do you have no clue as to how I optimized the images above? The Photoshop stuff mentioned above plus tons more is detailed in my Digital Basics File, an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips, the use of Contrast Masks, several different ways of expanding canvas, all of my time-saving Keyboard Shortcuts, Quick Masking, Layer Masking, and NIK Color Efex Pro basics, my killer image clean-up techniques, Digital Eye Doctor, creating time-saving actions, and lots more.

The DPP RAW Conversion Guide

After seeing the accurate colors that I get from my DPP RAW conversions, Japan in Winter co-leader Paul McKenzie switched to DPP conversions and Denise Ippolito is considering doing the same. Now that is amazing…. To learn why I use Canon’s Digital Photo Professional (DPP) to convert every image that I work on, click here.

Our efforts to create flight images with large-in-the-frame subjects often results in clipped wingtips. Above is the Breezebrowser Main View screen capture for today’s image.

A Flight Photography Tip That You Have Never Read Anywhere Else….

Note in the BreezeBrowser screen capture above that the lower left corner of the lower left Surround AF point just barely caught the top of the bird’s head. Note: the 8 AF points surrounding the central sensor here were active; it would be nice if the sensor that was active at the moment of exposure were lit up rather than the selected sensor.

What I try to do with images like this where I want the original image file to feature the flying bird well back in the frame is to increase the speed of my panning motion just as I depress the shutter button even if that results in the active AF sensor falling on the sky. As doing this goes against instinct it requires a conscious effort to pull it off. In some cases you need to let go of the focus button (either rear or shutter) and then push the button again in order to re-acquire focus.

The heavy vignetting was corrected in Photoshop using Filter/Lens Correction/Custom on a separate layer as described in Digital Basics File.

The Breezebrowser Main View Screen Capture

Above is the BreezeBrowser Main View screen capture for today’s image. Note that the illuminated red square shows the AF point that was selected. Note: in Breezebrowser you need to check “Show Focus Points” under View to activate this feature. To see the focus points in DPP check “AF Point” under View or hit Alt L. Hit Alt M to see Highlight Alert. To learn how and why I use DPP (Canon Digital Photo Professional) to convert my RAW files, see the info on our DPP RAW Conversion Guide here.

Note the perfect histogram the WHITEs well into the rightmost histogram box. Regular readers know that I use and depend on BreezeBrowser every day of the year. It allows me to sort my keepers and delete the rejects faster than any other Windows browsing program. We use it on the main computer in the home office to catalog our images file-drawer style. And the companion program, Downloader Pro allows me to download my images quickly and conveniently. It automatically adds my IPTC data and the shooting location. I have it set up to create a folder named by the Month/date/year. The Breezebrowser/Downloader Pro combo saves me many hours each week. To learn more or to purchase this great PC only program, click here. As far as the BreezeBrowser/Downloader Pro Combo goes, if you are using a Windows platform and are not using these two great programs you are at best, wasting your valuable time. My understanding is that Photo Mechanic is best for Mac-users who do not opt to run Parallels or VM Ware fusion on their Macs so that they can enjoy the many advantages of BreezeBrowser. See BreezeBrowswer on a Mac for details.

All images created on Lake Blue Cypress. Copyright Arthur Morris/BIRDS AS ART. Click on the composite to enjoy a larger version.

Lake Blue Cypress Osprey Heaven Full-Day In-the-Field Hand Holding Workshops via Customized Pontoon Boat

Two 3+ hour shooting sessions on a beautiful cypress lake teeming with Osprey; Barred Owl almost guaranteed. Red-shouldered Hawk and Pileated Woodpecker likely. Be sure to follow the link to Jim’s gallery below.

2 great leaders: Captain Jim Neiger and Arthur Morris.

Update

Friday and Saturday are now sold out.

Each full day booking includes a delicious healthy lunch at my home. Overnight lodging at my home is available cheap on a limited basis for folks who would like to do more than one day. Please inquire via e-mail.

Because of the late date payment in full by credit card is due now. Please e-mail for additional details of info or call Jim or Jennifer at 863-692-0906 to register.

Check out Jim Neiger’s Osprey Heaven/Lake Blue Cypress Gallery here and you will be amazed as to the quality of the flight and action images and the possibilities.

Flight Plan

If you want to learn to be a better flight photographer, check out Jim Neiger’s great e-Guide here.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

Amazon

Everyone buys something from Amazon, be it a big lens or deodorant. Support the blog by starting your search by clicking on the logo-link below. No purchase is too small to be appreciated; they all add up. Why make it a habit? Because I make it a habit of bringing you new images and information on an almost daily basis.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

The Streak Continues

I enjoyed another great weekend at Gatorland with my Saturday group of 5 and with Lynn Dolson staying on for Sunday morning when we were joined by the very pleasant Don Jones of Apopka, FL. Lynn became comfortable getting the right exposure using Manual mode and with moving her AF sensor around to create pleasing images. Don learned a ton too; his biggest lesson: frame looser. Thanks to all who attended.

This post marks 129 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H and Amazon links why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store. We sell only what I use and depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took about 2 1/2 hours to assemble. Enjoy!

This image was created at Gatorland on Saturday April 5, 2014 at 4:38pm on a clear afternoon in direct sunlight. I hand held the Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender (with the internal TC engaged at 490mm) and the Canon EOS-1D X. ISO 400. Evaluative metering +1/3 stop as framed: 1/1600 sec. at f/6.3 in Av mode. AWB. Three sensors up from the central Sensor/AI Servo-Surround/Rear Focus AF directly on the bird’s eye as originally framed was active at the moment of exposure. Practicing so that you are able to change AF sensors almost instantly is an important skill to work on. Learn everything there is to know about the 1D X and 5D III AF systems including how to manage the various AF Area Selection Modes, when to use which one, and several ways to move the AF sensor around in my 1D X AF Guide and the 5D Mark III User’s Guide. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. . Image #1: Wood Stork Head and Face Detail.

Unmatched Versatility

That the versatility of the Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender is–as you can see by looking at the images above and below, each made from virtually the same spot–unmatched is not open to debate. Dierdre, Lynn, and I had just arrived and gotten our gear set up when some kids began tossing some gator food-pellets into the water. This in turn attracted not only a flock of small gators but some birds as well. Wood Storks rarely sit on the boardwalk railings, but this one pictured here was hungry for a pellet. I grabbed my 200-400 and went to work opting to hand hold so that I could frame accurately and react quickly.

First, I went to vertical for the tight face portrait. And rotated the tripod collar; see below for details on that. Then, just as the Wood Stork opened it’s bill and kept it open–I did not hear any laughing, the Great Egret landed right down sun angle right behind the stork. I had wanted to create a horizontal head portrait of the stork with his bill open but the egret put the kibosh on that so I dis-engaged the internal TC and created the juxtaposition image below.

Image Questions

#1: Why was I in Av mode for Image #1 but in Manual mode for Image #2?

#2: The exposure for Image #1 was perfect. Why did I need to go 1/3 stop darker for Image #2?

#3: Why should I definitely have gone to a smaller aperture, at least down to f/9, for Image #1?

#4: What is the one thing about Image #2 that bugs me a bit?

#5:Considering the fact that the aperture was the same, f/6.3. why does the skin on the Wood Stork’s neck look so much sharper in Image 2 than in Image 1?

This image was also created at Gatorland on Saturday April 5, 2014, this one–of the same bird, a minute after I created the opening image in this blog post. Again, on a clear afternoon in direct sunlight. And again I hand held the Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender (at 250mm) and the Canon EOS-1D X. ISO 400. Evaluative metering -1/3 stop as framed: 1/2000 sec. at f/6.3 in Manual mode. AWB. Three sensors to the left of the central Sensor/AI Servo-Surround/Rear Focus AF on the base of the stork’s lower mandible (as originally framed) was active at the moment of exposure. Again, practicing so that you are able to change AF sensors almost instantly is an important skill to work develop. You can learn everything that there is to know about the 1D X and 5D III AF systems including how to manage the various AF Area Selection Modes, when to use which one, and several ways to move the AF sensor around in my 1D X AF Guide and the 5D Mark III User’s Guide. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #2: Wood Stork/Great Egret Juxtaposition.

200-400 Hand Holding Tips & Techniques for Static Subjects

#1-Replace the original lens foot with the CR-X5 Low Foot. Learn a lot more here. Doing so saves a few ounces in weight and more importantly, allows me to use my preferred and functional hand holding grip. For the 200-400 I use the last (rear) hole on the CR-X5. (The CR-X5 is pretty much mandatory for those using the 200-400 on a tripod and the same goes for all of the Series II super-telephotos as the CR-X5 allows you to position the foot–which serves as the lens plate–for perfect balance. It is the only lens plate that allows you to do this.

#2: Do not face the subject: stand roughly sideways to it, like an Olympic rife shooter.

#3: Unless you are positive that the bird is going to fly away in a moment, take the time to turn the tripod collar so that the lens plate is at the bottom of the lens whether you are working in horizontal or format or vertical format. If the tripod collar (and therefore the lens plate) is in the wrong position, then you need to rotate it 90 degrees.

#4: Grasp the end of the CR-X-5 plate with the last two fingers of your left hand. This will put the weight of the lens onto the heel of your left hand. The thumb and then middle finger will rest on the zoom ring. The pointer finger will rest on the lens just forward of the zoom ring. This acts as a point of support.

#5: When you raise the lens from the rest position tuck your left elbow into your body so that the elbow is resting just above the top of the hip bone. This shooting position will allow you to hold the lens steady for extended periods of time with the weight of the rig supported by your body structure rather than by your arms alone. This techniques also works well when photographing static subjects with super-telephoto lenses. Note that having the the CR-X5 foot properly positioned below the lens gives you additional elevation….

Yours truly hand holding the 200-400 in the Galapagos. Image courtesy of and copyright 2013 Denise Ippolito/A Creative Adventure.

A Picture is Worth a Thousand Words

Click on the image above to more easily note the lens plate properly positioned below the lens when working in horizontal format, the position of the fingers of the left hand, and the left arm tucked against the body. Note also that I am roughly sideways to my subject. Thanks to Lady D for the use of the image.

Your Favorite

Please take a moment to let all know which image you prefer, #1 or #2. And do let us know why.

I hope that you can join us on this great trip. The vertical puffin image was created by David Tipling. The rest–almost all from the UK, are mine :).

UK Puffins and Gannets IPT July 2-9, 2014. 5 full days of puffins and two half-days of gannet boat photography: $4,999 USD. Limit 10 + the 2 leaders.

Desperately seeking: 1 female roommate & 1 male roommate.

With 5 folks registered, this trip is a go.

Fly to Edinburgh (say “ED-in-BRUH”), Scotland on a red eye flight on July 1st arriving on the early morning of July 2 or certainly before 10am. UK folks who plan on driving please contact me via e-mail immediately.

There are direct flights to Edinburgh from both Philadelphia and Toronto. If you learn of any others please advise via e-mail so that I may share with all the interested folks. Fly home mid-morning on July 9. UK locals and our many European friends are of course welcome.

With 5 deposits in hand, this trip is a go; you can buy your flights now :).

What’s included:

5 full DAYS on the best UK puffin boat; trips to 2 different islands–all dependent on decent weather, i.e, no major storms. Seabirds including scads of Atlantic Puffin both in flight and perched, Razorbill, Great Cormorant, Shag, and others likely. The trip is timed to maximize the opportunities for photographing the puffins bringing fish back to the nests. All boat fares and landing fees are included. The boat leaves at 9:30am. We have two hours on the first island. We are then picked up and head to the 2nd island for a 2+ hour session. The weather is typically cloudy bright.

One late-afternoon (2 July) and one early morning (probably 8 July) trip on a gannet photography boat where the birds are fed and dive very close to the boat. Both are dependent on good weather but we do have some flexibility. Boat fares and the cost of the fish are covered. Each will consist of a one hour outbound ride, two hours of diving Northern Gannet photography (with 6 boxes of fish) and the one hour return trip.

The tentative, weather-dependent itinerary:

July 2: airport pick-up no later than 10am UK time. Lunch on your dime. Drive to hotel. Afternoon gannet boat trip/time TBD.
July 3, 4, 5, 6, & 7: Full Day Puffin Boat trips as noted above.
July 8: early morning Gannet Boat trip. Afternoon: Small group Image review and Photoshop sessions. Pack for the trip home.
July 9: early morning departure for Edinburgh Airport (EDI).

The itinerary is subject to change to ensure the best possible photographic opportunities.

A super-telephoto lens is not required on this trip. The 300mm f/2.8s are ideal. I will be bringing one along with my 200-400mm with Internal Extender, my 70-200 f/2.8L IS II, and a shorter zoom lenses. Plus three 1.4X and two 2X TCs, a Gitzo 3532 LS Carbon Fiber tripod, and my Mongoose M3.6. I may go tripod-less on the puffin trips at times…. Or not…. All photography on the gannet boat will be hand held. It is likely that the 70-200s will be ideal for the gannets.

7 nights lodging in an older but excellent hotel just a few minutes from the puffin boat dock with about a 70 minute ride to the gannet boat. Double occupancy will be the rule though we might be able to offer a single supplement at an exorbitant price. See the hotel info here.

All breakfasts and dinner (at the hotel) from dinner on July 2 through dinner on July 8. And breakfast on our get-away day unless we need to leave earlier than they serve to make our flights home…

Airport pick-up until 10am on July 2–this should not be a problem as there are lots of red-eye flights from the US to Edinburgh.

All ground transportation. Airport return on the early morning of July 9. We may be getting up very early on July 9th.

Two great leaders; Denise Ippolito and yours truly will provide personalized and small group in-the-field instruction. As usual, the closer you stay to us and the more questions that you ask the more you will learn. We will of course point out the best situations. You will learn to see these great situations for yourself, to get the right exposure every time after making a single test exposure, to work in Manual mode, and to design pleasing images by mastering your camera’s AF system. You will learn the basics of photographing birds in flight and how the relationship between light direction and wind direction impacts the photography of both birds in flight and perched puffins. And tons more.

We will be conducting informal, small group image review and Photoshop sessions after dinner. All are invited to bring their laptops. Image critiques of your five best images will be done after the trip upon request.

Early morning castle photography right near the hotel is an option for the early risers. In the event of inclement weather or stormy seas there is the possibility of bird photography along the coast. Early evening bird photography along the coast is also optional.

Not included: all lunches–for the most part we will need to pack lunches for the puffin trips, or you may opt to skip lunch. Your round trip airfare from home to Scotland. Booze, wine, and any other beverages other than coffee and tea at breakfast.

A non-refundable deposit of $2,000 USD is required to hold your spot so please check on flights and your schedule before committing. The balance will be due on 15 May so you may wish to pay the whole thing at once. Overseas folks may e-mail for wire transfer info. Our $15 wire transfer fee will be added to your balance.

Trip insurance is highly recommended as your deposit (less a $200 cancellation fee) will not be refunded unless the trip fills completely. I, and my family, use Travel Insurance Services.

After letting us know via e-mail that you will be coming, please send your deposit check made out to “Arthur Morris” to us as follows:

Arthur Morris/BIRDS AS ART
PO Box 7245 (US mail) or 4041 Granada Drive (if by courier).
Indian Lake Estates, FL 33855

My friend David Tipling, with multiple BBC honored images and the author of dozens of photo illustrated books, helped with the planning and arrangements for this trip.

If you have any questions, please contact me via e-mail.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

Amazon

Everyone buys something from Amazon, be it a big lens or deodorant. Support the blog by starting your search by clicking on the logo-link below. No purchase is too small to be appreciated; they all add up. Why make it a habit? Because I make it a habit of bringing you new images and information on an almost daily basis.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

127

While you are reading this I am spending Saturday at Gatorland with a group of 5 eager-to-learn photographers. This post marks 127 straight days with a new educational blog post. With so many folks getting in the habit of using our B&H and Amazon links, why quit now? To show your appreciation for my efforts here, we do ask that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store. We sell only what I use and depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

You can find the following items in the store: Gitzo tripods, Mongoose M3.6 and Wimberley heads, plates, low feet, and accessories, flash brackets, , Delkin e-film Pro Compact Flash Cards, LensCoat products, and our unique line-up of educational materials including ABP I & II, Digital Basics, Site and Set-up e-Guides, Canon and Nikon Camera Users and AF e-Guides, and MP-4 Photoshop video tutorials among others.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

This blog post took about 1 1/2 hours to put together. Of 7 years if you are counting…. Enjoy!

It’s Not Too Late!

Gatorland Sunday Morning In-the-Field Workshop

7:15am till 10:45 photo session. Lunch, image review, and Photoshop session included: $299.

The cost of your Gatorland Photographer’s Pass is not included.

Only a check in hand or cash on the barrel head will work for Sunday morning. Please e-mail if you would like to join us. Optionally you can call my cell at noon on Saturday: 863-221-2372. Right now there are two in the group.

You can learn more about the Gatorland In-the-Field Workshops by scrolling down here.

This image was created at the St. Augustine Alligator Farm at 8:21am on May 21, 2007 with the Gitzo 3532 LS carbon fiber tripod, the Mongoose M3.6 head, the Canon 500mm f/4L IS lens (now replaced by the Canon EF 500mm f/4L IS II USM lens and the EOS-1Ds Mark II–I used and loved that camera for several years) now replaced by the Canon EOS-1D X. ISO 400. Evaluative metering +1/3 stop as framed: 1/250 sec. at f/7.1 in Av mode. AWB. Fill flash with Better Beamer at -? stops in ETTL. With an older Canon Speedlight now replaced by the Canon Speedlite 600EX-RT with the Canon CP-E4 Compact Battery Pack for faster re-charging times. Mongoose Integrated Flash Arm with the Canon OC-E3 Off Camera Shoe Cord 3. Central sensor/Rear Focus AI Servo AF on the female’s face active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Where Was My 200-400 with Internal Extender?

When working on a boardwalk or in other tight situations zoom lenses like the Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender or the Canon EF 70-200mm f/2.8L IS II USM ens, the latter usually with a Canon Extender EF 1.4X III in place are almost always more effective than fixed focal length lenses.

Though I had stepped away from the birds and had my back against the boardwalk railing I was still too tight. I would have loved a bit more room above the male bird. Imagine if I’d had the new 200-400 on the tripod for the image of the copulating Cattle Egrets above…. I would have been able to zoom out just a bit. I doubt that I would have gone wide enough to include all of the spread wings but having a bit more room above would have–as noted above–been ideal… Alas, the new 2-4 was not even a dream in 2007.

This image was created at the St. Augustine Alligator Farm at 5:20pm on May 117, 2007 with the hand held Canon EF 400mm f/4 DO IS USM lens and the EOS-1Ds Mark II now replaced by the Canon EOS-1D X. ISO 500. Evaluative metering 2 stops off the white sky: 1/1000 sec. at f/5.6 in Manual mode. AWB. On-camera High Speed Sync flash with the Better Beamer probably at 0 in ETTL. With an older Canon Speedlight now replaced by the Canon Speedlite 600EX-RT with the Canon CP-E4 Compact Battery Pack for faster re-charging times. Central sensor/Rear Focus AI Servo AF on the bird’s neck active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Flash Flight

While Gatorland can be good for flight both in the morning and the late afternoon, St. Augustine can be very good for flight in the morning and superb for flight in the late afternoon. On most early evenings the opportunities for creating flash flight images are simply outstanding. Learning flash flight techniques is actually easy, and I love the high key look, preferring it in fact to the look of flight images created on sunny days.

All of the images created at the St. Augustine Alligator Farm and copyright Arthur Morris/BIRDS AS ART From top left clockwise to center: Snowy Egret pair in breeding plumage, breeding plumage Cattle Egret with fill flash, large Great Egret chicks in the nest, killer breeding plumage Snowy Egret displaying, flash-as-main light Great Egret chick happy to see mom, Little Blue Heron chicks, Cattle Egret breeding plumage head portrait, flash flight Wood Stork with nesting material, Great Egret landing at the nest, large Snowy Egret chicks. Click on the image to enjoy a larger version.

St. Augustine Alligator Farm Short-Notice IPT. 3-FULL DAYS. Early entry/Late stay. May 5-7, 2014. Meet and greet at 8pm on Sunday May 4: $1299. Two Great Leaders: Arthur Morris and Denise Ippolito

This trip needs four to run; one down, four to go.

Breeding herons, egrets, and Wood Storks. Eggs and chicks in the nest. Some fledged young possible. Breeding behaviors including displaying and copulations. Flight and flash flight. Great Egret, Snowy Egret, Little Blue Heron, Cattle Egret, Tricolored Heron, Wood Stork. Early May rocks at the Farm as the weather is usually gorgeous and there should be lots of both small and large chicks in the nest. And you avoid the possibly oppressive heat of June and July.

Includes in-the-field instruction, early entry, late stay, $5/person late-stay gratuity, informal, small group Photoshop and image review sessions. Three lunches.

Not included: your lodging, your St. Augustine Alligator Farm photographer’s pass ($79.95 for the year); we will be more than glad to pre-order your pass for you. Please let us know when you register.

What you will learn:

How to see the good situations.
How to best avoid the clutter of a rookery by choosing the very best perspective.
How to properly evaluate the histogram and come up with the right exposure every time after making a single test exposure
How to see and understand the light.
How to to design pleasing images by mastering your camera’s AF system.
Why you must work in Manual mode 95% of the time when photographing at a rookery and how to do it.
How to evaluate and process your images.
Via intensive instruction how to use fill flash flash as main light, and Manual flash.
Flash flight techniques including the necessary use of high speed sync.
And tons more.

Please call Jim or Jen at 863-692-0906 to hold your spot with your non-refundable $299 credit card deposit and then put your check in the mail along with your signed registration form; you can find the form here.

Suitable airports: Jacksonville (JAX), Daytona Beach (DAB), Orlando MCO).

We look forward to seeing you in the nation’s oldest city for three days of fun and learning.

Note: Folks interested in possibly continuing on to Fort DeSoto–great in spring, are invited to shoot me an e-mail.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

Amazon

Everyone buys something from Amazon, be it a big lens or deodorant. Support the blog by starting your search by clicking on the logo-link below. No purchase is too small to be appreciated; they all add up. Why make it a habit? Because I make it a habit of bringing you new images and information on an almost daily basis.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

125

You know the drill!

The EOS-1D W/70-600mm Aftermath….

Those very few of you who read yesterday’s blog post and believed every word of it obviously missed the two links at the end of the article that brought you to the page with this on it:

Belated Happy April Fools Day!

I would like to wish all of you a belated happy April Fools Day. There is no 1D W and there is no EF 70-600mm f/4L IS-W with Internal Extenders USM/STM lens. If you had read more carefully, you would have already known that :).

I would like to thank Bryan Carnathan of The Digital-Picture.com who kindly granted me permission to adapt and re-publish his clever spoof here on my blog on April 2, 2014. You can read the original here. Thanks also to Ron May who alerted me to the original April Fools joke.

Bryan obviously did a great job as I have received several e-mail complaining about Canon :). Some from folks who should have known better… There are some really cool image galleries on Bryan’s site; here is a link to one of my favorites: Kid Picture.

For a really good chuckle, see the comments here and check out those who got taken in hook, line, and sinker. I hope that in retrospect most of them would be able to look in the mirror and have a good laugh at themselves and say, “Good one Artie. You got me. I should have read more carefully.”

All of the images created at the St. Augustine Alligator Farm and copyright Arthur Morris/BIRDS AS ART From top left clockwise to center: Snowy Egret pair in breeding plumage, breeding plumage Cattle Egret with fill flash, large Great Egret chicks in the nest, killer breeding plumage Snowy Egret displaying, flash-as-main light Great Egret chick happy to see mom, Little Blue Heron chicks, Cattle Egret breeding plumage head portrait, flash flight Wood Stork with nesting material, Great Egret landing at the nest, large Snowy Egret chicks. Click on the image to enjoy a larger version.

St. Augustine Alligator Farm Short-Notice IPT. 3-FULL DAYS. Early entry/Late stay. May 5-7, 2014. Meet and greet at 8pm on Sunday May 4: $1299. Two Great Leaders: Arthur Morris and Denise Ippolito

This trip needs four to run.

Breeding herons, egrets, and Wood Storks. Eggs and chicks in the nest. Some fledged young possible. Breeding behaviors including displaying and copulations. Flight and flash flight. Great Egret, Snowy Egret, Little Blue Heron, Cattle Egret, Tricolored Heron, Wood Stork. Early May rocks at the Farm as the weather is usually gorgeous and there should be lots of both small and large chicks in the nest. And you avoid the possibly oppressive heat of June and July.

Includes in-the-field instruction, early entry, late stay, $5/person late-stay gratuity, informal, small group Photoshop and image review sessions. Three lunches.

Not included: your lodging, your St. Augustine Alligator Farm photographer’s pass ($79.95 for the year); we will be more than glad to pre-order your pass for you. Please let us know when you register.

What you will learn:

How to see the good situations.
How to best avoid the clutter of a rookery by choosing the very best perspective.
How to properly evaluate the histogram and come up with the right exposure every time after making a single test exposure
How to see and understand the light.
How to to design pleasing images by mastering your camera’s AF system.
Why you must work in Manual mode 95% of the time when photographing at a rookery and how to do it.
How to evaluate and process your images.
Via intensive instruction how to use fill flash flash as main light, and Manual flash.
Flash flight techniques including the necessary use of high speed sync.
And tons more.

Please call Jim or Jen at 863-692-0906 to hold your spot with your non-refundable $299 credit card deposit and then put your check in the mail along with your signed registration form; you can find the form here.

Suitable airports: Jacksonville (JAX), Daytona Beach (DAB), Orlando MCO).

We look forward to seeing you in the nation’s oldest city for three days of fun and learning.

Note: Folks interested in possibly continuing on to Fort DeSoto–great in spring, are invited to shoot me an e-mail.

The e-Mail from Tim P.

On Wednesday, April 2, 201 I received an e-mail from a Tim P. I chose to share it with you here along with my response. He is TP. I am AM.

TP: Mr. Morris

I was going to post a comment on your blog about your new canon products blog but I’m sure you would (sic) just delete it as you mentioned you have deleted some already. So I’m hoping a personal email will get through to you. You have disappointed me greatly.

AM: Hey Tim, Great to hear from you. Do know that disappointment is a choice. But it is your lucky day as I did get your e-mail. And not only that, not only am I not going to delete it, I decided to publish it on the blog. As noted by you, I did delete a few comments that would have spoiled the fun for some of the boys and girls who had not yet seen the post. To make up for your disappointment, I have opted to post your entire e-mail here for all to read. Along with my response.

TP: I hope you take the time to read this email before you delete it—but I bet you don’t.

AM: I guess that you would have lost that bet….

TP: I read your blogs all the time including the one today about the new canon products including the new 70-600 lens—I guess I am gullible.

AM: That is one excellent guess. It is great to know that you were visiting the blog often and learning each day.

TP: And why?—well you are a professional photographer and well respected and I believe what you write—not anymore. You should be above this sort of ‘joke.”

AM: Is that your opinion or an absolute fact? Tim seriously, can’t you take a joke??? Heck, maybe your e-mail was a belated April Fools joke….

TP: I wasted 15 minutes reading it and embarrassed myself with 6 of my photography friends by forwarding it to them.

AM: Sorry, but feeling embarrassed is also a choice. You state that you wasted 15 minutes reading the post. Apparently you did not read very carefully. If you had, you would have read this in the first section, 4th paragraph:

“That the new Canon EOS-1D W is going to revolutionize wildlife photography is unquestionable” says EoL Rick Salmon after 3 months of field testing the new camera. Mr. Salmon was recently announced as the Director of Photography for BBC’s upcoming “Planet Life” series. “We spend weeks waiting for the an animal to be in the right position. When that perfect moment arrives, we cannot risk any camera-related issues causing a missed shot. The EOS-1D W is a game changer. Like my hair gel, it never misses.”

In retrospect, would you not agree that the hair gel comment indicated that there was something very fishy about Mr. Salmon’s comments? Please excuse the pun.

TP: Fortunately one of them is more informed than I, knew it was fake and let me know.

AM: Wow, he must be absolutely brilliant.

TP: I pride myself in not forwarding junk to my friends—only good information that can help them. You have embarrassed me and you should be embarrassed as a professional—I expect better from someone in your position.

AM: Thank you for sharing your thoughts. I find it very hard to believe that there are six other photographers who, like you, have absolutely no sense of humor. That is really remarkable. As for me, I am not at all embarrassed. In fact, I am rather proud of myself that I managed to snag at least a few folks with the spoof. Thanks again to Bryan Carnathan for graciously allowed me to adapt and publish his copyrighted April Fool’s joke a day late.

As far as junk, had you forwarded links to the previous 124 blog posts to them?

On the subject of jokes, do these words mean anything to you: Lighten up. Get a life. Breathe deeply and have some fun. Enjoy life. Can’t you take a joke?

TP: I have attended an IPT with you in Bosque where you were more interested in taking your own photos than helping paying students like myself.

As it states clearly on the web site on the IPT general information page:

Do know that the leader, that’s me: Arthur Morris, and the co-leaders, photograph during IPTs. We let you know what we are doing, and why, and we are always available to answer your questions. We often teach by example. In addition to the in-the-field sessions, there is much teaching done during the lunches and even during dinners; many folks take advantage of these times to ask a multitude of questions on a great variety of photography topics. In addition, folks (including me) often learn a ton from skilled IPT participants.

As far as not helping paying students like you, is that absolutely true? Did you stay close? Did you ask questions? Did you keep your eyes and ears open? The only folks who ever go home unhappy after an IPT are those who arrive as bitter, unhappy campers. I can’t help those folks.

How long has it been since your IPT? A decade, or longer? IAC, you might ask yourself this: why did I wait so many years to get this off of my chest? I think that an honest answer to that question would be quite revealing.

TP: I will never again attend another with you and have discouraged many of my friends from attending your IPT’s

AM: I guess that I will just have to count this as one of my luckier days.

TP: And its no wonder to me you were at Gatorland recently by yourself.

AM: That was just a weird coincidence. On the first two Saturday In-the-Fields at Gatorland 5 folks attended. Each went home thrilled. And I have 5 folks signed up for this coming Saturday’s session. That sort of blows holes in your theory, no?

Not to mention the fact that we average about 60% repeat participants and that most IPTs sell out even in today’s crazy market where the only requirement for leading a photo tour is that one owns a camera…. I, along with Denise Ippolito, receive dozens of e-mails each month from folks who were thrilled with what we have to offer. Much of that praise is effusive.

TP: I think the word is gradually getting out. Art Morris doesn’t like anyone that is not a ‘happy camper’.

AM: Wow, thanks for helping spread that word. I choose to be associated with happy folks who want to learn and improve rather than to surround myself with the bitter unhappy folks who go out of their way to spread their poison and rob others of their energy. To think that you see that as a fault is beyond my comprehension, but again, it says a lot about you.

TP: The other pros that I know like feedback—both good and bad so they can improve. I don’t believe that is the case with you.

AM: If you spent any time on BPN you would know that I am open to good, constructive criticism. I see none of that in your e-mail.

TP: Yes you are a wonderful photographer but you lack the skills to be great when it comes to your followers and students.

AM: That is absolutely hilarious. Would that be in your humble opinion? Perhaps you should ask the 2,700+ folks who visit the blog daily. Or the hundreds of happy campers who have traveled with me over the past three decades. Or the thousands who have attended my or our programs and seminars.

TP: You have lost me forever, Tim

AM: I wish that I could say that leaves me distraught but it does not. Tim, you really need to work on your sense of humor, and on your ability to laugh at yourself when you have been had. I wish you the best with those.

later and love, artie

Please Let Me Know

Please leave a comment and let me know your thoughts on Tim P’s e-mail.

Slomo

For a great read, and an inspirational video that might change your life, or not, check out the post here by Josh Izenberg is a filmmaker based in San Francisco, on the NY Times “The Opinion Pages.” It is about a respected doctor who walked away from his practice to skate up and down the path by the ocean at Pacific Beach in San Diego. Thanks to Dr. Cliff Oliver of The Center for Balance for sharing.

The main message: “Do what you want to.” You might guess why I identify to some degree with Slomo. That’s his nickname, shortened from Slow Motion.

There is a single opening left on the April 5 ITF Workshop. But three folks are leaving early; if you are interested in an afternoon only session ($149), please contact me via e-mail. Please note that I have added the Sunday morning session below.

Gatorland Short Notice Sunday Morning In-the-Field Workshop

Sunday April 6, 2014. 7:15am till 10:30 photo session.Lunch, image review, and Photoshop session included: $299.

The cost of your Gatorland Photographer’s Pass is not included.

Payment in full via credit card is due upon registering. Please call Jim or Jennifer at 863-692-0906 to register. Please ask for me if you have any questions. Or get in touch via e-mail. Lens rentals are available.

Support the BAA Blog. Support the BAA Bulletins: Shop B&H here!

We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of our B&H or Amazon Affiliate links in this blog post. Remember, B&H ain’t just photography!

Amazon

Everyone buys something from Amazon, be it a big lens or deodorant. Support the blog by starting your search by clicking on the logo-link below. No purchase is too small to be appreciated; they all add up. Why make it a habit? Because I make it a habit of bringing you new images and information on an almost daily basis.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂