Out of production for more than two years, BAA has just one of my favorite-ever tripods left in stock. The 304L was my go-to tripod for more than a decade. Best to grab this last one here right now.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTs, including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
What’s Up?
Again, the dire weather forecast for this week failed to materialize. It rained most of the night and quit at about 6am. There was a strong NW wind so the cloudy skies were a blessing. I did high ISO flight, mostly with the tripod-mounted 600mm f/4. The incoming pelicans were parachuting down with their feet hanging below them as they floated down to land. As the wind dropped, I created many fine images of the male Anna’s Hummingbird — 70 keepers after the first edit! I used the tripod-mounted 600mm f/4 with the 1.4X TC. This bird has been quite reliable this year. I went to Hospitals for the sunset that showed promise but fizzled. I had some nice land/sea/wave-scapes lined up with the tripod-mounted Sony 70-200mm II lens. As I was shooting down from atop the cliff, the zillion tourists were somewhat of a problem.
Today is Thursday 29 December 2022. The forecast is for cloudy with a gentle SE breeze. I will be at the cliffs early. This blog post took about an hour to prepare and makes two hundred seventy-six days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Be sure to click on the image to view the larger, high res version. See me in the center of the pupil.
Image #1: Pelican Eyeball Self-Portrait
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Pelican Eyeball Self-Portrait Courtesy of the Sony a1
And Excellent Long Lens/TC Sharpness Technique
Yes, that is my reflection in the center of the bird’s pupil, working off the tripod just beyond the fence. Pretty sharp, no?
There is a spot at La Jolla where, in certain weather conditions, you can get 15 feet from the pelicans without even trying. You can get a bit closer by putting one leg of the tripod over the fence — just do it slowly. To ensure accurate focus and sufficient depth of field where you need it, learn to use Focus Peaking. Most modern dSLRs and mirrorless bodies offer this feature. With Sony, I set Focus Peaking up so that the in focus overlay is red.
When working with long effective focal lengths and relatively slow shutter speeds, you need to employ your best long lens sharpness techniques. Join me on an IPT to learn exactly how.
The astounding image quality of the a1 speaks for itself in this huge crop of the image below. And the same might be said about my long lens sharpness techniques.
This, the original image for the eyeball crop above, was created on 27 December 2022 at La Jolla, CA. While standing at full height I used the no-longer available Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1000. Exposure was determined via Zebras with ISO on the rear dial: 1/60 sec. at f/9 (stopped down 1 1/3-stops). AWB at 3:50:15pm on a cloudy afternoon.
Manual focus with Focus Peaking performed perfectly. Be sure to click on the image to enjoy the higher res version.
Image #2: Brown Pelican (Pacific-race) 2-year old resting — face portrait
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Looking for Special & Executing the Plan
I walked by this resting young bird about six times while searching for a colorful adult. Each time I passed it, the pink eye-skin called out to me. Finally, I succumbed and went to work. I set up perfectly parallel to the face. I was lucky to have the out-of-focus feathers of the next young pelican as the brown background. Focus Peaking showed me that f/9 covered the face. Experience told me that I could make sharp images at 1/60 sec. at 840mm. And Zebras showed me that I needed ISO 1000 to create a perfect exposure in the low light. Vision plus technique paves the road to making successful images.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Which of today’s three featured images is your favorite? You are cordially invited to leave a comment and let us know why you made your choice. For me, this one is a very close call.
Induro GIT 304L Tripod
Out of production for more than two years, BAA has just one left in stock. The 304L has been my go-to tripod for more than a decade. Best to grab the last one here right now.
What’s Up?
It finally happened: an only fair morning at La Jolla. It could have been great. But. After a spectacular sunrise, I noticed a single photographer sitting low in the rocks in the crevice near the point, up top. He was still and quiet and did not scare any birds. When nearly all of the young pelicans flew off, I walked up behind him and said, “Good morning.” No response. Louder. No response. Louder still, from 10 feet away. No response. I was going to suggest that if he moved back to the main cliff, that there was a good chance that lots of pelicans would fly in.
There were several possibilities:
1- He was deaf.
2- He had ear buds in and was listening to music.
3- He chose to ignore me.
I figured that if he did not speak English, he would have at least turned around.
I decided to head south and explore the low cliffs.
If he is there tomorrow, I will make sure to get his attention.
Along the coast, I photographed some surfing pelicans and some surfing humans. And I played around with a tame Whimbrel that was hanging out with two young Black-bellied Plovers. In the afternoon, working with slow shutter speeds at 840mm off the tripod, I worked tight detailed head shots of the pelicans by the downhill fence.
Today is Wednesday 28 December 2022. It is supposed to rain overnight and be partly-sunny turning sunny in the morning. So much for the ominous weather forecast. I never worry about dire forecasts until it begins to rain heavily. This blog post took two hours to prepare and makes two hundred seventy-five days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
This image was created on 26 December 2022 at La Jolla, CA. While standing at full height I used the no-longer available Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1000. Exposure was determined via Zebras with ISO on the rear dial: 1/500 sec. at f/4 (wide open). AWB at 7:20:17am on a cloudy morning.
Tracking: Spot (S) was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.
Image #1: Brown Pelican (Pacific-race) in pre-breeding plumage (white-necked)
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Lots Of …
On the day after Christmas, there were again a zillion pelicans on the cliffs. And, with the day being a federal holiday, there were almost as many photographers. As would be expected, several of those were quite lacking in field manners. There was one man working with a 600 lens on a tripod. Twice, I set up to shoot to his side. And twice he moved right in front of me. I said, “Excuse me, you just blocked me.” He said, “I was here first.”
Go figure.
Getting the Green Background
On the pelican cliffs at La Jolla, the best way to get a green background is to have some birds perched well up on the upper cliff either in the shade or on a cloudy day. There are patches of green vegetation on the opposite cliff. You need to line things up carefully as there is lots of of grey and brown there as well.
There was a young (thirty-something) photographer working this bird with me while 25 others down the slope ignored the beautiful bird with the white hind-neck. I complimented him on knowing his way around birds as he moved very slowly when changing his perspective.
A late-arriving photographer came through the gate and walked briskly between us and the bird. I raised one hand, motioning him to slow down, and said, “slower please.” He continued on, turned back to me, and said, “I gotta be somewhere.” I said, “You might have scared our beautiful bird.” He said, “Did I scare it?”
Tracking: Spot (S) was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.
Image #2: Brown Pelican (Pacific-race) in pre-breeding (white-necked) plumage — resting
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Point-blank Resting Pelicans and Depth of Field
I added the 1.4X TC and moved a bit closer to the bird. I made some images at f/6.3 and then went down to f/11 and eventually to f/14. Focusing on the eyes, the feathers of the folded near-wing and the breast sharpened up nicely, but the distal half of the bill is soft as it inside the zone of sharp focus. As I point out often here, when you are working anywhere near the minimum focusing distance, depth of field with long effective focal lengths — 840mm in this case, will be measured only in fractions of an inch. Notice that I am confident of making sharp images at 840mm with shutter speeds as slow as 1/60 sec. Even using the self timer I would not be confident at 1/30 sec.
This image, of the same bird, was also created on 26 December 2022 at La Jolla, CA. Again, while standing at full height I used the no-longer available Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1250. Exposure was determined via Zebras with ISO on the rear dial: 1/60 sec. at f/14 (stopped down 2 2/3 stops). AWB at 7:36:22 am on a cloudy morning.
Tracking: Spot (S) was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.
Image #3: Brown Pelican (Pacific-race) in pre-breeding (white-necked) plumage — bill pouch fully distended
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Getting Lucky
When teaching folks to photograph the pelicans at La Jolla, I recommend that if they are working with a long focal length and the bird does a head throw, that they acquire focus quickly, frame the image as best as they can, and press the shutter button without attempting to change any of their settings. So when the beautiful bird leaned forward and distending its bill pouch, I did as I teach but figured that I had zero chance at 1/160 sec. But, as the golfer stops for an instant as he or she transitions from the backswing to the downswing, my bird held still just long enough to produce one fairly sharp image. The other eleven in the series were all badly motion-blurred.
The Lesson
When you are working around other photographers, use common sense, move slowly, keep your eyes open, and be sure to look behind you whenever you move.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Monday morning might have been the most spectacular yet for pelicans. There were more pelicans in La Jolla than I had ever seen in my forty years of visits. With a big surf, there were lot of birds up top. In fact, there were pelicans everywhere. With so many birds, I walked back up the steps and grabbed the 600mm f/4 and the tripod to better isolate single birds. Though I have barely begun to edit the 2155 images, I have already color coded a few very special ones.
Today is Tuesday 27 December 2022. As the weather is supposed to take a turn for the worst for nearly a week, I am not sure what I will be doing in the morning. I am sure, however, that I will get some good and different stuff despite the poor weather. This blog post took 2 1/2-hours to prepare and makes two hundred seventy-four days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created in the fog on 23 December 2022 on the third morning of the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 200mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) Working in Shutter Priority + 1.7-stops with Exposure Compensation on the Thumb Dial, Zebra technology was used to determine the correct exposure. AUTO ISO set ISO 2000! 1/250 second at f/6.3 (wide open). AWB at 7:27:47am in dense fog. RawDigger showed the exposure to be dead-solid-perfect.
Expand Flexible Spot AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #1: The Original image
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The Original
The JPEG above depicts the raw file for the Brown Pelicans — Pacific race adults on cliff image. Aside from the fog, understand that the image looks washed out because it is properly exposed to the right. Many folks delete such images out of ignorance. With digital capture, it is fairly easy to transform the foggy looking images into fairy crisp, colorful images. I do understand, however, that some folks may prefer a foggier version, even one very close to the original.
Image #2: Adobe Camera Raw settings for the Brown Pelicans — Pacific race adults on cliff in fog image
Adobe Camera Raw Settings
In this case, adjusting the sliders is a good start. In addition to what you see above I did some Color Mixer work as well. I still need to do that video!
Before and After Crop, Add Canvas, and Average Blur Color Balance
As you can see by viewing the animated GIF, I cropped out the young bird on our left, and added lots of canvas right to maintain the 3X2 proportion. The final (and huge to me) improvement was using the Average Blur Color Color Balance technique on a Layer. The results were quite magical as this completely eliminated the overall BLUE cast.
This image was also created on 23 December on the third morning of the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 200mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) Working in Shutter Priority + 1.7-stops with Exposure Compensation on the Thumb Dial, Zebra technology was used to determine the correct exposure. AUTO ISO set ISO 2000! 1/250 second at f/6.3 (wide open). AWB at 7:27:47am in dense fog. RawDigger showed the exposure to be dead-solid-perfect.
Expand Flexible Spot AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #3: The optimized version of the Brown Pelicans — Pacific race adults on cliff image
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Your Call?
Do you like the optimized version, Image #3? Or would you prefer a somewhat foggier version?
San Diego IPT ##2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
It seems hard to believe that every morning session in La Jolla has been better than the previous one. With a 15 mph wind from the east as the sun rose those in the right spot on the cliffs enjoyed fantastic flight photography. I wound up deleting hundreds of perfectly sharp, well-framed images of flying pelicans because of minor differences in wing positions, flight poses and postures, and underwing shadows. I created 2896 images on Sunday morning and kept exactly 200 including today’s very special featured image. I will run the fog-processing post tomorrow. The perfect weather is supposed to end on Tuesday but the big surf that comes with a storm should provide some neat opportunities.
Please shoot me an e-mail if you would like the late registration discount information for the second San Diego IPT.
Today is Monday 26 December 2022. I will be heading back to the cliffs tomorrow for another fix. This blog post took an hour to prepare and makes two hundred seventy-three days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 25 December 2022, my first free day after the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 419mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial, ISO 1000. 1/3200 second at f/6.3 (wide open). AWB at 7:53:19am on a clear sunny morning. RawDigger showed the exposure to be dead-solid-perfect.
Zone AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Adult Brown Pelican biting the neck of another while a juvenile looks on placidly
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Pelican Behaviors
The are many interesting pelican behaviors to photograph. When one birds land in a crowd, many birds raise their bills and distend their bill pouches as a form of greeting. You will see that behavior in tomorrow’s fog-processing post. There is no doubt at all of the aggressive nature depicted in the image above. The bird with the orange base to the bill pouch wanted spot at the end of the cliff so he began biting the head of the bird with the bright red bill pouch. The attack lasted more than thirty seconds until the pelican on the right had had enough and flew away.
Three on the Same Plane!
I would have preferred that the young bird on our left had not been in the frame. Somewhat miraculously, the eyes of all three pelicans were on the exact same plane and are all razor sharp. That made the presence of the young bird a lot more palatable than if it had been closer to me than the other two birds
San Diego IPT ##2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Which of today’s four featured images is your favorite? Leave a comment and let us know why you made your choice and you will likely learn something!
What’s Up?
Happy holidays to all.
We spent the last morning of the first San Diego IPT at Santee Lakes. Though it was not the greatest day ever, we had many good chances with Wood and Ring-necked Ducks. And we ended the morning with decent images of a Lewis’s Woodpecker, a rare visitor to San Diego. I took the afternoon off despite the nice weather.
Each of the three pelican mornings has been among the best I have enjoyed in three decades of photographing in San Diego. Remembering that you only live once, you just might want to call Jim at the office at 863-692-0906, leave a deposit for the second or third San Diego, or e-mail me and ask about doing a few In-the-Field Days in January, and then get yourself a flight to San Diego.
Please shoot me an e-mail if you would like to receive the San Diego IPT #2 Late Registration Discount info.
Today is Sunday 25 December 2022. For those who celebrate the holiday, I hope that Santa brought you what you wanted. With clear skies and a NE breeze skies forecast for today, I will surely head to the pelican cliffs. This blog post took two hours to prepare and makes two hundred seventy-two days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 23 December on the third morning of the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 200mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) Working in Shutter Priority + two-stops with Exposure Compensation on the Thumb Dial, Zebra technology was used to determine the correct exposure. AUTO ISO set ISO 2500! 1/20 second at f/5.6 (wide open). AWB at 6:42:34am about an hour before the sun would crest the hill to the east. RawDigger showed the exposure to be dead-solid-perfect.
Expand Flexible Spot AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #1: Brown Pelican juveniles — pre-dawn landing blur
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Necessity, the Mother of Invention
If you insist on making only sharp images in extreme low light conditions, you will be working with unheard of high ISOs. Note that at 1/20 second I needed ISO 2500 to get the right exposure. What would the ISO have been had I been working even at a conservative 1/1600 second for flying birds? I am not gonna take the time to figure it out but even if your camera goes that high, the results would be horrific at best.
My choice is to go with the flow and strive to some create pleasing blurs. Remember that the shower the shutter speed you choose, the lower your percentage of keepers will but that your chance of winning a prestigious contest will be.
This image was also created on 23 December on the third morning of the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 200mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) Working in Shutter Priority + 1.7-stops with Exposure Compensation on the Thumb Dial, Zebra technology was used to determine the correct exposure. AUTO ISO set ISO 2000! 1/250 second at f/6.3 (wide open). AWB at 7:27:47am in dense fog. RawDigger showed the exposure to be dead-solid-perfect.
Expand Flexible Spot AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #2: Brown Pelicans — Pacific race adults on cliff
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Working in Shutter Priority!
As regular readers know, I sometimes opt to work in Shutter Priority Mode in low light. That is easiest to do with Sony because of Zebras. It was easy to got from a very low blur shutter speed to the fast enough shutter speed of 1/250. sec. The trick is that you have to know your way around getting the right exposure with whatever gear you are using.
Fog Processing
Because of the fog, the properly exposed raw file for Image #2 was totally flat and lacking contrast and color. I will walking about processing such images in a blog post here soon.
This image was also created on 23 December on the third morning of the first San Diego IPT. I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens (at 102mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with ISO on the thumb dial. ISO 640: 1/1250sec. at f/2.8 (wide open) in Manual mode. AWB at 8:39:48am on after the fog returned.
Tracking: Spot S AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.
Image #3: Brown Pelicans and photographers on the lower shelf
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Taking a Walk
While Anar stayed on the cliffs, I took a walk up the steps and down the hill with the handheld 400 f/2.8 and the 70-200 on a Black Rapid Curve Breathe Strap on my shoulder. I used the latter to create Image #3. Here’s a good tip for creating bird scape and scenic images with a zoom lens: always zoom a bit wider so that you have room to crop if need be. With this image, I cropped from above and the right to eliminate a pelican on the right frame-edge
2022/2023 Juvenile Brown Pelicans
The last breeding season was surely a banner one as there are a zillion young of the year birds this year. Some years, you have to search to find two or three juvie. You can tell them from the adults by their brown upper parts and their white bellies. The adults are silver/grey above with speckled charcoal or nearly black bellies.
This image was also created on 23 December on the third morning of the first San Diego IPT. While standing, I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1250. 1/1600 sec. at f/3.5 (stopped down 2/3-stop in error) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:15:33am on a then foggy morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #4: Brown Pelican juvenile landing in light fog
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The 400mm f/2.8
The lens that I advised against for nearly forty years has become one of my favorites and has been incredibly valuable in San Diego. It is superb for low light flight at La Jolla, especially if you know where to be.
San Diego IPT ##2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Chip Schilling is offering a Canon EOS R6 Mirrorless Camera Body in like-new condition with the latest firmware update for a BAA record-low $1699.00. The sale includes the original box, the front cap, one battery and the charger, the strap, the manual, and insured ground shipping to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
Please contact Chip via e-mail or by phone (or text him) at 315-481-0916.
The R6 is virtually identical to the R5 but for the 20 MP raw files and the smaller price tag. The Menu is easy to navigate. The Face Detection plus Tracking technology (though not perfect) is superb. The Custom shooting modes (C1-C3) allow the user to save many items including and especially Customize Buttons, Customize Dials, and Shutter Mode settings. That makes the Custom shooting modes a huge plus for users who do not need to waste time fiddling around with various settings. One of three different Mount Adapters EF-EOS R enable folks to use their Canon EF lenses seamlessly with all of the great R6 features maintained. AF performance with the adapters and EF lenses is superb. With an R6, a Standard Mount Adapter EF-EOS R, and the Canon EF 100-400mm f/4.5-5.6L IS II USM lens, you will have a great rig for bird and nature photography.
In the pre-dawn, we had our best morning of pelican blur photography. “Bad” weather often makes for great photography; we dealt successfully with a big fog bank on Friday morning. I was hoping for some fire in the mist when the sun crept over the hill, but the fog behind us dissipated almost instantly and the sun broke through only a few minutes later. While the sun shone for an hour, we enjoyed some great flight photography and then worked the perched pelicans at close range. And then the fog rolled back in so we walked down the hill and had some more good flight photography. On the way, I had grabbed the 70-200 II and created some neat images of the pelican-covered cliffs.
We returned to the cliffs at about 3:00pm and found that the fog had returned. Dozens of pelicans were in the air at any given moment. Then I found the male Anna’s Hummingbird. After that, we worked some of the pretty pelicans perched just down from the sidewalk. I took Anar and her husband to the Shiku Sushi Bar for a thank you dinner.
Each of the three pelican mornings has been among the best I have enjoyed in three decades of photographing in San Diego. Remembering that you only live once, you just might want to call Jim at the office at 863-692-0906, leave a deposit for the second or third San Diego, or e-mail me and ask about doing a few In-the-Field Days in January, and then get yourself a flight to San Diego.
Today is Saturday 24 December 2022. We will be headed early to Santee Lakes to see how the ducks are doing. This blog post took an hour to prepare and makes two hundred seventy-one days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
The offshore pre-dawn fog bank and pelicans on the bottom left shelf.
Changeable Weather
Many folks will opt to stay home when the forecast calls for clouds, fog, drizzle, high winds, or even rain. At photography locations like San Diego (and Bosque Del Apache NWR in NM when it use to be good), the weather is typically clear and sunny. I get excited when changeable weather is coming as it will almost always present a variety of different and often excellent photography conditions. Such was the case in San Diego yesterday day.
This image was created on 23 December on the third morning of the first San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 371mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1000. 1/1000 second at f/8 (stopped down 2/3-stop) in Manual Mode. AWB at 8:11:25am on a then-sunny morning. RawDigger showed the exposure to be dead solid perfect.
Expand Flexible Spot AF-C with Bird Face-eye Detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.
Brown Pelican sub-adult preening
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Orange Marmalade Pelican Bill Pouch Pano
It was clear in the pre-dawn with a distant fog bank offshore. And then the fog rolled in. And then the sun broke through. We were sitting on the lower shelf when a gorgeous young pelican landed on a pedestal rock about thirty feet from us and began preening. The bill was orange marmalade color at the base, while the distal 1/2 was strangely yellow rather than dark olive colored.
I created 813 images of this unique bird. After the first edit of the morning session folder, 67 of the 196 keepers were of this handsome pelican. I just love the variety of plumages of the various ages of Pacific-race Brown Pelicans.
You Call?
Is today’s featured image more doofy or more beautiful?
From the Urban Dictionary
goofy — adjective: descriptive of or pertaining to acts or behaviours that come across in a somewhat off-kilter or awkward.
San Diego IPT #1 & #2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #1 & #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Thursday morning was fabulous for pelicans again. And lots more. I filled a 160GB Delkin card for one of the very few times ever. But today’s blog post is about our first afternoon.
There were more than 600 pelicans on the various cliffs on Thursday morning. We experimented with 1/13 second cormorant pan blurs in the pre-dawn light, and then had our best morning of pelican flight once the sun came up. We ended our times on the cliffs with a gorgeous white-necked (pre-breeding plumage) bird up top, the first pelican that we had on the upper cliffs. It was silly tame and the Pacific blue background was to die for. Then we headed south along the coast and had a ton of fun and many great opportunities on several species of shorebirds, a tame Black Phoebe, a coastal raven, and some gulls in flight. We spent the afternoon at Coronado and needed a stronger wind for the gulls in flight. We enjoyed some nice sunrise color along with the gulls and shorebirds. I have been reminded daily of what I love San Diego so much for bird photography.
Remembering that you only live once, you just might want to call Jim at the office at 863-692-0906, leave a deposit for the second or third San Diego, or e-mail me and ask about doing a few In-the-Field Days in January, and then get yourself a flight to San Diego.
Today is Friday 23 December 2022. We will be headed to the pelican cliffs early for the third morning of the first San Diego IPT. This blog post took about 90 minutes to prepare including the time spent on the two image optimizations and makes two hundred seventy days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 22 December 2022 at La Jolla Shores Beach, CA on the first afternoon of the first San Diego IPT. While standing at full height, I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 250. 1/8000 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect plus a bit, just as I wanted it. AWB at 4:21:26pm on a sunny afternoon.
Tracking: Expand Spot AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: Western Gull with backlit wave
Your browser does not support iFrame.
Remember, It’s Nature Photography: There are No Guarantees
We headed to La Jolla Shores Beach with high expectations. It was low tide and sunny and the wind from the west. Perfect conditions. There were 378 tourists and college students on the beach, 37 unleashed dogs, and 1 dog on a leash. (Unleashed dogs are of course forbidden). There were no Marbled Godwits, no Whimbrels, no Sanderlings, no Spotted Sandpipers, no Royal Terns, six Western Gulls, two Ring-billed Gulls, and most amazingly, zero Heermann’s Gulls!
We walked more than a mile up the beach without much to show for our efforts. Twenty minutes before sunset, I noticed a Western Gull perched on some offshore rocks. Every time a big wave broke, the gull jumped up and then flew back to its perch. Walking about 75 yards south put the sun behind the rock. When the gull jumped up, the breaking wave was beautifully backlit. I called Anar over and explained what we were after.
I told her to set a fast shutter speed with the wide open aperture, raise the ISO until she had faint Zebras on the sky, and then dial the ISO back 1/3-stop so that there were no Zebras on the sky. She asked, “Why no Zebras?” I explained that when the wave broke the backlit highlights would be very bright. As you can see by our results, that exposure strategy worked perfectly.
This image was created by Anar Daswani on 22 December 2022 at La Jolla Shores Beach, CA on the first afternoon of the first San Diego IPT. She used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 400. 1/2500 second at f/6.3 (wide-open) in Manual Mode. AWB at 4:34:05pm on a typically sunny morning. RawDigger showed the exposure to be fractionally short of perfect.
Expand Flexible Spot S AF-C with performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #2: Western Gull with backlit wave
Image courtesy of and copyright 2022 Anar Daswani
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Way to Go Anar!
From the first day that I met Anar at Stick Marsh last spring she has been serious about improving her bird photography. She asks lots of good questions and pays attention all the time. On Wednesday afternoon, that paid off big time.
The Best Part of being on an IPT
When Anar saw how I had processed Image #1, she said, “I want some of that!” So at lunch on Tuesday, I created a Camtasia screen capture video of the complete optimization of her image. I will send it to her soon. We do that often on most IPTs and the videos are shared with the participants.
San Diego IPT #1 & #2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #1 & #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Conditions on Wednesday morning were similar to those on Tuesday: a gentle surf and bit more of a breeze from the northeast later in the morning. The pelican photography was excellent again and we had more flight chances. I was joined by Anar Daswani of San Jose, CA. Anar joined me for two In-the-Field sessions at Stick Marsh last April. She showed up with an a1 and a 200-600 and simply put, had no clue. At lunch, she shared some really great images that she had made in the interim. I am very proud of her progress and she went from a beginning nature photographer to a skilled nature photographer as a result of the two mornings we spent together.
Remembering that you only live once, you just might want to call Jim at the office at 863-692-0906, leave a deposit for the second or third San Diego, or e-mail me and ask about doing a few In-the-Field Days in January, and then get yourself a flight to San Diego. There were more than 400 pelicans on the various cliffs this morning. We made lots of excellent images before the sun came over the hill at about 7:40. Then we relocated on the lower shelf and worked the sweet light with the sun behind us. Today is Thursday 22 December 2022. We will be headed to the pelican cliffs early for the second morning of the first San Diego IPT. This blog post took about 90 minutes to prepare including the time spent on the image optimizations and makes two hundred sixty-nine days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
This image was created on 21 December 2022 at La Jolla, CA. While seated on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 400. 1/4000 sec. at f/3.2 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 9:14:23am on a faintly cloudy morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: Brown Pelican Pacific-race preening — over the shoulder view
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The Beauty of Whitewash Poop Streaks
The sandstone rocks in La Jolla are often beautifully streaked with pelican poop. Over the years, I have made many images of birds with the beautiful poop patterns in the frame and I have made photos of the white on sandstone alone. I had eyed this particular rock wall on Tuesday morning, but came away empty handed. When I saw the orange variant bill pouch bird preening, I went wide so as to include lots of whitewash strikes and a nice expanse of the Pacific.
Note the subject placement, the perfect preening head angle, and the nicely spread tail. This bird had a chunk of feathers missing from its hind-neck that was repaired with the Patch Tool.
This image was also created on 21 December 2022 at La Jolla, CA. While seated on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 400. 1/5000 sec. at f/3.5 (stopped down 2/3-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:06:50am on a sunny morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #2: Brown Pelican Pacific-race juvenile resting
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Same Wall, Brighter Light, Young Pelican
The young pelican in Image #2 was resting on a flat portion of cliff a few yards to the left of the wall seen in Image #1. I did lots of cliff clean-up work on this image with the Patch Tool, the Spot Healing Brush, and Content Aware Fill.
Depth of Field Question
Why are the whitewash streaks sharp in Image #1 but completely blurred in Image #2?
San Diego IPT #1 & #2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #1 & #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Despite the lack of high surf and only a gentle breeze from the northeast, photography at La Jolla was typically spectacular on my first morning in California.
Remembering that you only live once, you just might want to call Jim at the office at 863-692-0906, leave a deposit for the second or third San Diego, or e-mail me and ask about doing a few In-the-Field Days in January, and then get yourself a flight to San Diego. There were more than 500 pelicans on the cliffs this morning and, as you can see by taking a glance at the seven images below, the light was sublime. Today is Wednesday 21 December 2022. I will be headed to the pelican cliffs early for the first morning of the first IPT. I always go with one, and that is what I will be doing. This blog post took more than two hours to prepare including the time spent on the image optimizations and makes two hundred sixty-eight days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 20 December 2022 at La Jolla, CA. While seated on red dirt emptying the knee-pod technique I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1000. 1/640 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 8:49:37am on a faintly cloudy morning.
Tracking: Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: Brown Pelican Pacific-race in breeding plumage
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Fluorescent
There were several pelicans, like this one, where the colors about the face and the bill pouch seemed to glow in the soft sunlight, appearing to be a bit fluorescent. The bird in this image was quite cooperative.
This image was created on 20 December 2022 at La Jolla, CA. While standing on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 400. 1/2500 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:03:10am on a faintly cloudy morning.
Tracking: Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #2: Brown Pelicans — Pacific-race in pre-breeding plumage (left) and breeding plumage (right)
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Pelicans on the Exact Same Plane
These two birds sat peacefully on the cliff for more than an hour, occasionally preening or doing a head throw. I removed the TC and moved back so as to include both birds in the frame. I moved slightly left and right and eyeballed the depth of field so that both birds were exactly on the same plane. If enlarge the image, you will see that this technique worked perfectly; the eyes of both birds are dead-solid perfect sharp.
This image was created on 20 December 2022 at La Jolla, CA. While standing on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640. 1/2500 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be 1/3-stop short of perfect. AWB at 9:14:23am on a faintly cloudy morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #3: Brown Pelican Pacific-race pre-breeding — head throw from behind
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The Slight Underexposure
When making Image #2, the exposure was a compromise because the bird on our right was much brighter than the bird on our left. Thus, when the bird on our left did a head throw, all of the images of only that bird were about 1/3-stop short of perfect. All were razor sharp on the eye. I had gone to vertical and fired off a 26-frame sequence. Remarkably, all of the photos were created within a single second.
This image was created on 20 December 2022 at La Jolla, CA. While standing on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640. 1/3200 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:17:04am on a faintly cloudy morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #4: Brown Pelican Pacific-race in breeding plumage in flight
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Not Much Flight
With not much wind, there was not much flight photography. I love doing the static birds so much that I often miss good flight opportunities because I am not concentrating on the flying pelicans. It is a hard habit to break as I am addicted to the beauty shots as apposed to the action especially those in the air!
This image was created on 20 December 2022 at La Jolla, CA. While seated on red dirt employing the knee-pod technique I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/3200 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:26:43am on a mostly sunny morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #5: Brown Pelican Pacific-race in breeding plumage preening
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The Classic Preening Pose
Note that the bird’s bill and face are perfectly parallel to the imaging sensor. As they should be. Note also the killer sweet background that comes with longer rather than shorter focal lengths.
This image was created on 20 December 2022 at La Jolla, CA. While seated on red dirt employing the knee-pod technique I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1000. 1/640 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 9:31:32am on a mostly sunny morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #6: Brown Pelican Pacific race in breeding plumage tight underside view of bill pouch during head throw
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I’m Too Tight!
Oftentimes, folks see a head throw and fail to press the shutter button because they cannot fit the whole bird into the frame. In those cases, simply acquire focus, compose as best as you can, and press the shutter button. You will clip the bill at times, but you just may come up with a winner.
This image was created on 20 December 2022 at La Jolla, CA. While standing on the lower cliff I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/640 sec. at f/2.3 (stopped down 1/3-stop in error) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined within 1/6 stop of perfect. AWB at11:05:57 in the shade on a sunny morning.
Tracking: Flexible Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #7: Brandt’s Cormorant displaying
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The Brandt’s Cormorants
The Brandt’s Cormorants breeding ledge is in full swing with lots of birds flying in with nesting material and lots of birds displaying.
Your Call?
Which of today’s featured images is your favorite? Why?
San Diego IPT #1 & #2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #1 & #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Orlando International Airport was as jam-packed as I’ve ever seen it at 5:30am on Monday. I was glad to have TSA Pre-check! As a huge fan of Air Disasters,I was glad that my non-stop flight to San Diego was blessedly uneventful.
When we landed in San Diego I looked across the aisle at the guy who sat next to me for five hours and said to him, “Did anyone ever tell you that you look like pro golfer Matt Kuchar?” He, said, “That’s me.” I told him that I had been rooting for him on the PGA tour (where he has won nine tournaments and in excess of $50,000,000) ever since he went on tour in 2000. I shared a bunch of golf stories from my younger days and asked him about his Dad who. was his teacher and a great friend. Matt could not have been any nicer if I had been his best friend. He was on his way with his family to Hawaii for some vacation and to get ready for the Sony Open.
I was so excited meeting him that I left my phone on the plane on the armrest. My seat-mate saw me heading back to the gate in a panic and said, “No worries, I left it with the agent.” Whew!
This image was created on 6 January 2020 on a San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 485mm) and the Sony a9 II (now replaced for me by The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 800. 1/2000 second at f/6.3 (wide-open) in Manual Mode. AWB at 8:37:09am on a typically sunny morning. RawDigger showed the exposure to be fractionally short of perfect.
Expand Flexible Spot S AF-C with performed perfectly. Be sure to click on the image to enjoy a high-res version.
Scissors-preening (one of the many avian and photo related terms that I have coined) occurs when a bird opens and closes its bill, usually while preening a bill-full of usually small feathers. Sort of like when Sal-the-barber grabs a few fingers of a tyke’s blonde locks clipping away as he goes. With small birds, scissors-preening is often not very impressive, but bird’s like pelicans with their huge bills often put on quite a show.
The adult pelican in Image #1 is in full breeding plumage with its blackish brown breast feathers, the brown hind-neck with a touch of rufous, the bright red on what looks like the bird’s neck but is actually the base of the bill pouch, the golden-yellow head feathers, and the golden-yellow diamond-shaped patch where the bottom of the neck meets the top of the breast. In a word, gorgeous, especially when compared to their drabber eastern counterparts.
This image was created on 6 January 2020 on a San Diego IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 535mm) and the Sony a9 II (now replaced for me by The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 400. 1/1600 second at f7.1 (stopped down 1/3-stop) in Manual Mode. AWB at 9:43:52am on a typically sunny morning. This image was made pre-RawDigger. After the fact it showed the exposure for this image to be nearly one full stop too dark. My bad: I had Zebras.
Expand Flexible Spot S AF-C performed perfectly. Be sure to click on the image to enjoy a high-res version.
The principle guideline for creating pleasing scissors-preening pelican images is similar to that in play when photographing any preening pelicans: strive to have the bird’s face and bill parallel to the back of the camera. Doing so will greatly reduce your depth of field problems. In addition, images made when the bird’s visible eye is wide open, will usually be preferred to those where the bird is squinting, to those made when the eye is fully closed, or those made when the eye is covered or partially obscured by the nictitating membrane.
Moderately fast shutter speeds of from 1/1000 to 1/2000 second are fine when photographing this behavior. When photographing pelicans in flight is is best to use really fast shutter speeds of from 1/2500 second to 1/4000 second or even higher (though at times you can get away with slower shutter speeds if you match the speed of the bird in flight with the speed of your panning). When photographing the bill clacking behavior you will want to use use the really fast shutter speeds mentioned above.
Which?
Which of today’s two featured scissors-preenining image is the stronger image? I have a clear favorite and will share it with you here on Thursday.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
It was a great weekend for all types of football. On Saturday, the Minnesota Vikings came back from a 33-0 deficit in the second half to win 39-36 on a field goal with 3 seconds left in overtime. It was the biggest-ever comeback in an NFL game. In the third game that day, the Buffalo Bills, after trailing by eight points in the fourth quarter, defeated the Miami Dolphins on a 25-yard field goal in a blizzard with no time left on the clock.
The FIFA World Cup final was boring for 82 minutes as Argentina led France 2-0 from early on. France looked as if they were done for until Kylian Mbappé scored on a penalty kick and followed that a minute later with the tying goal. But Argentina’s legendary Lionel Messi poked the ball into the goal to put Argentina ahead again. But not for long as Mbappé netted a hat trick on his second penalty kick. Regular play lasted 90 minutes plus two additional 15-minute periods plus stoppage time. Both teams had numerous great chances for the last fifty minutes; the action was breathtaking. Each team just missed scoring in the last minute of overtime. When that ended, the game was tied at 3-3. Argentina won 4-2 on penalty kicks.
After winning seven Ballon d’Ors, lifting 38 trophies, and playing over 1,000 games in his career, the World Cup was the only title missing from Messi’s resume. It was fitting that the 35-year-old clinched that elusive title in such a remarkable game. Despite not being not quite good enough to inspire France to successive World Cup titles, Mbappé’s third goal secured him the Golden Boot – a trophy given to the tournament’s top scorer. He scored eight goals in Qatar. Read more here. Better yet, see all the thrilling highlights in the YouTube video here.
Ballon d’Or
Since 1956, an an annual football (soccer) award presented to the world’s best footballer by French news magazine France Football
Today is Monday 19 December. I fly to San Diego for five weeks this morning at 7:15am. I am staying for about five weeks. What can I say? I love the pelicans and the weather. This blog post took about 90 minutes to prepare and makes two hundred sixty-six days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 13 December 2022 down by the Lake near my home at ILE. I used the BLUBB-supported Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 2.0x Teleconverter and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO ???. 1/500 sec. at f/5.6 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be quite excellent — see more below. AWB at 6:58:39am on a cloudy morning about ten minutes before the time of sunrise.
Tracking: Flexible Spot/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Crested Caracara — large crop
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Image Quality Factors
Many factors determine image quality. Among those are sharpness, clarity, color, and fine detail. The higher the quality of the sensor in your camera and the lens you are using, the better the image quality will be (all else being equal). Understand that cropping always degrades image quality. In addition, and in general, the higher the ISO, the poorer the image quality will be (again, all else being equal).
The JPEG for today’s featured image was created from a TIF file that was cropped dramatically; it represented only 13.5% of the original pixels. 86.5% of the original pixels were cropped away and discarded.
Study the EXIF, enlarge the photo and check out the image quality, put everything together, and leave a comment with your best estimate of the ISO used to create the image.
In which area is today’s featured image most lacking?
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
IPT veteran William Wingfield is selling a Canon EF 16-35mm f/4L IS USM lens in like-new condition for $749.00. The sale includes the front and rear lens caps, the lens pouch, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
This is the dream lens for folks doing handheld scenic, urban, and travel photography. It is super sharp, features a constant f/4 maximum aperture, and offers four shutter speed stops of image stabilization to allow working in low-light conditions with slow shutter speeds. Still in production, this lens sells new for $1299.00. Grab Bill’s pretty much new copy and put a smooth $550.00 in your pocket. artie
Iceland
My decades-long dream of spending time on Grimsey Island, Iceland, with the puffins — 13 days in this case!, will be realized this coming July. I am doing back-to-back trips as a participant. If anyone would like information on the world’s greatest Iceland/Atlantic Puffin trip this coming July, please contact me via e-mail.
Which?
Which two of today’s featured image best tell the story. Why?
What’s Up?
Me, trying to finish packing.
Today is Sunday 18 December 2022. I will be spending tonight in an airport hotel at MCO because my flight on Monday morning is scheduled to depart at 7:15am. I will be on an early shuttle! I stayed in this morning as I have lots to do. This blog post took about 90 minutes to prepare and makes two hundred sixty-five days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Image #1: iPhone 11 Pano (cropped). Click on the image to view a larger version.
The Vulture Trees in September 2022
In Memoriam
The original Vulture Tree can be seen on the far left. There is a single perched vulture on it. As is typical with dead trees, the configuration of the branches near the top changed over the years. I spent many dozens of hours photographing there. And you have seen many images here on the of either perched birds or birds flying into that tree to land.
The largest dead tree, the one in front of the three live pines, was too cluttered for photography until Hurricane Ian visited in late September. I made a neat video of vultures hanging on for dear life to the upper branches on the afternoon of that storm. I liked photographing the perched vultures in this tree on cloudy mornings with a northeast wind. You saw two of those images in the Before and After Hurricane Ian at Indian Lake Estates, FL. And Wind Lessons blog post here.
Over the past two years, the skinny dead tree on the right became my favorite. You’ve seen many fine images of birds perched on the top right fork and on the lowest stub of a branch the right side of the tree.
Now ask yourself, what harm were the tree dead trees doing?
Image #2: iPhone 11 image (cropped). Click on the image to view a larger version.
The Wreckage of the First Tree to Fall
The First to Fall
Having watched as many as seven ILE work trucks (including the forestry bucket truck) cutting down both dead and live trees and “cleaning up” the North Field and the South Peninsula, the handwriting was on the wall. So, I was not shocked on the foggy morning of 15 December to see that the largest dead tree had succumbed to the chain saw on the morning of the 14th. Note the single vulture in the original vulture tree looking on forlornly. I entertained the slim possibility that they might spare the other two perch tree. That was not to be.
Image #3: iPhone 11 image. Click on the image to view a larger version.
The Wreckage of the Largest and First Tree to Fall
Walking the Sacred Burial Grounds
As I walked the south end of the South Field on the partly sunny morning of 16 December it was eerily still and quiet. I felt as if I were walking on a sacred battlefield burial ground, perhaps one from the Civil War. Instead of dead soldiers, the ground was littered the bucked logs. (A felled and de-limbed tree is cut into logs of standard sizes via a process called bucking.) It was quite a spiritual experience, rife with a bit of sadness.
The small fan palms on the right side of the frame mark the site of my favorite Vulture Tree, the skinny one.
Image #4: iPhone 11 image. Click on the image to view a larger version.
The Wreckage of the My Favorite Vulture Tree
Death of a Friend
As I walked the field, I began the process of mourning the loss of three good friends. Can you befriend a tree?
Image #5: iPhone 11 image. Click on the image to view a larger version.
The Remains of the Original Vulture Tree
Removing Dead Trees — Good or Bad?
Do not think that most folks are environmentally aware of the value of dead trees. I did a web search for “Should you cut down dead trees?” and was stunned to find dozens of “Yes” answers explaining why every dead tree in sight should be cut down immediately. Funny that all of those were sponsored by tree removal companies.
Don’t get me wrong; dead trees that present hazards to humans or their dwellings need to be removed. There was a huge dead tree that threatened to fall onto my pool cage. I had it removed. When a big oak tree fell in the backyard during a hurricane and just barely touched the pool cage, we chopped it up and left the dead wood to rot. Bobwhites love to perch on the main trunk to sing and to check on their families foraging below the feeder.
When I refined my search a bit by including the word environment, the world came to its senses. The best article I found was here by George Wuerthner on the The Wildlife News website. This 3000+ word article is entitled The ecological value of dead trees. Though it is well worth reading the whole thing, here are a few telling excerpts:
Dead. Most of us have negative associations with the word. After all how did Death Valley get its name? Not because it was a favorite vacation spot for prospectors. Is anyone interested in fishing the Dead Sea? And when we say someone looks like “death warmed over” it’s not usually taken as a compliment. So it’s not surprising that most of us tend to view dead things as undesirable, unless we are talking about mosquitoes and rattlesnakes. (Actually I appreciate both and don’t advocate early death for either.)
We carry this cultural bias to our view of forests. Like most people I once viewed dead trees as an indicator of some presumed problem in the forest—that a ‘healthy” forest was one with a minimum of dead trees and largely free of wildfire, insects, and disease. Oh yes, I knew that a few snags were good for woodpeckers, and as a fly fisherman I understood that trout tended to be found hiding behind logs in the stream. I suffered from the same cultural bias as most people and thought that large numbers of dead trees meant that the forest was “out of balance” or “sick.” But the more I studied ecology, the more I questioned these assumptions. I now understand that large numbers of dead trees are critical to functioning forest ecosystems and sometimes, at the risk of hyperbole, I occasionally say they are ultimately more important to forest ecosystems than live trees.
There is no disputing the ecological importance of dead trees. Dead trees and down wood play an important role in ecosystems by providing wildlife habitat, cycling nutrients, aiding plant regeneration, decreasing erosion, and influencing drainage and soil moisture and carbon storage, among other values. Richard Hutto, an ecology professor at the University of Montana, sums up this new way of thinking about the long-term ecological value of dead trees when he notes, “Snags are important biological legacies that are passed from one forest generation to the next.”
DEAD TREE IMPORTANCE FOR WILDLIFE
…
So important are dead trees to wildlife that researcher Timothy Kent Brown estimates that two thirds of all wildlife species use dead trees or down wood during some portion of their life cycle. Among Pacific Northwest vertebrates, 69 species depend upon cavities for shelter or nesting, while 47 other species are strongly associated with downed wood. And it’s not just the obvious species like woodpeckers. Many bat species, for instance, hide in cavities in dead trees or under the loose bark of dead and/or dying trees.
Jim Andrews, a professor at Middlebury College in Vermont, studies amphibians and reptiles in northeastern forests. Andrews says, “Foresters tend to look at the forest from the floor up. I have occasionally gone on field trips with them and they were rather proud of how they had managed their forests, but the forest has nothing in it. There’s no cover. No places to find live critters.”
Andrews notes that dead and dying trees are important for many cold-blooded species, from gray frogs to arboreal rat snakes. “Standing snags, once they get big enough so that they have hollow centers—what foresters call ‘overmature,’ (which I hate since it is so board-foot focused)—are the places where wildlife reside.” Andrews quips, “To a biologist you don’t have overmature trees—you have wildlife habitat.”
The importance of down logs to wildlife can’t be overstated. Andrews notes that the greatest biomass of terrestrial vertebrate species found in eastern forests are salamanders, not the more charismatic large mammals like deer and moose. As a result they are important as food to many other species, from wild turkeys to shrews.
But salamanders are also significant predators in their own right. Andrews says salamanders eat beetle larvae, fly larvae, ground beetles, spiders, sow bugs, round worms, and other invertebrates that feed on forest debris.
Salamanders are the top predator that shape ecosystem processes much as wolves are the top predator at another scale in terrestrial ecosystems. “Salamanders, by preying upon these species that consume leaf litter, help to maintain a deeper layer of leaves and other organic debris that holds moisture, reduces floods, and that kind of stuff, “says Andrews.
The iPhone Photography e-Guide
Click here to learn about Cliff Oliver’s great iPhone e-Guide. To order your copy, please click here. The PDF is sent link by e-mail for downloading: the file is relatively huge at 216 MB. I was an iPhone photo dunce until I got this guide.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
If you know the Burrowing Owl location about an hour from San Diego, please get in touch with me via e-mail.
Iceland
My decades-long dream of spending time on Grimsey Island, Iceland, with the puffins — 13 days in this case!, will be realized this coming July. I am doing back-to-back trips as a participant. If anyone would like information on the world’s greatest Iceland/Atlantic Puffin trip this coming July, please contact me via e-mail.
What’s Up?
The story of what I did on Friday morning will be shared in tomorrow’s blog post. I did get lots of packing done for San Diego, and still have lots more to do today.
Speaking of which, today is Saturday 17 December 2022. I will be overnighting in an airport hotel at MCO on Sunday night as my flight on Monday morning is scheduled to depart at 7:15am. I will be on an early shuttle! The forecast for this morning is for mostly cloudy skies with a breeze from the northeast. I may head down to the lake after I publish today’s post. This blog post took about 90 minutes to prepare and makes two hundred sixty-four days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
This image was created on Thursday 15 December 2022 down by the lake near my home at Indian Lake Estates, FL. Standing at the bottom of the slope down to the canal that separates the South Peninsula from the South Field, I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with Exposure Compensation on the thumb dial. Shutter Priority +2-stops. AUTO ISO set ISO 640: 1/3200 sec. at f/5.6 (wide open). When evaluated in RawDigger, the raw file exposure was determined to be about 1/6 stop short of dead-solid perfect. AWB at 7:17:26am just before the sun came over the distant trees.
Tracking: Zone AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Two Black Vultures (on our left) and one Turkey Vulture, perched for the last time my favorite Vulture Tree
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The Last Sunrise
As the folks at ILE had cut down the largest of the three Vulture Trees on Wednesday morning, I figured that the last two would go down on Thursday. So, I arrived early and with some light clouds on the eastern horizon, I enjoyed some nice sunrise color. The sun rose, and then the end came.
Your Call?
Which of today’s two featured images do you like best? If you leave a comment, please let us know why you made your choice.
This image was also created on Thursday 15 December 2022 down by the lake near my home at Indian Lake Estates, FL. Again, standing at the bottom of the slope down to the canal that separates the South Peninsula from the South Field, I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with Exposure Compensation on the thumb dial. Shutter Priority at the metered exposure. AUTO ISO set ISO 100: 1/6400 sec. at f/5.6 (wide open). When evaluated in RawDigger, the raw file exposure was determined to be a bit hotter than dead solid perfect. It was easy to tame the brightest area in the sun during the raw conversion. AWB at 7:21:48am just after sunrise.
Tracking: Zone AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
A single Turkey Vultures enjoying its last sunrise perched on my favorite Vulture Tree
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Leaving the Scene
Several of the vultures roosting in the live pine trees took flight when the ILE forestry bucket truck arrived on the scene providing one last dead tree photo opp. I knew what was coming. As the chain saw was started, I toyed with the idea of making a photograph of the tree falling but could not bear to watch. On my Friday morning visit, I noted that the last remaining Vulture Tree, the one farthest south, had also been taken down on Thursday. Three down, none to go. Bummer.
San Diego IPT #1 & #2 Late Registration Discount Info and In-the-Field Instructional Photo Sessions
Please shoot me an e-mail if you would like to receive the San Diego IPT #1 & #2 Late Registration Discount info. Note that due to one cancellation and one switch, there are now two opening on San Diego #2. As I will be in San Diego for five weeks, I have lots of free days for In-the-Field Instructional Sessions, again, e-mail for rates and details.
This all-new card includes images created on my JAN 2022 visit to San Diego. Click on the composite to enjoy a larger version.
The 2022/23 San Diego Brown Pelicans (and more!) IPTs
San Diego IPT #1. 3 1/2 DAYS: WED 21 DEC thru the morning session on Saturday 24 DEC 2022. $2099.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
San Diego IPT #2. 4 1/2 DAYS: SAT 7 JAN thru the morning session on WED 11 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 2.
San Diego IPT #3: 4 1/2 DAYS: THURS 19 JAN thru the morning session on MON 23 JAN 2023: $2699.00. Deposit: $699.00. Limit: 6 photographers/Openings: 5.
Please e-mail for information on personalized pre- and post-IPT and In-the-Field Sessions.
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.
Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.
The San Diego Details
These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.
Deposit Info
A $699 deposit is required to hold your slot for one of the 2022/23 San Diego IPTs. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
The folks at ILE cut down the big vulture tree on Wednesday, and the tall skinny one — my beloved favorite, on Thursday morning. All as expected despite my pleas and explanations as to the value of dead trees to all sorts of wildlife, including and especially birds. I’ve done (and continue to do) The Work on the destruction, and I am at peace with it. I can hear my late Mom saying, “Oh well.” And I can here Katie asking, “Is that a stressful thought or a peaceful thought?” I did enjoy a nice Vulture Tree sunrise just before the proverbial axe (AKA chain saw) fell.
If you are looking for a great holiday gift for your favorite Nikon bird photographer (or yourself!), the Nikon Z9 Mirrorless Camera is in stock at B&H. It has been nearly impossible to find since its release on 24 December 2021. If they (or you) already have a Z9 or are getting one soon, you will surely want to get them (or you) a copy of The Nikon Z9 Guide for Wildlife Photographers by my friend Warren Hatch
Be sure to check out Alan’s great videos and e-books here and enjoy 20% off your purchase by using the HOLIDAY code at checkout!
Today is Friday 16 December. The forecast for the morning is for mostly cloudy skies with a breeze from the southwest. If I had any brains, I would stay in and do some more packing for San Diego. This blog post took about 90 minutes to prepare and makes two hundred sixty-three days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
You can purchase your copy here in the BAA Online Store for $69.00. Or Call Jim weekdays at 863-692-0906 with a credit card in hand.
The Nikon Z9 Guide for Wildlife Photographers
The Nikon Z9 Guide for Wildlife Photographers/by Warren Hatch
Editorial Consultant: Arthur Morris
In this downloadable e-book (you will receive a link by e-mail), you’ll learn everything a wildlife photographer needs to know about the Nikon Z9. The Z9 is one of the most complex camera bodies ever made. In this guide, the brilliant Warren Hatch will teach you exactly how to set up your Z9 for bird, wildlife, and nature photography. The camera offers hundreds of settings and options. Selecting the right combination of these is essential in order to effectively use the Z9 in the field. This guide has been updated to reflect the latest firmware version.
1- Extensive information on the autofocus system and the optimal settings for the various shooting situations that wildlife photographers encounter including and especially for birds in flight.
2- The camera controls – what they do and how to customize them for your shooting style and varying conditions.
3- Configuring the camera so that you never need to take your eye from the viewfinder when the action unfolds.
5- Insights and details on using legacy F-mount lenses on the Z-9.
6- Practical advice about the camera batteries and chargers.
7- How to take advantage of the new capabilities introduced with firmware v2.00.
8- The AF-area Modes you should use and those you should avoid.
Order yours here in the BAA Online Store for $69.00. Or Call Jim weekdays at 863-692-0906 with a credit card in hand.
So, Who the Heck is Warren Hatch?
When it comes to Nikon camera bodies and nature photography, Warren Hatch is not chopped liver.
Warren retired from the information technology field eight years ago. He began as a computer programmer and retired as the Chief Information Officer of a multibillion-dollar consulting firm. He has been photographing full-time since then. His images have been honored by Audubon, Nature’s Best, and other international photo contests. Like me, photography is both his profession and his passion. For decades, Warren has made a concerted effort to understand what each and every camera body feature does and believes that his in-depth knowledge of his cameras’ buttons, dials, and capabilities has improved his photography.
Because of his close ties to Nikon, Warren was one of the first in the US to get his hands on a Z9. Not to mention a Nikon NIKKOR Z 400mm f/2.8 TC VR S lens!
For the past ten years, Warren has extracted the encrypted metadata from the Nikon NEF (raw) files for all Nikon professional camera bodies. The metadata contains the camera settings that include detailed autofocus information that is not available in Nikon’s NX Studio. He shares the extracted metadata with Phil Harvey who uses it in his hugely popular ExifTool software.
Image #1: Northern Flicker — red-shafted form perched on snowy day.
Image courtesy of and copyright 2022: Alan Murphy
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Alan Murphy
Alan Murphy has been a great bird photographer for many decades. He’s made great images with whatever Nikon camera he has had in his hands. That said he has upped his game since going to the Z9. Last fall, he moved from his home in Houston, Texas, to the Rocky Mountains, west of Denver, Colorado. He and wife Kim are now settled in and loving their new home and property. They purchased 1.5 acres at 7,500 feet elevation and built their home. The first order of business was putting out some bird feeders 🙂 He is going through 20 pounds of seed a day and using lots of suet as well. The bird life is fantastic! In addition, within the first two days of moving in, we saw Black Bear, Red Fox, White-tailed Deer, elk, and skunk, all in our backyard.
Though Alan concentrates on birds in flight and in action, he knows how to design gorgeous images of static birds as well. I love the inclusion and placement of the three fronds of conifer needles in the image above.
Image #2: Northern Flicker — red-shafted form braking to land.
Image courtesy of and copyright 2022: Alan Murphy
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Alan Murphy on the Z9 Guide
I was excited to learn that Warren Hatch had written a guide to the Nikon Z9 as I began learning about the camera from him the moment I got mine. I’ve had the Z9 for almost a year now. Whenever I was puzzled by my new mirrorless camera body, I’d call Warren. He always had the answer. Now, everything that he knows about this great camera body — it continues to amaze me, is available to everyone. Warren’s Z9 guide is great asset for Nikon shooters.
Image #3: Male Cape May Warblers squabbling (above an orange feeder set-up).
Image courtesy of and copyright 2022: Alan Murphy
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Totally Sick!
Take two of American’s most elusive and difficult-to-photograph warbler species, have them battle in midair right in front of you against a sweet green background, and throw in two perfect head angles and the result just might be one of the more amazing images you could ever hope to see. (Note: this image was featured in a previous blog post but is so good that I opted to re-run it today.
Image #4: Yellow-billed Magpie braking to land.
Image courtesy of and copyright 2022: Alan Murphy
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Do Understand
Do understand that while Alan is justifiably crazy about the Nikon Z9, he possesses the superior strength, stamina, reflexes, hand-eye coordination, and fine motor skills needed to handle large super-telephoto lenses effectively for bird photography. In addition, his knowledge of bird behavior and his ability to create a variety of effective set-ups enable him to create amazing images on a consistent basis.
Alan’s e-Books and Videos
Alan offers a great variety of e-Books and videos that can teach you to be a better bird photography. Click here to see all the titles. Be sure to see The Guide to Songbird Setup Photography.
The first video in the series will cover topics that include:
How to look for, find and choose the right perch
What perches do not work and why
How to match the perch for a particular species
How to trim a perch
How to support the perch
How many perches?
Working with mounds, stumps and elevated perches
How to choose a good background
How to deal with background challenges
How to break up a flat background so that it’s mottled
How to find and use gradient backgrounds
How far should the background be from the perch?
Should you wear camo?
Working from a blind
How to set up your lens and tripod for blind work
Is concealment important?
Plus, many tips for being a better bird photographer
This Hi Definition MP4 video can be either downloaded to your dropbox, computer, tablet, mobile device, or can be streamed. Total run time: 1 hour.
This second video in the series is now available and covers topics that include:
How to prepare your backyard for photography
How to work with backyard feeders
Which feeders work best for bird photography
How to get birds from your feeders onto perches
How to set up a water drip
How to work with berry perches
How to make and use homemade suet
How to bring in woodpeckers
Which food works best for what species
How to set up perches around feeders
Photo blinds for the backyard
The video can be downloaded to your Mac or PC, streamed to your favorite device, or saved to your Dropbox Account.
This third video in the series is now available and covers topics that include:
How to do ambient light hummingbird photography
How to setup for multi-flash hummingbird photography
How to photograph songbirds in flight using a tiny feeder
How to setup and use a PhotoTrap trigger system
How to make and use a decoy owl for photographing raptors in flight
What gear and settings work best
Blind construction and camo for flight photography
Flight photography techniques that will help you succeed
The video can be downloaded to your Mac or PC, streamed to your favorite device, or saved to your Dropbox Account.
Total run time: 1 hour: More than 1.5 hours.
Your Call?
Which of today’s four featured Alan Murphy images do you like best? Leave a comment and let us know why you made your choice.
As it was very cloudy and dark on Wednesday morning, I opted to stay in. I spent several hours making travel arrangements for three big trips coming up next spring and summer. And I got started packing for my San Diego trip. As you will see below, my short evening session just before sunset was fun, challenging, and productive.
Today is Thursday 15 December. The forecast for the morning is for partly cloudy skies with a breeze from the south. I will head down to the lake for a bit. This blog post took about an hour to prepare and makes two hundred sixty-two days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 14 December 2022 down by the lake near my home at Indian Lake Estates, FL. Seated on the South Field I used the handheld Sony FE 400mm f/2.8 GM OSS lens with the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with Exposure Compensation on the thumb dial. Shutter Priority +1 stop. AUTO ISO set ISO 500: 1/1250 sec. at f/5.6 (wide open). When evaluated in RawDigger, the raw file exposure was determined to be a bit hot in the RED channel but was easy to work with during the raw conversion. AWB at 5:27:27pm right before sunset.
Tracking: Zone AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Sandhill Crane head portrait with sun ball
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It Ain’t Easy
I’ve been trying for this exact image at 800mm handheld for about a week.
Here are the requirements:
1- A crane in a relatively open spot
2- A crane that quits feeding and stands tall every once in a while
3- A setting sun very close to the horizon that is partially muted by very light clouds or by some moisture in the air. The latter conditions are fairly common at ILE.
Working handheld at 800mm presents many problems:
1- In order to place the bird’s head in the sun ball you need to be on the ground or kneeling.
2- Before you get low, you need to place the bird directly in line with the sun.
3- If the bird moves left or right, you need to move in the same direction. Sometimes this can be done by scooching. Otherwise, you need to get up and then down again. It helps that the cranes at ILE are very tame.
4- Once you are low, you must first acquire focus. This is best done by pointing the lens at the crane’s body and then raising the lens to frame the image with the bird’s head placed pleasingly in the sun ball. If you point the lens at the bird’s head with the sun ball right behind it, AF simply will not work most of the time.
5- The exposure compensation must be adjusted depending on the brightness of the sun. With Sony you have a chance as you aim for just a few Zebras on the sun ball.
6- The biggest challenge is fine-tuning the image design. Though the Sony 400 f/2.8 is only four ounces lighter than the 600mm f/4, it is much easier to handhold because it is shorter and much of the weight is to the rear. That said, the rig weighs a shade under nine pounds. Most folks can hold the lens up only for a few seconds before lactic acid builds up and their left arm begins shaking. How difficult is it to frame these images with this gear? Out of the 212 images that I created, all but a very few were badly mis-framed.
I guess if it were easy, it would not be so rewarding when everything falls into place.
Note: If you go to a lighter lens like the Sony 200-600mm, the size of the sun ball would be greatly reduced. As I typed the preceding sentence, I realized that the 200-600 with the 1.4X TC might be a better choice, albeit at much higher ISOs as you would be working wide open at f/9.
All images on this card were created by Arthur Morris on the Hooptie Deux at Alafia Banks
A full day on WED 15 FEB and the morning of Thursday 16 FEB 2023: 1 1/2 days.
Two morning and one afternoon photo session (weather permitting) via customized pontoon boat.
For early-arriving folks, artie is throwing in a free afternoon In-the-Field session at a little-known but very active rookery in North Tampa on Tuesday 14 February.
We will be leaving the dock in Gibsonton, FL very early for the morning sessions in hopes of photographing a pre-dawn White Ibis blast-off and creating some dramatic silhouettes or pleasing blurs. The morning sessions are planned for the Alafia Banks Roseate Spoonbill Rookery. We have several options for the afternoons including returning to Alafia. We may spend one afternoon on foot at the North Tampa rookery mentioned above. There will be lots of opportunities for flight photography of several species including and especially Roseate Spoonbill. Also likely for flight photography are nesting Brown Pelican, Great Blue Heron, and Double Crested Cormorant, many carrying nesting material. This IPT includes all boat and guide fees, in-the-field instruction from two great leaders, chest waders (feel free to bring your own of course to assure a perfect fit), and three working lunches (Monday thru Wednesday). For the most part we will be standing in mid-calf to knee-deep water behind our tripods. We help you get in and out of the boat safely with your gear. This is likely not the best trip for folks with mobility or balance problems. Note however that some folks opt to stay on the boat to photograph. They usually have lots of chances for flight photography of spoonbills and other species but are almost always pretty far away from the spoonbills that land.
Mid-February is prime time for photographing spoonbills at the absolute peak of breeding plumage. For unknown reasons, the spoonbills at Alafia are much more colorful than the birds that breed at Stick Marsh later in the season. The Hooptie IPT represents an incredible opportunity and I do hope that you can join us. All of the images on the cards were made on the Hooptie Duex during the last two weeks of February, prime time for the spoonies in mega-breeding plumage.
You may hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on credit card or sending your check for payment in full to us as follows with the check made out to:
BIRDS AS ART
Please send it via US mail here:
BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855
If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.
Images courtesy of our guide; copyright 2017 Captain James Shadle (aka Froggie). All of the images here were created at Alafia Banks. Card creation and design by Arthur Morris/BIRDS AS ART.
Everybody Wants Spoonbills!
Roseate Spoonbill is one of if not the most sought after avian photographic subjects in Florida. They are generally hard to find and somewhat difficult to approach. They are relatively easy to find at Alafia Banks—heck, you can’t miss seeing them, but even there they can on some days be somewhat difficult to approach. On some days we may be able to get ridiculously close to them. The huge incentive to get out to Alafia Banks in mid-February is the chance to photograph this species at the height of its spectacular breeding plumage…. with long telephoto lenses. A 500 or 600 with a 1.4X TC is perfect for flight.
As above, there will — weather permitting — three boat trips — 2 mornings and 1 afternoon — on this MINI IPT. All to Alafia Banks for spoonbills and Brown Pelicans (with lots of flight photography often with the birds likely carrying nesting material), Double-crested Cormorants, ibises (both Glossy and White) in breeding plumage. Many of the White Ibises will be sporting their spectacular, distended, red, naked (un-feathered) throat pouches—typically larger in the females. In addition, we may get to photograph egrets including Great and Reddish, both in full breeding plumage, shorebirds, and more. There will be lots of flight photography opportunities. Afternoon trips either to Alafia Banks for spoonbills and more or to a more sheltered inland rookery location for a variety of nesting birds. In the event of horrific weather artie will either take the group to Fort DeSoto or will conduct an image review/Photoshop session. This IPT includes lunches on the full day with small group image sharing and review and some over-the-shoulder Photoshop instruction.
MON 13 FEB thru the full day on TUES 14 FEB 2023 + 1 1/2 days on the spoonbill boat: a full day on WED 15 FEB and the morning of Thursday 16 FEB 2023: 1 1/2 days
Bird photographers, especially those wishing to escape the snow, ice, and freezing winter temperatures to the north of sunny Florida, can add two mornings at Fort DeSoto an afternoon at the little-known but fabulous rookery north of Tampa, and a second (free) afternoon at that same rookery, to the 1 1/2 days on the Spoonbill Boat. Shared lodging is a possibility. DeSoto is one of the very few bird photography hotspots that has the possibility of being great on any day of the year. It is generally superb in winter with lots of wading birds, terns, both species of pelicans, many species of shorebirds including Marbled Godwit, and lots of flight photography.
You can hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on your credit card or sending your check for payment in full to us as follows with the check made out to:
BIRDS AS ART
Please send it via US mail here:
BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855
If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Two folks are interested in the second Homer IPT. If you’ve been thinking of attending one of the great trips below, please contact me via e-mail to learn of the Late Registration Discounts; I will do my very best to make it happen.
All images from Homer or Kachemak Bay, AK
2023 Homer/Kachemak Bay Bald Eagle IPTs
IPT #1: MON 20 FEB 2023 through the full day on FRI 24 FEB 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings: 2.
IPT #2: SAT 25 FEB 2023 through the full day on THURS 2 MAR 2023. Six full days/24 hours on the boat: $6600.00. Limit 5 photographers/Openings: 3.
IPT #3: FRI 3 MAR 2023 through the full day on TUES 7 MAR 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers. Openings: 2.
Save $1,500.00 by doing back-to-back trips. Save $2500 by doing all three trips.
These trips feature non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.
In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require a ton of good luck. Some of these species, especially when in flocks, can, however, often be used effectively when creating bird-scapes.
If we need to be out early, we will be the first boat out. If conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will stay out and be in the right spot.
We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.
Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader, who is conversant in Canon, Nikon, and Sony.
All images from Kachemak Bay in 2022!
What You Will Learn
You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer. But only if that is what you want.
You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes.
You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode.
Most importantly you will learn to pick your best flight images from tens of thousands of images.
You will enjoy working with the two best and most creative boat captains on their sturdy, photography-spacious, seaworthy, open-deck crafts.
The second and third IPTs are the only Bald Eagle workshops that feature an incredibly helpful first mate.
Only five photographers (not the usual six), plus the leader.
Small group Photoshop, Image Review, and Image Critiquing sessions.
All images from Homer or Kachemak Bay, AK
What’s Included
One four-hour, or two two-hour (+/-), boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants. Airport pickup if possible)
What’s Not Included
Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.
Please Note
On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips, or 24 hours for the second trip, the group will share the additional expense at a rate of $225/hour.
Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer.
Deposit Information
A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check as above.
In Closing
I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of the three trips is to sign up for all three. Can you keep up with me? If you have any questions, or are good to go for one, two, or all three trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.
What’s Up?
Not much. The lake was pretty much dead on Tuesday morning and it clouded over at sunset. I was shocked that once again, nobody even took a stab at the f/2.8 depth of field question.
It’s a given that you will enjoy unbelievable eagle photography on a Homer IPT. What most folks do not realize is that they will learn a ton about picking their keepers out of many thousands of images and improve their Photoshop skills by leaps and bounds. Think I’m kidding? One guy shot more than 20,000 images in a single morning. It was great, but I only created 3,417 during that session.
Today is Wednesday 14 December. The forecast for the morning is for partly cloudy skies with an ESE breeze so I will at least give it a go. This blog post took about 90 minutes to prepare and makes two hundred sixty-two days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
This image was created on 22 February 2020 on an Instructional Photo-Tour at Kachemak Bay, Homer, AK. I used the hand held Sony 70-200mm f/2.8 lens (now replaced by the Sony FE 70-200mm f/2.8 GM OSS II lens) with the Sony FE 1.4x Teleconverter (at 216mm) and the Sony a9 II (now replaced by The One, the Sony Alpha 1 Mirrorless Digital Camera.) The exposure was determined via Zebras. ISO 1600: 1/2000 sec. at f/4.5 (stopped down 1/3-stop) in Manual mode. AWB at 3:39:33pm on a cloudy afternoon.
Zone AF/C performed perfectly. Click on the image to enjoy a high-res version.
Image #1: Bald Eagle landing at my favorite perch in Kachemak Bay
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My Favorite Kachemak Bay Bald Eagle Perch
I found this perch near a tiny, secluded, out-of-the way cove. There is one house high up on a cliff and several boats are moored in the small bay. I love the lichens and there are always lots of eagles around. The trick is to be there on the right wind — north/northeast. Cloudy with snow is best for this spot. Join me on one of the Homer IPTs and I promise to take you to this magical spot.
Click to Enlarge!
Be sure to click on Image #1 to see the larger, sharper hi-res version. The bird was squinting as it landed so its left eye, the one on our right, was barely visible. So, I took painted a Quick Mask of the eagle’s right eye, flopped it, moved it roughly into place, and then, using the Transform Tool, rotated it. Perfecto! All as detailed in Digital Basics II and in APTATS I & II.
This image was also created on 22 February 2020 on an Instructional Photo-Tour at Kachemak Bay, Homer, AK. Again, I used the hand held Sony 70-200mm f/2.8 lens (now replaced by the Sony FE 70-200mm f/2.8 GM OSS II lens) with the Sony FE 1.4x Teleconverter (at 127mm) and the Sony a9 II (now replaced by The One, the Sony Alpha 1 Mirrorless Digital Camera.) The exposure was determined via Zebras. ISO 1600: 1/2000 sec. at f/4.5 (stopped down 1/3-stop) in Manual mode. AWB at 3:54:12pm on a cloudy afternoon.
Zone AF/C performed perfectly. Click on the image to enjoy a high-res version.
Image #2: Bald Eagle on my favorite perch in Kachemak Bay
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The 70-200mm f/2.8 Lenses Rock in Kachemak Bay
All the 70-200mm f/2.8 lenses (but for the Canon RF version that does not accept either TC) offer incredible versatility in a small, light package. At Homer, you can use the prime lens alone for flight on very dark mornings. You can add a 1.4X TC for a bit of extra reach and still be at f/4 for low light flight photography. And on sunny mornings, you can add the 2X TC to get to 400mm f/5.6. These lenses are great for small-in-the-frame bird-scapes like Image #2. And they are hugely popular among the pros for creating landscapes, townscapes, people, and just about everything else including ships. It is a great walk-around lens. The new Sony version II is the best I’ve ever used. Autofocus with the a1 is science-fiction-like.
This image was created on 22 February 2020 on an Instructional Photo-Tour at Kachemak Bay, Homer, AK. I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens (at 116mm) and the A7R IV, (now replaced for me by The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation on the thumb dial. ISO 6400: 1/400 sec. at f/6.3 (don’t ask me why!) in Manual mode. AWB at 5:02:29pm in a blizzard.
Spot S AF/C performed perfectly. Click on the image to enjoy a high-res version.
Image #3: Ship up on blocks, Homer Spit, AK
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And Ships!
After a long day of great eagle photography, the light snow turned into a blizzard. Several of us got into the big SUV and drove around looking for something, anything, to photograph in the storm. This big ship up on blocks was my favorite from that evening.
Your Call?
Which of today’s three featured images do you like best? All are invited to leave a comment and let us know why they made their choice.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Neal McEwen is offering a Canon EF 100-400mm f/4.5-5.6L IS II USM lens in excellent condition for a BAA record-low by far $1099.00. The lens was recently serviced by CPS with the 11-Point EF Lens Maintenance Service. The sale includes the original box and packing materials, the front and rear lens caps, the tripod collar, the lens hood, the carrying case with strap, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
Please contact Neal via e-mail or by phone at 1-404-326-0505 (Eastern time zone).
This incredibly versatile zoom lens — with its amazing .98-meter close focus — was my favorite Canon telephoto zoom lens ever. By far. It is easy to hand hold, great for tight portraits, for birds in flight, for quasi-macro stuff, and lots more. For flight, it is fabulous with an EOS R, R5, R6, or R7! This lens sells new for $2399.00 so you can save a handsome $1300.00 by grabbing Neal’s lens ASAP. artie
What’s Up?
Monday morning dawned cloudy-dark; didn’t head down to the lake till about 8:00am. I worked a small flock of Cattle Egrets from the car with the handheld 400mm f/2.8 and amazingly, got a few nice flight images. Then I hung out at the Vulture Trees for a while. Today, the Black Vultures predominated. I tried some high ISO flight. Then I made a few snaps of the eagle on eggs. I kept 16 images out of 280. The f/2.8 aperture comes in quite handy on dark days.
There have been six or seven ILE work trucks down by the lake each morning tidying up nature. Last week they cut down a tall Cabbage Palm trunk with several Red-bellied Woodpecker nest holes. In spring and summer, it served daily as an Osprey breakfast perch. And two years ago, a young pair built a practice nest atop it. On Sunday past, they cut down a live Cabbage Palm that had been growing on a slant. Yesterday, they used a large brush hog machine to shave the vegetated western slope of the canal between the South Peninsula and the South Field. Bye-bye nesting and shattering habitat for birds and wildlife, feeding areas for birds, bugs, and Marsh Rabbits, along with thousands of wildflowers.
Concerned that they might cut down the three dead Vulture Trees or even the eagle nest tree, I e-mailed ILE’s Public Works Superintendent explaining the value of standing dead trees as places for birds and other wildlife to feed, nest, rest, and hunt from. He wrote back stating that his job was to do exactly what the board of directors told him to do. So much for educating folks.
Today is Tuesday 13 December 2022. The forecast for this morning is for clear and sunny with a breeze from the north. I will head down to the lake early to work the backlit Vulture Trees again. This blog post took less than an hour to prepare and makes two hundred sixty-one days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
This image was created on 12 December 2022 down by the lake near my home at ILE. Seated in the driver’s seat of my SUV, I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1600. 1/2000 sec. at f/2.98 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 8:41:43am on dark cloudy morning.
Tracking: Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version and see the bird in the nest.
Image #1: Bald Eagle — adult on eggs. December 2022, after Hurricane Ian
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The Depth of Field Question (Again)
In the It Was The Frog’s Fault! blog post here, referring to the bird/tree-scape silhouette (created with the wide open 400mm f/2.8 GM lens), I asked:
Why was there no need to stop down two or three stops to render the trees and birds sharp?
Image #1 above was also created at f/2.8. Why was everything sharp at f/2.8?
This image was created on 27 December 2021 down by the lake near my home at Indian Lake Estates, FL. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 332mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 640. 1/5000 second at f/8 (stopped down 2/3-stop) in Manual Mode. AWB at 7:41:58am on a foggy morning. RawDigger showed the exposure to be perfect.
Tracking: Spot S AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #2: The Bald Eagle nest tree backlit — December 2021, before Hurricane Ian
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Hurricane Ian
Compare the nest tree in Image #1 with the nest tree in Image #2. It is hard to believe that it is the same tree. Hurricane Ian blew off the crown of the tree above the nest. I am glad that the birds opted to re-nest. Last year, as first-time parents, they had one egg and fledged the chick. It is likely that they laid two or three eggs this year. The birds were on eggs on November 13. Eagle eggs hatch one to several days apart depending on when they were laid. The first egg hatches consistently after 35 days of incubation. Time will tell. I will be on the plane to San Diego on 19 December.
Eagle chicks often kill their siblings during the first few weeks in the nest. At seven to eight weeks of age, the young eaglets will begin exercising their wings by flapping them vigorously. Soon afterwards they begin branching, hopping to branches near the nest. Most young eagles fledge at about 12 weeks and hang around the nest for several months. As I get home from San Diego on 24 January, fly to Anchorage for the Homer IPTs on 18 February, and get back to ILE late on 9 March, I will miss lots of action at this year’s nest.
The BAA Middle of Florida Photographic Site Guide
You can purchase your copy here in the BAA Online Store.
The BAA Middle of Florida Photographic Site Guide
126 pages, 87 photographs by Joe Przybyla and Arthur Morris.
The PDF for this e-Guide is an electronic download sent via e-mail.
I had thought about doing a guide to some of the great but little-known photo hotspots around central Florida for about a decade, but those plans never came to fruition. I met Joe online in the Avian Forum at BirdPhotographer’s.Net about two years ago. Joe’s photography has improved tremendously over the past few years; he credits the BAA blog, my books and PDFs, and his participation on BPN. The one thing that I learned right from the get-go about Joe is that he is a hard and tenacious worker, always striving to improve his skills and to grow his knowledge base. As he knew of more than a few good spots in central Florida, I broached the idea of us doing a photographic site guide that covered many of the little-known photographic hotspots from Brandon to Lakeland to Joe Overstreet Road to Indian Lake Estates (my Florida home for the past 20 years or so). After more than many, many dozens of hours of effort, The BIRDS AS ART Middle of Florida Photographic Site Guide is now a reality. Thanks to Joe’s wife Dottie for her review of our writing. We all learned once again that writing is a process, a back and forth process. All thanks to the white pelicans of Lakeland. Here are the locations that are detailed in this e-Guide:
Indian Lake Estates: Sandhills Cranes with chicks and colts, lots of vultures, and Ospreys up the kazoo!
Gatorland, Kissimmee: Learn to make great images of wading birds in a cluttered rookery.
The Brandon Rookery: Great for nesting Wood Storks, Great Egrets, and more.
Circle Bar B Reserve, Lakeland: Here you will find a great variety of avian subjects in a great variety of habitats.
Lake Morton, Lakeland: There are lots of silly tame birds here including and especially American White Pelican during the colder months.
Lake Mirror, Lakeland: Tame Anhingas, Limpkins, and a zillion White Ibises at times.
West Lake Parker, Lakeland: Here you will have a chance for two difficult birds, Snail Kite, and Purple Gallinule.
Joe Overstreet Road, Kenansville: Crested Caracara, meadowlarks, Loggerhead Shrike, and much more on the fenceposts and barbed wire.
Each location includes a map, a detailed description of the best spots, best season, light and time of day instructions, the expected species, and an educational and inspirational gallery that is designed to open your eyes as to the possibilities.
You can purchase a copy here in the BAA Online Store.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Sunday morning dawned mostly sunny with just a bit of fog and a west/northwest wind. I worked the backlit Vulture Trees, but the magic was lacking. Then I tried some slightly backlit vultures on the ground and might have one decent, ISO 5000 take-off image, probably my only keeper from the morning session. I drove down at sunrise and had a gorgeous, perfectly muted by fog sun ball to work with. I could’a been famous. I was working with the 400 f/2.8 and the 2X doing crane head portraits. When I sat, I was a bit too low, and when I kneeled, I was a bit too high. I shall return.
Today is Monday 12 December 2022. The forecast for this morning is for solidly cloudy dark with a NW wind — i.e., not terrible. I will head down to the lake for a bit this morning. This blog post took more than two hours to prepare including the time spent on the four image optimizations. Today makes two hundred sixty days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Why the 2X TC?
The birds on the Vulture Trees are quite tame, even when you exit your vehicle. I could easily have driven closer and used the 1.4X TC instead of the 2X. On Friday past, I opted to work at 1200mm rather than getting closer and working at 840mm. Why?
Your Call?
Which of today’s four (not ordinary) featured images is your favorite? Please leave a comment and let us know why you made your choice. While each photo qualifies as a bit different and I like them all, I have a clear favorite.
This image was created on 9 December 2022 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/1000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 7:49:13am on sunny morning.
Tracking: Flexible Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #1: Turkey Vulture neck-preening pose
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On Working the Same Subjects Ad Infinitum
When I am home, it is a rare morning when I do not drive down to the end of Banyan to check out the Vulture Trees. When photographing the same subjects — in this case Turkey and Black Vultures, over, and over, and over again, the key to success is to create something just a bit different. With Image #1, I love the sort of doofy position of the bird’s head. I kept four images from a series of more than 40 — this one was my favorite by far.
doofy: descriptive of and pertaining to acts or behaviors that come across in a somewhat off-kilter or awkward way that can be seen as any combination of clumsy, uncoordinated, silly, strange, ditzy, dizzy, loopy, nerdy, geeky, odd or offbeat, sometimes infused with unintentional humor.
From where I sit, doofy qualifies as different.
This image was created on 9 December 2022 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/1000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 7:55:51am on sunny morning.
Tracking: Flexible Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #2: Black Vulture — tall vertical, stitched panorama
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A Tall, Vertical, Stitched Pano
Wanting to include lots more of the hanging moss, I used one of the two buttons that I use for Focus Hold and panned down after focusing on the bird’s eye and created a few frames. I optimized both images with the same settings, cropped the moss image to include only the moss, expanded canvas on the base image, moved the moss onto that frame with the Move Tool (V), and used the arrow keys to line things up.
From where I sit, tall, very skinny verticals qualify as different.
This image was created on 9 December 2022 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/640 sec. at f/11 (stopped down one stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 8:02:28am on sunny morning.
Tracking: Flexible Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #3: Black Vulture on perch with wing of flapping neighbor
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You Know the Rule
When unexpected action occurs, push and hold the shutter button. That’s exactly what I did when this bird’s neighbor began flapping in place. I kept two frames, grabbed the wing from one frame, and brought it onto the image with the best head angle. Call it a photo illustration if you wish.
In any case, from where I sit, this one qualifies as different.
This image was created on 9 December 2022 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/640 sec. at f/11 (stopped down one stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 8:04:09am on sunny morning.
Tracking: Flexible Spot/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #4: Turkey Vulture — resting on branch stub
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Resting Vultures
Vultures will occasionally rest on horizontal branches. Tracking: Flexible Spot enabled me to re-compose and place the bird in the upper right corner. I stopped down to f/11 in an effort to sharpen up the moss on the trunk of the dead tree.
From where I sit, this one qualifies as different.
All images on this card were created by Arthur Morris on the Hooptie Deux at Alafia Banks
A full day on WED 15 FEB and the morning of Thursday 16 FEB 2023: 1 1/2 days.
Two morning and one afternoon photo session (weather permitting) via customized pontoon boat.
For early-arriving folks, artie is throwing in a free afternoon In-the-Field session at a little-known but very active rookery in North Tampa on Tuesday 14 February.
We will be leaving the dock in Gibsonton, FL very early for the morning sessions in hopes of photographing a pre-dawn White Ibis blast-off and creating some dramatic silhouettes or pleasing blurs. The morning sessions are planned for the Alafia Banks Roseate Spoonbill Rookery. We have several options for the afternoons including returning to Alafia. We may spend one afternoon on foot at the North Tampa rookery mentioned above. There will be lots of opportunities for flight photography of several species including and especially Roseate Spoonbill. Also likely for flight photography are nesting Brown Pelican, Great Blue Heron, and Double Crested Cormorant, many carrying nesting material. This IPT includes all boat and guide fees, in-the-field instruction from two great leaders, chest waders (feel free to bring your own of course to assure a perfect fit), and three working lunches (Monday thru Wednesday). For the most part we will be standing in mid-calf to knee-deep water behind our tripods. We help you get in and out of the boat safely with your gear. This is likely not the best trip for folks with mobility or balance problems. Note however that some folks opt to stay on the boat to photograph. They usually have lots of chances for flight photography of spoonbills and other species but are almost always pretty far away from the spoonbills that land.
Mid-February is prime time for photographing spoonbills at the absolute peak of breeding plumage. For unknown reasons, the spoonbills at Alafia are much more colorful than the birds that breed at Stick Marsh later in the season. The Hooptie IPT represents an incredible opportunity and I do hope that you can join us. All of the images on the cards were made on the Hooptie Duex during the last two weeks of February, prime time for the spoonies in mega-breeding plumage.
You may hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on credit card or sending your check for payment in full to us as follows with the check made out to:
BIRDS AS ART
Please send it via US mail here:
BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855
If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.
Images courtesy of our guide; copyright 2017 Captain James Shadle (aka Froggie). All of the images here were created at Alafia Banks. Card creation and design by Arthur Morris/BIRDS AS ART.
Everybody Wants Spoonbills!
Roseate Spoonbill is one of if not the most sought after avian photographic subjects in Florida. They are generally hard to find and somewhat difficult to approach. They are relatively easy to find at Alafia Banks—heck, you can’t miss seeing them, but even there they can on some days be somewhat difficult to approach. On some days we may be able to get ridiculously close to them. The huge incentive to get out to Alafia Banks in mid-February is the chance to photograph this species at the height of its spectacular breeding plumage…. with long telephoto lenses. A 500 or 600 with a 1.4X TC is perfect for flight.
As above, there will — weather permitting — three boat trips — 2 mornings and 1 afternoon — on this MINI IPT. All to Alafia Banks for spoonbills and Brown Pelicans (with lots of flight photography often with the birds likely carrying nesting material), Double-crested Cormorants, ibises (both Glossy and White) in breeding plumage. Many of the White Ibises will be sporting their spectacular, distended, red, naked (un-feathered) throat pouches—typically larger in the females. In addition, we may get to photograph egrets including Great and Reddish, both in full breeding plumage, shorebirds, and more. There will be lots of flight photography opportunities. Afternoon trips either to Alafia Banks for spoonbills and more or to a more sheltered inland rookery location for a variety of nesting birds. In the event of horrific weather artie will either take the group to Fort DeSoto or will conduct an image review/Photoshop session. This IPT includes lunches on the full day with small group image sharing and review and some over-the-shoulder Photoshop instruction.
The 2023 Expanded Winter/Spoonbill Boat/DeSoto 4-DAY IPT
Bird photographers, especially those wishing to escape the snow, ice, and freezing winter temperatures to the north of sunny Florida, can add two mornings at Fort DeSoto an afternoon at the little-known but fabulous rookery north of Tampa, a second (free) afternoon at that same rookery, to the 1 1/2 days on the Spoonbill Boat. Shared lodging is a possibility that includes watching the Super Bowl at my home on Sunday 12 February and driving over early to DeSoto. DeSoto is one of the very few bird photography hotspots that has the possibility of being great on any day of the year. It is generally superb in winter with lots of wading birds, terns, both species of pelicans, many species of shorebirds including Marbled Godwit, and lots of flight photography.
You can hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on your credit card or sending your check for payment in full to us as follows with the check made out to:
BIRDS AS ART
Please send it via US mail here:
BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855
If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Nikon AF-S NIKKOR 300mm f/4E PF ED VR Lens with extra
BAA Record-low Price! Price Reduced $200 on 12/10/22
John Armitage is offering a Nikon AF-S NIKKOR 300mm f/4E PF ED VR lens in excellent condition for a BAA record low $1,195.95 (was $1,395.95). The sale includes the original tripod mount, a Lens Collar Support Tripod Mount Ring RT-1 for Nikon AF-S 300mm f/4E PF ED VR lens (a $29.99 value), the soft case, the front and rear caps, the original box, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
The skilled and venerable Anita Gail Erica North owned and used this very sharp lens a lot on her international travels when she shot Nikon. It is light in weight and focuses quickly and accurately. artie
What’s Up?
The fog was dense on Saturday morning and did not burn off until almost 11am. I created a few interesting images with the 400 f/2.8 — the best was a caracara take-off blur. There were lots of dewy spider webs but with no light and a stiff breeze from the NW, photographing them was impossible (even with digital). I spent most of the day relaxing and watching the last two World Cup soccer games. Kudos to Morocco and defending champion France for advancing to the semi-finals. Today is Sunday 11 December 2022. Though it is mostly clear with a NW wind, I will head down to the lake early looking for some more Vulture Tree silhouettes. This blog post took more than three hours to prepare, more than half of that trying to learn to make arrow shapes in Photoshop! Today makes two hundred fifty-nine days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
Be sure to check out the Camera Gear Shipping Warning item below.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Photo Gear Shipping Warning
On Friday afternoon I sent my Sony 600mm f/4 in the lens trunk in the original shipping carton with the protective styrofoam corners in place. I used UPS Ground Insured.
When you need to send any photography gear anywhere do NOT be tempted by the lower rates offered by the United States Postal Service. Last year I sent a Canon RF 100-500 to the UK using the post office. It was lost in a matter of days. It simply disappeared off the radar screen. Though it was insured, and we had all the paperwork, the post office had no idea where it was. I actually got the insurance money amazingly quickly, but the whole thing was a huge hassle.
Consider this one via e-mail from IPT veteran Bill Wingfied:
I sold the Canon 600mm f/4 lens to Jack Jeffrey in Hawaii on the Big Island. The lens reached Hilo and the post office there would not deliver it to Jack or give it to him personally as I had addressed it to his street address and the USPS will only deliver registered mail to a PO Box! It has been almost a month and it is still not back to me. I hope to get it this week, check it to be sure there is no damage, and ship it back to him.
Can you say “insanity”?
Fed-Ex wanted $400.00; the post office only $180.00. Bill was tempted and wound up paying the price.
Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
Click on the screen capture to view a larger version.
Diagram #1 image
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Know the Wind. Think Fast. And Act Fast
Fifteen minutes after creating the Vulture Trees sunrise silhouette bird-scape image featured in yesterday’s blog post here, I was at “A” driving slowly heading north and looking for birds. Looking to my right, I saw a Bald Eagle (at “C”) gliding south in flat flight toward the nest tree. At times, the human brain can process information as fast as a computer. With the north wind, I knew that the bird would need to fly well past the nest tree, make a U-turn, make its way to the nest, and land (at “X.”.)
I was aware that I had the 2X on the 400mm f/2.8 GM lens. I had been creating some Sandhill Crane head portraits at 1/1000 second. Realizing that I needed a lot more shutter speed, I turned the Index Finger Dial a few clicks clockwise. Next, I turned the Thumb Wheel several clicks clockwise to increase the ISO. I did not have time to check the exposure as I needed to quickly make a U-turn and wind up at “B” with my SUV facing southwest so that I could photograph out the lowered driver’s side window with the brightest sky behind the nest tree.
That done, I grabbed the lens, hit the Set button to get to Tracking: Zone AF, and stuck the lens out the window. With one second to spare, I had no time to check for Zebras, so I acquired focus and fired off about fifteen frames as the big bird braked to land. I kept three, all with the wings swept back. The last keeper was my favorite.
There is no substitute for experience, fast thinking, and fast acting.
Click on the screen capture to view a larger version.
Image #1: The Photo Mechanic screen capture for the Bald Eagle backlit landing at nest tree image
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The Photo Mechanic Screen Capture
With significant space to the right of the end of the histogram, I knew that the image was under-exposed. When evaluated in RawDigger, the raw file brightness was determined to be 2/3-stop too dark. Had I not made the changes that I did, the image would not have been sharp. And the exposure was not terrible. Note that you can see the eagle’s white head in the original above.
This image was created on 9 December 2022 down by the lake near my home at Indian Lake Estates, FL. While seated in the driver’s seat of my SUV, I used the handheld Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined by guessing. 1/2000 sec. at f/8 (wide open) in Manual mode/ISO 2000. When evaluated in RawDigger, the raw file brightness was determined to be 2/3-stop too dark. AWB at 7:29:52am on a partly sunny morning.
Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.
Image #1A: Bald Eagle backlit landing at nest tree
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The Optimized Version
I knew the moment that I stuck the lens out the window that I would process this image as a silhouette even though I could make out the adult eagle’s white head in the raw file. That’s why I positioned my vehicle with the bright sky behind the eagle tree.
Aside from the small crop and juicing up the sky color, what major change was made in Photoshop?
The BAA Middle of Florida Photographic Site Guide
You can purchase your copy here in the BAA Online Store.
The BAA Middle of Florida Photographic Site Guide
126 pages, 87 photographs by Joe Przybyla and Arthur Morris.
The PDF for this e-Guide is an electronic download sent via e-mail.
I had thought about doing a guide to some of the great but little-known photo hotspots around central Florida for about a decade, but those plans never came to fruition. I met Joe online in the Avian Forum at BirdPhotographer’s.Net about two years ago. Joe’s photography has improved tremendously over the past few years; he credits the BAA blog, my books and PDFs, and his participation on BPN. The one thing that I learned right from the get-go about Joe is that he is a hard and tenacious worker, always striving to improve his skills and to grow his knowledge base. As he knew of more than a few good spots in central Florida, I broached the idea of us doing a photographic site guide that covered many of the little-known photographic hotspots from Brandon to Lakeland to Joe Overstreet Road to Indian Lake Estates (my Florida home for the past 20 years or so). After more than many, many dozens of hours of effort, The BIRDS AS ART Middle of Florida Photographic Site Guide is now a reality. Thanks to Joe’s wife Dottie for her review of our writing. We all learned once again that writing is a process, a back and forth process. All thanks to the white pelicans of Lakeland. Here are the locations that are detailed in this e-Guide:
Indian Lake Estates: Sandhills Cranes with chicks and colts, lots of vultures, and Ospreys up the kazoo!
Gatorland, Kissimmee: Learn to make great images of wading birds in a cluttered rookery.
The Brandon Rookery: Great for nesting Wood Storks, Great Egrets, and more.
Circle Bar B Reserve, Lakeland: Here you will find a great variety of avian subjects in a great variety of habitats.
Lake Morton, Lakeland: There are lots of silly tame birds here including and especially American White Pelican during the colder months.
Lake Mirror, Lakeland: Tame Anhingas, Limpkins, and a zillion White Ibises at times.
West Lake Parker, Lakeland: Here you will have a chance for two difficult birds, Snail Kite, and Purple Gallinule.
Joe Overstreet Road, Kenansville: Crested Caracara, meadowlarks, Loggerhead Shrike, and much more on the fenceposts and barbed wire.
Each location includes a map, a detailed description of the best spots, best season, light and time of day instructions, the expected species, and an educational and inspirational gallery that is designed to open your eyes as to the possibilities.
You can purchase a copy here in the BAA Online Store.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
One AF point up and to the right of the center AF point/Single/Shutter-button AF as originally framed was active at the moment of exposure. The selected AF point was on the bird’s left eye (the one on our right).
Focus peaking AF Fine-tune: +7. See the Nikon AF Fine-tune e-Guide here.
Emperor Penguin chick tight head portrait
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Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR Lens (with a nice extra)
David Hawkins is offering a Nikon AF-S NIKKOR 500mm f/5.6E PF ED VR lens in near-mint condition for a very low $2,596.94. The sale includes the front and rear caps, the lens strap, the soft case,a Wimberley P-20 lens plate (a $55.00 value), and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
Please contact David via e-mail or by phone at 1-727-215-7567 (Eastern time zone).
Yes, I loved this still hard-to-get lens a ton when I used Nikon gear. The Nikon PF series telephoto lenses are tremendously popular as they are relatively small and light and offer great reach. Both do well with the Nikon AF-S Teleconverter TC-14E III and with the Nikon AF-S Teleconverter TC-17E II.The latter gets you to 840mm with a full frame body. On my bucket-list-trip for the Emperor Penguins, I brought two D850 bodies, the 500 PF, and the Nikon 80-400 VR lenses! You can see more images from the Snow Hill Island trip in the Nikon 500 PF/D850 Does Emperor Penguins in Antarctica! blog post here. The 500 PF is still hard to come by and sells new for $$3,296.95. At $2596.95, David’s lens is a steal as you save an even $700.00. artie
What’s Up?
I did fairly well at sunrise, and then spent a fun hour at the Vulture Trees. On Thursday, after the endoscopy and the anesthesia, I had lots of energy. On Friday, I was beat. After my early morning photo session, I barely lifted a finger to do anything. I did sit on the couch and watch two great World Cup soccer games. Kudos to Croatia and Argentina for advancing to the quarterfinals. Both games were decided by penalty kicks. Condolences to Brazil, to the Dutch, and to Clemens Van der Werf, now living in the Netherlands.
Today is Saturday 10 December 2022. When I went into the kitchen early, there was a grasshopper on the kitchen floor. I left it. Though the morning forecast for ILE is calling for cloudy with a NW breeze, I will be heading down to the lake early, just in case there is a nice sunrise.
This blog post took about an hour to prepare and makes two hundred fifty-eight days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.
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This image was created on 9 December 2022 down by the lake near my home at ILE. Standing at full height, I used the no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 320. 1/6400 sec. at f/3.2 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be just as I wanted it. AWB at 7:13:50am on just after sunrise on a clear morning.
Tracking: Spot (S) AF-C with Bird Face/Eye detection worked just fine. Be sure to click on the image to enjoy a high-res version.
The Vulture Trees backlit at sunrise
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It Was The Frog’s Fault!
(AKA, the dog ate my homework)
Today’s image is typical of the new concept I have been working on recently, shooting the Vulture Trees backlit from across the canal between the South Peninsula and the South Field. I’ve tried with focal lengths ranging from 400mm to 1200mm. Though I like this one a lot, I think that there is a chance to do even better. Keep reading and you can learn a few things.
The Sun Peeking into the Frame
Do you like that the sun is just peeking into the frame? Why or why not? As discussed here recently, with any part of an unmuted sun in the frame on a clear morning, the sun must be completely over-exposed. If you eliminate over-exposing it, the rest of the frame will necessarily be black. I tried for almost 30 minutes to mute the sun, but did not like any of the results. If you do not like the sun peeking into the frame, remember that it was the frog’s fault. Had I not spotted it on the kitchen floor that morning I would have gotten down to the lake a lot earlier, well before the sun came into view.
Why the Tripod?
Considering the following:
1- Being relatively short in length, and with all the weight toward the rear, The Sony 400mm f/2.8 lens is easy to hand hold.
2- I had a ton of shutter speed.
Why did I go to the trouble of setting up the tripod?
Bird-scapes
How does having a single, distinctive bird in the frame when creating bird-scapes help the image?
Is there a single, distinctive bird in the frame above? Which one?
Depth of Field Question
Why was there no need to stop down two or three stops to render the trees and birds sharp?
The Homer IPTs Late Registration Discounts
If you’ve been thinking of attending one of the great trips below, please contact me via e-mail to learn of the Late Registration Discounts; I will do my very best to make it happen.
All images from Homer or Kachemak Bay, AK
2023 Homer/Kachemak Bay Bald Eagle IPTs
IPT #1: MON 20 FEB 2023 through the full day on FRI 24 FEB 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings: 2.
IPT #2: SAT 25 FEB 2023 through the full day on THURS 2 MAR 2023. Six full days/24 hours on the boat: $6600.00. Limit 5 photographers/Openings: 3.
IPT #3: FRI 3 MAR 2023 through the full day on TUES 7 MAR 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers. Openings: 2.
Save $1,500.00 by doing back-to-back trips. Save $2500 by doing all three trips.
These trips feature non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.
In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require a ton of good luck. Some of these species, especially when in flocks, can, however, often be used effectively when creating bird-scapes.
If we need to be out early, we will be the first boat out. If conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will stay out and be in the right spot.
We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.
Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader, who is conversant in Canon, Nikon, and Sony.
All images from Kachemak Bay in 2022!
What You Will Learn
You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer. But only if that is what you want.
You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes.
You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode.
Most importantly you will learn to pick your best flight images from tens of thousands of images.
You will enjoy working with the two best and most creative boat captains on their sturdy, photography-spacious, seaworthy, open-deck crafts.
The second and third IPTs are the only Bald Eagle workshops that feature an incredibly helpful first mate.
Only five photographers (not the usual six), plus the leader.
Small group Photoshop, Image Review, and Image Critiquing sessions.
All images from Homer or Kachemak Bay, AK
What’s Included
One four-hour or two two-hour(+/-) boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants. Airport pickup if possible)
What’s Not Included
Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.
Please Note
On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips, or 24 hours for the second trip, the group will share the additional expense at a rate of $225/hour.
Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer.
Deposit Information
A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check as above.
In Closing
I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of the three trips is to sign up for all three. Can you keep up with me? If you have any questions, or are good to go for one, two, or all three trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.