We may (or may not) have a temporary blog post notification fix in place. Time will tell. I know that some or many or you received 19 “old” post notifications. Part of the problem is that there were 36 missed posts. So what happened to the other 17? Be assured that we are working hard on the problem.
In the meantime, enjoy the video below.
Today is Saturday 13 July. I will be driving up to Jacksonville for the IPT and will be picking up old friend and IPT vet Steve Shore at JAX today at about 4pm. Have a great day. Tomorrow: 15,000 plus pairs of terns and Laughing Gulls with chicks of all ages.
Huge Price Drop
Sony FE 400mm f/2.8 GM OSS Lens
Price reduced a shocking $600.00 on 13 July 2024
Used Gear Page veteran Robert Hollyer is offering a Sony FE 400mm f/2.8 GM OSS lens in Like-New condition for a BAA record low $9398.00 (was $9,998.00). The sale includes the front lens cap, the rear lens cap, the lens hood, the lens strap, that hard case & strap, the original product box, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.
Please contact Bob via e-mail or by phone at 1-206-359-0018 PST.
I purchased my Sony 400mm f/2.8 two years ago to complement my 600mm f/4. Robert is selling his because he rarely uses it, opting instead for the 600mm f/4! It is far easier for me to handhold the 4 ounces lighter, much smaller, and better balanced 400 f/2.8 than it is to handhold the 600mm f/4. The 400 kills for flight with or without the 1.4X teleconverter. This lens sells new right now for $11,998.00 at B&H and there are used copies going for $10998.00 as well. Act quickly to save a handsome $2,000.00 by grabbing Robert’s might-as-well-be-new 400mm GM lens. And you can’t beat the f/2.8 Bokeh! artie
A Really Good Morning Down by the Lake with Arthur Morris/BIRDS AS ART (21 minutes)
With lots of packing to do for my trip to Jacksonville, I took a peek down by the lake in hopes of finding a bathing Osprey. Instead, I had a fine morning with a young Great Egret, some adult and young White Ibises, a perched adult Osprey, a pair of Sandhill Cranes, and a very cooperative pair of Black-bellied Whistling Ducks. Learn a ton about bird photography by sitting next to me as I do the first edit. You will see me delete hundreds of perfect images and relegate them to the Trash. I kept only 79 out of 1146 images, all but one of the keepers made at 1200mm working off the BLUBB (Big Lens Ultimate BeanBag — https://birdsasart-shop.com/blubb-big), and all but one in sharp focus. More soon. The more of this video you watch, the more you will learn.
If you would like to see a short video of the second edit, please leave a comment.
This image was created on 12 July left of the pier down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 800. 1/1000 sec. at f/9 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 8:57:10am on clear sunny morning.
Tracking: Expand Spot/AF-C performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #1: Black-bellied Whistling Duck with bill open
Eyeball Replacement
As you saw in the video, the bird had the nictitating membrane partially down in one of my favorite images. I replaced the eye with an open eye from another image in the series. Then I cropped to a vertical for impact.
Yikes
After completing the video I realized that with all my talking my two favorite images had NOT been tagged as keepers. As I hade already cleaned the cards, I went to Trash, selected all, and pasted them back into the July 12 folder. It took only a few seconds to tag the two I had missed and to delete the untagged.
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).
You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)
The technique mentioned above (eyeball replacement) and tons more great Photoshop tips and techniques — along with my complete digital workflow, Digital Eye Doctor Techniques, and all my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.
Please note: the Divide and Conquer technique was inadvertently omitted from DB II. It is detailed in a free excerpt in the blog post here.
Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: most of the videos are now priced at an amazingly low $5.00 each.
You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here. Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.
You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.
The Digital Basics III Video Series
The Digital Basics III Video Series
I realized about a year ago that my digital workflow had changed fairly significantly and was toying with the idea of writing a Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.
As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born. You can check out Volume I/#1 here.
You might opt to purchase single videos or to subscribe to Volume I and save $26 by ordering the first five videos in one fell swoop. You can purchase the five videos in Volume I by clicking here. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
It looks as if we are back to square one as far as post notifications 🙁
What’s Up?
Having finally gotten in touch with the brilliant IT guy who created the BAA blog 15 years ago — he is now living on a farm in South Africa, online with Starlink!, — post notifications have currently been restored (we hope). His temporary solution was to drop back from the latest versions of WordPress and PHP to older versions that are compatible with the Post Notifications plugin that had worked since the blog was first published on 12 March 2009. Going forward, we may update to a newer plugin called Newsletters. If that happens, the change should be seamless. I should know in a few hours if the post notifications for today’s post were sent … I am optimistic.
The Plan
My plan, at present, is to publish a blog post every day alternating between re-published posts (beginning with this one that was originally published 5 May 2024), and brand new posts. In a bit more than two months, we should be caught up. Tomorrow’s new post on the gun violence photography of Dr. Greg Gulbransen, will blow most folks away. Apologies to the few who are seeing this post for the second time. Some might be interested in reading the comments on the original post here.
Your Call?
After clicking on each to enlarge, which of today’s featured images do you like best? Why?
Supporting My Efforts Here
If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.
In many cases, I can help you save some serious dollars.
This image was created on 30 April 2024 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 2000. 1/800 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 7:23:36am on sunny morning.
Tracking: Expand Spot/AF-C performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.
Image #1: Sandhill Crane post-preening pose
Looking for Different
I head down to the lake most every morning when I am not on the road, and most every morning, there are Sandhill Cranes to photograph. Sometimes I get bored with the cranes. The challenge therefore, is the quest for something new and different, or at least for something perfect. Image #1 fits into the latter category. Most of the cranes are tame. When the adults are foraging, they are difficult to photograph as they are moving constantly. When I see a pair standing in one spot, they are almost always preening; it is easy to drive into point blank range. I’ve made many thousands of images in such situations. Heck, possibly tens of thousands. Is there anything about Image #1 that bugs you?
This image was created on 3 May 2024 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 800. 1/400 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 7:11:46am as early clouds and fog blocked the sun.
Tracking: Expand Spot/AF-C performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #2: Sandhill Crane adult and young bird-scape with tree and ground fog
Different for Sure
When I headed down to the lake on Friday morning, there were some low clouds to the east and some ground fog on the North Field. I drove past the adult and colt foraging to see if there was any possibility of fire in the mist conditions by shooting back into the soon-to-come sunrise. But the fog was not thick enough. So I made a U-turn to check out the bird-scape opportunities. I stayed far back so that I could put the birds in a corner of the frame and include the ground fog. That is when I noticed the tree. As the sun had not broken through the clouds, I was able to shoot south to north as sun angle would not be a problem. Image #2 was the best of the lot.
The Digital Basics III Video Series
The Digital Basics III Video Series
I realized about a year ago that my digital workflow had changed significantly and was toying with the idea of writing Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.
As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born.
You can purchase Volume I and save $26 by ordering the first five videos in one fell swoop here. #5 was sent last week. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI and for those familiar with the techniques detailed in the earlier versions of Digital Basics.. Especially Digital Basics II.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Today is Wednesday 10 July. I am hoping to receive a phone call from Europe in a very few minutes that might solve the post notifications (and other) problems on the blog. Wish us luck.
Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Important Notice
After an update on 4 May, WordPress stopped sending post notifications. We have been aware of the issue and are working on rectifying it. A new post is published every other day. You can always check them out by visiting or bookmarking www.BIRDSASART-Blog.com.
Supporting My Efforts Here
If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.
In many cases, I can help you save some serious dollars. And/or prevent you from purchasing the wrong gear.
Summer On Long Island
Check out the July and August Nickerson Beach (& JBWR) IPT offerings here and consider joining us to learn a ton, make lots of great images, and improve your image processing skills.
Save 15%!
If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.
I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.
Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 code in the Promo Code box at checkout to save 15%.
Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com
B&H
To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.
Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.
Bedfords Simplified
Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.
Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
This image was created on 7 July 2024 down by the lake near my home at Indian Lake Estates, FL. Working from the front seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 800. 1/2000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 8:48:13am on a sunny morning with a touch of haze in the air.
Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.
Image #1: Osprey in the lake, the original
Plans for the Original
As you saw in the last YouTube video here, one of the problems I had photographing the whistling ducks and the Ospreys along the edge of the lake was minimizing or eliminating the (pretty-much-ugly) shoreline. As I pressed the shutter button when creating this series of images, I visualized a large crop to a vertical. The line of dirt through the bird’s reflection dictated the crop. See Image #2 immediately below.
Be sure to click on the image to enjoy a high-res version.
Image #2: The optimized (vertical) version of the Osprey in the lake image
A 75% Crop!
Slightly more than 75% of the original pixels in today’s featured image were cropped away and discarded. The flattened 8-bit .TIF file comprises exactly 24.9% of the original pixels. Though I had planned for a vertical from the get go, a 75% crop is unusual for me. In any case, such large crops are possible because of the quality of sharp Sony a-1 51 MP raw files. Getting similar high quality results with the smaller (24MP) a9 iii files would be iffy at best.
Be sure to click on the image to enjoy a high-res version.
Image #3: An unsharpened 100% crop of the Osprey in the lake image
The 100% Crop
The 100% crop of the optimized .TIF file shows the incredible detail you can render even at 1200mm. Sharpness is compromised to a very small degree with the addition of either teleconverter, more of course with the 2X than with the 1.4 TC.
Typos
With all blog posts including this one, feel free to e-mail or to leave a comment regarding any typos or errors.
