A Benefit of Gale Force Winds… « Arthur Morris/BIRDS AS ART

A Benefit of Gale Force Winds...

Stuff

I am sitting on the boat just after breakfast again looking at a second day of high winds and rain. That’s why they call it nature photography….

This blog post should be published automatically from the Cloud at 6:00am on Monday, August 24, 2015. Enjoy.

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You can see all of the current listings here.


mendenhall-glacier-large-viv-nik-_a1c7444-mendenall-glacier-juneau-ak

This image was created with the hand held Canon EF 24-105mm f/4L IS USM lens (at 65mm) and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +1 1/3 stops: 1/400 sec. at f/8.

Center AF point/AI Servo Expand/Rear Focus AF on the center of the image about 1/5 of the way into the frame and re-compose. Click here to see the latest version of the Rear Focus Tutorial.

Image #1: Glacier near Juneau, AK wide shot

The Benefit of Gale Force Winds…

Our inside passage cruise departure was delayed for at least a day on Saturday by a big storm with gale force winds. We lucked out that afternoon as the rain let up for a few hours and we visited a beautiful glacier. The storm clouds turned out to be a big plus. I went back and forth on bringing the tripod and both tripod heads, the Mongoose and a small ballhead, and once we arrived at the location I was sorry that I had opted to leave them on the boat. How many times do we have to learn lessons like that before we quit being lazy? (Note: the folks who supplied us with the Giotto’s tiny ballhead that I have used for years have gone belly-up; I am hoping to get my hands on a viable alternative soon.)

The Wide View

I sat on the ground using my elbows-on-knees tripod technique to ensure adequate sharpness. And since I was creating originals for potential HDRs I turned off Auto Align. As things worked out, I went with a single image. I did the sky with NIK Viveza using three large control points and the foreground after selecting it with the Quick Selection Tool with my NIK Color Efex Pro 50-50 recipe reduced to 25%. Fast and easy.


glacier-with-100-400ii-large-_a1c7548-mendenall-glacier-juneau-ak

This image was created with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the Canon EOS 5D Mark III. ISO 400. Evaluative metering +1 1/3 stops: 1/80 sec. at f/8.

Center AF point/AI Servo Expand/Rear Focus AF about 1/3 of the way into the frame on the large rock on our right and re-compose. Click here to see the latest version of the Rear Focus Tutorial.

Image #2: Glacier near Juneau, AK tight shot

The Tight View

I switched the 24-105 for the 100-400 to get fairly tight on the glacier. Again I went with a single image. I like the colors and patterns.

Your Fave?

Which of today’s two images do you like best? Be sure to let us know why.

The 5D III

The 5D III is always my first choice for scenics, flowers, and urbex photography. I love the relatively large images files and the 5D III’s excellent control of noise (provided that you expose to the right).

Canon’s Two 50+ Megapixel Camera Bodies

At some point soon I will surely get my hands on a Canon EOS 5DS R DSLR as a potential replacement for the 5D III that has provided yeoman service for so many years. Learn more http://www.birdsasart-blog.com/2015/02/21/canons-two-new-50-megapixel-camera-bodies-you-must-read-this-before-you-buy/ and here to see if this camera or the Canon EOS 5DS DSLR might be best for you.


bosque-2014-a-card

In 2015, we are offering a 3-DAY IPT before Thanksgiving and a 4-DAY IPT after the holiday. You can attend either and spend Thanksgiving Day with your family. Sign up for both and we will be glad to apply a $100 discount to your balance. We know that there are lots of less costly workshops being offered these days. Many of them are downright cheap. Please remember that you get exactly what you pay for. With us you will have two full time pros there for you every minute we are in the field. Together they have more than 28 seasons of experience at the refuge. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time every day, do join us.

Bosque del Apache 2015 BIRDS AS ART/A Creative Adventure Instructional Photo-Tour (IPT). 3-FULL DAY IPT: NOV 22-24, 2015. $1149. Two great leaders: Denise Ippolito and Arthur Morris. Meet and greet and introductory slide program after dinner on your own at 7:00pm on SAT NOV 21. This trip is a near sell out.

Tens of thousands of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with two of the world’s premier photographic educators at one of their very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive Novembers at Bosque for artie. This will be denise’s 7th workshop at the refuge. Nobody knows the place better than artie does. Join us to learn to think like a pro, to recognize situations and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time we make a move we will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 3 morning and 3 afternoon photography sessions, an inspirational introductory slide program after dinner on your own on Saturday, 11/21, all lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a strict itinerary on a Bosque IPT as each day is tailored to the local conditions at the time and to the weather. We are totally flexible in order to maximize both the photographic and learning opportunities. We are up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it is back to Socorro for lunch and then a classroom session with the group most days. We head back to the refuge at about 3:30pm each day and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity.

A $449 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 7/25/2015. If you cancel and the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Whether or not your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.


bosque-cardlarger

In 2015, we are offering a 3-DAY IPT before Thanksgiving and a 4-DAY IPT after the holiday. You can attend either and spend Thanksgiving Day with your family. Sign up for both and we will be glad to apply a $100 discount to your balance.

We know that there are lots of less costly workshops being offered these days. Please remember that you get exactly what you pay for. If you want the finest in photographic instruction and want to be assured of being in the right spot at exactly the right time, do join us.

Bosque del Apache 2015 BIRDS AS ART/A Creative Adventure Instructional Photo-Tour (IPT). 4-DAY IPT: (three full and two 1/2 DAYS) NOV 28-DEC 2, 2015. $1499. Two great leaders: Denise Ippolito and Arthur Morris. Meet and greet at 3pm on SAT NOV 28 followed by an afternoon photo session at the crane pools and the introductory slide program after dinner on your own.

Tens of thousands of Snow Geese, 10,000 Sandhill Cranes, ducks, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with two of the world’s premier photographic educators at one of their very favorite photography locations on the planet. Top-notch in-the-field and Photoshop instruction. This will make 21 consecutive Novembers at Bosque for artie. This will be denise’s 7th workshop at the refuge. Nobody knows the place better than artie does. Join us to learn to think like a pro, to recognize situations and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time we make a move we will let you know why. When you head home being able to apply what you’ve learned on your home turf will prove to be invaluable.

This workshop includes 4 afternoon (11/28through 12/1), 4 morning (11/29 to 12/2) photography sessions, an inspirational introductory slide program after dinner on your own on Saturday, 11/28, all lunches, and after-lunch digital workflow, Photoshop, and image critiquing sessions.

There is never a strict itinerary on a Bosque IPT as each day is tailored to the local conditions at the time and to the weather. We are totally flexible in order to maximize both the photographic and learning opportunities. We are up early each day leaving the hotel by 5:30 am to be in position for sunrise. We usually photograph until about 10:30am. Then it is back to Socorro for lunch and then a classroom session with the group most days. We head back to the refuge at about 3:30pm each day and photograph until sunset. We will be photographing lots of Snow Geese and lots of Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity.

A $599 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, will be due on 7/25/2015. If you cancel and the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Whether or not your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

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6 comments to A Benefit of Gale Force Winds…

  • I’ve been following your blog for some time now, but this is my first time to chime in.

    I think I like your first picture of the Mendenhall glacier best. It’s a better presentation of the subject and gives more depth. I do like the texture and colors of the second, but it’s too flat due to compression, given the focal length. I’d like it better if there were something in the second picture to give me a sense of scale.

    What prompted me to respond here is that I was there on August 13 with the same two lenses but different full frame body. It was interesting to compare your images to my own.

  • avatar David Peake

    Love a dramatic sky ,image one,but the tight view on the glacier is beautiful so
    No 2 is my choice. I do love the way the blues come out from deep within the cracks in the ice.
    Enjoy the trip.
    DP

  • avatar Brian Peer

    I like both shots, mainly because it shows that often there is another great image lurking within a good image. Food for thought.

  • avatar James Saxon

    I like the tight photo because of the texture in the image and the subtle bits of color throughout. Reminds me more of a painting than a photograph.

  • avatar Henry

    Hi Artie,
    Glad you are enjoying the trip and the breezy conditions. Choices, choices, choices…right now the first shot with the 24-105. Will have to view them again in a little while. I would be curious to see the first photo (24-105) converted to black and white…perhaps with a “red filter” applied to emphasize the clouds. Keep dry. Henry

  • avatar Johann Mey

    I disliked the first one for the grey clouds even before I saw the second, which has great texture and color spots. Although the first one’s composition is probably more according to the 1rd 2/3’rds rule with leading lines, the mass of grey cloud distracts me. What about a tighter crop on the first one?