The Number One Reason That I Gave Up On Nikon: the lack of consistently crispy eye skins at 840mm. Plus a few more « Arthur Morris/BIRDS AS ART

The Number One Reason That I Gave Up On Nikon: the lack of consistently crispy eye skins at 840mm. Plus a few more

What’s Up?

What started out as totally foggy turned into a mega-morning at La Jolla. Just for the fun of it I left my 600 f/4 in the trunk, loaned my 200-600 to Patrick Sparkman, and shot the whole session with my SONY 70-200mm GM lens. At 9:00am I added the 1.4X TC. We got really close to some beautiful pelicans and then had some even more beautiful birds land right in front of us. I was doing tight head portraits at 280mm. Then a great brunch as usual at the nearby Cafe Vahik.

ps: Patrick fell in love with the 2-6 and will be buying one soon, using my Bedford link with the discount thank you very much.

The plan is that after one last morning session (on Sunday 26 JAN) Patrick and I will get together and create the long-awaited SONY camera body guide video …

Homer Bald Eagle Photography Lessons

Click on the play triangle to learn about getting the right exposure for black and white subjects in sun or on cloudy or snowy days, the best lenses for eagle photography in Homer, creating pleasing blurs, basic and advanced composition, and tons more in this free video. Click on the little broken white square lower right next to YouTube to view the video full screen. Hit Escape to exit full screen. Enjoy!

This image was made with a hand held Canon 70-200mm f/2.8 L IS lens and the EOS-1D Mark II.

If you missed the Homer IPTs announcement (there are two separate trips), or if you are thinking of attending, be sure to see the complete offering here.

Image #32: Bald Eagle: Striking!

More On Homer

For the first trip only, I am offering a $500/person discount for those who sign up with a friend or spouse. You can access the complete trip offering here.

IPT #1: FEB 25 through the full day on MAR 1, 2020. Six full days: $4799.00. Limit 5 photographers/Openings: 2.

IPT #2: MAR 3 through the full day on MAR 7, 2020. Five full days: $3999.00. Limit 5 photographers/Openings: 2.

Via e-mail from Multiple IPT veteran Greg Ferguson:

I attended this IPT in 2011 and can only say it was the most intensive bird photography I have ever experienced. My arms were tired and sore from shooting so many action photos. It is highly recommended! I called Jim today and signed up for a reprise. Greg

Via e-mail from Multiple IPT veteran Dick Curtain:

I attended the Homer IPT in the past and can only say it was a great experience. Many eagles, beautiful scenery, great instruction, and many fond memories. Don’t miss it.

IPT Updates

  • The Greatest-ever Bald Eagle Experience IPTs:
  • IPT #1: FEB 25 through the full day on MAR 1, 2020. Six full days: $4799.00 (Price reduced to $3999.00!). Limit 5 photographers/Openings: 2.
  • IPT #2: MAR 3 through the full day on MAR 7, 2020. Five full days: $3999.00. Limit 5 photographers/Openings: 2
  • The 2020 Hooptie Deux/Roseate Spoonbill Boat 3 1/2 DAY IPT — MAR 19 thru the morning session 22 MAR 2020: $2599.00. Limit: 5 photographers/Openings: 4.
  • The GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Archipelago Photographic Experience. August 17-31, 2021 on the boat. 13 FULL and two half-days of photography: $14,999.00. Limit: 12 photographers/Openings: 7.

Money Saving Reminder

If you need a hot photo item that is out of stock at B&H, would enjoy free overnight shipping, and would like a $50 discount on your first purchase over $1000.00, click here to order and enter the coupon code BIRDSASART at checkout. If you are looking to strike a deal on Canon or Nikon gear (including the big telephotos) or on a multiple item order, contact Steve Elkins via e-mail or on his cell at (479) 381-2592 (Eastern time) and be sure to mention your BIRDSASART coupon code and use it for your online order. Steve has been great at getting folks the hot items that are out of stock at B&H. Those include the SONY a7r IV, the SONY 200-600, the SONY 600mm f/4 GM, and the Nikon 500mm PF. Steve is eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

BIRDS AS ART

BIRDS AS ART is registered in the U.S. Patent and Trademark Office.

This image was created on August 30, 2019 at Indian Lake Estates. Working fromo my vehicle, I used the Induro GIT 304L/FlexShooter Pro-mounted Nikon AF-S NIKKOR 600mm f/4E FL ED VR lens, the Nikon AF-S teleconverter TC-14E III, and the Nikon D850 DSLR camera body.. ISO 400. Matrix metering plus about 1/3 stop: 1/1250 sec. at f/9 in Manual mode. AWB at 7:37am on a clear morning.

Image #1: 100% Photo Mechanic view of Killder

Click on the image to see a larger version.

The Number One Reason That I Gave Up On Nikon

The number one reason that I gave up on Nikon was inconsistent focusing accuracy when working with the Nikon 600mm f/4 VR lens, the TC-E14 teleconverter, and the D850. I AF fine-tuned that rig at 840mm until I was bleary-eyed. I developed new techniques for micro-adjusting. At times I was sure that I had figured something out as every image was razor-sharp on the bird’s eye with the crispy eye-skins that I love. Then the next day focus would be off — either front-focusing or back-focusing — and it was back to square one.

For the Killdeer image above, I was in my vehicle with the rig on the FlexShooter Pro, I was using a single AF point that was placed right on the bird’s eye. I had plenty of shutter speed and I even stopped down four clicks, 1 1/3 stops from f/5.6 to f/9. Yet the image is clearly back-focused with the sharpest focus on the bird’s bill. I simply could not live with this inconsistency and began to look seriously at SONY.

This image was created on September 29, 2019 on the Fort DeSoto Fall IPT. I used the Induro GIT 304L/FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 1.4x teleconverter, and the 61-MP Monster, the Sony Alpha a7R IV Mirrorless digital camera body. ISO 400. Exposure determined by Zebras: 1/1000 sec. at f/9 in Manual mode. AWB at 8:48am on a clear morning.

Image #2: 100% crop of Sanderling

Click on the image to see a larger, inexplicably sharper version.

SONY at 840mm

The Sanderling image was a bit larger in the frame than the Killdeer. Thus, the depth-of-field at f/9 for the Sanderling would be shallower than in the Killdeer image. And the bird was moving. Yet the Sanderling image is clearly sharper and accurately focused on the bird’s eye. As I experimented with the various AF modes, my SNOY results became consistently sharper.

It was at about this time that I decided to work for three months only with my SONY gear as I was still not 100% sold. After only one month, I decided to sell my Nikon gear … I was all-in on SONY.

This image was created on September 28, 2019 on the Fort DeSoto Fall IPT. I used the Induro GIT 304L/FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the 61 megapixel monster, the Sony Alpha a7R IV Mirrorless Digital camera body. ISO 1600. Exposure determined by Zebras: 1/1000 sec. at f/8 in Manual mode. AWB at 7:17pm just before sunset on a partly cloudy afternoon.

Image #3:Brown Pelican tight face portrait

Click on the image to see a larger, inexplicably sharper version.

Plus a few more …

  • 1- 99% razor-sharp flight images especially with the a9 ii.
  • 2- Razor-sharp images at 1200mm.
  • 3- Fast frame-rate camera bodies that weigh well less than half of the top-of-the-line dSLRs.
  • 4- SONY Zebra technology allows you to get the right exposure every time if you know how to set and use them.
  • 5- SONY offers the amazingly versatile 200-600 lens.
  • 6- No micro-adjusting or focus fine-tuning.
  • 7- A variety of effective AF modes including the amazing Flexible Spot (M) with Tracking!
  • 8- SONY has enabled me too consistently create images that I simply could not make with my Canon or Nikon gear. And Patrick and I are still learing new stuff!
  • 8- SONY is fun!

From left to right clockwise back to the center: Brown Pelican, Roseate Spoonbill downstroke, Brown Pelican sunrise silhouette, Double-crested Cormorant pre-dawn blur, Roseate Spoonbill flapping after bath, Brown Pelican taking flight, Roseate Spoonbill taking flight, Reddish Egret white morph breeding plumage in flight, and Reddish Egret dark morph breeding plumage in flight.

All images on this card were created by me on the Hooptie Deux at Alafia Banks on the 2018 trip.

You can click on each card to enjoy a larger version.

2020 Hooptie Deux/Roseate Spoonbill Boat 3 1/2 DAY IPT — MAR 19 thru the morning session 22 MAR 2020: $2599.00. Limit: 5 photographers/Openings: 4.

3 1/2 days on the boat including four morning photo sessions and three afternoon sessions via customized pontoon boat.

Price per day Reduced from the 2018 rates! Please e-mail for details on IPT veteran and couples’ discounts. Pro-rated options may be available …

We will be leaving the dock very early for the morning sessions (weather permitting) in hopes of photographing pre-dawn fly-outs and blast-offs. All sessions are planned for the Alafia Banks Roseate Spoonbill Rookery. We might consider other options in the unlikely event of horrific weather. There will be lots of opportunities for flight photography of several species including and especially Roseate Spoonbill. Also likely for flight photography are nesting Brown Pelican, both morphs of Reddish Egret, Great Blue Heron, Great Egret, White and Glossy Ibises, and Double-crested Cormorant. We should have some good chances with birds carrying nesting material. This IPT includes all boat and guide fees, in the field instruction, chest waders (feel free to bring your own of course to assure a perfect fit), and three working lunches on Saturday, Sunday, and Monday. For the most part, we will be standing in mid-calf to knee-high water behind our tripods. We help you get in and out of the boat with your gear. This is likely not the best trip for folks with mobility or balance problems. Note however that some folks opt to stay on the boat to photograph. They usually have lots of chances for flight photography of spoonbills and other species but are almost always pretty far away from the spoonbills that land.

All images on this card were created by me on the Hooptie Deux at Alafia Banks

The Timing and Tides are Perfect!

I recently saw a similar trip advertised two months too late for breeding plumaged spoonbills … The 2020 Hooptie Deux/Roseate Spoonbill Boat 3 1/2 DAY IPT represents an incredible opportunity to photograph Florida’s most wanted species. I do hope that you can join us. There will be a meet and greet at 7:00pm sharp on the evening of WED 18 MAR, 2020. All of the images on the cards were made on the Hooptie Deux from late-February through March, prime time for the spoonies in mega-breeding plumage. Many folks have written expressing interest so please do not tarry.

Please e-mail to hold your spot. Then you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $500 deposit on a credit card or sending your check for payment in full to us as follows with the check made out to:

BIRDS AS ART and sent here via US mail:

BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855

If you call to leave your deposit, you will be asked to mail your check for the balance.


hooptie-card-shadle-aa

Images courtesy of our guide; copyright 2017 Captain James Shadle (aka Froggie). All of the images here were created at Alafia Banks. Card creation and design by Arthur Morris/BIRDS AS ART.

Everybody Loves Spoonbills!

Roseate Spoonbill is one of if not the most sought after avian photographic subjects in Florida. They are generally hard to find and somewhat difficult to approach. They are relatively easy to find at Alafia Banks—heck, you can’t miss seeing them, but even there they can on some days be somewhat difficult to approach. On some days we may be able to get ridiculously close to them. The huge incentive to get out to Alafia Banks in mid-February is the chance to photograph this species at the height of its spectacular breeding plumage…. with long telephoto lenses. A 500 or 600 with a 1.4X TC is perfect for this trip.

Mornings to Alafia Banks for spoonbills and Brown Pelicans (with lots of flight photography often with the birds likely carrying nesting material), Double-crested Cormorants, ibises (both Glossy and White) in breeding plumage. Some of the White Ibises may be sporting their spectacular, distended, red, naked (un-feathered) throat pouches—typically larger in the females. In addition, we may get to photograph egrets including Great and Reddish, both in full breeding plumage, shorebirds, and more. There will be lots of flight photography opportunities. Afternoon trips will most likely be back to Alafia Banks for the spoonbills with an option to visit a more sheltered inland rookery location for a variety of nesting birds. In the event of horrific weather, artie will either take the group to Fort DeSoto or will conduct an extensive image review/Photoshop session. This IPT includes lunches on the full days with small group image sharing and review and some over-the-shoulder Photoshop instruction.

The SONY Zebras Exposure Guide Short Video

If you own a high-end SONY camera body, there is absolutely no reason that you should not be getting a perfect or near-perfect exposure every time with every image even in the most difficult situations — white birds, dark backgrounds, dark birds against white skies, simply pick your shutter speed and aperture and then adjust the ISO on the Control Wheel until you see faint Zebras. It’s that simple. Learn how in the SONY Zebras Exposure Guide Short Video. To order your copy, please send a Paypal to us at birdsasart@verizon.net for $30. Please state in the Paypal that the payment is for the SONY Zebras Exposure Guide Short Video.

Alternatively, you can place a phone order for the SONY Zebras Exposure Guide by calling Jim at 863-692-0906 MON to THURS and most FRI mornings.

Folks who have purchased a SONY lens and/or a SONY body using either my B&H affiliate links or from Steve Elkins at Bedfords will enjoy a $20 discount. If you qualify, please shoot me an e-mail so that I can confirm your discount.

Folks who have purchased the SONY 600mm f/4 GM lens using my links will receive the file for free. If you qualify for a free copy, please shoot me an e-mail so that I can confirm your discount.

After I confirm your discount, you can either call Jim or send us a Paypal (as above).

If In Doubt …

If you are in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.



Please Remember to use my Affiliate Links and to Visit the BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog or Bedfords, for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would, of course, appreciate your using our B&H affiliate links or Bedfords for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

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Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

8 comments to The Number One Reason That I Gave Up On Nikon: the lack of consistently crispy eye skins at 840mm. Plus a few more

  • Hi Artie,

    I have found the exact same problem with the D850+600+1.4x TC. I have fine-tuned many times, tried the same body + TC combo on other lenses, and even bought a new TC to ensure that was not the issue. Still have a lack AF consistency. It’s frustrating because without a TC the D850 is an unbelievable body. I find myself using my D5 more because of this, as haven’t experienced the same issues with it. No complaints most of the time because I love the high ISO performance and FPS, but when I have to crop more than a little, I sure wished I had the pixels of the D850 with 1.4x…

    I thought I was crazy but glad to see I am not the only one who has experienced this.

    Best,
    Mike

    • avatar Arthur Morris/BIRDS AS ART

      I believe that the problems with the 500 PF/D850 combo goo deeper than focus fine-tuning. With that combo, AF performance suffers considerably as you move the AF point away from the center …

      with love, artie

  • avatar Dan

    I see you listed the Flexible Spot M with Tracking in your list or positives. I had previously noted that you tended to shoot using the regular Wide or Zone focus modes, seemingly not using the Tracking focus modes. I had been wondering why, since many people swear by them and this is supposed to be the latest+greatest focus mode. Is it simply because you had not gotten around to trying it yet? Or because you were already getting 99% hits with the regular non Tracking focus modes, why mess with a good thing?

    • avatar Arthur Morris/BIRDS AS ART

      Hi Dan, Good to see that at least one person is paying attention 🙂

      Several reasons:

      1- Tracking with the a7r III is not very good …

      2- Sometimes I am a slow learner …

      3- Yes, I was doing quite well with Zone. I began using Flexible Spot (M) with Tracking several days ago. It is amazing but it is not perfect. More on that on the videos and in the new guide.

      And today I tried Flexible Spot (S) with Tracking for specific reasons That subject will also be covered in the new guide.

      with love, artie

  • avatar Jordan Cait

    Hi Artie,

    Typos as requested. What’s the number one reason you gave up on spell check? 😉

    Working fromo my vehicle, I

    And Patrick and I are still learing new stuff! (what kind of trips are you going on?)

    • avatar Arthur Morris/BIRDS AS ART

      Thank, Jordan. I am using the free old version of Grammarly. As I have been saying, it frequently misses obvious spelling errors. When I try to upgrade to the newer free version my Mac does not allow it. Grammarly blames Apple. I blame Grammarly 🙂

      with love, artie

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