Soft Light and the In-Heaven Motif « Arthur Morris/BIRDS AS ART

Soft Light and the In-Heaven Motif

What’s Up?

I swam on Saturday morning and drove over to Lakeland in the afternoon under clear skies with a nice breeze from the west. There were about a zillion Anhingas at Lake Parker, but very few parking spots so I headed over to Lake Morton. There, I learned that it is much better in the morning than in the afternoons.

Please be so kind as to leave a comment letting us know which of today’s two featured images you like best and why you made your choice.

Today is Sunday 13 November. I may head back to Circle Bar B in the morning and hope for some clouds. This blog post took about an hour to prepare and makes two hundred thirty-one days in a row with a new one. Wherever you are and whatever you are doing, I hope that you have also have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

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Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 11 November 2022 at Sebastian Inlet, FL. While seated on dry sand (with an already very wet butt), I used knee-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 353mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1600. 1/500 second at f/6.3 (wide-open) in Manual Mode. AWB at 5:03:23pm with the sun behind a big cloud on the western horizon. RawDigger showed the exposure to be less than 1/3-stop too dark.

Tracking: Upper Center Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Wood Stork — adult head portrait in soft light

Loving the Soft Light on the Atlantic Ocean

The Wood Stork that had been at the base of the jetty walked ahead of me on the beach toward the path back to the pullout where I had parked. There were two guys fishing off the beach there. Some kids frolicked in the surf near them. The young Reddish Egret that had been at the jetty was standing among the humans, the bird without a care in the world. As I got closer, a second Wood Stork flew in. I sat on the beach and began photographing. The quality of the soft light as it came through the clouds was lovely, as were the varied ocean backgrounds. The success of today’s two images was due in part to exposing well to the right. Even the most sophisticated camera meter would under-expose both images here by close to two full stops.

This image was also created on 11 November 2022 at Sebastian Inlet, FL. While seated on dry sand (with an already very wet butt), I used knee-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 547mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1250. 1/400 second at f/6.3 (wide-open) in Manual Mode. AWB at 5:05:05pm with the sun behind a big cloud on the western horizon. RawDigger showed the exposure to be less than 1/3-stop too dark.

Tracking: Upper Center Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #2: Reddish Egret in heaven

The In-heaven Motif

To create images with the in-heaven look, you need something close to you in the bottom of the frame to create the soft, out-of-focus foreground as you focus on the subject beyond and above and under it sharply. We first figured this motif out in the mid-1908s while photographing shorebirds on a beach where small ridges of sand provided the de-focused foregrounds. I have made a few decent images using the body of a closer bird to provide a soft, o-o-f foreground. So, when the Wood Stork stepped between me and the young reddish, I saw the opportunity. At first the reddish did not cooperate as it looked away from me out to sea. When the stork took two steps to the right, I schooched right to re-establish the juxtaposition. This time, the egret posed for me with a perfect head angle.

Don’t Be Scared

Note that I was fine with a minimum shutter speed of 1/400 or 1/500 second while handholding the Sony 200-600mm G lens. With the incredible image quality of files from today’s mirrorless camera bodies, there is no reason to be scared of the higher ISO settings. When you do encounter high ISO noise, Topaz DeNoise will eliminate it easily even for some ridiculously high ISO settings.

Click on the image to better see the green eye-AF boxes in action.

Sony Alpha 1 Flight Photography AF Points!

The SONY Alpha a1 Set-up Guide and Info Group: $150.00 (or Free)

The SONY Alpha a1 Set-up Guide and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. The group is now up to up to an astounding 131 lucky and blessed folks, and more than a few folks own two or more a1 bodies! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. The best news is that everyone in the group receives an e-mail that includes a .DAT file with my a1 settings on it, and explicit directions on how to load my settings onto your a1; talk about convenience! I am now offering a .DAT file compatible with firmware update 1.20. Your entry into the group includes a consolidated Sony a1 CAMSETA2 INFO & GUIDE. New a1 folks will now receive six e-mails instead of the previous 28! You will receive new e-mails as they are published. Simply put, this e-mail guide is an incredible resource for anyone with an a1.

All who purchased their Alpha 1 bodies via a BAA affiliate link — B&H or Bedfords — will receive a free Sony Alpha a1 Set-Up Guide and free entry into the Info Updates group after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.). Others can purchase their guide here in the BAA Online Store.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

5 comments to Soft Light and the In-Heaven Motif

  • James Saxon

    Wood Stork does it for me. I like the detail in the head and bill.

  • Image 1 is my choice. I really like the clean detail on the head and neck. It reminds me of some up-close Iguana or Green Turtle images I have seen.

  • Adam

    Hi Artie, I know you’ve been enjoying photography for years, though I think you meant, “1980’s” and not “1908s”? Prefer the first one of the Wood Stork.

  • Kathy Graff

    I think that they’re both interesting and beautiful images. I prefer the first one because of the details in the head and beak; some very interesting shapes and subtle coloring. I didn’t really appreciate the second image until I zoomed in on the bird’s head and then I could see the very delicate detail of the feathers. My iPad does no justice to what you describe, Artie, as the quality of the soft light coming through the clouds. Had I been able to view that quality I might have chosen the second image as my favorite. I guess that’s something we have to think about when posting images and viewing images. That’s something I really like about prints: the photographer has more control over what the viewer will see. Anyway, excellent images!

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