Can You Bear It? « Arthur Morris/BIRDS AS ART

Can You Bear It?

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This Coastal Brown Bear image was created in Katmai National Park on a 2009 Bear Boat IPT with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the discontinued EOS-1D Mark IV that has been replaced by the Canon EOS-1D X digital SLR . ISO 640. Evaluative metering -1/3 stop: 1/200 sec. at f/9.

Central sensor (by necessity)/AI Servo/Rear Focus AF on the rim light and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Let’s call this one “The Original.”

Can You Bear It?

I posted the image above (along with a black and white version) to the blog on December 31, 2012 in “Blacklight & Creativity.” About half the folks who commented liked the color version and about half liked the black and white version. Denise Ippolito commented, “I do think that the B&W one could be as dynamic if you added a little more light to the grasses at the bottom.” So I did.

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This is the version suggested by Denise Ippolito. Let’s call this one Black & White II.

To create the version above I started with the original and applied the High Contrast Orange filter in NIK Silver Efex Pro.

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brown-bear-blacklit-ocean-ripple-with-gnats-iso-640-_10j0284-kukak-bay-katmai-national-park-ak

Let’s call this version Ocean Ripple.

I started to mess around and began with Filter/Distort/Ocean Ripple (in Photoshop). I love what the filter did to the lower front half of the animal including and especially the fur around the head and the front legs.

John Van de Graaff

Multiple Galapagos Photo-Cruise veteran John Van de Graaff (who will be joining us again on the rapidly filling Nickerson Beach Baby Birds IPT next July) raised some interesting points with his comment:

In today’s blog, blacklight is clearly used as a variant of backlit. When I tried my hand as a art dealer (disastrously) for a few years in the early 1980s I learned about ultraviolet light, aka blacklight, which was used to expose recent restorations on old paintings. So for me the term blacklight as Artie and presumably others use it, is confusing. You all have adopted it, which is fine. But I’d be curious to hear if anyone else has raised the subject.

Here is my response: Hey John, It’s great to see you here. Actually I used Blacklight in the title of the blog post and used “blackit” as a variant of backlit in the text when I wrote, The first time I saw the words blacklight and blacklit they were used in Andy Rouse’s fine book, “Concepts in Nature”. When I grabbed a copy of Andy’s book off my huge photography bookcase I learned that my mind had been playing tricks on me. One pages 98-101 Andy used the “Black light” to refer to black(but not necessarily backlit) backgrounds; two of the three images that he uses to illustrate the concept are frontlit. I thought that elsewhere in the book he had coined the word “blacklit.” But it turns out that I was wrong and will gladly take credit for coining the term. What I am calling “blacklit” as in the original image here, Andy calls “The atmospheric ‘ring of fire.’ The images that he uses to illustrate the concept are on pages 88 & 89. One is a bear, the other a Langur Monkey. He speaks of a similar style on pages 56-57: The Red5 ring of fire.

Funny how the human brain works….

Since you mentioned it, the term black light to many (including me now that I thought about it) refers to the use of long-wave UltraViolet (UV) light to identify and illuminate a variety of fluorescent minerals. Surely the blacklight that you mentioned is closely linked to the term black light. As far as anyone else being confused by my turning a new phrase, the answer would be “Not really.” Joel Eade did write “….shouldn’t it be backlight instead of blacklight? He was not confused, he just did not catch my clever intent :).

At one time we carried Concepts in Nature in the BAA On-line store but if you would like to get inspired you will need to get your copy by clicking on the link below.

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Let’s call this version Fractalius Glow 100.

I created the version above by bringing a layer into Fractalius, starting with the Glow 100 pre-set (my favorite), and doing some major tweaking of the sliders. Then I saved my tweaks as “Brown Bear Glow 100 tweaked.”

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To purchase this fabulous and fun program and help to support two starving artists, please click on the link above. Sorry–Windows only. Denise Ippolito, Andrew McLachlan, and I are just starting work on a Fractalius eGuide. Stay tuned.

brown-bear-blacklit-pinch-crop-with-gnats-iso-640-_10j0284-kukak-bay-katmai-national-park-ak

Let’s call this version Pinch.

To create the version above I used Filter/Distort/Pinch in Photoshop.

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Let’s call this version Radial Blur.

Soon I was really rolling. This one was created with Filter/Blur/Radial Blur in Photoshop

brown-bear-blacklit-twirl-with-gnats-iso-640-_10j0284-kukak-bay-katmai-national-park-ak

Let’s call this version The Wave.

Finally, I went nuts; this image above was created with Filter/Distort/Twirl in Photoshop.

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Everything that I needed to know about creating the images above is detailed in A Guide to Creative Filters and Effects by Denise Ippolito.

You Guessed It

Take a moment to leave a comment and let us know which one is your fave, which ones you hate, and what you might have done differently.

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Best to register soon as the seminar is filling up nicely.

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19 comments to Can You Bear It?

  • The “pinch” is my favorite. A greater sense of motion with little distraction.

  • avatar kati

    The fractalous blur 2 is the perfect combo of the original and your artistic renderings. It still retains the shadow image of the original bear and completely alters the effects of the foreground/background. It’s ethereal!

  • Let me try again. I’d just like to see all the white flares in the air and on the ground removed. As I said it would look great printed on metallic paper.

  • avatar Mike Vanecek

    Could you take a more mundane approach and adjust the highlights of the original color image to add more detail but not lose the impact of the back lighting?

    • avatar Arthur Morris/BIRDS AS ART

      Sure, I could do that but why take a more mundane approach???

      • avatar Mike Vanecek

        Well, it won’t be mundane to me, but may not be as artistic to those with o more developed right brain.

        • avatar Arthur Morris/BIRDS AS ART

          Mike, Not to be argumentative but you were the one who suggested that I take “a more mundane approach.” 🙂

          • avatar Mike Vanecek

            Quite so. Maybe better phraseology would have been a less digital art approach. I did not intend to offend, but was curious to see what it would look like with more visible highlights.

            No offense taken. But now I am more confused by your original comment. Did you want more detail on the bear? I am confused as to what you mean by “more visible highlights. You will need to reply in a new window. artie

  • avatar Marina Scarr

    For me the radial blur is the most unique and captivating.

  • avatar David Policansky

    You seem to have been having fun with this, Artie! My favorite image is Fractalius Glow 100, followed by Denise’s suggestion (B&W II), followed by the Wave (the wave no longer is bearish to me, but it’s very waveish and pleasing).

  • Love the Fractalius Glow 100 shot! Sure wish there was a MacOS version available!

    • avatar Arthur Morris/BIRDS AS ART

      If you have VMWare/VMWare Fusion or Parallels Desktop then you can run all Windows programs, BreezeBrowser and Fractalius for example, on a Mac. Click here for details. artie

  • avatar Faraaz

    Radial Blur is my fav. Except for the little sliver of glow at the top right corner. This one retains characteristics of the original yet has a lovely dynamic feel to it as well. Strikes the perfect balance for me.

  • love it! The last one is certainly out of the box, my favorite is Fractalius Glow 100.

  • Very innovative and interesting. However the original is so stunning. I’d prefer just cleaning away all the white marks on the right (like you did in the third and subsequent versions) plus the stray ones on the ground among the first ones. Then I’d print it on metallic paper. Just a thought.

  • avatar Jerry

    I like the B+W II. The others are nice but look too much like digital art to me.