Archive for the ‘Book Info’ Category

Blacklit Images

Sunday, June 14th, 2009
Blacklit Coastal Brown Bear, Katmai National Park, AK.  See the image below for the techs.   And do click on each image to view a larger version.

Blacklit Coastal Brown Bear, Katmai National Park, AK. See the image below for the techs. And do click on each image to view a larger version. I created the opening image from the image below.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

The second image represents what I saw in the field, the first image is the one that I visualized.   It is much better to create an image with the histogram well to the right (as in the second image) than to try and create the opening image in camera.   Your files will contain much more info by following this approach.
Here is how I created the opening image.  First, I converted the RAW file in ACR.  (When you do this, be sure that the rim-lit fur is not flashing.)  Next, I did a Levels adjustment by pulling the left-hand slider far to the right while holding down the Alt key (until the shape of the bear appeared almost solid black). Then I moved the middle-tone slider to the right to make the image even darker. I do these two things often to create blacker SILHs. Then I added Black to the Blacks and to the Neutrals in Selective Color as described in Digital Basics: https://store.birdsasart.com/shop/item.aspx?itemid=252
This particular image was inspired directly by Miguel Lasa’s BBC honored blacklit Polar Bear image.  (I thought that it deserved top honors….)   You can see Miguel’s winning image (in the Creative Visions of Nature category) here:  http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/photo.do?photo=2428&category=50&group=1  It would be interesting to see the RAW file. 
I first came across the term “black light” in Andy Rouse’s latest and highly inspirational book, “Concepts of Nature.”   The opening image is a combination of Andy’s “Black Light” and his “Atmospheric Ring of Fire” concepts.  You can learn more about this great book here: https://store.birdsasart.com/shop/item.aspx?itemid=53.   I have long pitched the idea that in order to improve folks need to look at as many great natural history images as possible, and in Concepts of Nature Andy has made that easy to do.  I was so taken with the words and the pictures that we ordered fifty copies of Concepts of Nature so that the serious photographers on this side of the pond could take advantage of Andy’s brilliance.   
Here is an abstract black-lit image of the backlit hump and back of a big bear.  It was created with the same gear as the image above.  ISO 500.  Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

Here is an abstract blacklit image of the backlit hump and back of a big bear. It was created with the same gear as the image above. ISO 500. Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

I take pride in the fact that I have coined many terms commonly used by today’s nature photographers.  Even though the opening image was jointly inspired by MIguel and Andy I will take credit for coming up with the term “blacklit.”  I will be back soon to share more images from my Alaska trip.

Los Madrones

Friday, April 24th, 2009
This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

Chris and I arrived at Mike and Julie Murphy’s Los Madrones Ranch on Tuesday afternoon.   As with most new places, it took us a while to figure the place out but we wound up getting some great images of many species that we had seen or photographed (or both!) for the first time.  Texas’s top birder and one of (if not the) best bird photographers in the state, Greg Lasley, helped us track down our number one target species, the Golden-cheeked Warbler, a gorgeous bird that nests only in Texas Hill Country.  Six to seven pairs of this endangered warbler nest on the Murphy’s beautiful 400 acre ranch.     We stayed in the lovely Casita with all the comforts of home and photographed from three of the four photo blind/feeder set-ups that Mike has constructed. 

Los Madrones is located in western Travis County, TX.  If you would like to photograph some of the species below (and more), you can contact Mike Murphy to arrange a vist by cell phone at   512-925-6902 or via e-mail to mike@losmadrones.com.  You can learn more about the ranch here: http://www.losmadrones.com/Los_Madrones/Home.html  

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

There is a great section in “The Art of Bird Photography II” (916 pages on CD only) on selecting perches and creating a feeder set-up that will work for photography.  You can learn more about ABP II here: http://www.birdsasart.com/ABPII.htm.
This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

As regular BIRDS AS ART Bulletin readers know I am a huge fan of cloudy-bright days.  They offer  much reduced contrast, great color saturation, amd images without shadows.   And most importantly, they allow you to work well off light angle.  The two images above were created as the birds sat on natural perches well off to the side of our set.  Had it been a clear sunny day, each would have been about 40 degrees off of the proper sun angle and I would not have even pointed my lens at them. 

Thanks to Mike and Julie for their generous hospitality and for hosting our visit to Los Madrones.

Do As I Say…. A weather story

Tuesday, April 14th, 2009

Despite a somewhat scary weather forecast, I photographed this morning at Fort DeSoto Park south of St. Petersburg, FL with Chris Dodds (www.chrisdoddsphoto.com) and Linda Robbins, the Hummingbird Queen.  It was cloudy and dark so we were all using high ISOs and fill flash.  By about 9am a huge black cloud was creeping up on us from the west,  from out over the Gulf.  We knew that we would need to exit soon and quickly. After concentrating on our avian subjects for a while, we all glanced up at the sky just as we decided to high-tail it back to the cars.  We were stunned by what we saw.  Just offshore of the park was the strangest, most beautiful cloud formation that any of us had ever seen.  There were huge , angled, diagonal clouds that were oriented more vertically than horizontally.   They had white borders and were changing shape each moment.   They seemed almost alive, to be gaining strength with every passing seonnd.  We all thought that we were witnessing the birth of a tornado.  Linda was well ahead of Chris and me.  Then, Chris and I had the same thought at the same time:  “Let’s photograph this now and run for our lives later.” 

In both  “The Art of Bird Photography” and in ABP II (on CD only) I am pretty sure that I wrote something like this:  “You should never be afield without a short zoom lens in your vest.  On those days when you get lazy and leave it in your car, you will surely regret it.”  Well, there we were, two professional photographers out on the beach without a single short lens between us.   “OK, we’ll run back to the car, grab a short lens, head back out to the beach, photograph those amazing clouds, and then run like hell.”   As we ran, the cloud formation seemed to be gaining  on us, and as we appoached the restrooms it began to hail and the wind began to scream.  The temperature seemed to have dropped 30 degrees in seconds.   I had the fleeting thought that I was might die in a tornado.   By the time that we reached the car it was pouring, but the wind had subsided a bit so Chris and I grabbed the short lenses and ran the hundred yards back to the beach only to be greeted by a sky filled with boring gray clouds, a sky completely devoid of drama. 

As the title of his post says, do as I say…..  Not as I do.   Chris and I spent the rest of the day talking about what we had seen and eventually agreed that it was likely that the experience had surely been better than the images would have been. 

Below is my favorite image from our too-short morning. 

This worn first winter Herring Gull was scavenging a long-dead saltwater catfish.  The image was created with the Canon 800mm f/5.6 L IS lens and the EOS-1D Mark III.  ISO 800.  Evaluative metering +1 1/3 stops: 1/500 sec. at f/5.6 set manually.  Fill flash with Better Beamer at -1 2/3 stops.

This worn first winter Herring Gull was scavenging a long-dead saltwater catfish. The image was created with the Canon 800mm f/5.6 L IS lens and the EOS-1D Mark III. ISO 800. Evaluative metering +1 1/3 stops: 1/500 sec. at f/5.6 set manually. Fill flash with Better Beamer at -1 2/3 stops.

As always, click on the image above to see a larger version.

The trick to using fill flash is to set the correct ambient exposure (the ambient light is the existing natural light) and then dial back the flash, usually to somewhere between -1 and -3 stops.   A perfect result is an image that features  additional sharpness, balanced, natural looking color, clean whites, and most importantly, an image in which the use of flash is not obvious.   What you are looking for is just a splash of flash.   With this image I love the sharpness, the perfect use of fill flash, and the carefully designed composition with the bird’s angled body entering the frame exaactly from the upper left-hand corner.  And the perfect head angle.