March 12th, 2012
Having Fun With a Fun Image or Creating a Photo Illustration?
The image above was created from the image below; it took me about 30 minutes in Photoshop. I covered most of the extraneous birds in the front of the frame with several fairly large Quick Masks. Additional clean-up work was done with a series of smaller Quick Masks. Several of the Quick Masks needed to be warped. Most of them had Layer Masks added so that I could fine tune the coverage. In addition I used the Patch Tool, the Spot Healing Brush, and the Clone Stamp Tool. The basics of quick masking and image clean-up are covered in detail in our Digital Basics File. Advanced Quick Masking is covered in detail in Robert O’Toole’s APTATS I.
What Do You Think?
In addition to removing the extra birds in front of the flock I made two other significant changes to the image. If you can spot them let us know by leaving a comment.
Was I having fun with a fun image or creating a photo illustration?
In your eyes is the optimized image a photograph?
If you had the skills would you have done what I did? Why or why not?
Remember: be nice. 🙂
My Comments on Your Comments.
Still catching up. I finally had some time tonight to comment on the comments at the St. Andrews Bay/Best Day Ever? post here. Stop by and learn which of the five images was my favorite.
BIRDS AS ART Bulletin #401 On-line
BIRDS AS ART Bulletin #401 is on-line now and can best be viewed in spectacular white on black format by clicking here.
Here are the features:
- THE ADVENTURE CONTINUES: HOMEWARD BOUND
- JAPAN IPT REPORT: PART III/THE WHOOPER SWANS
- THE BLOG IS THE BOMB
- SELECTED e-MAILS
- GEAR EVALUATION: THE CANON 300MM F/2.8L IS II LENS
- NIK Color Efex Pro
- IPT UPDATES
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder with the 2XIII teleconverter. I also use it a lot–depending on the situation–with the 1.4X III TC.
Canon EF 1.4X III TC. This new TC is designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. The very best professional digital camera body that I have ever used.
And from the BAA On-line Store:
And from the BAA On-line Store:
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin 32gb e-Film Pro Compact Flash Card. My Delkin cards are fast and dependable.
March 10th, 2012
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This Eurasian Tree Sparrow was photographed at the Akan Crane Center, Hokkaido, Japan with the tripod-mounted Canon 800mm f/5.6L IS lens, the EF 25mm Extension Tube II (to allow for closer focusing), and the EOS-1D Mark IV. ISO 400. Evaluative metering +1 1/3 stops: 1/1600 sec. at f/8 in Manual mode.
Central Sensor (on the bird’s cheek) AI Servo Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. A Double Bubble Level in the camera’s hot shoe ensured that the bird would be square to the world.
For a greater appreciation of the image, left-click on the photo.
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One Songbird Image/So Many Lessons: Count Em!
Above is the optimized image of my best Eurasian Tree Sparrow from the Japan trip.
Your In-the-Field Mental Approach
Lots of times when folks see something perfect that they think would make a great image they pass it by thinking “I will photograph that later, or tomorrow.” Ninety-nine point nine per cent of the time that never happens. Every day when we entered the crane center these little guys were feeding on the snow. But on March 5th everything was perfect. The snow was fresh and the birds were unusually tame. The light was nice and the light angle was right on. So while the rest of the group entered the center in quest of the lager, spectacular, gorgeous Red-crowned Cranes I stayed behind to photograph the drab sparrows. Hey, I like birds.
When you see the photograph do not hesitate. Make it then or live to regret it.
In-the-Field Songbird Strategy
When creating static portraits of larger species like Steller’s Sea Eagle, Red-crowned Crane, and Snow Monkey, it is usually fairly easy to decide when the head angle is pretty much perfect and to push the shutter button when everything lines up precisely. See “Thee of a Kind” for a perfect example. Things are much more difficult with songbirds. They are small and fast and twitchy and rarely stay in the same spot for more than a second or two at most. If you wait for the perfect head angle it will be gone by the time you react and push the shutter button.
Here is the strategy that I employ when photographing songbirds: once the bird is parallel to the back of the camera or in a similar pleasing configuration (see Subject to Film Plane Orientation starting on page 177 of “The Art of Bird Photography II” ABP II: 916 pages on CD only) for complete details, I push and hold the shutter button even when the bird’s head is turned away and I don’t stop firing until the bird hops away or (very rarely) until I fill the buffer. That’s what I did here; I had no idea that I had captured the perfect pose with the perfect head angle until I got the images onto the laptop. I do not waste time chimping either for fear of what I might miss….
Taking a more aggressive approach when photographing songbirds works as well as it does when photographing birds in flight and in action. See here for more on that topic.
Image Optimization Tips
In the animated GIF above you can see the before and after images. Note that I cleaned up some of the snow off the darker areas of the bird’s chin but chose to leave the snow on the bill. Clean-up as usual was done with the Patch Tool and the Spot Healing Brush as detailed in Digital Basics an e-mailable PDF that includes my complete Digital Workflow and dozens of great Photoshop tips. The next free update will include NIK Color Efex Pro tutorials. Coming some time this spring.
Appreciate the crisper look of the bird’s feathers as a result of applying two NIK Color Efex Pro filters to the image.
Selection Tips
I am still learning to use the Control Points that everyone raves about. I hope to get some more lessons from Robert O’Toole and Paul Mckenzie over lunch today. In the meantime I have been using a tip from Denise Ippolito to make selections with images like this and then apply the filter(s) only to the selection (on its own layer). She taught me to use the Quick Selection Tool. Make the tool small and then click drag it along the interior edge of the area that you would like to select. In the image above it enabled me to select the all the dark areas of the bird’s plumage including the face, cap, crown, bib, back and wings. Then I hit Control J to place the selection on its own layer.
NIK Tips
Once I had the dark feathers on their own layer I opened NIK Color Efex Pro. When the plug in opens you will see the selected area in a box that is smaller than the complete image but that includes stuff other than the selection. As you apply one or more filters will affect everything inside the box. No to worry; when you click OK and the image opens in Photoshop you can toggle the NIK layer on and off. You will see that the filters have been applied only to the selection. And that is just what you want.
For this image I ran Tonal Contrast at 70%. To reduce the effect of a given filter click on the words “Control Points” near the bottom of the Control Panel (on the right). An Opacity slider will open just below. Then adjust the Opacity slide to taste. To note the effect of an individual filter click the check box to the left of the name of the filter at the top of the control panel on and off.
To stack or add a second filter click on “+ Add Filter” at the bottom of the Control Panel. For the tree sparrow image I added Detail Extractor at 20%. It is very easy to over-do Detail Extractor.
As you practice feel free to experiment by adjusting the opacity of various filters and clicking the effects on and off to compare. In time you will become more comfortable and more confident when using NIK Color Efex Pro 4. And your images will begin to look better and better. (Note: the directions above my not make sense if you are using a version earlier than CE Pro 4.)
NIK
As regular readers know NIK’s Color Efex Pro 4 is now an integral part of my workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Shopper’s Guide
Below is a list of the gear used to create the image above. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
EF 25mm Extension Tube II. Putting an extension tube between the camera body and a long lens allows you to focus closer than the lens’s minimum focusing distance: I always use one when I am photographing small songbirds.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
March 7th, 2012
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This incoming Red-crowned Crane was photographed at the Akan Crane Center with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1 stop off the snow: 1/3200 sec. at f/7.1 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
To learn what others thought of this image check out “Inbound 747.”
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Gear Evaluation: the Canon 300mm f/2.8L IS II
As regular readers know, I have–thanks to the kindness of the folks at Canon Professional Services (CPS)–especially Paul Ng, been field testing the same Canon 300mm f/2.8L IS II for more than two months. I first used it on my amazing Cheeseman’s Southern Oceans trip, then on the SW FLA IPT, and finally on the Japan IPT. It will be returned by Fed-X the afternoon that I get back to the office on March 13th. 🙂
I have long given the 300 f/2.8 lenses short shrift. In the original The Art of Bird Photography I wrote something to the effect that the 300 f/2.8s were favored by many of the world’s best raptor photographers but that I saw little need for one. In the all new follow-up, The Art of Bird Photography II (916 pages on CD only), I totally ignored these lenses but did include a few Homer eagle images made with one that I had borrowed from CPS. The images above and below show the incredible potential of the 300 f/2.8L IS lens/1.4X III TC as a flight photography combination.
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This head shot of a point-blank fly-by Red-crowned Crane image was also created at the Akan Crane Center with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops off the snow: 1/2500 sec. at f/4 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
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On my Antarctica trip the 300 IS II with the 2X III teleconverter served as my long lens (see the image immediately below) and I used it a lot with and without the 1.4X III TC both on landings and on Zodiac cruises. Carrying it on the long hikes was a pleasure when compared to the long lenses I am used to carrying…. I used the lens sparingly on the SW FLA IPT but my erstwhile assistant Tim Kaufman made a killer image of a Great Blue Heron in flight with a large southern whiting in its bill with it while toting the lens for me at Blind Pass Beach. You can see that spectacular image here.
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This Macaroni Penguin preening its mate was photographed at Hercules Bay, South Georgia, with the tripod-mounted Canon 300mm f/2.8 L IS II lens, the 2X III teleconverter, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering -2/3 stop: 1/200 sec. at f/10 in Manual mode. This is one of my favorite images from the trip. The birds were so tame that I rarely if ever felt limited with my longest effective telephoto length of “only” 780mm (300mm X 2 X 1.3). An upper left-hand sensor was chosen manually: AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial.
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When I sent the image above to Christopher Robinson, editor of Outdoor Photographer, as part of a submission for an article on pros’ favorite Canon lenses, he commented via e-mail, “By the way…your Macaroni Penguin image, in particular, is incredible. I think it shows the sharpness of that lens better than anything I’ve seen. It’s an awesome lens and in your hands one can see why it’s so highly prized.” And that with the 2X III TC!
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That’s me hand holding the Canon 300mm f/2.8L IS lens with the 1.4X TC and the EOS-1D Mark IV body alongside the fishing pier at the eastern end of Sanibel, FL. Photo copyright and courtesy of Peter Kes.
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What’s To Like?
What can I say. The lens is incredibly sharp. Sharp wide open. Sharp edge to edge. Sharp with the 1.4X And yes, sharp with the 2X. When I do everything right–which is often with this lens in my hands–the images seem to leap off the computer screen. At A.B pounds, the lens is just light enough (5.19 pounds, 13% lighter than its predecessor) to hand hold for extended periods of time even though I have had some problems with my shoulders for the past few years. When Peter Kes made the image of me above we were photographing Red-breasted Mergansers swimming and diving. For more than two hours. I held the lens elevated for extended periods of time. When I got back to the motel and took off my sweatshirt I could barely lift my arms; I was very much in pain. It was sort of like what I did by swimming too many laps when my pool was finished…. By the next morning I was fine. On the sea eagle boat trips in Rausu I made sure to rest the lens on the gunnels when I was not actively photographing; having a nice neutral rest position when hand holding relatively heavy gear is always best.
With a maximum aperture of f/2.8, the lens is very fast. There were times on each trip that I was able to keep photographing in low light without going to crazy-high ISOs. Another benefit of all that speed is being able to work with either teleconverter and still have all AF points active. The lens is very versatile as it offers three focal lengths: 300mm, 420mm (with the 1.4X III TC), and 600mm (with the 2X III TC). I have not worked hand held with the 2X much but with enough shutter speed I am sure that competent folks would be able to create sharp action and flight images. For static work, however, it makes sense to be on a sturdy tripod like the Gitzo 3530 LS topped by a Mongoose M3.6, the latter was absolutely made for the 300 2.8 lenses.
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This immature Whooper Swan head portrait was created at Lake Kussharo, Hokkaido, Japan with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop: 1/500 sec. at f/5 in Av mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
When using shorter focal lengths than I normally do it is important for me to get low. That often means not being lazy, kneeling, sitting on the ground, and getting down, dirty, and prone. For this image I simply bent over a bit as the Whooper Swans are big birds.
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Idiosyncracies
All four of the Series II telephoto lenses have three Image Stabilization modes: IS 1, IS 2, and IS 3. Here’s what Canon has to say about each:
- IS Mode 1: Corrects vibrations in all directions. It is mainly effective for shooting still subjects.
- IS 2 Mode: Corrects vertical camera shake during following shots (i.e., panning) in a horizontal direction, and corrects horizontal camera shake during following (i.e., panning) in a vertical direction. That means that if you hold the camera on end IS2 will realize what you are doing and stabilize in the correct manner.
- IS 3 Mode: Corrects vibration only during exposure. During panning shots, corrects vibration in only one direction same as IS mode 2. They continue: Since camera shake is stabilized only during exposure, following a subject is easier such as when shooting a fast and irregularly moving player during sports photography.
With previous generation super-telephoto lenses I have advised that folks set IS Mode 2 and leave it whether hand holding or working on a tripod and whether photographing stationary or moving subjects.
On our first day photographing the Snow Monkeys I learned that the Series II super-telephoto lenses are completely different animals. When I set IS 2 Mode and pressed the shutter button while working on a tripod the image jumped all over the place. I thought that the lens might be defective right out of the box…. So I tried IS Mode 3 and all was well with the world. Since then I have left the camera on IS Mode 3 all the time both on a tripod and hand holding and been perfectly happy. If I were photographing a static subject hand held I would try to remember to switch to IS Mode 1. And then to switch back to IS Mode 3.
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This Snow Monkey image was created at Jigokudani Yaenkoen Nagano Prefecture, Japan with the tripod-mounted Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops: 1/200 sec. at f/5 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
When I saw this monkey sitting in a tree I ran up the ramp to get in position taking Kevin Watson along with me. I quickly made about seven images once I got set up and only one had a good head angle. Then the monkey jumped onto the somewhat less natural railing…. It was at the monkey park that I first learned that when working off a tripod it is best to be in IS Mode 3 with the new Series III super-telephotos.
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I have not yet had the opportunity to test the new 4-stop IS system at very slow shutter speeds but I will assume that it will perform as well as it does on the 800mm f/5.6 L IS. (Note: I strongly advise turning IS off when working on a tripod with exposure times of 1/2 second or longer.)
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This Black-browed Albatross head portrait was created at New Island, the Falklands with the tripod-mounted Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1 stop: 1/250 sec. at f/8 in Manual mode.
Two upper-right Sensors/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
I have found that when on a tripod IS Mode 3 is best at all times. Perhaps despite the official word…
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The location of the AF/MF and the limit range switches is odd and takes some getting used to. On the 300 IS II these switches are located to the behind the tripod collar while on all other Canon lenses that I am familiar with they are located in front of the tripod collar. I still reach to the traditional spot when I want go from full focusing range to limited focusing range as is recommended for flight photography; initial AF acquisition is much faster when the lens does not have to search all the way back to the minimum focusing distance.
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This Whooper Swan in flight against the distant mountain was photographed at Lake Kussharo, Hokkaido, Japan in early morning light with the hand held Canon 300mm f/2.8 L IS II lens and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop: 1/2500 sec. at f/5.6 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Expand AF points left and right as noted in the Mark IV User’s Guide. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
Here I have stopped down two full stops from wide open and set IS Mode 3 for hand held flight photography.
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A final thought from me: for folks with 1.6X crop factor bodies like the EOS-7D and the EOS-50D the 300 2.8 II would not be a bad workhorse lens for bird photography. They would enjoy effective focal lengths of 672 mm with a 1.4X and 960 mm with the 2X TC….
My Only Wish
In an ideal world the tripod collar would be removable making the lens just a bit easier to hand hold. At my age every ounce matters!
Wrong Again?
Though it happens rarely, I never mind admitting that I was wrong. Again. The 300 f/2.8L IS lens is a superb tool for bird photography; it is light enough for most folks to hand hold, it is fast, it is versatile, and it produces stunningly sharp images with incredible fine detail.
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This Steller’s Sea Eagle was photographed in the pre-dawn light at Rausu, Hokkaido, Japan with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 500. Evaluative metering +1 stop: 1/500 sec. at f/4.5 in Tv mode with IS Safety Shift as detailed in the Mark IV User’s Guide.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
I suggested to the group that they try my pre-dawn, 1/500 second/+1 in Tv Mode/Auto ISO trick. Here, it worked to perfection.
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Canon’s Overview of the 300mm f/2.8L IS II Lens
A worthy successor to the popular Canon EF 300mm f/2.8 IS, the all-new Canon EF 300mm f/2.8 IS II USM super telephoto lens is lightweight, weighing approximately 13% less than its predecessor, yet offers faster operation, improved image stabilization and superior optics. Incorporating Fluorite elements for improved image quality and reduced chromatic aberration plus a number of advanced coatings to minimize ghosting, flaring, and with a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, the EF 300mm f/2.8 IS II USM is ready to deliver spectacular images in an instant. With a third Image Stabilization mode (Mode 3) that activates IS only when the shutter button is fully pressed, and giving the equivalent effect of a shutter speed four stops faster, the EF 300mm f/2.8 IS II USM allows for easy panning and is ideally positioned for professional action photography. The EF 300mm f/2.8 IS II USM also features a new security slot for wire-type security locks.
You can find links to more info here.
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Shopper’s Guide
Below is a list of the gear used to create the image above. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 300mm f/2.8 L IS II lens. The 300 f/2.8 L IS II with the 1.4X III TC is a killer flight combination.
1.4X III TC. The new Series III 1.4X was designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
March 7th, 2012
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This image of a portion of the Black-browed Albatross colony on Steeple Jason Island in the Falklands was made on my Cheesemans’ Ecology Safari Southern Oceans trip this past January. It is an example of the superb image quality offered by the Canon EOS 5D Mark II. Click on the image to see a larger, even more spectacular version.
To learn more about the Cheesemans’ next Antarctica trip, click here.
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The Canon EOS-5D Mark III
With the superb image quality of the EOS-5D MII folks can only be drooling over Canon’s recent announcement of the release of the much-anticipated EOS-5D Mark III on March 2, 2012. You can find complete details here. The new camera is expected to deliver superb image quality thanks to a new 22.3-megapixel full-frame Canon CMOS sensor and the high-performance DIGIC 5+ Imaging Processor. It incorporates a new 61-point High Density Reticular Autofocus (AF) System from Canon’s next professional digital camera body, the EOS-1DX that is scheduled to be released later in 2012. And with the 5D III’s six frames-per-second continuous shooting speed it will be great for photographing birds in flight and in action. And it goes without saying that the 5DIII will be a landscape photographer’s dream. Please see the press release for info on the new camera’s video capabilities.
I am most excited by the 5DIII’s light weight and by the new AF system. While I loved, loved, loved the image quality of my 5D II photos from the Antarctica trip–the 5DII pretty much saved that trip for me after my two Mark IV bodies went down for the most part due to operator induced rain damage, my biggest gripe was with the limited number of AF points available. This made hand held nature photography with intermediate telephoto zoom lenses difficult; can you say Snow Monkeys? It was often difficult to come up with a sensor on the subject’s eye. The 5D MIII will improve on that in spades with 61 AF points covering the largest area of any Canon camera ever.
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This Whooper Swan coming in for a landing was photographed at the Akan Crane Center (where they are treated like pests and scared away by snowmobile and shotgun blasts). I used the tripod-mounted Canon 800mm f/5.6L IS lens and the Canon EOS 5D Mark II. ISO 400. Evaluative metering +1 2/3 stops off the snow: 1/1000 sec. at f/5.6 in Manual mode.
Central Sensor/Rear Focus/AI Servo AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, left-click on the photo.
According to the internet experts the AF system of the 5D MII is not good enough or fast enough for flight photography. I disagree…. Every time that I have used it I have some up with some stellar stuff. If the AF system of the 5D MII is good enough to produce images like this one, imagine what the 5D MIII will be capable of.
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I consider the Battery Grip BG-E11 (available end of April 2012) as a mandatory accessory for nature photographers; I just learned, however, that it is hugely overpriced…. It accepts either one or two LP-E6 lithium-ion battery packs (or a set of six AA-size batteries–the latter not recommended for environmental reasons). The new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when working in vertical format. You can pre-order yours here.
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This running Red-Crowned Crane was chasing another at the Akan Crane Center, Hokkaido, Japan with the tripod-mounted Canon 800mm f/5.6L IS lens and the Canon EOS 5D Mark II. ISO 400. Evaluative metering +1 2/3 stops off the snow: 1/1000 sec. at f/5.6 in Manual mode.
Central Sensor/Rear Focus/AI Servo AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, left-click on the photo.
According to the internet experts the AF system of the 5D MII is not good enough or fast enough for avian action photography, especially in low light. Again, I disagree…. If the AF system of the 5D MII is good enough to produce images like this one, imagine what the 5D MIII will be capable of.
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B&H
Amazingly B&H is now accepting pre-orders for the EOS-5D Mark III and states that the camera should begin shipping within ten days. You can thank us for all of the free information and lessons in the blog and Bulletins and earn free BAA contest entries by using this link to order yours: Canon EOS-5D Mark III. Or you can package your new 5D MIII with my favorite B-roll lens, the 24-105mm IS L zoom lens by clicking here.
Speedlite 600EX-RT
In addition to the EOS 5D Mark III, Canon also announced its new flagship model flash, the Speedlite 600EX-RT. You can order yours with this B&H link now: Canon Speedlite 600EX-RT
Done Deal: My Canon EOS-5D Mark III
I have ordered my Canon EOS-5D Mark III body and can’t wait to get home and give it a test drive. I will be working hard on a 5D Mark III User’s Guide this spring.
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I received my B&H receipt via e-mail while still in Japan. I get home on the 13th. I am looking forward to getting back in the pool and to working with my new camera.
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Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon EF 16-35mm f/2.8L II USM Autofocus Lens. This is Canon’s top of the line wide angle zoom lens.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
Canon EOS 5D Mark II Digital Camera. Canon’s lightweight full frame body is perfect for serious landscape photography and worked out great for wildlife on my Southern Oceans voyage.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
March 5th, 2012
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This image of a young Red-crowned Crane was created at the Akan Crane Center, Hokkaido, Japan on March 4, 2012 with the Canon 70-200mm f/2.8L IS II lens, the 1.4X III TC (hand held at 98mm), and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/3200 sec. at f/8 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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Crane Park Clear Morning Lessons
Once we got to the two crane parks we had two lousy mornings. Why? It was clear as a bell with bright sun and blue skies. The Akan Crane Center where this image was created does not open till 8am. When we arrived we noted that the birds were 100% sidelit. Not my cup or tea at all. The next morning we got up way early in hope of photographing backlit cranes flying into the fields. It was -16 Celsius, about 3 degrees above zero Fahrenheit. We set up at the Tsurui Itoh Sanctuary only to learn that the birds do not fly in till mid morning…. As you will see in coming blog posts we killed on the sunny afternoons.
Today is March 6th. We woke up to three inches of fresh snow. It is still falling. We are excited and will be heading to Tsurui Itoh at 8:30am.
The young crane in the image above was photographed at 12:40pm in very bright overcast light on our first day at Akan.
The optimized image is below.
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Red-crowned Crane in flight above ridge, Akan Crane Center, Hokkaido, Japan. This is the optimized version.
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Many Lessons: How Would Your Optimize This Image?
Here’s what I did beginning in Photoshop CS-5:
I converted the image in ACR moving the Recovery Slider a bit to the right to ensure that I had know RGB values great than 230 and then set the black points by holding down the ALT key and moving it to the right until I noticed some speckling on the white field and backed off. All as detailed in Digital Basics.
Next I needed to move the bird away from the frame edge. I hit Control A, Control J placing the entire image on its own layer. Then I hit V for the Move Tool. I moved the bird (and the ridge below) to the right. Then I used a large Clone Stamp Tool to erase the faint edge where the two slightly different tonalities of sky met. This is the most basic of the many tutorials in Robert O’Toole’s APTATS II.
(This amazing CD covers the following topics in detail with numerous screen captures: Composition Correction: Increase Lead Room Without Cropping/Basic, Composition Correction: Increase Lead Room Without Cropping/Intermediate, Composition Correction: Increase Space Near a Frame Edge/Advanced, Super-Fast Element Removal: Basic, Super-Fast Element Removal Plus Composition Improvement, Gradient Background Blur, Mask Blending for Mega-Depth-of-Field, Selective Highlight Detail Enhancement, Selective Noise Reduction and Sharpening, Selective Sharpening with Finely Detailed Edges, and his killer Average Blur Color Balance Trick. Robert teaches you to create actions for most of the above techniques to speed up your workflow even more. This CD is only for serious Photoshop folks who wish to learn advanced techniques; some study will be required.)
Once I moved the bird to our left the primary tips on the layer below showed through. They were removed with multiple passes of a 60% hard Clone Stamp Tool followed by Patch Tool clean-up to restore detail in the repaired areas. The same techniques were used to remove the primaries of the second crane on the left frame-edge. Again, all as detailed in Digital Basics.
Once clean-up was complete I painted a Quick Mask of the ridge and ran a 35% Gaussian Blur to soften the details and then increased the saturation of the ridge only (Control U) and painted the effect from the sky after applying a regular Layer Mask. The basics of Quick Masking and Layer Masking are detailed in Digital Basics; the advanced Quick Masking techniques that I use on more than 50% of my images are covered in detail with screen captures in Robert’s APTATS I CD.
I increased Contrast globally in NIK’s Viveza and boosted Brightness as there as well. Then I used the Quick Selection Tool to select the black portions of the secondary feathers, the head, and the legs. I put the selection on its own layer and ran a 100% Tonal Contrast filter from NIK Color Efex Pro on that layer only. Then I selected the whites using Select/Color Range and applied at 20% round of Detail Extractor (again from NIK Color Efex Pro). The final touch was selectively sharpening the crane’s head and face with a Contrast Mask (Unsharp Mask at 15/65/0).
The entire image optimization process took less than ten minutes. It took a lot longer to write it in a clear, easy to understand style (almost 1 1/2 hours) than to do it!
Take a Moment
Take a moment to leave a comment and let us know what you think of the final image and let me know if you have any questions on the image optimization process.
NIK
As regular readers know NIK’s Color Efex Pro 4 is now an integral part of my workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
NIK Creative Efex Collection
NIK recently announced the availability of a special limited production bundle of 3 of their most popular products, Color Efex Pro 4, Silver Efex Pro 2, and HDR Efex Pro. You can save more than $200 on the bundle which is available only through NIK affiliates. If you would like additional info, please e-mail with the words “Creative Efex Collection” in the Subject line. If you have been on the fence about purchasing the plug-ins mentioned above this is a great chance to save some significant bucks.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder with the 2X III teleconverter. I also use it a lot–as I did for the image of the eagle with fish–with the 1.4X III TC.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
March 3rd, 2012 Leap Day
Well, I have been around more than 65 years now and I never knew exactly what they called February 29; a Google search turned this up: February 29 is a date that usually occurs every four years, and is called leap day. This day is added to the calendar in leap years as a corrective measure, because the earth does not orbit around the sun in precisely 365 days. When I saw the usually, I pursued the matter further.
Wikipedia revealed this nugget: February 29, also known as a leap day in the Gregorian calendar, is a date that occurs in most years that are evenly divisible by 4, such as 2004, 2008, 2012 and 2016. Years that are evenly divisible by 100, but not by 400, do not contain a leap day; thus 1900 did not contain a leap day while 2000 did. Years containing a leap day are called leap years. The final answer for Alex Trebec: we skip Leap Day once every 400 years.
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This Steller’s Sea Eagle image was created at 7:20am this past Leap Day at Rausu, Hokkaido, Japan with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/3200 sec. at f/4 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger, more spectacular version.
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The King of Hokkaido
Though making this image did not require the huge leap of faith that I wrote about in the last blog post, A More Aggressive Approach Pays Big Dividends, there is a good chance that I might not have pulled the trigger had my old mind set still been in place. I might have mentioned that I have missed a thousand great images over the decades waiting for the perfect image to become more perfect. That was not the case here: I saw the bird raise its wings, reacted quickly, and made a single image.
See what the folks at BPN had to say about this image and how they helped me improve an already fine image by clicking here. In addition, you can learn a ton by studying the BreezeBrowser Main View screen capture (and my comments) below. Lastly note that the image presented is full frame from side to side with a small crop from the bottom to eliminate the tops of the heads of the two birds along the lower frame edge.
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Click on the image for a larger, easier-to-read version.
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BreezeBrowser Main View Screen Capture
Note that as mentioned in previous blog posts I pushed the exposure to the right far enough to leave a few blinkies (the black areas) in the snow. As blinkies are only warnings of potential loss of detail those areas were easily saved by moving the exposure slider to the right while holding down the Alt key prior to converting the image in ACR (as described in detail in Digital Basics). Note also that the central AF sensor was on the bird’s breast which was approximately on the same plane as the bird’s eye. And note the crop from below that improved the composition. (See Advanced Composition and Image Design in The Art of Bird Photography II (ABP II: 916 pages on CD only).
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Shopper’s Guide
Below is a list of the gear used to create the image above. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 300mm f/2.8 L IS II lens. The 300 f/2.8 L IS II with the 1.4X III TC is a killer flight combination.
1.4X III TC. The new Series III 1.4X was designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
March 2nd, 2012
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This Steller’s Sea Eagle was photographed from the tourist boat at Rausu, Hokkaido, Japan. I used the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop: 1/4000 sec. at f/6.3 in Manual mode.
Central Sensor on the bird’s breast/Rear Focus/AI Servo AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. A Double Bubble Level in the camera’s hot shoe ensured that the bird would be square to the world. (The captain puts the boat up on the sea ice for stability so there is no rocking and rolling to deal with.)
For a greater appreciation of the image, left-click on the photo.
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Taking a More Aggressive Approach to Flight and Action Photography Can Pay Big Dividends…
As a decade long disciple of Byron Katie, The Work; who would you be without your story?, I have learned to question my own unquestioned thoughts and beliefs by asking simply, “Is it true?” For nearly two decades I have been telling folks, “I an not very good at flight and action photography. I leave that to the younger, stronger, faster folks with quicker reflexes. I am at my best photographing static birds; it’s then that I shine.” That’s my story, but on the Japan IPT–still in progress, I began to question it….
For more than two decades I have been telling folks: “When unexpected action occurs, push the shutter button.” Heck, I am pretty sure that you will find those words in the original “The Art of Bird Photography” (Amphoto, NY: 1998). And to think that that was with film…. I am sure that I gave that advice in the all new follow-up, “The Art of Bird Photography II” (916 pages, 900+ images on CD only). With digital, that advice rings even truer. But in believing my own story I had become trapped into not practicing what I have been teaching. On our second morning on the sea eagle boat I was lining up a pristine vertical Steller’s Sea Eagle portrait when I asked myself “Is it true? Are you really poor at capturing images of flight and action?” At that moment I decided that whenever an eagle took flight I would do my best to keep the active sensor on the bird and push the shutter button.
As you can see above (and below), the results were astounding. The more I tried the more I improved and the better the results became. I got some great images of the eagles and gulls gathering to take flight, of birds lifting off the ice and of birds landing. And some killer tight flight images as well. All because I decided to question my own story and start pushing the shutter button.
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This Glaucous-winged Gull image was created with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/3200 sec. at f/5.6 in Manual mode. Note on this sunny morning this exposure quickly became my go-to exposure for any birds with bright whites.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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In the past, when a bird would raise its wings I would think: “I need a shorter lens. I need to zoom wider. I might cut off the wings.” With my new attitude I quit thinking and push the shutter button. Heck, it’s digital. Your gear cost from $2,000 to well more than $20,000 and your trips may cost the same. Storage and computers have gotten cheaper but those costs still add up. After your initial outlay, however, digital is free (even though that initial outlay is considerable). So go ahead, get in the habit, when the bird moves press the shutter button and see what you get. You might be pleasantly surprised.
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This White-tailed Sea Eagle was photographed with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400: 1/2500 sec. at f/5.6 in Manual mode. To get the right exposure here I simply opened up one shutter speed click from the go-to white exposure that I mentioned in the preceding image. With no bright whites on the bird I did not mind having to recover a bit in the snow in exchange for getting more detail in the bird’s darker feathers.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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Unless I am doing body parts images such as head portraits, front-end verticals, feather detail, and the like, I generally prefer that my subjects take up no more than three-quarters of the longest dimension of the frame. So when I am photographing birds in flight and they get larger in the frame than that, I simply quit. But not any more. Now I call images like the one above “fit-’em-in-the-frame miracles.” I have been getting a few of those lately now that I let go of my old story.
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This White-tailed Sea Eagle was photographed with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400: 1/2000 sec. at f/4 in Manual mode. Careful readers will surmise (by comparing the exposure here with that in the previous photo) that we were working here in less than full strength sunlight. And they would be correct.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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Part of my recent inspiration came from watching Robert O’Toole for the past few years keep firing as birds flew right at us. That well after I had given up and lowered my lens. Many times in these situations the AF system will not track accurately and many times you will mis-frame the image, but as you can see here the results can be stunning. This one is just a small crop form our left and frm below.
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This adult Glaucous-winged Gull was photographed from the boat on the sea ice with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 400: 1/5000 sec. at f/5.6 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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Prior to the Japan adventure, when a bird would shake its head–they do that often–I would think, “It ruined my perfect field guide portrait.” Since my attitude adjustment, I quit thinking and push the shutter button. Head-shakes can be difficult to anticipate. But if you try you can wind up with flying spray and some neat head positions.
A Caution
Please do not read the above and be encouraged to be come a mindless machine-gunner. Lord, there were many of them on the eagle boat. What is a mindless machine gunner? A photographer who pushes the shutter button and holds it down on any bird that flies by without regards to light angle, the bird’s flight path, the direction of flight–towards or away from you, the framing, and the size of the bird in the frame. If it moves, they make 10, 20, even 30 or more images on a single fly by. I am never sure of their motivation; perhaps they think that they are impressing others? Amazingly, most mindless machine gunners are toting in excess of $20,000 worth of photographic gear. Go figure…. BTW, on most passes I take 2 to five images at most even with my new attitude.
BIRDS AS ART Bulletin #399
BIRDS AS ART Bulletin #399 is on line and can (best) be viewed here. If you have not seen it do visit and check out the collection of Snow Monkey images. Please note the corrected date for the F3C Convention as noted in item next.
- JAPAN IPT REPORT: PART I/THE SNOW MONKEYS
- THE BLOG IS THE BOMB
- F3C CONVENTION
- NIK Color Efex Pro
- POSSE NEWS: JIM NEIGER
- POSSE NEWS: ROBERT AMORUSO
- IPT UPDATES
F3C CONVENTION/Date Correction
Thanks to the generosity of Canon USA and the Explorers of Light program I will be keynoting at the Florida Camera Clubs Council 2012 Annual Conference, “Pixels to Print:” March 23-25, 2012 at the Naples Hilton, Naples, FL. Fellow Canon EOL George Lepp will also be appearing among a large cast of skilled presenters and speakers. In addition to the keynote I will be doing a field workshop at Tigertail Beach. You can follow the links here for complete information.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Shopper’s Guide
Below is a list of the gear used to create the image above. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 300mm f/2.8 L IS II lens. The 300 f/2.8 L IS II with the 1.4X III TC is a killer flight combination.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
1.4X III TC. The new Series III 1.4X was designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 29th, 2012
Image Caption Contest Results
In the January 25, 2012 post here I asked for humorous captions for the image above. It was the most popular post ever with 52 comments. Good friend Scott Vincent garnered Perseverance honors for his multiple entries many of which put a big smile on my face. But none of his entries was awarded a BAA Store discount certificate. There were many well thought out, clever, and funny captions but one stood out above the rest: For his “F/8 and be hear” Bob Penny (also a multiple entrant) has earned a $20 credit towards his next BAA Online Store purchase. Congrats Bob and thanks to all for sharing their humor with us. Let me know here which one you thought was the funniest/best caption.
Thanks again to Denise Ippolito for the image.
What’s Going On Here Contest? Results
No contest in this division as Bill Richardson was the first and only one to figure out that I was listening to hear if Image Stabilzation was working. Bill has earned a $20 credit towards his next BAA Online Store purchase. Congrats! The lens that I was holding to my ear was the Canon EF 70-300mm f/4-5.6L IS USM zoom lens, a great intermediate telephoto lens for travel, nature, and flight photography. And yes, the IS was working. To learn more about this great lens see the jeager image here.
B&H Specials
As above, learn about the Canon Instant Double Rebates on a variety lenses and Speedlites when bundled with one of several Canon dSLR bodies including two of my favorites–the EOS-7D and the EOS-5D MII–and earn free contest entries by clicking here. Offers expire March 3, 2012.
Looking for a starter outfit? Save up to $350 on Canon lens and camera body bundles (including two of my favorites–the EOS-7D and the EOS-5D MII) and earn free contest entries by clicking here. This offer also expire March 3, 2012.
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Shopper’s Guide
Below is a list of the gear used to create the image in today’s blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 100-400mm IS L zoom lens: A versatile all purpose zoom lens for all types of nature and general photography. Several excellent photographers including Dan Cadieux and Aidan Briggs use this lens as their workhorse bird photography telephoto lens.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
February 28th, 2012
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This Steller’s Sea Eagle was photographed from the tourist boat at Rausu, Japan this morning–baited with smelly, frozen fish. It was our first clear sunrise and our first chance with the eagles in sweet, early morning light. I used the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop: 1/500 sec. at f/11 in Manual mode.
Central Sensor (by necessity) Rear Focus/AI Servo AF and recompose. Click here if you missed the Rear Focus Tutorial. A Double Bubble Level in the camera’s hot shoe ensured that the bird would be square to the world. (The captain puts the boat up on the sea ice for stability so there is no rocking and rolling to deal with.)
For a greater appreciation of the image, click on the photo.
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Got a Good One?
As I processed this image this afternoon in the lobby of the traditional Japanese hotel in Rausu, Japan, I recalled a conversation that I had recently with Robert O’Toole and some IPT participants. Robert mentioned that he had checked out the websites of many photographers honored in the most recently concluded BBC contest and was amazed that the images that he saw were in many cases overall poor. I agreed. You do not need to be among the world’s greatest photographers to have an image honored in the world’s most prestigious photography competition.
Got a good one? Do consider entering it in the BIRDS AS ART 1st International Bird Photography Competition; read on for the bad news and the good news.
The Contest: Bad News and Good
First, the bad news. The number of entries is running far behind what we expected. Many categories are crying out for winning entries. Now for the good news. The prize pool still totals more than of $22,000 US. And the list of prizes is still incredible. It includes $2450 worth of B&H gift certificates, a multitude of Delkin 16 and 32 gb UDMA Compact Flash Card, a Wimberley V-2 head and a variety of Wimberley plates, a Mongoose M3-6 head, $1,100 worth of Lens Coat gift certificates, a Giotto’s tiny ballhead, two Kwik-Camon blind, two Lens Align Mark II kits, a Magnum Xtrahand Vest, a Think Tank International Airport V2 rolling bag, $1,000 in gift certificates from Canvas on Demand, 20+ licences for Breezebrowser and Downloader Pro, a variety of Lens Pen kits, Better Beamers and accessories, more than 30 subscriptions to Nature Photographer magazine, and dozens of other great prizes. You can see the complete prize listing here.
Click here and follow the various links to learn everything about the contest that you need to know. Read the organizer’s message here. To register, click here. To learn about payment options including earning free entries with your B&H purchases, click here. To peruse the rules, the categories, and our relaxed digital guidelines, click here.
The deadline is March 31, 2012 so now is a great time to enter. Best of luck.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
My Comments on Your Comments.
Still catching up. Responded to numerous questions and comments at the “Home From the Southern Oceans Trip” post and the few at the “China Poot” post.
Shopper’s Guide
Below is a list of the gear used to create the image above. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 27th, 2012
I Haven’t the Foggiest…
Would you keep this image? I am sure that for the many who do not realize the vast potential of digital captures and those who have no experience working in fog this would be an insta-delete. Heck, many would delete it in the field after chimping. Note: I never delete in the field, even if I take eight images of the out-of-focus ground; there are simply too many ways to screw up. As you may have figured out by now, I kept it.
The image above is from the very first series that I created when we got to the main pool. The steam was swirling off the hot spring pool.Not realizing that the white fog comes and goes with the breezes I began photographing….
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This is the optimized image that was created from the original above. No kidding.
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The first step when working with properly exposed images made in foggy conditions is to set the white and black points in ACR while holding down the Alt key and boost the contrast just a bit. These two processes are described in detail in Digital Basics. Next I brought the image into NIK Color Efex Pro 4 and Details Extractor at about 75% and Tonal Contrast at 20%. Volia! You will have a better understanding of the progression by studying the animated GIF below.
NIK
As regular readers well know, Color Efex Pro 4 is now an integral part of my workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
My Comments on Your Comments
I responded to each and every comment made at the January 20, 2012 blog post here. By a small margin more folks preferred the misty blue version to the B&W rendition.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder with the 2X III teleconverter. I also use it a lot–as I did for the image above–with fish–with the 1.4X III TC.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 26th, 2012
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This image was created with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS-1D Mark IV. ISO 800. Evaluative metering +2 2/3 stops off the grey sky: 1/800 sec. at f/4 in Manual mode.
Central Sensor/AI Servo Rear Focus active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to enjoy a larger version.
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Ten Degrees of Flight Photography…
It was -12 degrees Celius, about ten degrees Fahrenheit when we arrived at the dock in the harbor at Rausu, Hokkaido, Japen at 5:30 am in the dark today, Sunday, February 26, 2012. Though the sun broke through at about ten am it got colder as the morning progressed. We were fortunate to start with some clouds as for the most part, it would have been wind against sun. The clouds allowed to photograph the birds flying and landing toward us.
It was pretty much a flying circus with hundreds of gulls and Long-billed Crows along with our target species, White-tailed and the stellar Steller’s Sea Eagles surrounding each of the nearly half dozen tour boats that feed the eagles daily during the long winters. Even with every type of glove and hand warmer known to man kind the cold brutalized the fingers of my right hand. My core was warm, my left hand was toasty, and my feet were even fine, but oh that right hand. Every ten minutes of so I needed to take a warming break so that I could feel those fingers again. Then it was back to the fray.
The scary part is that weather-wise it was a rather benign morning. Most of the rest of the group did better than I did with the cold. I am not sure if my problems are related to my diabetes–control of my blood sugar levels has been excellent for more than two years now–or if I have simply turned into a Florida wimp.
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Regular readers here know that I have been raving about the manner in which NIK’s Color Efex Pro 4 has completely revamped my workflow. The animated GIF above will give you a good idea of why. Learning when to use Details Extractor (and at what opacity), when to use Tonal Contrast (and at what opacity), and when to use a combination of both requires some practice and experimentation. After converting the RAW file in ACR I figured that Details Extractor would be a no-no with this image but that Tonal Contrast would make it sing. I was correct to the tune of 100%. I ran the Tonal Contrast filter at 100% and did not even bother to see what it looked like with the opacity reduced.
I just peeked out the window of our hotel and see that things bode well for the morning: it is snowing.
Take a Moment
Take a moment to let us know what factors went in to making this a successful image. Note: with a shutter speed of only 1/800 second I am fine with the small amount of blurring of the near wingtip.
NIK
Color Efex Pro 4 is now an integral part of my workflow. Each of the three images above had a 25% White Neutralizer and a 25% Tonal Contrast filter applied immediately after I finished my background clean-up. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
NIK Creative Efex Collection
NIK recently announced the availability of a special limited production bundle of 3 of their most popular products, Color Efex Pro 4, Silver Efex Pro 2, and HDR Efex Pro. You can save more than $200 on the bundle which is available only through NIK affiliates. If you would like additional info, please e-mail with the words “Creative Efex Collection” in the Subject line. If you have been on the fence about purchasing the plug-ins mentioned above this is a great chance to save some significant bucks.
B&H Specials
Learn about the Canon Instant Double Rebates on a variety lenses and Speedlites when bundled with one of several Canon dSLR bodies including two of my favorites–the EOS-7D and the EOS-5D MII–and earn free contest entries by clicking here. Offers expire March 3, 2012.
Save up to $350 on Canon lens and camera body bundles (including two of my favorites–the EOS-7D and the EOS-5D MII) and earn free contest entries by clicking here. This offer also expire March 3, 2012.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 300mm f/2.8 L IS II lens. The 300 f/2.8 L IS II with the 1.4X III TC is a killer flight combination.
1.4X III TC. The new Series III 1.4X was designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
Black Rapid RS-7 Strap. The Black Rapid RS-& strap allows me easy access to the lens on my shoulder while working behind my big lens on a tripod. And for flight photography from a boat or a zodiac it gives me security knowing that my rig will not wind up in the drink.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to set up your Mark IV for flight photography the way that I do. User’s Guides are also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 25th, 2012
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This image was created with the Canon 24-105mm L IS lens (that I borrowed from IPT participant and good friend Mike Gotthelf) and the Canon EOS-1D Mark IV. Hand held at 32mm. ISO 400. Evaluative metering at 0: 1/200 sec. at f/10 in Manual mode (set to yield a few blinkies on the snow).
Click on the image to enlarge.
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To Give You an Idea…
Yesterday I wrote, “The night before we hiked up the big hill to the Monkey Park I was in bed dreaming fitfully of the location. When we finally made it–and we all had our doubts–see here, we were all somewhat disappointed…. A single man made pool no more than eight meters long was surrounded by dozens of tourists most photographing with their cell phones.”
Today we left Nagano at about 8am, grabbed the Bullet Train to Tokyo Station, switched lines, and grabbed the monorail to Haneda Airport. Then we flew to Hokkaido; all are looking forward to five days with the eagles and to not freezing to death. From the airport in Hokkaido we met our English speaking guide, picked up our two vans, and drove to our hotel in Rausu. I was plugged in and charging and working on images for almost four hours. I processed the image above to give you a feel for the monkey park….
The tan box is the monkey cam. Though difficult to see, there are at least a half dozen or more Snow Monkeys in the pond. Several of those are immediately behind the row of folks on the lower level. At times, it was tough to find a spot to stand let alone make a good image. But the waves of tourists ebbed and flowed and at times we had the place to our selves. Monkey activity also varied greatly. One minute there would be several family groups grooming on the edge of the pond, baby monkeys playing in the snow, momma’s breast feeding young, and groups of two or three huddled together. If you look closely at the pool, you can see the mist rising off the pool. I will be doing a post on dealing with the fog very soon.
It is 9:47 pm on Saturday, 7:47 am on Friday in Florida and New York. As we are leaving for the eagle boat at 5am Sunday I need to get to bed right now. So good night.
B&H Specials
Save up to $350 on Canon lens and camera body bundles (including two of my favorites–the EOS-7D and the EOS-5D MII) and earn free contest entries by clicking here. Offers expire March 3, 2012.
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Shopper’s Guide
Below is a list of the gear that Tim used to create the image in today’s blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 24-105mm L IS lens. This is Canon’s short to mid-range all purpose zoom. I try never to leave home without it.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 24th, 2012
Three of a Kind
The night before we hiked up the big hill to the Monkey Park I was in bed dreaming fitfully of the location. When we finally made it–and we all had our doubts–see here, we were all somewhat disappointed…. A single man made pool no more than eight meters long was surrounded by dozens of tourists most photographing with their cell phones. Though the monkeys at Jigokudani Yaenkoen are free and wild, the place strikes you at first as nothing more than a glorified zoo. The animals in this troop are attracted by both the hot spring pools and multiple daily feedings. But as the hours passed and we got to witness a wide range of natural monkey behavior we realized how special the place it. You can learn more about the park here.
In that first hour it seemed close to impossible to create a good image. But the crowds of tourists dispersed and we began to find the clean backgrounds and the best angles and to take advantage of dozens of great opportunities. By the end of the second hour we all realized that the place was magical. The family group in the image above was sitting atop a food storage box. They sat for more than 30 minutes until, you guessed it, one of the rangers came by with a bucket of food. He who giveth….
The youngster here had a nose covered with dried momma’s milk that was cleaned up with the Patch Tool and Spot Healing Brush, all as described in detail in our Digital Basics File. Every Snow Monkey image that I have processed so far has benefited from the application of Detail Extractor (and at times, a small dose of Tonal Contrast), both from NIK’s Color Efex Pro. I will be sharing some striking before and after images with you soon.
Best Part?
Take a moment to leave a comment and let us know what you think makes this image so strong. Hint: it was the hardest thing to get….
My Comments on Your Comments
Learn why I was unlucky with the Sandhill Crane taking flight image and read my comments on your comments by clicking here.
NIK
Color Efex Pro 4 is now an integral part of my workflow. I bring every image into Color Efex Pro after I finish my background clean-up. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
B&H Specials
Save up to $350 on Canon lens and camera body bundles (including two of my favorites–the EOS-7D and the EOS-5D MII) and earn free contest entries by clicking here. Offers expire March 3, 2012.
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Shopper’s Guide
Below is a list of the gear that Tim used to create the image in today’s blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 300mm f/2.8 L IS II lens. The 300 f/2.8 L IS II with the 1.4X III TC is a killer flight combination.
1.4X III TC. The new Series III 1.4X was designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 23rd, 2012
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Brash ice & iceberg, Cierva Cove, Antarctica. This image was created from a zodiac with the hand held Canon 16-35mm L lens and the Canon EOS 5D Mark II. ISO 400. Evaluative metering -1 stop: 1/800 sec. at f/16 in Av Mode. AI Servo/lowest central sensor/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial.
For a much greater appreciation of this image, click on the photo.
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Been Dreaming of Antarctica?
Cheesemans’ Antarctic Peninsula In-depth Expedition to the White Continent/December 30, 2012 to January 17, 2013
This in-depth exploration of the Antarctic Peninsula will spend 16 days onboard the Ortelius during the peak Antarctic season featuring active penguin chicks and frequent “chick chases,” greater access to ice-sensitive areas, penguins and seals on sea ice, and large numbers of Humpback and other whales. Our ship, the comfortable Ortelius, has the highest ice-class notation and is very suitable to navigate in solid one-year sea ice and loose multi-year pack ice. On our early 2102 voyage to the Southern Oceans, my roommate Pablo Fernicola and I both found the Ortelius to be a great ship, roomy and stable. It is strong, fast, and safe, the perfect vessel for travel to Antarctica. And the charter is an exclusive one; Cheesemans’ charters the entire ship to ensure a cohesive group experience and allow for maximum flexibility.
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This image was created with the hand held Canon 300mm f/2.8 L IS II lens, 1.4X III TC, and the Canon EOS 5D Mark II. ISO 400. Evaluative metering -1/3 stop: 1/1250 sec. at f/7.1 in Av mode.
Close encounters with Humpback Whales will be likely on the Cheesemans’ In-depth Expedition to the White Continent. These two were photographed in the Weddell Sea.
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With an incredible ten to eleven days (depending on sea conditions) set aside for landings along the Antarctic Peninsula, you will enjoy far more depth to this itinerary than the typical Antarctic tour. These landings will–weather permitting of course–include extended visits to must-see places such as Paulet Island, the spectacular Baily Head on Deception Island, and several rarely visited sites. This voyage will venture farther south than others to the Weddell Sea and to the Antarctic Circle along the Western Peninsula. Workshops, photo critiques and personal time with seasoned instructors including Patrick Endres and my friends Rod and Marlene Planck will make this an incredible photography experience. Rod’s presentations on my voyage inspired me tremendously and tips from Rod and Tom Murphy allowed me to maximize my ample time on shore; each told me where to go and how to get their quickly. This tour will allow you to truly bask in the magnificence of the Antarctic Peninsula.
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This image was created with the tripod-mounted Canon 70-200mm f/2.8L IS II lens, the 1.4X III TC (at 175mm), and the Canon EOS 5D Mark II. ISO 400. Evaluative metering +1/3 stop: 1/125 sec. at f/8 in Av mode.
The landing at Bailey Head, Deception Island was one of my two favorites on the whole trip. The Chinstrap Penguin colony seemed to go on forever…. See more Bailey Head images here.
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There will be tons of time on shore and for zodiac cruising so that you can enjoy photography, wildlife observation, and soaking up the landscapes of the great Antarctic. Cheesemans’ priorities are to assure the most in-depth wildlife experience in the Antarctic and your utter and complete safety all made possible by the comprehensive itinerary and their large expedition staff of Antarctic veterans led by expedition leader Hugh Rose. With a total of 13 diverse leaders with a great variety of expertise you will be able to take part in photography seminars, drawing classes, bird and nature walks, plus lectures on geology, history, ecology, and more. This voyage offers a tremendous value with a lower cost per day than other Antarctica only tour while offering an unmatched participant to leader ratio of 7:1. Since 1994 Cheesemans’ Ecology Safaris has operated the longest, most in-depth expeditions to the Antarctic region, a destination of unmatched splendor that deserves no less. If you’ve dreamed of visiting Antarctica to photograph the penguins and mind boggling ice-scapes, you will want to register for this trip asap. Click here for complete details and an itinerary.
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This Leopard Seal image was created from a zodiac with the hand held tripod-mounted Canon 70-200mm f/2.8L IS II lens, 2X III teleconverter (at 245mm), and the Canon EOS 5D Mark II. ISO 400. Evaluative metering +2/3 stop: 1/500 sec. at f/5.6 in Av mode.
I cruised the brash ice and icebergs at Cierva Cove for about 8 hours and opted to head back to the ship at about 4pm. Others opted to stay out an additional 3 hours…. .
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Here is a pertinent comment from shipmate and IPT veteran Mark Van Bergh: “It was indeed a great trip and I have to echo your comments that every “change of plans” call that Ted made worked out for the best (which I think was just about every day we were in the peninsula).”
Cheesemans’ Ecology Safaris
A great safari is more than remote destinations and remarkable wildlife – it is a journey woven through foreign lands and seas leading to experiences made possible through inspiration, organization, and leadership. For over thirty years, Cheesemans’ Ecology Safaris has provided these unforgettable experiences during in-depth tours to the world’s richest ecosystems. Their itineraries are unique and preparation is thorough, but most importantly, the leadership is exceptional. With broad backgrounds in nature and wildlife, their leaders desire to deepen your understanding of each destination so you can take-away the photographs and memories that allow you to become nature’s ambassador.
Gail and Doug Cheeseman have been leading wildlife safaris to their favorite destinations since 1978. Inspired by his parent’s passion, Ted joined them in leading safaris over 15 years ago. Now the three work together with their staff to offer you superlative nature tours to destinations such as Antarctica, Tanzania, Kenya, Bhutan, Brazil, India, Galapagos, and many more. Doug is a professor emeritus of Ecology and Zoology, Ted holds a Masters in Tropical Conservation Biology, and Gail is a naturalist of the best kind – self-taught through a lifetime in the field. Together, they are a family of truly remarkable ecologists who seek to inspire travelers to enjoy and conserve the Earth’s wild landscapes.
Find out more about Cheesemans’ Ecology Safaris, including a complete tour listing, by clicking here. If you have any questions you can ask them here, shoot them an e-mail or call them at 800.527.5330.
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This Gentoo Penguin chick in the nest was photographed at Cuverville Island, Antarctica with the tripod-mounted Canon 300mm f/2.8 L IS II lens, the 2X III teleconverter, and the EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/500 sec. at f/10 in Manual mode.
You will have many opportunities to photograph Gentoo chicks on the Cheesemans’ Antarctic Peninsula In-depth Expedition to the White Continent
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Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon EF 16-35mm f/2.8L II USM Autofocus Lens. This is Canon’s top of the line wide angle zoom lens.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder with the 2X III teleconverter. I also use it a lot–as I did for the image of the eagle with fish–with the 1.4X III TC.
Canon 300mm f/2.8 L IS II lens. This lens proved to be ideal on a tripod for both birds and wildlife with both the 1.4X and 2X III TCs. All images were super-sharp and the lens was light enough for hand-holding both in the zodiacs and when doing flight photograph from the ship.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
Canon EOS 5D Mark II Digital Camera. Canon’s lightweight full frame body is perfect for serious landscape photography and worked out great for wildlife on my Southern Oceans voyage.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 22nd, 2012
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This Snow Monkey image was created at Jigokudani Yaenkoen Nagano Prefecture, Japan with the Canon 70-200mm f/2.8L IS II lens and the Canon 1.4X III TC (hand held at 280mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering + about 1/3 stop: 1/320 sec. at f/8 in Manual mode. I tried to adjust my exposure so that I had blinkies on the snow that did not touch the monkey.
Central Sensor/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to enlarge it.
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Granny
The Japan IPT began rather inauspiciously as our day got off to a somewhat challenging start; our bus driver dropped us at the wrong spot and sent us up the very wrong, very steep, snow covered hill with all of our gear…. After we had hiked up about 1/2 mile, the bus driver in his Sunday go to meeting black shoes came up the path and called to us. We were in the wrong spot. Lots of good exercise but for the fact that a much-younger-than-the-rest-of us Robert O’Toole, my co-leader, had volunteered to hike up the hill to make sure that we were in the right spot. He would go on ahead and then come back to get us with the good news…. We screamed for Robert to come back to no avail.
We headed back down the hill to rest in the comfort of the bus figuring that Robert would be back in a few minutes. He was not back in a few minutes. He was not back in 30 minutes. Soon thereafter the bus driver–still in his good shoes–volunteered to hike up the hill to see if Robert had fallen into a ravine. At close to an hour we were happy to see Robert and the bus driver trudging back down the hill. Robert was drenched in sweat and obviously exhausted. He had hiked more than a mile and a half up the hill before turning around.
As it turned out the whole turnaround began when the bus driver learned from two trail rangers that the location of the trail had been moved several years ago…. We were all chagrined when he drove the bus about 200 yards down the hill and parked by the big Snow Monky Park sign that we had passed nearly two hours ago. As I say often, you gotta love it.
After a short hike over mostly flat ground we were photographing the Snow Monkeys. You can learn more about the park here.
I was at one end of the very small main pool when I saw granny hop up on the wall of the hot springs pool. The image above was a grab shot; I was captivated by her personality. After creating a few images–I was not thrilled with the dark/light background–I moved to my left for an all-snow background and created a second series of images. My favorite from that series is immediately below. Lesson for beginners: change the background by changing your perspective. With practice you will be able to visualize the new background before you move. Till then, move and explore.
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This image was also created with the Canon 70-200mm f/2.8L IS II lens and the Canon 1.4X III TC (hand held at 222mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering + about 1/3 stop: 1/250 sec. at f/8 in Manual mode. I tried to adjust my exposure so that I had blinkies on the snow that did not touch the monkey.
Central Sensor/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to enlarge it.
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To make these images hand held I sat and braced my left elbow on my left knee. When using rear focus it is imperative that that the camera not move even a fraction of a millimeter after focus is set. Getting low ensured the all snow background that I was after.
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The final Snow Monkey image for today was created with the Canon 70-200mm f/2.8L IS II lens and the Canon 1.4X III TC (hand held at 265mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering + about 1/3 stop: 1/250 sec. at f/7.1 in Manual mode. Again, I tried to adjust my exposure so that I had blinkies on the snow that did not touch the monkey.
Central Sensor/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to enlarge it.
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For the image above I zoomed in to show more of her facial and other details. In a best case scenario I would have been on a tripod and gone to a slower shutter speed for more depth of field. Notice the depth-of-field decreases as magnification increases.
For the record book, I am not at all sure that this is an older female but “Granny” made a good title for this post. If you know any better, please let us know by leaving a comment. Jasper?
Which Image Do You Like Best?
Please take a moment to leave a comment and let us know which image you like best, and why.
NIK
Color Efex Pro 4 is now an integral part of my workflow. Each of the three images above had a 25% White Neutralizer and a 25% Tonal Contrast filter applied immediately after I finished my background clean-up. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
NIK Creative Efex Collection
NIK recently announced the availability of a special limited production bundle of 3 of their most popular products, Color Efex Pro 4, Silver Efex Pro 2, and HDR Efex Pro. You can save more than $200 on the bundle which is available only through NIK affiliates. If you would like additional info, please e-mail with the words “Creative Efex Collection” in the Subject line. If you have been on the fence about purchasing the plug-ins mentioned above this is a great chance to save some significant bucks.
B&H Specials
Learn about the Canon Instant Double Rebates on a variety lenses and Speedlites when bundled with one of several Canon dSLR bodies including two of my favorites–the EOS-7D and the EOS-5D MII–and earn free contest entries by clicking here. Offers expire March 3, 2012.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder (or on a tripod as above) with the 2X III teleconverter. I also use it a lot with the 1.4X III TC.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 20th, 2012
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Roseate Spoonbill in flight, Alafia Banks, Tampa Bay, FL aboard the Hooptie Deux, February 14, 2012. With the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark IV. ISO 400. Evaluative metering +1 stop off the blue sky: 1/1250 sec. at f/5.6 in Manual mode.
Central Sensor AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, click on the photo.
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Solving Underwing Problems
I am not a bit fan of flight images where the near-wing is not in the full upstroke position and the near primaries are curved down a bit. I almost deleted the image above when I decided to see ii I could selectively lighten the shadow on the near-underwing–see below. By using the Tim Grey Dodge and Burn technique I was able to do so quickly and easily. I do realize that some folks would prefer the image with the shadow but I like to see my birds in flight evenly lit from below so the image above works for me. You can see the before and after images in the animated GIF below. Note also that I selectively sharpened and lightened the bird’s face and bill. Which one do you like best, with the shadow or without? Please let us know and let us know why.
There are other ways to lighten the shadow but none give you the control that Tim Grey Dodge and Burn does. You can find detailed instructions on using this technique in our Digital Basics File. This PDF documents my complete digital workflow, contains dozens and dozens of great Photoshop tips, and is updated roughly once a year. The next update will be sent no later than June 2013.
James Shadle and the Hooptie Deux
I am always amazed when folks who visit Florida for the express purpose of photographing Roseate Spoonbill go home disappointed. To say that Ding Darling ain’t what it used to be is a vast understatement…. If you want to photograph lots of spoonbills all that you need to do is spend a few days with James Shadle on his photo-customized pontoon boat, the Hooptie Deux. Click here and scroll down for complete details and to see some of James’ incredible images from Alafia Banks.
James’ “In the Field Workshops” is the original Tampa Bay nature photography (by boat) workshop and tour leader. He has an exciting list of locations that will give you the opportunity to create incredible images of dramatic behavior and stunning plumages. He knows the bay better than anyone as he has been doing it longer than anyone and as the images show, he knows how to make great pictures and can teach you to do the same. James owns and operates a 20′ tri-toon boat (The Hooptie Deux) that has been customized specifically for photography workshops. It’s roomy, comfortable, and stable. The boat is equipped with a quiet and environmentally friendly E-Tec outboard motor. It also has a powerful, silent, electric trolling motor with wireless remote control. The boat can be configured with no top for on-board photography or with a bimini top to provide shelter from sun and rain. Refreshments are available at all times.
Call or e-mail in advance to inquire about dates and rates. You can get in touch with James for additional info or to schedule a Custom Workshop or Tour via e-mail, by cell phone at (813) 363-2854 or on his home phone (early evenings best) at (813-689-5307). If by cell phone it is best to call back rather than to leave a message.
Hooptie Deux Practicalities
While it is possible to photograph from the boat, the best opportunities for spoonbills usually occur when you exit the boat and wade in the Gulf. The bottom is hard but you do of course need to wade slowly and carefully while being careful for rocks, holes, and oyster beds. By wading under James’ careful supervision and with his guidance, you will be able to get much closer to the birds and have more control over light angle and perspective. Waders and surf booties will be provided for those who need them. Do note however that folks without super-telephoto lenses and those who want to stay out of the water can create some great flight images by working from the boat. For those who exit the boat with their big tripod-mounted telephoto lenses it is often best to take only a single lens; having a flight lens on your shoulder may lead to all types of gear disasters….
Here are simple directions for getting to the dock in Gibsonton, FL, just east of Tampa: From I-75 north or south take exit 250, Gibsonton Drive. Head west a bit more than one mile to S. Tamiami Trail which is US 41. If the light at 41 is red do not stop on the RR tracks. 🙂 Turn right (or north) on 41 and cross the low bridge over the Alafia River. The first traffic light will be at Riverview Drive. Turn left there and then turn left immediately, and I do mean immediately, onto the road that leads into Williams Park. Take a spot on the right at the far end of the lot which is closest to the boat ramp. Find James and get ready for the time of your life.
James will let you know when to be at the dock. In a word, early. Here’s a great tip: you will almost always have some great chances to create pleasing blurs of the Fish Crow and White Ibis blast offs with handheld telephoto lenses. Intermediate telephotos and telephoto zooms are ideal. Be sure to set the RGB histogram check it often to avoid burning the red channel. To learn to when, why, and how to work in Tv mode when creating pleasing blurs see A Guide to Pleasing Blurs by yours truly and Denise Ippolito.
Breeding plumage spoonbill photography is generally best from late February through early April. In addition to the spoonbills you will get to photograph Brown Pelican, Double-crested Cormorant, Reddish Egret, Great Blue Heron, and Great Egret in flight. As the season progresses you can add Glossy Ibis, a variety of shorebirds, and by June and July, baby spoonbills just out of the nest. You can see some of my very recent Hooptie Deux images by clicking here and scrolling down.
My Comments on Your Comments
With some free additional free time in Tokyo today I was able to post respond to your comments at the January 17, 2012 post: “Just Duckie: Two Depth-of-Field Questions and Additional Lessons.” Though only a few folks replied they covered all the important points. This one is highly recommended reading for all using big glass on birds at close range. The topics covered include exposure, rapid firing, and of course, depth-of-field at close range.
The Adventure Begins
We leave Tokyo tomorrow morning at 7am, February 21, 2012. That works out to 5pm Monday evening on the east coast of the USA. We are headed for the Snow Monkeys.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 19th, 2012
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This image was created at Little Estero Lagoon with the Canon 70-200mm f/2.8L IS II lens and the Canon 1.4X III TC (hand held at 98mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/320 sec. at f/16 in Manual mode.
Central Sensor/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to enlarge it.
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Solving Plover Problems
You come upon a large group of Wilson’s Plovers roosting in a field of horse mussels. Isolating a single bird will be difficult and the jumble of large mussels will make for distracting backgrounds in most cases. Confident in their camouflage, the birds are exceedingly tame. What are the best strategies for long lens photography? Your first impulse with tame shorebirds it to get out your Panning Ground Pod or you Skimmer II (or to splay the legs of your tripod) and get down flat on the beach. Would you do that here? (See below for the answer….)
Before you go on please leave a comment and let us know a few things: How many birds do you see in the image above? Are they all Wilson’s Plovers? Why should I have either taken off my teleconverter or taken one big step backwards?
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This image was created with the Canon 70-200mm f/2.8L IS II lens (hand held at 70mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/320 sec. at f/16 in Manual mode.
Central Sensor/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to enlarge it.
For this image I did remove the 1.4X TC obviously to get wider.
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From left to right we have half the SW FLA IPT group: Lynne, Clemens, Wayne, Gail, and Deirdre. The first instinct of several of the folks in the group was to get flat on the ground but I quickly pointed out that the lower you got in this situation the more distracting background elements you would introduce. The best chance to eliminate horse mussels (or at least most of them) from your backgrounds was to remain standing behind your tripod and that is what I did. Kneeling was a good second option. Notice how tame the birds are. And notice the Snowy Egret down at the edge of the Gulf. Click here and scroll down to read the SW FLA IPT Report and see the announcement of the 2013 SW FLA IPT; hope that you can join me.
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Wilson’s Plover and horse mussel, Little Estero Lagoon, Fort Myers Beach, FL. Created with the tripod-mounted Canon 800mm f/5.6L IS lens, the Canon 1.4X III TC, and the EOS-1D Mark IV. ISO 200. Evaluative metering +2/3 stop: 1/400 sec. at f/11 in Manual mode.
Central Sensor (by necessity) Rear Focus/AI Servo AF and recompose. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, click on the photo.
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By standing at full height behind my Gitzo GT3530LS Tripod I was able to eliminate more than a few mussels in the distant background. When I saw the opportunity to create a nice stitched pano I created two images, one of the bird and one of the mussel (with a bit of overlap). I was careful to work in Manual mode and not to re-focus after creating the first image. I assembled the two images manually in Photoshop. I chose to leave the mussel in the upper left to balance the composition. Notice that while working in fairly harsh sunlight I opted to point my shadow exactly at the subject….
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Wilson’s Plover and horse mussel quasi-grunge HDR, Little Estero Lagoon, Fort Myers Beach, FL. Created from three images made with the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark IV. ISO 200. Evaluative metering +2/3 stop with +/- 1 1/3 stops auto exposure bracketing (AEB) around 1/400 sec. at f/11 in Manual mode.
Central Sensor (by necessity) Rear Focus/AI Servo AF and recompose. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, click on the photo. Then click on the enlarged version to close it.
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When I saw a decent image motif I locked down my Mongoose M3.6, waited until the bird was completely motionless, and fired off three fast images to prevent ghosting. The quasi-HDR Grunge was created in Photomatix. I usually work at settings somewhere between the Painterly and Grunge pre-sets. To purchase Photomatix and save 15% click here and be sure to enter birdsasart as the coupon code. You can download and use a trial copy of Photomatix before you buy. It is fully operational but the processed images will have a visible watermark on them. At some point this summer I hope to finish the HDR Grunge Guide that Denise Ippolito and I started work on a while back.
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Wilson’s Plovers, horse mussel, and limpet, Little Estero Lagoon, Fort Myers Beach, FL. This image was created with the tripod-mounted Canon 800mm f/5.6L IS lens and the EOS-1D Mark IV. ISO 200. Evaluative metering +2/3 stop: 1/500 sec. at f/11 in Manual mode.
Central Sensor (by necessity) Rear Focus/AI Servo AF and recompose. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, click on the photo.
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Above I was working on the framing with a single plover and the horse mussel in the lower left corner when a second Wilson’s walked into the frame and paused in a spot that yielded a rather pleasing juxtaposition.
Comments on Your Comments
With some free time in Tokyo I had some time to respond to your comments at the January 13, 2012 post, My Comments On: For Your Critique/Image #8 and at the January 15, 2012 post, Pushing the Shutter Speed Envelope.
Robert O’Toole Homer Bald Eagle Offer
Robert has openings on his March 28th to April 1st, 2012 Homer, Alaska Bald Eagle trips. Click here for complete details.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder (or on a tripod as above) with the 2X III teleconverter. I also use it a lot with the Canon 1.4X III TC.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
Canon 1.4X III Teleconverter. Designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 17th, 2012 Just Rolling Along…
I am at the Orlando Courtyard Marriott, headed for MCO in a few minutes, then flying first class to DFW and continuing on to Tokyo, Japan for the first and likely last ever Japan IPT. I arrive on Saturday afternoon. I think…. So I am just rolling along enjoying every breath. I should have internet access at most of our lodges so I will see you soon.
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The above image is a rare one as Denise does not like being photographed…. She is pulling a fully loaded, and I mean fully loaded!, Eckla Beach Rolly alongside the Barnegat Jetty.
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ECKLA BEACH ROLLY SAVES THE DAY!
When I was on Long Island last December my shoulders as previously noted were hurting quite a bit due to too much swimming to soon after I got home from Bosque. No surprise there. I rested a lot while visiting New York but wanted to get in one last trip to the Barnegat Jetty. But I was concerned that the almost mile-long walk with the 800 on my shoulder might not be the smartest thing for me to do. Denise Ippolito saved the day with a suggestion. She volunteered to bring along her customized Eckla Beach Rolly and met me at the jetty. We put both of our big lenses in the rolly along with both tripods and Denise rolled the whole shebang rather easily through one mile of soft sand. I felt like the King of Siam walking along with no tripod and nothing on my shoulder. Thanks Lady D! She was pretty much amazed at how easily it rolled. Don’t get me wrong: Denise is in great shape but she was a bit tired after the long haul out and the long haul back.
That said I could not have made it without her help, and she could not have made it without her Eckla Beach Rolly. I envision several uses for my Beach Rolly. It will be great at places with boardwalks like the St Augustine Alligator Farm and Corkscrew Swamp Sanctuary. You will be able to bring pretty much all of your lenses, and an extra body or two, your flash and accessories, and heck, you can even bring your lunch. On various Florida beaches where you are routinely walking good distances you will be able to do the same. Do realize that my shoulder problem started about eight years ago after twenty years of carrying big glass on a tripod all on my right shoulder… Not too smart. I wish I had had a Beach Rolly back then.
You can learn more about this great product or purchase one by clicking here. See below for accessory details.
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Above is the fully packed Beach Rolly: Denise’s 500mm f/4L IS is on your left, my 800mm f/5.6 L IS on the right in an old Domke Bag. I am still trying to talk Scott Elowitz of LensCoat into making something very similar. My Gitzo 3530LS Carbon Fiber tripod with the Mongoose M3.6 attached is on your left, Denise’s with the Wimberley V-2 is on the right. See details on the Eckla Cargo Net, the Eckla Multi Holding Bar, and the Staples Milk Crate below.
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Denise customized here Beach Rolly Gear Cart by adding a black plastic milk crate from Staples. It is 11 1/2″H x 13 7/8″W x 16 7/8″D. Yours for only $7.99 here. The milk crate keeps everything in the cart. The Cargo Net keeps stuff safely in place and allows you to overload your rolly without fear :), and the tripods are attached snugly by the Multi-holding Bar. All is all is it a neat set-up that can make your life a lot easier. Please leave a comment and let us know how you use or will be using your Eckla Beach Rolly Gear Cart. (Note: I tried the Eckla Eagle Car Door Camera Support and did not like it at all. I far prefer the BLUBB for car as blind work.)
BAA Bulletin #397
BAA Bulletin #397 is on-line and can be viewed best here.
- THE CONTEST: BAD NEWS AND GOOD
- SOUTHWEST FLA IPT REPORT
- SOUTHWEST FLA 2013 IPT ANNOUNCED
- CHEESEMANS’ FALKLANDS/SOUTH GEORGIA TRIP OCT/NOV 2012
- GEAR FOR SALE
- STICK IT TO EM
- IPT UPDATES
February 15th, 2012
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American Oystercatcher, adult, Little Estero Lagoon, Fort Myers Beach, FL. Created with the tripod-mounted Canon 800mm f/5.6L IS lens, the 1.4X III TC, and the EOS-1D Mark IV. ISO 200. Evaluative metering +1/3 stop: 1/500 sec. at f/11 in Av Mode.
Central Sensor (by necessity) Rear Focus/AI Servo AF and recompose. Click here if you missed the Rear Focus Tutorial. For a greater appreciation of the image, click on the photo. Then click on the enlarged version to close it.
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Was It Worth It?
It was a bit after 10am on a clear day. We had had a great morning on the SW FLA IPT with lots of egrets and Brown Pelicans in flight, lots of tame Wilson’s Plovers, and an Osprey that flew by with a small tree for its nest. We were thinking about heading back to the motel when a family group of 3 American Oystercatchers landed in front of us. I guided everyone on approaching with care so as not to flush these sometimes shy birds.
I created the image above while standing behind my tripod, knowing that with the shoreline dissecting the bird’s neck and upper back that it would not be a good image. And I half expected that the birds would take flight at any moment. But at least the image served as a good exposure check. And I did realize that I was a bit too close; remember: it is generally best that the bird not take up more than 75% of the longest dimension of the frame.
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Again, same bird, same gear…
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I took a few steps back, lowered the tripod legs, and got down on one knee, knowing that with the shoreline cutting the bird’s leg just above the ankle that I would not be happy with the image, all the while realizing that if I got down flat on my belly that I would have a lovely, diffused strip of green background right behind the oystercatcher’s head. But, and this was a very big but, to get down flat I would need to go belly down in wet mud on a somewhat chilly morning. I was not looking forward to it, but I knew that it was the way to go…. So I went.
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Image courtesy of and copyright 2012 Tim Kaufman.
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Yup, that’s me in the wet muck. Not much fun but I like the final image. Note that as I did not have my panning ground pod in my vest–I did not expect many shorebirds–that I simply splayed the legs of the tripod in order to get low fast. Thanks Tim for the image.
The Questions…
There are lots of questions here. Was it worth it? Would you have done it? Of the folks in the group, only Clemens van der Werf got down on his belly but he kept his mid-section out of the water :). I tried that and it worked for a while but I finally succumbed and would up with wet mud-belly.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here for details.
Comments on Comments
I commented extensively on your comments in the January 6, 2012 post, “My Comments on: For Your Critique/Image #6.” Amazingly, only a single person who commented agreed with me :). Different strokes…
In addition, I did the same on the comments at the January 8, 2012 12 post, “Antarctic Inspiration from Paul Mckenzie.”
Shopper’s Guide
Below is a list of the gear used to create the images talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.L IS lens. Right now this is my all time favorite super-telephoto lens.
Canon 1.4X III Teleconverter. Designed to work best with the new Series II super-telephoto lenses.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂
Gitzo GT3530LS Tripod. This one will last you a lifetime.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Canon EOS-1D Mark IV User’s Guide. Learn to use your Mark IV the way that I use mine. Also available for the 7D and the Mark III here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
February 12th, 2012
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This Great Egret image was created at Little Estero Lagoon with the hand held Canon 70-200mm f/2.8L IS II lens, the Canon 1.4X III TC (at 125mm) and the EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop off the blue water: 1/2500 sec. at f/5.6 in Manual mode.
Central Sensor Rear Focus AI Servo AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial.
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Dainty Dancers
All Southwest Florida IPTs feature visits to Little Estero Lagoon. We enjoy lots of chances to photograph a variety of herons and egrets at close range with hand held intermediate telephoto zoom lenses. The birds are attracted into photographic range with tossed greenbacks, small baitfish that I catch with a cast net. These sessions are always very popular. The image below was created in early morning light less than a minute before the image above was made. Both images were processed in CS-5 after which a layer of NIK Color Efex Pro’s White Neutralizer was added to sweeten the blues. Both are small crops from vertical original captures.
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This Great Egret image was also created at Little Estero Lagoon with the same hand held Canon 70-200mm f/2.8L IS II lens, the Canon 1.4X III TC (at 160mm) and the EOS-1D Mark IV. ISO 400. Evaluative metering +1/3 stop off the blue water: 1/2500 sec. at f/5.6 in Manual mode.
Central Sensor Rear Focus AI Servo AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial.
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With some images with lots of blue, White Neutralizer really gets the blues to sing; it can turn somewhat boring grey blue water into brilliant sky blue backdrops. See the animated GIF below. A 50% layer of NIK COler Efex Pro’s Detail Extractor was applied to the WHITEs only in each image via the use of a Hide-All mask. Learn to use Hide-All masks in the Layer Masking for Dummies section of Digital Basics, a PDF that includes my complete digital workflow, dozens of great Photoshop tips and techniques, and free updates for a long as I am still pushing the shutter button. The next update will be no later than this June.
Which Do You Like Best?
Let’s call the top image “Reflections” and the bottom image “Toe Dragger.” Take a moment to let us know which of the two images you like best, and why.
NIK 15% Discount
As regular readers here have seen recently, NIK’s Color Efex Pro has completed streamlined my workflow; you can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.
NIK Creative Efex Collection
NIK recently announced the availability of a special limited production bundle of 3 of their most popular products, Color Efex Pro 4, Silver Efex Pro 2, and HDR Efex Pro. You can save more than $200 on the bundle which is available only through NIK affiliates. If you would like additional info, please e-mail with the words “Creative Efex Collection” in the Subject line. If you have been on the fence about purchasing the plug-ins mentioned above this is a great chance to save some significant bucks.
Earn Free Contest Entries and Support both the Bulletins and the Blog by making all your B & H purchases here.
More and more folks are earning multiple contest entries with their B & H purchases. See here for details on that. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click here to visit the competition home page.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Remember: you can earn free contest entries with your B & H purchases. Eleven great categories, 34 winning and honored images, and prize pools valued in excess of $20,000. Click herefor details.
Shopper’s Guide
Below is a list of the gear used to create the image in today’s blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 70-200mm f/2.8L IS II lens. Man, I am loving this lens on my shoulder (or on a tripod as above) with the 2X III teleconverter. I also use it a lot with the 1.4X III TC.
Canon EOS-1D Mark IV professional digital camera body. My two Mark IVs are my workhorse digital camera bodies.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
Be sure to check out our camera body User’s Guides here.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
Black Rapid RS-7 Strap. This ingeniously designed strap allows you to carry an intermediate telephoto lens bandolier-style while leaving it instantly accessible for flight and action photography. To learn more about this strap click here and scroll down.
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