Archive for the ‘Product Info and Tutorials’ Category

Blacklit Images

Sunday, June 14th, 2009
Blacklit Coastal Brown Bear, Katmai National Park, AK.  See the image below for the techs.   And do click on each image to view a larger version.

Blacklit Coastal Brown Bear, Katmai National Park, AK. See the image below for the techs. And do click on each image to view a larger version. I created the opening image from the image below.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

This image was created with the Canon 800mm f/5.6L lens, the 1.4X II TC, and the EOS-1D MIII. ISO 640. Evaluative metering -1/3 stop (to preserve detail in the rim-lit fur): 1/200 sec. at f/9.

The second image represents what I saw in the field, the first image is the one that I visualized.   It is much better to create an image with the histogram well to the right (as in the second image) than to try and create the opening image in camera.   Your files will contain much more info by following this approach.
Here is how I created the opening image.  First, I converted the RAW file in ACR.  (When you do this, be sure that the rim-lit fur is not flashing.)  Next, I did a Levels adjustment by pulling the left-hand slider far to the right while holding down the Alt key (until the shape of the bear appeared almost solid black). Then I moved the middle-tone slider to the right to make the image even darker. I do these two things often to create blacker SILHs. Then I added Black to the Blacks and to the Neutrals in Selective Color as described in Digital Basics: https://store.birdsasart.com/shop/item.aspx?itemid=252
This particular image was inspired directly by Miguel Lasa’s BBC honored blacklit Polar Bear image.  (I thought that it deserved top honors….)   You can see Miguel’s winning image (in the Creative Visions of Nature category) here:  http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/photo.do?photo=2428&category=50&group=1  It would be interesting to see the RAW file. 
I first came across the term “black light” in Andy Rouse’s latest and highly inspirational book, “Concepts of Nature.”   The opening image is a combination of Andy’s “Black Light” and his “Atmospheric Ring of Fire” concepts.  You can learn more about this great book here: https://store.birdsasart.com/shop/item.aspx?itemid=53.   I have long pitched the idea that in order to improve folks need to look at as many great natural history images as possible, and in Concepts of Nature Andy has made that easy to do.  I was so taken with the words and the pictures that we ordered fifty copies of Concepts of Nature so that the serious photographers on this side of the pond could take advantage of Andy’s brilliance.   
Here is an abstract black-lit image of the backlit hump and back of a big bear.  It was created with the same gear as the image above.  ISO 500.  Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

Here is an abstract blacklit image of the backlit hump and back of a big bear. It was created with the same gear as the image above. ISO 500. Evaluative metering -2 1/3 stops, again to prevent flashing highlights in the rim-let fur: 1/800 sec. at f/11.

I take pride in the fact that I have coined many terms commonly used by today’s nature photographers.  Even though the opening image was jointly inspired by MIguel and Andy I will take credit for coming up with the term “blacklit.”  I will be back soon to share more images from my Alaska trip.

Los Madrones

Friday, April 24th, 2009
This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

This Golden-cheeked Warbler was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube (to allow for closer focus), and the EOS-1D Mark III. ISO 640. Evaluative metering +1/3 stop: 1/300 sec. at f/9. Fill flash at -2 2/3 stops with the Better Beamer.

Chris and I arrived at Mike and Julie Murphy’s Los Madrones Ranch on Tuesday afternoon.   As with most new places, it took us a while to figure the place out but we wound up getting some great images of many species that we had seen or photographed (or both!) for the first time.  Texas’s top birder and one of (if not the) best bird photographers in the state, Greg Lasley, helped us track down our number one target species, the Golden-cheeked Warbler, a gorgeous bird that nests only in Texas Hill Country.  Six to seven pairs of this endangered warbler nest on the Murphy’s beautiful 400 acre ranch.     We stayed in the lovely Casita with all the comforts of home and photographed from three of the four photo blind/feeder set-ups that Mike has constructed. 

Los Madrones is located in western Travis County, TX.  If you would like to photograph some of the species below (and more), you can contact Mike Murphy to arrange a vist by cell phone at   512-925-6902 or via e-mail to mike@losmadrones.com.  You can learn more about the ranch here: http://www.losmadrones.com/Los_Madrones/Home.html  

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

Rufous-crowned Sparrow is common at Los Madrones but it was a challenge to get one to sit on the right perch as it came to the feeders. This bird was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/640 sec. at f/8 just before it hopped down onto the feeding tray.

There is a great section in “The Art of Bird Photography II” (916 pages on CD only) on selecting perches and creating a feeder set-up that will work for photography.  You can learn more about ABP II here: http://www.birdsasart.com/ABPII.htm.
This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Ash-throated Flycatcher, the western counterpart of the Great-crested Flycatcher that breeds in the woods next to my home in central Florida, was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/250 sec. at f/10 set manually. Manual fill flash at 1:8 power.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

This Western Scrub Jay was photographed with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, and the EOS-1D Mark III. ISO 500. Evaluative metering +1/3 stop: 1/300 sec. at f/10. Fill flash at -2 2/3 stops with the Better Beamer.

As regular BIRDS AS ART Bulletin readers know I am a huge fan of cloudy-bright days.  They offer  much reduced contrast, great color saturation, amd images without shadows.   And most importantly, they allow you to work well off light angle.  The two images above were created as the birds sat on natural perches well off to the side of our set.  Had it been a clear sunny day, each would have been about 40 degrees off of the proper sun angle and I would not have even pointed my lens at them. 

Thanks to Mike and Julie for their generous hospitality and for hosting our visit to Los Madrones.

Farewell to Dauphin Island

Wednesday, April 22nd, 2009
This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder.  The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III.  ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.   This image was created after our set had fallen into shadow.  I much prefer this image to those created in the late afternoon light.  Once I switched to digital cloudy bright days and shaded subjects became my very best friends.

This adult male Indigo Bunting was photographed on a perch that I found along the roadside and set up at a feeder. The image was created with the Canon 800mm f/5.6 L IS lens, the 1.4X II TC, a 25mm extension tube, and the EOS-1D Mark III. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8. This image was created after our set-up had fallen into shadow. I much prefer this image to those created in the late afternoon light. Once I switched to digital, cloudy bright days and shaded subjects became my very best friends. This image was my last Dauphin Island keeper....

The hospitality that Chris and I encountered on Dauphin Island was incredible.  First  we met Mike Rogers, a contractor from Mobile, who invited us to the beautiful home on the bay that he built with his Dad and served us a great crab and shrimp dinner.  He introduced us to his friend Terry Hartley and the two of them went out of their way to show us the best spots.  On day 2 they brought us to the home of John and Jennie Stowers who just happened to be serving a sumptous lunch to more than 100 folks who were attending the Alabama Ornithological Society’s spring meeting.  That night Mike took us out to dinner!  We had to work hard for each image as we did not encounter any fallouts of major proportions.   Mike and Terry introduced us to Chris and Michele Steber who served us a great lunch on their deck and allowed us to remake their yard in an effort to photograph the great birds at their feeders.  Again, it required a lot of work as the birds were quite shy.  We achieved success on our last afternoon on Dauphin after erecting a makeshift blind using a blanket that I keep int the back of my SUV to keep the gear covered.  We hung the blanket between two trees (secured by gold-colored horsehoes), left it in place for a day so that the birds could get used to it blowing in the wind, and finally got to stand behind it while  photographing Indigo Bunting, Blue Grosbeak, and Red-breasted Grosbeak. 

We awoke before 3am on Tuesday, left just after 3:30, and made it to Hill Country near Austin, TX 12 hours later with Chris doing the bulk of the driving.   As always, you can click on each image to enlarge it.

Three happy campers.  Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer.  This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago.  Chris Dodds is on your right.

Three happy campers. Mike, center, was thrilled to hang with us and we did our best to help him become a better photographer. This image was created by Dick ??? who had been with me on a Point Pelee Instructional Photo-Tour about six or seven years ago. Chris Dodds is on your right.

This Northern Parula was attracted to our position by playing a tape of its call.  The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII.  ISO 800.  Evaluative metering +1/3 stop: 1/100 sec. at f/5.6.  Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

This Northern Parula was attracted to our position by playing a tape of its call. The image was created with the Canon 800mmm f/5.6L IS lens, a 25mm extension tube for close focus, and the EOS-1D MIII. ISO 800. Evaluative metering +1/3 stop: 1/100 sec. at f/5.6. Fill flash at -2 2/3 stops with the Better Beamer (to concentrate the flash).

The Better Beamer is designed to be used with telephoto lenses with equivalent focal lengths of more than 300mm: learn more here: http://www.birdsasart.com/accs.html#BEAMER.  In the original image here, the bill tip of the singing bird was–as expected because of the slow shutter speed–quite blurred.  I created a Quick Mask of the sharp lower mandible from the previous frame, moved it to this image as an layer mask, and then, using the techniques described in APTATS, warped the lower mandible to create a perfect (and sharp) match.   You can learn the basics of Quick Masking (plus tons more) in our Digital Basics File (http://www.birdsasart.com/digitalbasics.htm) and learn the advanced techniques from the APTATS CD here:  http://www.birdsasart.com/aptats.htm

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500.  Evaluative metering +2/3 stop: 1/250 sec. at f/9.  With the blowing grasses about ten feet behind the perch they created a pleasing background.  It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Blue Grosbeak was photographed on a natural perch with the Canon 800mm f/5.6L IS lens, the 1.4X II teleconverter, a 25mm extension tube, and the EOS-1D MIII. ISO 500. Evaluative metering +2/3 stop: 1/250 sec. at f/9. With the blowing grasses about ten feet behind the perch, they created a pleasing background. It is the distance between the perch and the BKGR that is most responsible for creating the out-of-focus backgrounds that I prefer.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeders with the same gear as the rest. ISO 800.  Evaluative metering +2/3 stop: 1/80 sec. at f/8.

This adult male Rose-breasted Grosbeak was photographed on a natural perch above the feeder with the same gear as the rest. No flash. ISO 800. Evaluative metering +2/3 stop: 1/80 sec. at f/8.

I removed a secong hanging vine from the background here using a variety of techniques described in Digital Basics. 

Though we did not get to enjoy a major fallout, Chris and I made some great images on Dauphin Island and had an overall great time.  I particularly enjoyed taking my health walks on the seaside golf course.  We offer our heartfelt thanks to all of the folks who made our trip more enjoyable and productive.

More Dauphin Island plus some Photoshop Tips

Monday, April 20th, 2009

I should have mentioned that when we arrived we were greeted by chants of “You should have been here yesterday.”  As it turns out, Thursday–the afternoon of the day that we should have been on Dauphin Island, was a big wave day with a large fallout of neo-tropical migrants.  And we soon learned that the preceding Monday had been an epic day….

In any case, on our first afternoon, there was a single adult male Scarlet Tanager that was very tame.  The problem was that he spent most of his time on the ground.    On occasion, he did pop up for a second or two.

As always, you can click on each image to enlarge it.

_10j4094-dauphin-island-al1

This is a JPEG that represents the original capture. The image was created with the Canon 800mm f/5.6L IS lens, one 25mm extension tube (to allow for closer focusing), and the Canon EOS-1D Mark III. ISO 500. Evaluative metering +2/3 stop: 1/60 sec. at f/7.1. The image looks pretty washed out as it should (with the histogram pushed to the right). The perch below the bird is a bit hot with just a few over-exposed pixels, and the several little branchlets are distracting. Though I knew that it would require a fair amount of time (it took me about 45 minutes), I decided to remove all of the offending branchlets.

Below is a JPEG that represents the optiimized master file.   I used a variety of techniques including one that I call “Protect and Defend.”   You can learn more about this technique here:  http://www.birdsasart.com/bn275.htm.  Scroll down to “A FREE DIGITAL BASICS EXCERPT: GETTING RID OF THAT BRANCH!”  The work involves using the Clone Stamp, a series of Quick Masks, and the Patch Tool. 

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders.  Lastly, I did a small crop after balancing the color and working on the REDs.

Getting the rich color was simply a matter of making a Levels adjustment while holding down the Alternate key while moving the highlight slider and the shadow sliders. Lastly, I did a small crop after balancing the color and working on the REDs.

You can learn all of the above techniques plus dozens and dozens more from our Digital Basics file (a PDF sent via e-mail).  Click here to learn more: 

ILE: My Home Turf (and and news of an amazing sighting…)

Thursday, March 19th, 2009

I wake up at my home-office at Indian Lake Estates (ILE), Florida about half of each year.   (Don’t ask me where the estates are….)    In any case, ILE consists of 450 modest homes on 4,000 acres surrounded by 17,000 protected acres on the Lake Wales Ridge.  My late masseuse, John Lynott, told me that he saw a Florida Panther in the yard of the local church about 20 years ago, and there are Panther Crossing signs on SR 60 that I travel regularly.   On some mornings and even more rarely, on some afternoons, I do get out for an hour to photograph.  The tame Sandhill Cranes make good subjects year round, and in early spring there are always some chicks about.  In several months they grow to handsome colts.   The current issue of My Big Backyard (i.e., Ranger Rick for younger children), featured my image a large chick taking a sip of water and a spread of baby sandhill images inside.  Do not laugh: they pay very well. 

On the morning of March 15 I created two images that I liked; each required some special handling in Photoshop.  The first image was of a displaying Boat-tailed Grackle.  I photographed it from my vehicle near a golf course pond with the Canon 800mm f/5.6L IS lens and the EOS-50D on the BLUBB (the BAA Big Lens Ultimate BeanBag).   I began photographing the  bird from a spot just off sun angle when I noticed that if I moved forward a few yards I would be able to separate the three twigs and later, clone out the two distracting ones.  I moved the car forward right to sun angle; fortunately the vehicle did not fall into the pond.  The problem was that the very best pose was created right off the bat.  The solution:  I borrowed the foot from a later frame using a Quick Mask, covered the merged twigs with the borrowed foot, rotated and scaled the selection, and finally erased the two extra twigs with the Clone Stamp.

Here is the final image:

boat-tailed-grackle-displaying-male-_mg_7434-indian-lake-estates-fl

I liked this pose best because of the wonderully flared tail.  BTW, ISO 400.  Evaluative metering +2/3 stop: 1/1000 at f/8.

I found an Osprey sitting on a low post with some dried moss for its nest.  Lens and set-up same as above.  ISO 400.  Evaluative metering -1/3 stop: 1/1000 sec. at f/8.  With the 50D you need to be more careful about burning the whites in bright sun than with the MIII bodies. 

When I viewed the image on my laptop (where I optimize all of  my images) I was dismayed to see a large nail in the post.  Using the Clone Stamp, the Patch Tool, and a series of Quick Masks, I eliminated the nail and shorted a single long stem of grass that had inesected with the bird’s body.  

Here is the image out of the camera:

_mg_7419-indian-lake-estates-flc

Here is a close-up of the offending area:

section-before-_mg_7419-indian-lake-estates-flc

Here is that same section after I cleaned it up:

section-after

All of the techniques that I used for the cleanup (as well as our coplete digital workflow and dozens of great Photoshop tips) are described in detail in our Digital Basics File.  You can learn more here:

http://www.birdsasart.com/digitalbasics.htm  

Finally, here is the final image:

osprey-on-post-with-nesting-material-_mg_7419-indian-lake-estates-fl

Notice the perfect look-back head angle.

Oh, by the way, when Jim, Jim Litzenberg,  my right hand man, came back from his morning walk (except in summer, I walk in the afternoons), he told me that he had seen a Florida Panther just two blocks from home….   All  of you who have dealt with Jim on the phone know that he is personable, efficient, helpful, and friendly.  If you would like to meet him, click here:

http://www.birdphotographers.net/forums/showthread.php?t=31956

Lastly, here is a killer image of me in action created by Jory Griesman, click here:

http://www.birdphotographers.net/forums/showthread.php?t=32199