August 21st, 2012
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This image of a young Black Skimmer resting on the beach was created at ground level with the tripod-mounted Canon 800mm f/5.L IS lens and the discontinued Canon EOS-1D Mark IV. ISO 400. Evaluative metering +1 stop: 1/800 sec. at f/5.6 in Manual mode.
Central Sensor on the bird’s eye/AI Servo Rear Focus and recompose. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image to enjoy a larger version.
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So Simple, So Sweet
With a north by slightly northwest wind at Nickerson Beach on Sunday morning things were quite tough; for the most part the birds were flying and facing away from the sun. To compound matters, there were four Japanese photographers who had no clue as to proper field etiquette. Several times denise and Matthew Bologna, a new friend whom we met that morning, had belly-crawled up to some beautiful juvie Common Terns only to have one of the group of four walk right by the birds at full speed and flush them. After the third time I approached one of the four and explained as politely as I could that they needed to walk slowly in such situations and/or give the folks on the ground a wider berth. I asked him to share that information with his buddies. Apparently he did not. Look forward to my publishing an updated article on field etiquette soon.
In any case, I was very happy with the image above. The young Black Skimmer is in fresh juvenal plumage. If you agree, leave a comment and let us know what factors you think contribute to the success of the image. If not, let us know why you do not like it. In either case, please be specific. And let us know if you have any suggestions that would improve the master file above.
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Compare the original image immediately above with the JPEG that represents the master file at the head of this blog post and note the differences.
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As you can see in the image above that represents the original RAW capture, I did just a bit of beach, face, and neck cleanup. As always, I used the Patch Tool, the Spot Healing Brush, and a Quick Mask or two. All as described in detail in our Digital Basics File, a PDF that is sent by e-mail. DB includes dozens of great Photoshop tips, my complete digital workflow, and free updates. I must complete the next update in September when I will be home for five weeks. 🙂
Shopper’s Guide.
Support both the Bulletins and the Blog by making all your B & H purchases here.
Below is a list of the gear talked about in this blog post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.6L IS lens. Right now this is my all time favorite super-telephoto lens.
The Canon EOS-1D Mark IV professional digital camera body has been discontinued. With the new professional body, the full frame EOS-1DX, focusing only to f/8, it is my belief that discontinuing the Mark IV is quite unfortunate for a variety of reasons.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
GT3532 LS. This one replaces the GT3530LS Tripod and will last you a lifetime. I’ll be commenting on this new model soon. In short, I like it.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
CR-80 Replacement Foot for Canon 800. When using the 800 on a Mongoose as I do, replacing the lens foot with this accessory lets the lens sit like a dog whether pointed up or down and prevents wind-blown spinning of your lens on breezy days by centering the lens directly over the tripod.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
August 20th, 2012
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Congratulations to Lou Coetzer, of Pretoria, South Africa. His image, Jacana chick on Lily-leaf, was awarded first prize in the Portrait Category of the BIRDS AS ART 1st International Bird Photography Competition.
Nikkor 600mm f/4 VR with the TCE 2.0X converter and the Nikon D4. ISO 1000. EV -0.7: 1/3200 sec. at f/8 on custom-mounted Wimberley V-2 head.
Be sure to click on the image to enjoy it in its full glory.
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First Place: Jacana chick on Lily-leaf, Lou Coetzer
From Lou: African Jacana chicks are precocial; they are up and about and fend for themselves right after hatching. While leading photographic safaris in April 2012 on the Chobe River, Northern Botswana, I was able to keep an eye on a stretch of water that we call “Jacana Alley” because of the abundance of African Jacanas. We had been watching a male sitting on a nest for several days waiting for the chicks to hatch. As we neared the nest on a still morning I was greeted by the amazing sight of 3 tiny, one-day old chicks running around on their own with no adult in sight. Such young chicks are rarely left out in the open….
One chick was separated from the other two and was working very hard to get back to its family. Attempting to make its way to the safety of a large reed bed it stopped on a water lily leaf for a moment, halted by a stretch of open water. As it contemplated its next move it looked straight at me for just a moment.
Then, out of the blue, the male jacana landed close to the chicks, called them to him, tucked them under his wings, and disappeared deep into the reed bed.
Almost without exception, everyone who has seen this image has been blown away by the killer sweet light, the killer-perfect reflection–I’ve never seen such a still morning, the sharpness, the beautiful lily pad, the impeccable composition, and the too-cute chick staring right down the lens barrel.
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Congratulations to Kiran Poonacha of Bangalore, India. His image, Short-toed Snake Eagle with snake, was awarded second prize in the Portrait Category of the BIRDS AS ART 1st International Bird Photography Competition.
Canon EOS-1D Mark IV with the Canon 500mm f/4 L IS lens and the 1.4 X TC with a bean bag Bean Bag rested on SUV window.
Be sure to click on the image to enjoy it in its full glory.
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2nd Place: Short-toed Snake Eagle with snake, Kiran Poonacha
From Kiran: As I was looking for raptors to photograph in the Karnataka grasslands on the outskirts of Bangalore. I saw this Short-toed Snake Eagle looking for food. I thought I might as well wait as there was not much activity going on. Luck being on my side he swooped down and got hold of a Checkered Keelback snake. Usually he would bite down on the snake and swallow it, but instead he decided to carry his prey to an anthill and then kill it. After a struggle the snake gave in and the bird made a successful kill. While the fight was on I moved in with my SUV as birds are not very shy when approached in a vehicle. After the eagle made the kill it took a break to look around if any other bird or animal was around to steal its food. At that moment I noticed a pair of mating dragonfly enter the frame and created a burst of images.
Wow! This image has is all: a beautiful bird on a lovely and unique perch; a lead grey background; some tiny flowers; the snake wrapped around the bird’s far leg, its bloodied head below; and the raptor’s yellow eye staring; soft, sweet light. All nicely framed by some out-of-focus vegetation.
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Congratulations to Judd Patterson of Palmetto Bay, FL. His image, Resplendent Quetzal (Pharomachrus mocinno), was awarded third place in the Portrait Category of the BIRDS AS ART 1st International Bird Photography Competition.
Canon EOS-5D Mark II with the Canon 500mm f/4 L IS lens, 550 EX Speedlite, Gitzo tripod.
Be sure to click on the image to enjoy it in its full glory.
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Third Place: Resplendent Quetzal, Judd Patterson
From Judd: I had flown south into the “tropics” but now I was at nearly 10,000 ft in the cloud forest in the Savegre Valley, Costa Rica. The weather was decidedly cool, like a crisp fall morning in the Rocky Mountains. I knew that these birds nested in this particular valley, but I needed a little luck to find the right spot. In front of me was a marvelous tree full of small-fruited avocados, the perfect attractant. As the morning dawned several Resplendent Quetzals, surely one of the world’s most spectacular birds appeared in the tree and were gorging on the fruit. As I looked over the lichen-encrusted branches, I could hardly believe my good fortune in finding such a fitting scene for this gorgeous bird.
There is not a lot to say here with an absolutely stunning bird in an absolutely stunning setting. In nice, soft light. I love the pose, the killer tail, and especially how the greens and plum colors on the avocado fruits match the colors of the bird.
Congrats!
Congrats to the three winning photographers and to those who created the eleven other spectacular images that made it to the final round of judging. Getting a single image to the final round is a great accomplishment. 1153 images entered, this category was, as expected, hugely popular, the most popular by far. And as many noted, many of the 14 images that went to the judges are beyond spectacular.
The prizes (see below) will be shipped once the Grand Prize winner is announced; several folks had more than one top three image. Be sure to patronize our sponsors; without them, this contest would not exist. There will be more educational stuff from this category very coming soon.
| Bird Portrait Category Prizes |
| First Prize |
Runner Up |
Highly Commended |
Sponsor |
| $100 Gift Certificate |
$50 Gift Certificate |
$25 Gift Certificate |
B&H PHOTO VIDEO |
| Choice of Lens plate |
P-5 camera body plate |
Plamp |
Wimberley |
| 16 GB 450 X UDMA Compact Flash Card |
Sensor Scope |
Universal Card Reader |
Delkin Devices |
| Level 3 Gift Subscription |
Level 2 Gift Subscription |
Level 1 Gift Subscription |
Nature Photographer Magazine |
| $30 Discount Certificate |
$25 Discount Certificate |
$20 Discount Certificate |
Canvas On Demand |
| Laptop Bag or Pixel Sunscreen |
Pixel Pocket Rocket |
AA Battery Holder |
Think Tank |
| $50 Gift Certificate |
$25 Gift Certificate |
$10 Gift Certificate |
Lens Coat |
| Choice of Canon/Nikon Lens Plate |
Choice of Canon/Nikon Camera Body Plate |
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4th Generation Design |
| . |
Better Beamer |
Better Beamer Replacement Fresnel |
Visual Echoes |
| TriKlear Kit |
TriKlear Kit |
TriKlear Kit |
Lens Pen |
| Magnum Xtrahand Vest |
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Vested Interest |
| ABP II |
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BIRDS AS ART |
| . |
Double Bubble |
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HP Marketing |
| BreezeBrowser Pro/Downloader Pro Combo |
BreezeBrowser Pro |
Downloader Pro |
Breeze Systems |
| Sito HD Version Gold Web Site |
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Sito HD |
August 18th, 2012
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Black Skimmer in flight above beach grasses, Nickerson Beach, NY. Created with the tripod-mounted Canon 800mm f/5.L IS lens and the Canon EOS-5D Mark III. ISO 800. Evaluative metering +1/3 stop: 1/2000 sec. at f/7.1 in Manual mode.
Central Sensor/AI Servo Rear Focus AF Surround active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image for the larger version.
I added canvas to the bottom and the top, moved the bird down in the frame, cropped from the bottom, and added a bit of sky using techniques from Digital Basics and APTATS II (with lots of help from Denise Ippolito).
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Sit or Stand for Flight?
In situations where the birds may be flying low over a field or a beach it is often a huge advantage to sit while doing flight photography. Why? You either move the background effectively farther from the bird or eliminate the background completely. This makes it much easier for the AF system to pick up the subject and hold focus. In addition, with the background effectively farther from the subject, the background is softened up considerably. Click here for the current IPT schedule and info. I am thinking about extending my stay in NY and offering a second Nickerson/JBAy IPT in late August; if you are seriously interested, please shoot me an e-mail.
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Black Skimmer aerial chase, Nickerson Beach, NY. Created while sitting behind my lowered tripod-mounted Canon 800mm f/5.L IS lens and the Canon EOS-5D Mark III. ISO 800. Evaluative metering +2/3 stop: 1/1600 sec. at f/6.3 in Manual mode.
61-point/AI Servo Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image for the larger version.
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With west and south winds respectively on our last two afternoons we were blessed with many dozens of aerial skimmer battles and chases. While this one was made while sitting following the action would have been easier while standing but I did not want to give up the chance to make images like the two that opened this blog post. Learning how the wind direction will affect not only flight photography but all avian photography is something that you will learn on most IPTs.
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Black Skimmer in flight landing in the colony, Nickerson Beach, NY. Created with the tripod-mounted Canon 800mm f/5.L IS lens and the Canon EOS-5D Mark III. ISO 800. Evaluative metering at zero: 1/2000 sec. at f/7.1 in Manual mode.
61-point/AI Servo Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image for the larger version.
Here I added canvas in front of the bird again using techniques from Digital Basics and APTATS II (and again with lots of help from Denise Ippolito).
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In the image above I would not have been able to include the nice strip of sky to the image design had I been standing.
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Black Skimmer in flight with wings extended and flat, Nickerson Beach, NY. This one was also created while sitting behind my lowered tripod-mounted Canon 800mm f/5.L IS lens and the Canon EOS-5D Mark III. ISO 800. Evaluative metering +2/3 stop: 1/1600 sec. at f/6.3 in Manual mode.
Central Sensor/AI Servo Rear Focus AF Surround active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image for the larger version.
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This is another one that would have been easier to create had I chosen to stand. Careful readers will note that as the light changed we constantly needed to adjust our exposures. Denise and I were of course willing and eager to offer exposure advice as the clouds came and went.
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Battling Black Skimmers, Nickerson Beach, NY. Created while sitting behind my tripod-mounted Canon 800mm f/5.L IS lens and the Canon EOS-5D Mark III. ISO 400. Evaluative metering +1 1/3 stops off the sky: 1/1250 sec. at f/5.6 in Manual mode.
Central Sensor/AI Servo Rear Focus AF Surround active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image for the larger version.
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The image above is a crop from a horizontal original capture. With its 22.3 mega-pixels a sharp 5D III original can stand up to some fairly aggressive cropping.
With well more than 100 visits under her belt Denise has been to Nickerson Beach far more than I have. And each visit involves a 4-hour round trip from her home in Brielle, NJ. Often at 3am. She felt that we enjoyed the best ever action with the battling skimmers. It sure was fun. Look for the Nickerson Beach?JBWR IPT report in a BAA Bulletin soon.
Which is Your Favorite
Take a moment to leave a comment and let us know which of the five skimmer images is your favorite, and why.
B&H Sigma Lens Specials
I have, on many occasions, seen the incredible images made by Robert O’Toole with the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO autofocus lens. It is lightweight, relatively inexpensive, sharp as a tack at f/8, and it features an almost ridiculous minimum focusing distance. The OS refers to the optical stabilizer in the lens. Best of all, B&H is now offering some very nice rebates on both the Canon and Nikon versions of this lens as well as on a wide variety of other Sigma lenses.
Click here to learn more about the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO autofocus lens with Canon mount.
Click here to learn more about the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO autofocus lens with Nikon mount.
Click here to learn more about the rebate offers for all Sigma Canon mount lenses.
And click here to learn more about the rebate offers for all Sigma Nikon mount lenses.
Your purchase will help us be able to continue providing free information on the blog and in the BAA Bulletins.
Shopper’s Guide
Below is a list of the gear used to create the images in today’s post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 800mm f/5.L IS lens Right now this is my all time favorite super telephoto lens. But my 600 II is coming soon…. It has great reach, AFs with my EOS-1D Mark IV, is relatively light, and the the four-stop IS is amazing.
Canon EOS-5D Mark III. Man, I am in love with this camera body. Both the files and the AF system are superb.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. I’ll be commenting on this new model soon. In short, I like it.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
August 15th, 2012
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This sunflower multiple exposure image was created on Denise Ippolito’s A Creative Adventure sunflower workshop in Newton, NJ this past Saturday. I used my favorite new macro lens, the 500 f/L IS II: Canon 500mm f/4L IS II lens, 1.4X III TC, and the Canon EOS-5D Mark III. ISO 400. Evaluative metering +1/3 stop: 1/13 sec. at f/16 in Av mode.
Central sensor/AI Servo Surround/Rear Focus AF on the flower center and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image for a larger version.
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Sunflower Multi-Magic and Sherb
The 5D Mark III was one of the stars of the morning on Denise’s workshop. Everyone enjoyed the Multiple Exposure feature. Several folks put cards in our 5D IIIs and had a blast. And the Nikon folks–including several who had never tried the technique–were inspired to use the multiple exposure feature on their cameras. Denise was able to help the Nikon folks out. Things are a bit more complex with Nikon than with the 5D III. You can see several of Denise’s sunflower Multis here. Denise, who is co-leading the Nickerson Beach IPT with me this morning–we leave in 15 minutes!), presented a truly superb introductory slide lecture for the group last night and blew everyone away with great images and a great spiel. You can learn more about her workshop offerings here.
For the image above I tried something new. I set the camera up for a 5-frame Multiple Exposure. For the first four frames I rotated the camera slightly in the tripod collar. For the last frame, I did not rotate the lens but I defocused the image quite a bit by turning the manual focusing ring. (Remember, I use Rear Focus.)
In sum, I created a four-frame multiple exposure with a sharp/soft focus on top.
You can learn how I set up for Multiple Exposures in the Canon EOS-5D Mark III. in our 5D III User’s Guide here. The guide, still in progress (save $10) includes everything that I know about the camera and it’s great but complex autofocus system.
Sherb
It was a pleasure seeing Sherb Naulty again after so many years. We met at the opening of my Canon Explorers of Light-sponsored exhibit at the National Zoo in Washington, DC: “On a Wing and a Prayer;The Migratory Birds of North America.” My understanding is that because of budget cuts the exhibit still hangs today. There are 60 images in three groups of twenty in different locations. If you know that to be true, please let us know by leaving a comment. Soon after the opening I worked with Sherb on an advertising gig.
Sherb signed up for Denise’s workshop after seeing the notice in the last BAA Notes. Always smiling (and eager to learn more), he is the epitome of a Happy Camper. He had so much fun learning about the EOS-5D Mark III. that he upgraded his 5D the very next day and kindly used our B&H affiliate link: http://www.bhphotovideo.com/c/product/847545-REG/Canon_5260B002_EOS_5D_Mark_III.html/BI/6633/KBID/7226. Note that when you click on the link all reference to BAA(the “/BI/6633/KBID/7226” suffix) disappears. Not to worry, the order will be tracked to us.
When I asked Sherb about his first name he wrote, “Sherb is short for Sherburne! It was between George and Sherburne. It was my grandfather’s middle name. My full name is Sherburne Fairfax Naulty; quite a collection!! True story, when I was about 11 or 12 my mom asked me if I wanted to change my name. Apparently the pediatrician had given her a really hard time about naming me what she did. Have never been in a situation where there were 2 Sherb’s. Enjoy, Sherb
Delkin 700X CompactFlash Pro UDMA Enabled Cards
You can learn more about Delkin’s new 700X CompactFlash Pro UDMA Enabled Cards by clicking here and learn why the 1000X cards are overkill for still photographers. These cards are as important to my 5DIII as the batteries in the vertical battery grip!
Shopper’s Guide
Below is a list of the gear used to create the images in today’s post. Thanks a stack to all who have used the Shopper’s Guide links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.
Canon 500mm f/4L IS II lensI decided to leave the 800 at home for the bear boat trip and quickly fell in love with the 500 II for its light weight, great versatility, and four-stop IS. A complete review will be coming soon.
1.4X III TC The latest version of the 1.4X TC is designed to work best with the Series II Super-telephoto lenses.
Canon EOS-5D Mark III. Man, I am in love with this camera body. Both the files and the AF system are superb.
And from the BAA On-line Store:
LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. I’ll be commenting on this new model soon. In short, I like it.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
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