Arthur Morris/BIRDS AS ART
November 15th, 2023

The Colors of San Diego in Winter

Please get well soon, Cliff!

Get Well Cliff

Best of love to my dear friend and health and spiritual advisor, Renaissance man and brilliant doctor, Cliff Oliver (HÇQ). He is undergoing nasty skin cancer surgery this morning in San Diego. If you are the praying type, please say a prayer for Cliff. All are asked to shoot him some healing love and energy. Tanks!

Light

Understanding the direction and qualities of light is one of the great keys to being a successful nature photographer. The next step is to study and grasp the relationship between sky conditions and the strength and direction of the wind. A San Diego IPT is a great place to learn about light and wind direction and how it affects bird photography.

What’s Up?

Alan Goodwin and I spent a great long morning together on Monday at Fort DeSoto. He showed up with his brand new Sony 600mm f/4GM lens and his brand new Sony a-1. He had never used a super telephoto lens before. He had never used an a-1 body before. After ten minutes of instruction, he began making great images. I will share some of those with you here in a future blog post.

On Tuesday John Dupps and Paul Marbourg joined us for the first day of the IPT. It was a huge learning experience for everyone. Alan was having a problem hitting buttons on the a1 that were screwing him up so we fixed three troublesome menu items and now he is as happy as a clam. The day began mostly cloudy with a NE wind (good) and brightened up a bit. With the afternoon forecast calling for east winds with rain we photographed until 12:30pm, headed back to our places for a quick shower, met at 1:30 for a great lunch as usual at Neptune Grill in Gulfport, and then review images until 4:15pm!

Today is Wednesday 15 November, 2023. We likely be doing another long, single, morning session as the forecast is the same as it was on Tuesday. Wherever you are a whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Clockwise from the upper left back around to center: Osprey gaining altitude after missed strike; school of mullet under attack from below; Wood Stork with Southern Whiting; Osprey with Menhaden; Wood Stork with small lobster; Royal Tern with large baitfish; Osprey with Menhaden; juvenile Osprey directly overhead “t-shot”; Osprey taking flight with freshly caught Mullet.

Sebastian Inlet In-the-Field Sessions

Join me for 3 hours of morning In-the-Field Instruction at Sebastian Inlet for only $300.00/session. The main target will be Ospreys fishing for a variety of migrating saltwater fish that visit the inlet each fall. Back-up subjects include fishing gulls, terns, and Brown Pelicans, Wood Stork, a variety of herons and egrets, sunrise cloud-scapes, and the occasional sea turtle or manatee.

November Dates: 20-25, 2023.

Please get in touch via e-mail to book one or more sessions.

The 2024 San Diego Brown Pelicans (and more!) IPTs

San Diego IPT #1: 4 1/2 DAYS: TUES 23 JAN thru the morning session on SAT 27 JAN 2024: $2699.00. Deposit: $699.00. Limit: 6/Openings 5.

San Diego IPT #2: 3 1/2 DAYS: WED 31 JAN thru the morning session on SAT 3 FEB, 2024: $2149.00. Limit: 6 photographers

Please e-mail for information on personalized pre- and post-IPT morning sessions.

Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.

I discovered some really neat new spots on my 2022/23 visit. As a result, the first and second IPTs may include an afternoon or two of landscape photography.

Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.

San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.

Learning Exposure, Whether You Like It Or Not

Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.

Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.

It Ain’t Just Pelicans

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning, there is usually some excellent flight photography, at times with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego. Each IPT will include one or two duck sessions.


san-diego-card-neesie

Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.

The San Diego Details

These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon shoot. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.

Deposit Info

A $699 deposit is required to hold your slot for one of the 2024 San Diego IPT. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.


san-diego-card-b

Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.

Getting Up Early and Staying Out Late

On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.

B&H Simplified

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 22 December 2022 at La Jolla, CA. Standing at full height, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with Exposure Compensation on the Thumb Dial. Multi-metering +1.7 stops in Shutter Priority: 1/40 second at f/6.3 (wide open). AUTO ISO set ISO 1600. AWB at 6:32:33am long before the sun came over the big hill in La Jolla. RawDigger showed the raw file brightness to be 1/3-stop short of perfect.

Tracking: Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Pelagic Cormorant pre-dawn flight blur

Pre-dawn Blurs

Most mornings at La Jolla many hundreds of cormorants head out to sea long before the sun comes up. And on most mornings, the Pacific Ocean shows some sweet colors to those who look to the east. There are very few Pelagic Cormorants in San Diego. I identified this one by it small, sharp bill. The choice of 1/40 second shutter speed and smooth panning resulted in a sharp head and hill and pleasingly blurred wings. The sunrise color was enhanced using the fabulous, new Luminance Targeted Adjustment Tool. Note that the relatively small maximum aperture of the Sony 200-600 is not problematic when you are doing intentional blurs.

This image was created on 24 December 2022 at La Jolla, CA. Standing at full height, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 50: 1/15 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 7:31:02am right as the sun hit the lake.

Tracking: Expand Spot/AF-C with Bird Face/Eye detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #2. Northern Shovelers/group feeding circle

Northern Shoveler Circle of Confusion Feeding

Northern Shovelers employ a crazy group feeding strategy where a dozen to a hundred birds swim slowly in a tight circular formation feeding on whatever ducks feed on. To me, a slow shutter speed seemed the best way to get across what was going on.

This image was created on 25 December 2022 at La Jolla, CA. Standing at full height, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 70-200mm f/2.8 GM OSS II lens (at 70mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation on the thumb dial. Multi-metering plus 2 stops in Shutter Priority mode. 1/125 second at f2.8 Wide open). AUTO ISO set ISO 800. AWB at 6:44:28am on a dead clear morning well before the sun came over the big hill in La Jolla.

Tracking: Expand Spot/AC-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #3: Brown Pelicans on cliff in predawn pink/blue.

Pink/Blue Pre-dawn Skies

On crystal clear mornings, the sky opposite the sunrise will often become bright pink with a layer of blue just above the water. The blue is a result of earth shadow, the portion of the sky that is shaded from the sun by the earth itself. Shorter focal lengths provided by the 70-200mm f/2.8 lenses are often the tickets to success.

This image was created on 21 January 2023 at Santee Lakes, CA. I used the ankle-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1250: 1/4000 sec; at f/6.3 (wide open). AWB at 3:40:13pm on a sunny afternoon.

RawDigger showed the raw file brightness to be dead-solid perfect.

Tracking: Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #4: Drake Wood Duck excited about something.

Drake Wood Ducks — Beautiful or Ugly?

The late Thomas H. Davis Jr., all 6 feet nine inches, 145 pounds of him, used to say that male Wood Ducks were the ugliest ducks on the planet. Most folks, including me, would disagree vehemently. Wood Duck photography is usually quite easy on a San Diego IPT.

It was Tom who taught me to identify and age the shorebirds at Jamaica Bay Wildlife Refuge in Queens, NY, and got me interested in bird photography. He used a huge Novaflex lens with pistol grip focus.

Your Call?

Which two of today’s four, colorful, featured images do you like best. Please leave a comment letting us know why you made your choices.

The Digital Basics III Video Series YouTube Promo

The Digital Basics and Digital Basics II PDFs have taught more than 8000 nature photographers to process their raw files optimally, to make them look great. In the new DB III Video Series, I will be doing three image optimizations/video. Each will include the three raw conversions. Keep reading to learn more.

The Digital Basics III Video Series

The Digital Basics III Video Series

I realized about a year ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.

As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born. Keep reading to learn about Digital Basics III Volume I/#1. As below, you might opt to purchase single videos or to subscribe to Volume I and save $26 by ordering the first five videos in one fell swoop. You can purchase the five videos in Volume I by clicking here.

For folks using the latest version of Photoshop (2024) or Lightroom. Topaz DeNoise AI and Topaz Sharpen AI are a plus.

Digital Basics III Volume I/#1

Digital Basics III Volume I/#1

Nearly an hour in length, DB III/VOL I/#1 has you sitting by my side at my Apple 16″ MacBook Pro (M2 Max, Silver) as I optimize the three images above. You will see that I use and recommend only Photo Mechanic (for both MACs and PCs) for picking my keepers and browsing and that I do my raw conversions using Camera Raw (Version 16.0.0.1677) in Adobe Photoshop 2024 (25.0.0 Release). Note that Camera Raw is identical in Lightroom.

Right off the bat you will learn to customize the panels (sometimes called tabs) and put them in the order you wish to use them. For me, those include Color, Light, Detail, and Color Mixer. Then, for each image, I take you through all the raw conversion sliders including the Color Temperature (White Balance), setting the White and Black points, adjusting the Highlight and Shadow sliders, and rarely, setting the Exposure and Contrast sliders. You will learn to use the new Remove Tool, the new Luminance Targeted Adjustment Tool, and my two-step noise reduction strategy. I use all three of those on virtually every image that I process. The second image, the Short-eared Owl, was created at ISO 12800. You will learn why and how I used Topaz Sharpen AI on various images.

After the master .TIF files are saved, you will learn how I size and sharpen the stunning JPEGs that you see on the blog every day.

You can purchase DB III/Volume I/#1 for $25.00 by clicking here in the BAA Online Store. Or, you can opt to purchase the Volume I series, videos #1 to 5, for the bargain rate of $99.00 for the first five videos (as noted above). The plan is to publish about 1 video/week. If the project is well received, there will be future volumes. I have already picked the images for DB III, Volume I/#2!

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

November 13th, 2023

Unexpected Successes (???) are Rarities

What’s Up?

I Should’a Stood Home (tongue in cheek)

I left ILE at 4:32am on Saturday and arrived at Sebastian Inlet State Park at 5:59am, just as Maps predicted. There was no wind, zero. There were no-see-ums. And there were very few Ospreys — I saw only four in more than two hours. There was a decent sunrise. I kept only eight images, including one that I liked of a Sanderling in flight against orange/gold sunrise-lit water. That with the 70-200 II at 1/60 second.

On Sunday morning, I headed down to the lake early with a defrosted road-killed raccoon to put out for the vultures. I tried a new spot but wound up not liking it as much as my regular spot. Next was the drive over to Gulfport to meet newbie Alan Goodwin. Alan came a day early for his first IPT and hired me for an extra day of getting started instruction; he is pretty much starting at ground zero. He recently purchased his first super telephoto lens, the Sony 600mm f/4 and an a-1. He used one of my affiliate links (thank you very much) and earned free entry in the SONY Alpha a1 Set-up and Info Notes Group. On Sunday evening I copied my settings to his a-1 and taught him to use the camera while we both sat on a couch for ten minutes. The a-1 is that simple.

Today is Monday 13 November 2023. Alan and I are heading to DeSoto early to do some bird photography! The morning forecast is for strong NE winds with cloudy skies. Pretty good. At 1pm, newbie Paul Marbourg (who flew from Portland, OR on Saturday) and many multiple IPT veteran John Dupps will be meeting Alan and me for Photo Mechanic lessons. I hope that you too have a great day.

As an aside, if you have been thinking about purchasing a Photo Mechanic license, you are advised to purchase yours here very soon as there may be some changes coming at Camera Bits. Use my link and then shoot me an e-mail with proof of purchase and request a free Getting Started with Photo Mechanic e-mail guide.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount.

Unexpected Successes (???) are Rarities

Bird photography can be strange. I often know exactly when I make a great image. Once in a great while I will be shocked when I spot a serious problem with an image that I had been sure was a family jewel when viewing it on the rear monitor. But it does happen.

Every once in a while, I press the shutter button knowing that the image or images will be deleted. Sometimes I am trying to learn something, usually about exposure, and sometimes I press the button for no reason at all. In those situations, it is extremely rare to create an image that I actually like. On the morning of 2 November 2023 I made two such images that I liked a lot. Both came as a big surprise. You can learn about how each image came to be below the images.

This image was created on 2 November 2023 at Fort DeSoto Park. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 800. 1/15 second at f/6.3 (wide-open) in Manual Mode. AWB at 7:33:42am well before sunrise. RawDigger showed the exposure to be perfect.

Tracking: Spot S AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Brown Pelicans and distant buildings

Getting Distracted

When Bosque was good 20+ years ago (thanks to then-refuge manager Phil Norton), I said often, “You need to be ready; the best blastoff blurs are created in the first 2-3 seconds.” I had walked far to the north to get on a large mixed flock of gulls, tern, and shorebirds (including 500+ Red Knots) roosting on a sandbar. Anticipating a blastoff, I was working in Manual mode at 1/15 second. Once I was in position I waited and waited and waited in vain. When I spotted a group of pelicans on the shore of Outback Key with a distant line of buildings far in the distance, I decided to make a few images of the scene. I wanted to stay in blur mode so I figured, “What the heck?”

A Striving-for-Sharp Blurs

You might classify images like #1 accidental blurs. Striving-for-sharp blurs are not, however, mentioned in A Guide to Pleasing Blurs. So, when I framed the image and pressed the shutter button, I was half-heartedly trying to create a sharp image. But at 600mm handheld at 1/15 second you are not gonna make a whole lot of sharp frames. When I came to the short series of images, I loved the photo for the look of the green Gulf waves and the somewhat painterly, somewhat grungy look.

After making a few frames, I glanced back to my left and noted that I had missed the blastoff by ten seconds. As my late Mom used to say, “Oh well.”

This image was created on 2 November 2023 at Fort DeSoto Park. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 840mm) with The One, the Sony a1 Mirrorless CameraRawDigger showed the exposure to be perfect. AWB at 7:50:54am right around the time of sunrise with some wispy clouds in the eastern sky.

Tracking: Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #2: Laughing Gull in flight at sunrise/pano crop image

Another Happy Accident

There was only one other bird photographer that morning. When our paths crossed, I asked him if he had gotten the blastoff and he answered “No.” I explained to him that with the north wind he had been in the wrong spot, that most of the time in bird photography it pays to have the winds at your back. He was using a tripod-mounted super telephoto, I forget if it was Nikon or Canon. He asked me about Sony. I had been set-up for blurs in Shutter Priority mode so I simply raised the shutter speed to 1/2500 sec. With the brightly colored sky I set +1.7 stops. With Tracking Zone set, I held the camera away from my eye so that we could both see the rear monitor. Looking for anything flying near the sunrise, I was happy to spot the gull, acquire focus instantly, and then move the bird to the right side of the frame as I panned and fired off a short series. All I was trying to do was demonstrate Sony AF; I had not been planning on making even a halfway decent image so I was quite surprised when I came across Image #2.

Your Calls?

Do you like one or both of today’s happy accidents? If yes, why? If not, why?

November 11th, 2023

Widely Varied Opinions. A Tip, & Lots to Consider & Learn

What’s Up?

The vultures out-smarted me this morning. There were more than 50 sitting on my spot when I drove down with a load of rotten, smelly fish skins and carcasses. Thus, they walked to breakfast. A few did fly in but there was almost no wind at all.

Today is Saturday 11 November. I will be up very early and driving the 90 minutes to Sebastian Inlet in hopes of a spectacular sunrise. The wind direction and sky conditions are looking good. Will the Ospreys be diving? Who knows. Wherever you are a whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

B&H Simplified

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Important Note

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Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

I-Phone 11+ snap

Stand of Blazing Star blossoms — most past peak

A Picture is Worth a Thousand Words. And a Tip

In the New Approach to Blazing Star Blossom Photography blog post here, I described the situation as below but figured that a picture would be worth a thousand words. From the morning of 9 November.

I stood on Toronaja Drive facing NW. The drainage canal is out of sight in the center of the frame. Most of the blossoms were well past peak bloom. That with the exception of the flower in the lower left/center. On the 5th, I worked with the 400mm f/2.8 on a tripod well to the left of my vantage point for the I-Phone shot above.

In similar situations, you can handhold your lens and move around, changing your perspective while looking for a shot. We call this “composing through the viewfinder.” Once you see something that catches your eye, set up the lens on the tripod and fine-tune the image design. Working in shaded situations as I was makes it much easier to find the shot as you are not restricted by sun angle.

Note that the yellow tones in each image below were the result of the sun hitting vegetation in the background. After reading the text that follows each image below, be sure to scroll down to read the wildly varying comments.

This image was created on 5 November 2023 about one block from my home at Indian Lake Estates, FL. Crouching just a bit, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640. 1/250 sec. at f/2.8 (open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect (ho hum). AWB at 8:30:31am in the shade on a sunny morning.

Tracking: Expand Spot/AF-C performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #1: Blazing Star blossom

The Situation

Just about a block from my house, a stand of Blazing Star blooms every year in November where one of the many run-off canals in the neighborhood meets the road, in this case, Toronto Drive. I have photographed the flowers in previous years with my Canon 180mm macro lens, the Metabones adapter, and an a7R IV or more recently, an a-1. As I never came up with anything interesting, I tried a new approach on Sunday morning by working with the tripod-mounted 400mm f/2.8 lens. The super-fast aperture worked perfect for the shaded conditions — there are fairly dense pine woods on both sides of the road. The trees also acted as a windbreak protecting the flowers from the 15mph breeze down by the lake.

The Same-Old Depth-of-Field Question in a Different Form

Why did the wide open f/2.8 aperture provide more than enough d-o-f to render the entire blossom sharp?

This image was also created on 5 November 2023 about one block from my home at Indian Lake Estates, FL. Crouching just a bit, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640. 1/125 sec. at f/4 (stopped down one-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure as determined to be dead-solid perfect (ho hum). AWB at 8:33:25am in the shade on a sunny morning.

Tracking: Expand Spot/AF-C performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #2: Blazing Star blossom (and more)

The Comments

Guido Bee — November 8, 2023 at 9:31pm

As to depth of field, the 20 foot distance helps. A 400mm lens on a full frame at 2.8 will never have much dof, but subject to lens distance is key

Arthur Morris/BIRDS AS ART — November 10, 2023 at 8:34pm

That is correct, sir. a

John Storjohann; November 8, 2023 at 1:35pm

Good morning, Artie;

I like the first image more (see a) but there are qualities I like about both images:

a) In the second image, as others have mentioned, the green foliage in the lower left is too bright/too well defined and draws my eye to it.
b) To my eye, it looks like you were in a slightly different position for the second image; I like how it moves diagonally through the frame and I like how it intersects the yellow background colors near the top of the frame.
c) It looks like in the second image there was a slight change in light as well; the colors in the background seem brighter, with better contrast.

All the best. John

Arthur Morris/BIRDS AS ART — November 10, 2023 at 8:37pm

Hi John,

a- That o-o-f foliage is a huge plus for me! Different strokes …

b- Yes. I moved around a lot as there was no sun on the flowers.

c- A different angle with some light on the background.

thanks for commenting, with love,

a

Keith Solberg — November 8, 2023 at 2:34am

Hi Artie,

I prefer the 1st image over the 2nd. I like the angle of the 2nd and the yellow, but the plant in the lower left is too much of a distraction for me. The 1st flower looks like it’s closer to its peak, there are more flowers and the small green leaves near the flowers are not yellowing like on the 2nd. It’s similar to a wildflower up here in the Pacific Northwest and on those plants the flowers die off from the bottom upward. I suspect that your flowers are similar. You can always monitor it if you have the time. I’m not going to wade into the DOF question. I’ll read and learn if what I think is correct or not.

Arthur Morris/BIRDS AS ART — November 8, 2023 at 6:40am

Thanks, Keith. As for the d-o-f question, reading my replies to others here would shed some light on the situation.

with love, artie

Dane Johnson — November 7, 2023 at 3:11pm

Hi Artie. Both are great images. Image 2 holds the edge for me due to the angle of the stalk, which creates more interest and the balancing of the yellow background in the upper left and the out-of-focus plant and flowers in the lower left. The dof is a combination of aligning the flower stalk parallel to the sensor and the distance from the flower. This lens has a minimum focusing distance of just less than 9ft. The dof at 9 ft. at f/2.8 is 9/32 in. The dof at 12 ft. increases to 1/2 in. This lens can make some incredible close up images from a “not so close” distance.

Arthur Morris/BIRDS AS ART — November 7, 2023 at 8:55pm

Thanks, Dane!

You wrote, “The dof is a combination of aligning the flower stalk parallel to the sensor and the distance from the flower.”

Of those two, which is the vastly more important factor?

And BTW, the two focus distances were 7.08m for Image #1, and 6.27m for the second photo. Those convert to 22.3 feet and 20.57 feet respectively. In other words, I was a good distance away from relatively large blossoms; each is more than a foot in length. The total d-o-f at 21 feet at f/2.8 is 0.13 feet, or about 1 1/2 inches. As the flowers are no more than an inch in diameter, the d-o-f at a distance is more than enough to cover each blossom.

with love, artie

ps: Yes, a “not so close distance.”

Elinor Osborn — November 7, 2023 at 2:25pm

Why did the wide open f/2.8 aperture provide more than enough d-o-f? the camera was square to the whole stalk.

I like #1 better because pf the softer background colors being mostly horizontal against the vertical stalk, the oof purple showing on the left, and the arc of leaves at the base of the plant. In #2 the diagonal line of the stalk is good. The starburst of leaves and spot of oof purple balance the stem well. Just am not keen on the strong yellow.

Arthur Morris/BIRDS AS ART — November 7, 2023 at 8:42pm

Thanks for the comments, Elinor. As for the d-o-f question, there is a more important factor involved …
a

Larry Master — November 7, 2023 at 11:17am

Hi Artie – Nice shots of a beautiful flower, Dense Blazing Star (Liatris spicata). I like both images but perhaps the second image more, likely because of the diagonal leading one’s eye up the stalk to the top with a beautiful yellow background. The plants in the lower left I think add compositional balance to the image.

Arthur Morris/BIRDS AS ART — November 7, 2023 at 8:40pm

Thanks for the species ID Larry. And for your comments.

Do you know which flower is farther advanced in terms of bloom?

with love, a

Kevin Hice — November 7, 2023 at 10:49am.

Good morning Artie. Both fine images for me the best one is the first although I am a sucker for the yellows in the second image. All is sharp at 2.8 because the flower is all on the same plane. I might have gone with the second image but the plant anchored in the lower left is distracting. It pulls my eye away from the main subject as it looks like it is coming out to grab you. Not familiar with the plant it seems like the second image is at full development looking closely at the pistils. I need to do more flowers.

Arthur Morris/BIRDS AS ART — November 7, 2023 at 8:38pm

Thanks, Kevin. I find flowers a pleasant change and a challenge. As for the d-o-f question, there is a more important factor than the one you mentioned.

with love, a

Dave Goldberg — November 7, 2023 at 8:31am

Hi Artie,
1) I believe image #2 has fuller blossoms at mid length down the bloom
2) Personally, I’d go with image #2 because the blossom is fuller, the angle is more interesting to me, and the plant in the bottom RHS is better placed and less distracting than #1

My guess is that you have better DoF with the 400mm because you were standing positioned further away when you took that shot, so the increased distance more than offset the wide open aperture.

Arthur Morris/BIRDS AS ART — November 11, 2023 at 2:35pm

Thanks, Dave.

While #2 is my favorite by far, it seems to that the blossom in the first image is fuller and more complete. No need to guess — the biggest factor in play is the distance to the subject; the greater the focus distance, the deeper the d-o-f.

My Answers, Calls, and a final comment

1- Which image features the more complete, more perfect blossom?

For me, it seemed obvious that the blossom in Image #1 was more complete and way more beautiful than the blossom in Image #2.

2- Which image is the stronger, more interesting photograph. Why?

Despite the fact that the first image featured a more beautiful blossom, I felt that Image #2 was far stronger because of the diagonal line of the blossom and because of the additional yellow and purple tones.

My Final Comment

I was glad to see so many different opinions on the two featured images. Funny how the yellow tones in the 2nd image were a negative to some folks and a positive to others. Funny how the defocused blossom in the lower left corner of Image #2 was a negative to some folks and a positive to others.

Remember that judging photographs is 100% subjective — there is no right or wrong. But playing the game will always help you to be in a better position to evaluate your own work.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.